The homeless men and women represented in this book speak candidly about their plight, its origins, and the many obstacles to escaping it. They discuss the unique challenges and opportunities that Las Vegas’s focus on tourism, indulgence, and diversion offers its homeless residents. This compelling and emotionally charged ethnography counters many of the stereotypes of homeless men and women, revealing the remarkable diversity of their circumstances. It also offers their perspectives on social services and civic attitudes toward homelessness.
Just beyond Las Vegas’s neon and fantasy live thousands of homeless people, most of them men. To the millions of visitors who come to Las Vegas each year to enjoy its gambling and entertainment, the city’s homeless people are largely invisible, segregated from tourist areas because it’s “good business.” Now, through candid discussions with homeless men, analysis of news reports, and years of fieldwork, Kurt Borchard reveals the lives and desperation of men without shelter in Las Vegas. Borchard’s account offers a graphic, disturbing, and profoundly moving picture of life on Las Vegas’s streets, depicting the strategies that homeless men employ in order to survive, from the search for a safe place to sleep at night to the challenges of finding food, maintaining personal hygiene, and finding an acceptable place to rest during a long day on the street. That such misery and desperation exist in the midst of Las Vegas’s hedonistic tourist economy and booming urban development is a cruel irony, according to the author, and it threatens the city’s future as a prime tourist destination. The book will be of interest to social workers, sociologists, anthropologists, politicians, and all those concerned about changing the misery on the street.
Victorian Vocalists is a masterful and entertaining collection of 100 biographies of mid- to late-19th-century singers and stars. Kurt Gänzl paints a vivid picture of the Victorian operatic and concert world, revealing the backgrounds, journeys, successes, failures and misdemeanours of these singers. This volume is not only an outstanding reference work for anyone interested in vocalists of the era, but also a compelling, meticulously researched picture of life in the vast shark tank that was Victorian music.
Following the monographs by STRAUB (1924) and LENDLE (1935), this is the third contribution to the "Pharmacology of Cardiac Glycosides" within the Handbook of Experimental Pharmacology, which was founded by ARTHUR HEFFTER and con tinued by WOLFGANG HEUBNER. Because of the need created by the length of time that had elapsed since LENDLE'S work, the editorial board requested the rapid ap pearance of this 56th volume, which represents current knowledge of the pharma cology and clinical pharmacology of cardiac glycosides. In order to avoid any delay, numerous authors were invited to contribute because shorter contributions take less time to prepare and are consequently more up-to-date. The disadvantage is that some overlap between certain chapters could not be avoided, despite the editor's efforts. Overlapping can, however, actually be useful, in that differing opinions may be provided and topical issues discussed from varying viewpoints. This re minds the reader that scientific horizons in medicine should often be widened or revised. I would like to thank DR. ALANNA Fox and DR. K. ANANTHARAMAN for their help and advice in the revision of certain chapters. I am also grateful to Springer Verlag, and particularly to MR. WINSTANLEY and MR. EMERSON, for their contribu tion to the completion of this volume through translation and corrections. In con clusion I would like to thank MRS. WALKER, MR. BISCHOFF, MRS. SEEKER, and MR. BERGSTEDT of Springer-Verlag for their helpful support.
The homeless men and women represented in this book speak candidly about their plight, its origins, and the many obstacles to escaping it. They discuss the unique challenges and opportunities that Las Vegas’s focus on tourism, indulgence, and diversion offers its homeless residents. This compelling and emotionally charged ethnography counters many of the stereotypes of homeless men and women, revealing the remarkable diversity of their circumstances. It also offers their perspectives on social services and civic attitudes toward homelessness.
Just beyond Las Vegas’s neon and fantasy live thousands of homeless people, most of them men. To the millions of visitors who come to Las Vegas each year to enjoy its gambling and entertainment, the city’s homeless people are largely invisible, segregated from tourist areas because it’s “good business.” Now, through candid discussions with homeless men, analysis of news reports, and years of fieldwork, Kurt Borchard reveals the lives and desperation of men without shelter in Las Vegas. Borchard’s account offers a graphic, disturbing, and profoundly moving picture of life on Las Vegas’s streets, depicting the strategies that homeless men employ in order to survive, from the search for a safe place to sleep at night to the challenges of finding food, maintaining personal hygiene, and finding an acceptable place to rest during a long day on the street. That such misery and desperation exist in the midst of Las Vegas’s hedonistic tourist economy and booming urban development is a cruel irony, according to the author, and it threatens the city’s future as a prime tourist destination. The book will be of interest to social workers, sociologists, anthropologists, politicians, and all those concerned about changing the misery on the street.
