Focusing on the enactment of identity in dance, Indigenous Dance and Dancing Indian is a cross-cultural, cross-ethnic, and cross-national comparison of indigenous dance practices. Considering four genres of dance in which indigenous people are represented--K'iche Maya traditional dance, powwow, folkloric dance, and dancing sports mascots--the book addresses both the ideational and behavioral dimensions of identity. Each dance is examined as a unique cultural expression in individual chapters, and then all are compared in the conclusion, where striking parallels and important divergences are revealed. Ultimately, Krystal describes how dancers and audiences work to construct and consume satisfying and meaningful identities through dance by either challenging social inequality or reinforcing the present social order. Detailed ethnographic work, thorough case studies, and an insightful narrative voice make Indigenous Dance and Dancing Indian a substantial addition to scholarly literature on dance in the Americas. It will be of interest to scholars of Native American studies, social sciences, and performing arts.
Learn all about the fascinating lives and tremendous impact of 100 extraordinary artists from around the world with this fact-filled biography collection for kids 8 and up This easy-to-read biography collection includes: 100 one-page biographies: Find out how artists from around the world made history! Illustrated portraits: Each biography includes an illustration to help bring history to life! A timeline, trivia questions, project ideas, and more: Boost your learning and test your knowledge with fun activities and resources! From Leonardo Da Vinci to Vincent van Gogh to Andy Warhol and many more, readers will be introduced to painters, sculptors, photographers throughout history. Organized chronologically, 100 Artists Who Shaped World History offers a look at how the lives, techniques, advancements, and great works of artists have influenced culture and society for thousands of years.
Surely enough has been written about F. Scott Fitzgerald, the man who coined "the Jazz Age" and symbolized the Roaring Twenties, whose very name conjures up a meteoric rise and an equally spectacular fall? But the better question might be, Why has so much ink been spent on a writer who completed only four novels, who fell from grace in the 1930s only to be resurrected twenty years later? The answer, according to the cultural critic Arthur Krystal, "is the problem that is Fitzgerald." Drawn to the glitter of fame but aspiring to the empyrean heights of Joseph Conrad and James Joyce, Fitzgerald careened from the perfection of The Great Gatsby to the hack world of Hollywood screenwriting, penning stories that were either brilliant distillations of the age or superficial works of fiction. Like America itself, Fitzgerald was a work in progress, a self-created and conflicted human being striving for ideals that neither he nor the nation could ever live up to. Beset by contradictions, buoyed by hope, fueled by alcohol, unable to settle permanently in any one place, Fitzgerald possessed what John Updike aptly described as "an aptitude for chaos and a dream of order." In this unusual and concise biography—more a layering of impressions than a chronological guide—Krystal gives us not only the peripatetic and turbulent life of a cultural icon but also the intellectual sweep of a period in history that created our modern America. Some Unfinished Chaos delivers a nuanced portrait of a man whose various sides embodied the trends, passions, and pursuits of the imperfect society that both glorified and dismissed him.
With so many lies and secrets, will Ne'Vaeh ever have her happily ever after, or will she decide it's time to leave everything and everyone behind in search of a new start? Charlene and Ne'Vaeh have been rivals ever since they were students at Howard University, both vying for the love of the same man. When the dust finally settled, Ne'Vaeh was brokenhearted, and Charlene was pregnant by Aaron--or so she said. In spite of Charlene's attempts to make her life miserable, Ne'Vaeh managed to move on and rekindle a relationship with Jamie, her first love. Unfortunately, that was not the end of her problems. The tension continues to build as Jamie struggles to tell Ne'Vaeh the truth about him and Charlene and their night in Miami. He has just gotten Ne'Vaeh back after four long years. How can he reveal his truth without losing her? Ne'Vaeh knows something isn't right when Jamie starts acting weird. She already has her guard up with Jamie, afraid that he will hurt her again. As usual, Charlene's attempts to keep everyone on edge are not making Ne'Vaeh's life any easier.
