Nell'indagine prospettica della proposta di Nova Theoretica si è imposta la necessità di indagare il tema dell'idea per rintracciare in questo concetto e in questo termine alcuni dispositivi teoretici capaci di restituire orizzonti e riflessioni sull'essenza stessa della filosofia. Il tema, trattato da diverse prospettive storiografiche e speculative, offre alcune linee ermeneutiche del problema "Idea" per ritrovare, nella forza di tale concetto, una radice feconda del filosofare oggi. Con saggi di Massimo Adinolfi, Kurt Appel, Carla Canullo, Alberto De Vita, Massimo Donà, Daniel Kuran, Thomas Leinkauf, Carmelo Meazza, Marco Moschini, Michele Ricciotti, Francesco Valagussa, Pavao Zitko.
The collected works of Kurt Godel is designed to be useful and accessible to as wide an audience as possible without sacrificing scientific or historical accuracy.
Anyone interested in the life and work of Kurt Gödel, or in the history of mathematical logic in this century, is indebted to all of the contributors to this volume for the care with which they have presented Gödel's work. They have succeeded in using their own expertise to elucidate both the nature and significance of what Gödel and, in turn, mathematical logic have accomplished." --Isis (on volume I). The third volume brings togetherGödels unpublished essays and lectures.
The lyrics notebook and personal journals of Kurt Cobain, revealing new insight and meaning to the iconic signer of the band Nirvana. Kurt Cobain filled dozens of notebooks with lyrics, drawings, and writings about his plans for Nirvana and his thoughts about fame, the state of music, and the people who bought and sold him and his music. His journals reveal an artist who loved music, who knew the history of rock, and who was determined to define his place in that history. Here is a mesmerizing, incomparable portrait of the most influential musician of his time.
Kurt Cobain filled dozens of notebooks with lyrics, drawings and writings about his plans for Nirvana and his thoughts about fame, the state of music and the people who bought and sold him and his music. More than 20 of these notebooks survived his many moves and travels, and have been locked in a safe since his death. His journals reveal an artist who loved music, who knew the history of rock, and who was determined to define his place in that history.
In this extended prose poem--a text that reads as much as a work of art as important scholarship--Kurt H. Wolff has created a work of phenomenology that goes far beyond the typical methods of empirical social science to embrace field work as an extraordinary openness to being. Including personal letters to Wolff from Hannah Arendt and Hermann Bloch, the book portrays a fertile mind's reckoning with pre-phenomenal being in a way that dances between the realms of intellectual consideration and the surrender of will to the intoxication of lived experience.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.