2 B R 0 2 B" es un relato corto de ciencia ficción de Kurt Vonnegut, publicado originalmente en la revista de ciencia ficción Worlds of If de enero de 1962, y recogido en Bagombo Snuff Box de Vonnegut (1999). El título se pronuncia "2 B R naught 2 B" y hace referencia a la famosa frase "to be, or not to be" (ser o no ser) de la obra Hamlet, de William Shakespeare. En la historia, el título hace referencia al número de teléfono que se marca para programar un suicidio asistido con la Oficina Federal de Terminaciones. En la novela de Vonnegut de 1965, Dios le bendiga, señor Rosewater, se describe un cuento con ese nombre y se atribuye a su personaje recurrente Kilgore Trout, pero el resumen de la trama que se ofrece se acerca más al cuento homónimo de la colección de cuentos de Vonnegut Bienvenidos a la casa de los monos.
Kurt Vonnegut was a groundbreaking American writer, the author of such classics as Slaughterhouse-Five and Cat's Cradle. In a future where sickness and disease are a forgotten memory, and death itself has been cured, population control requires special consideration, and the concept of 'Life for Life' has a new definition.
2 B R 0 2 B is a science fiction short story by Kurt Vonnegut, originally published in the digest magazine Worlds of If Science Fiction, January 1962, and collected in Vonnegut's Bagombo Snuff Box (1999). The title is pronounced "2 B R naught 2 B", referencing the famous phrase "to be, or not to be" from William Shakespeare's Hamlet, Prince of Denmark. In this story, the title refers to the telephone number one dials to schedule an assisted suicide with the Federal Bureau of Termination. Vonnegut's 1965 novel God Bless You, Mr. Rosewater describes a story by this name, attributing it to his recurring character Kilgore Trout, although the plot summary given is closer in nature to the eponymous tale from his short-story collection Welcome to the Monkey House. The setting is a society in which aging has been cured, individuals have indefinite lifespans, and population control is used to limit the population of the United States to forty million. This is maintained through a combination of infanticide and government-assisted suicide - in short, in order for someone to be born, someone must first volunteer to die. As a result, births are few and far between, and deaths occur primarily by accident.
A never-before-seen collection of deeply personal love letters from Kurt Vonnegut to his first wife, Jane, compiled and edited by their daughter “A glimpse into the mind of a writer finding his voice.”—The Washington Post “If ever I do write anything of length—good or bad—it will be written with you in mind.” Kurt Vonnegut’s eldest daughter, Edith, was cleaning out her mother’s attic when she stumbled upon a dusty, aged box. Inside, she discovered an unexpected treasure: more than two hundred love letters written by Kurt to Jane, spanning the early years of their relationship. The letters begin in 1941, after the former schoolmates reunited at age nineteen, sparked a passionate summer romance, and promised to keep in touch when they headed off to their respective colleges. And they did, through Jane’s conscientious studying and Kurt’s struggle to pass chemistry. The letters continue after Kurt dropped out and enlisted in the army in 1943, while Jane in turn graduated and worked for the Office of Strategic Services in Washington, D.C. They also detail Kurt’s deployment to Europe in 1944, where he was taken prisoner of war and declared missing in action, and his eventual safe return home and the couple’s marriage in 1945. Full of the humor and wit that we have come to associate with Kurt Vonnegut, the letters also reveal little-known private corners of his mind. Passionate and tender, they form an illuminating portrait of a young soldier’s life in World War II as he attempts to come to grips with love and mortality. And they bring to light the origins of Vonnegut the writer, when Jane was the only person who believed in and supported him supported him, the young couple having no idea how celebrated he would become. A beautiful full-color collection of handwritten letters, notes, sketches, and comics, interspersed with Edith’s insights and family memories, Love, Kurt is an intimate record of a young man growing into himself, a fascinating account of a writer finding his voice, and a moving testament to the life-altering experience of falling in love.
The collected works of Kurt Godel is designed to be useful and accessible to as wide an audience as possible without sacrificing scientific or historical accuracy.
It is the year 2001, and Eugene Dabbs Hartke, suffering from TB, is recording his disastrous life on scraps of paper while awaiting trial for a crime he hasn't committed. This humorous novel is set in a Japanese-owned America, where everything is run for profit. By the author of Slaughterhouse 5 .
A compilation of personal correspondence written over a sixty-year period offers insight into the iconic American author's literary personality, his experiences as a German POW, his struggles with fame, and the inspirations for his famous books.
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