*Instant New York Times Bestseller* The Davenports delivers a totally escapist, swoon-worthy romance while offering a glimpse into a period of African American history often overlooked. "The perfect read for fans of escapist historical fiction.” —NBC’s TODAY The Davenports are one of the few Black families of immense wealth and status in a changing United States, their fortune made through the entrepreneurship of William Davenport, a formerly enslaved man who founded the Davenport Carriage Company years ago. Now it's 1910, and the Davenports live surrounded by servants, crystal chandeliers, and endless parties, finding their way and finding love—even where they’re not supposed to. There is Olivia, the beautiful elder Davenport daughter, ready to do her duty by getting married . . . until she meets the charismatic civil rights leader Washington DeWight and sparks fly. The younger daughter, Helen, is more interested in fixing cars than falling in love—unless it’s with her sister’s suitor. Amy-Rose, the childhood friend turned maid to the Davenport sisters, dreams of opening her own business—and marrying the one man she could never be with, Olivia and Helen’s brother, John. But Olivia’s best friend, Ruby, also has her sights set on John Davenport, though she can’t seem to keep his interest . . . until family pressure has her scheming to win his heart, just as someone else wins hers. Inspired by the real-life story of the Patterson family, The Davenports is the tale of four determined and passionate young Black women discovering the courage to steer their own path in life—and love. "The Davenports has it all: romance, heartbreak, courage." —Ebony "A fresh, utterly enchanting read.” —Ayana Gray, New York Times bestselling author of the Beasts of Prey trilogy "Deftly written . . . A dazzling debut." —Kirkus (starred review) "Stunningly wrought . . . Presents a cast of take-charge women." —PW (starred review) "It has the compulsive readability of Gossip Girl." —Booklist (starred review) "Compelling . . . distinct and satisfying." —BCCB "Skilled . . . Well-written . . . Sure to please." —SLJ "If this whole series existed right now, I’d tear through it to the exclusion of everything else in my life." —Teen Librarian Toolbox
In this book, Phyllis Krystal describes techniques, rituals and symbols which are capable of impressing positive messages on the subconscious mind in order to offset some of the negative conditioning that may have been received earlier in life. In this way, changes in life become possible much better than just working on a con¬scious, cognitive level. This method enables a person to liberate from the various sources of false security to become an independent and whole human being, relying only on the inner source of security ans wisdom which is available to everyone who seeks its aids. First revised edition.
First published in 1993. Aexithymia is the single most common cause of poor outcome or outright failure of psychoanalysis and psychoanalytic psychotherapy. The reason that this problem has escaped recognition for so long is part of the mystique and paradox of emotions. Affects are familiar to everyone. They are part of our experiences, so ordinary and common that they are equated with being human. The first part of this book is devoted to those mysterious and much studied experiences: emotions. The second part of the book concerns psychic trauma. Certain aspects of these two subjects have to be established in order to give us a broad enough view to approach the third subject: alexithymia.
A gorgeously twisted modern fairy tale that shimmers with magic and mystery" - Karen McManus, #1 New York Times bestselling author of One of Us Is Lying. FIVE WOMEN ARE DEAD. The killer leaves no fingerprints, no DNA. Police are utterly stumped. In a world where only women can use magic and the men who know about it seek to eradicate them, three damaged young women - one cursed, one hunted, one out for revenge - will team up to track down and take out a brutal supernatural killer. Jude Wolf is rich as sin and handsome as the devil. But she's also cursed. Her immortal soul is tethered to a rather hateful demon - and she wants the hell out of the deal. What Jude needs is a cursewriter - and she thinks the string of dead women, all of whom she suspects are messing with the occult, might just be able to lead her to one. Zara Jones has also been tracking the murders since they began. Her older sister was the killer's first victim. Zara doesn't just want revenge, she wants to find a way to bring her sister back. What Zara needs is a witch, a sorcerer, a necromancer - in fact, what Zara needs is a cursewriter. At the apartment of the fifth victim, Jude and Zara meet by chance, and there they find a clue that brings their paths crashing together: a strange business card bearing three words. Emer Byrne. Cursewriter.
Telling Blackness begins with two simple premises: conventional models of the ways people make meaning of the world fail to account for the particularities of Blackness; and accounts of Black life often miss the significance of the smallest and subtlest acts that sustain it. With this introduction of raciosemiotics, Smalls remaps the field of semiotic anthropology around the specificities of race and the body, and remaps contemporary Black diaspora through the embodied significations of a group of young Liberian women in the US. This transdisciplinary ethnographic account of their lives helps us reimagine their talk, twerks, and tweets as "tellings" that exceed our understandings of narrative and that potentially act on the world of meaning. And, with careful historical contextualization, we see how such acts reproduce, refuse, or powerfully disregard racial logics that have entangled the US and Liberia for two centuries. Led by Black feminist scholarship, Telling Blackness also provides a semiotic glimpse into ways of relating that help create complex diasporic intimacies and that sustain Black life beyond survival.
Praise for Arthur Krystal: "Arthur Krystal’s essays shine like a searchlight through the fog of contemporary culture. Vivid, sharp, and enlightening, they keep a steady keel through roiling waters."—Edward Mendelson, Lionel Trilling Professor of the Humanities, Columbia University "Krystal celebrates the author compelled to write by a sense of mortality and the critic qualified to judge literature by traits of temperament and taste.... And as his vibrant, well-considered essays reveal, Krystal has not entirely relinquished hope that ‘books, despite the critics’ polemics, are still the truest expressions of the human condition.’"—Elizabeth Mary Sheehan, New York Times Book Review "Arthur Krystal’s mind and style manage to flourish in a postmodern culture where literature has—in his fine phrasing—‘become the center that is somehow beside the point.’"—Thomas Mallon Although Arthur Krystal shies away from the title of essayist, his essays have appeared in the New Yorker, Harper’s, the American Scholar, the New York Times Book Review, and other publications. Moreover, such dissimilar critics as Dana Gioia, Morris Dickstein, Edward Mendelson, Christopher Hitchens, and Joseph Epstein have all lauded his work. And his first book, Agitations: Essays on Life and Literature, was a finalist for the 2003 PEN Award for the Art of the Essay. Accolades aside, Krystal simply regards himself as someone who writes sentences to see where they take him. In A Word or Two Before I Go, Krystal offers us—if he is to be believed—his final collection. These eleven essays and one evocative story range in subject matter from the depredations of aging and the anomalies of cultural appropriation to the friendship between Jacques Barzun and Lionel Trilling and the day Muhammad Ali punched Krystal in the face.
Nestled in the majestic mountains of Colorado lies the quaint town of Ash Hollow, where werewolves roam and loyalty to the pack rules the day…and the night. But in love—and war—some rules are made to be broken. Don’t miss this brand-new fated-mates paranormal romance from USA TODAY bestselling author Krystal Shannan. Imogen "Gen" Gallagher has always done what her pack-leader father demanded. When he demands she marry the Alpha of a rival pack, she reluctantly agrees. Even if it means never finding her soulmate. Liam O’Connor is loyal to his pack too. When his pack leader tasks him with taking care of his bride-to-be, Liam can’t—and won’t—say no, despite having his hands full running his Colorado ranch and investigating the troubling case of a missing witch. Then he meets the promised bride and his loyalty to his pack is tested like never before. Because she’s the one he’s been waiting for his whole life: his destined mate. And it’s more than loyalty to his Alpha that keeps him by Gen’s side. And more than duty to her father that keeps Gen by his. But when the terrible truth about the missing witch threatens all of Ash Hollow, it won’t just be Liam's and Gen’s loyalties, or hearts, on the line. And not everyone will come out unbroken. Colorado Pack Wars Book 1: Ruthless Moon
Sometimes rock bottom is the best place to start. London socialite Georgia Bailey just lost everything—the estranged father who abandoned her after her mother died, the rock-star boyfriend whose career she built from nothing, and her multi-million-dollar fortune. Now penniless, she’s forced to return to her grandparents’ vineyard in rural Australia and the waitressing job she left behind. But fitting back into her former life isn’t going to be easy, and things aren’t quite the way she left them. Her teenage sweetheart, now barely speaking to her, is the hot, grumpy chef she has to work for. Her childhood pet is a full-grown kangaroo that won’t stop sunbathing in the parking lot. And the vineyard, as it turns out, is in serious financial trouble. But Georgia already lost one family this year. She’s not about to lose another one—not if she can help it. Falling Down Under is a coming-home, second-chance romance recommended for fans of Lauren Landish and Sandra Bullock’s Hope Floats.
This book brings engagement and conversation to a cross‐pollination of creative and expressive writing and multi‐modal art forms. Through the lens of expressive arts therapy, the authors demonstrate how writing can reveal the unexpected that emerges from art making. The lineage of expressive arts therapy includes artful writing, poetry, associative, creative, and memoir, for example, to engage in self‐discovery, growth, and restorative care. Each chapter is grounded in intermodal expressive arts with a central focus on creative and expressive writing, which is informed by movement, visual art, storytelling, music, sound, photography, and physical performance, including response art, and has writing prompts and invitations as well as playful and improvisational integrative arts writing explorations. Creative arts therapists and expressive therapists actively searching for creative playful self‐reflective writing practice will find this book a rewarding resource. Krystal Leah Demaine, PhD, MT‐BC, REAT, CTRS‐C, RYT, music therapist, expressive arts therapist, and professor of expressive therapies at Endicott College, practices HEARTful healing note by note through song, story, poetry, and creative curiosity. Tamar Reva Einstein, PhD, REAT, expressive arts therapist, poet/artist, and teacher, crosses cultural borders in Jerusalem with the arts as her mother tongue, threading writing and arts like her threaded beads and amulets.
A stylish, engrossing collection of essays from a master of the form that covers topics as diverse as dueling, Scott Fitzgerald, aphorisms, and the 1960s.
A vigorous case for the virtues of old-fashioned literary criticism."--New York Times Book Review In his first book, Agitations: Essays on Life and Literature, which was heralded by such diverse critics as Jacques Barzun and Morris Dickstein, Arthur Krystal demonstrated that the literary essay is alive and well. Conversational in tone, but capable of addressing the political and semiotic methods adopted by the academy, Krystal's clear and allusive style constituted a reprimand to the fashionable idea that literature is the theorists' domain. His new book, The Half-Life of an American Essayist, continues to demonstrate that the literary essay in the right hands can itself be a subset of literature. Whether he's examining the evolution of the typewriter, the nature of sin, the cultural implications of physiognomy, the works of Paul Valery and Raymond Chandler, or his own ineffable laziness, Krystal's buoyant prose always speaks to the common reader. The twelve essays in Half-Life--the title is from Goethe's "Experience is only half of experience"--go deeper than the standard book piece; they hew to the line first drawn by Montaigne and later extended by Dr. Johnson, Hazlitt, Woolf, and Orwell. Although there may be no preordained way of writing about literature, Krystal takes his cue from Edwin Denby, who maintained that the first duty of the critic is to be "interesting." No matter how large the subject--whether it is the history of boxing or the growth of the Holocaust industry, Krystal paints broad subjects with precise brushstrokes. Erudite, lettristic, and informative, his essays are still accessible to the general reader. The reason is simple: as Dr. Johnson noted, "What is written without effort is in general read without pleasure." To this one might add that there is satisfaction to be had in the effort itself. How else could one write as committedly and entertainingly about Paul Valery's Cahiers as about Joe Louis's left jab?
From an early age Krystal Copeland knew she was unlike most children. After all, they weren’t hearing the same voices she was. As time went on, she would learn the truth about her abilities—they were gifts. Running from the Voices tells the life of the psychic Krystal Copeland and how she learned to accept her gifts, her heritage, and, above all, herself. Running from the Voices encourages readers to take a closer look into their own lives and explore a world beyond material possessions and monetary values.
This book examines the role of temperament and taste in the forming of aesthetic and ideological opinions. In provocative chapters about reading and writing, about the relation between life and literature, about knowledge and certainty, about God and death, and about a gradual disaffection with the literary scene, the book demonstrates that opposing points of view are based more on innate predilections than on disinterested thought or analysis.
“You can pretend to be okay, but I know you’re not”.. From victim to victory, in the name of Jesus! The journey to recovery is a long twisted road of emotion and my only wish is for someone to understand the Effects of Early Childhood Sexual Abuse, And To help someone else on their own journey to recovery. ‘Celebrate Recovery’ is a Christ Centered-12 Step Recovery Program.
Cosmos and Spheres was written by author Krystal Volney to free the minds of readers from stressed situations and enable them to enjoy a family book of fashion, romance, childrens, nature, and environment poetry.
Unaware of the Depth of my Spiritual Warfare… From Early Childhood Sexual Abuse to the Abuse of Religion and Spiritual Warfar, My Faith is Tested and Bound, when I refuse to give it up. I Celebrate Recovery… … AGAIN and AGAIN.
An unexpected sequel to ( Light Interference ) The story of what happens next in the adventures of my journals. Where the battle between witches and faith collide in my fight for sanity! From a 2017 Happy Easter to a 2021 Happy Fourth of July…… whatever this moment is, whatever may come of it… “May MY GOD be glorified in all things”...
My reality is as real as yours. Yet, I realize all the time that we are different. Who said I had to survive alone? All through life’s ups and downs, of the light within, I bore the voices that hover me. This reality of mine... My sanity or my crazy?
“You can pretend to be okay, but I know you’re not”.. From victim to victory, in the name of Jesus! The journey to recovery is a long twisted road of emotion and my only wish is for someone to understand the Effects of Early Childhood Sexual Abuse, And To help someone else on their own journey to recovery. ‘Celebrate Recovery’ is a Christ Centered-12 Step Recovery Program.
Mentoring Away the Glass Ceiling in Academia: A Cultured Critique is different in that it calls attention to the role mentoring has played on the “glass ceiling” phenomenon in higher education. Narratives by and about the experiences of women of diverse backgrounds in the United States and beyond the borders of this nation shed needed light on the ways in which mentoring influences identity formation and internal coping mechanisms in environments often characterized by marginalization. Through these narratives, these women serve as “quasi mentors” and create spaces for other women to survive and thrive within the educational arena. This text honors and extends previous work on the experiences of women academics from diverse backgrounds. Through this book, there is a call for new ways of understanding the vital role that narratives play in speaking truth to the power of mentoring. The insights present an exposé of the extent to which politics, policies, and equity agendas for mentoring have supported or failed women.
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