This compelling new account of Russian constructivism repositions the agitator Aleksei Gan as the movement’s chief protagonist and theorist. Primarily a political organizer during the revolution and early Soviet period, Gan brought to the constructivist project an intimate acquaintance with the nuts and bolts of “making revolution.” Writing slogans, organizing amateur performances, and producing mass-media objects define an alternative conception of “the work of art”—no longer an autonomous object but a labor process through which solidarities are built. In an expansive analysis touching on aesthetic and architectural theory, the history of science and design, sociology, and feminist and political theory, Kristin Romberg invites us to consider a version of modernism organized around the radical flattening of hierarchies, a broad distribution of authorship, and the negotiation of constraints and dependencies. Moving beyond Cold War abstractions, Gan’s Constructivism offers a fine-grained understanding of what it means for an aesthetics to be political.
Richard Rodgers, Oscar Hammerstein, Jerome Kern, Irving Berlin, and . . . Dorothy Fields. These are the giants of the golden age of musical theater. Although she may not be as well known as her male counterparts, Dorothy Fields was America's most brilliant and successful female lyricist, who for five decades kept up with the greats. As the only woman among the boys' club of popular song, Fields was welcomed by her fellow male artists, who considered her as both an equal and a beloved colleague. Working with thirteen different composers, Fields wrote the lyrics and/or librettos for unforgettable masterpieces, such as Annie Get Your Gun, Redhead, and Sweet Charity. Her more than four hundred songs include the standards "On the Sunny Side of the Street," "Pick Yourself Up," and "The Way You Look Tonight," among other classic tunes. This book introduces the trailblazing Fields to audiences who may not know her name but surely know her five decades worth of work. Beginning in the 1920s, Fields was one of the few women writing for commercial theater, and she did it so remarkably well that her work was recognized with a Tony Award, an Oscar, and the accolades of ASCAP president Stanley Adams, who referred to her as "the most important woman writer in the history of ASCAP.
Erudite, affectionate and witty, with more meanders and diversions than the river itself, Yarra is a fascinating read and a fitting tribute to the 'noble stream'. From the creation stories of Kulin owners and geologist blow-ins to the twenty-first-century waterside building boom, Otto traces the course of Melbourne's murky river.
Now with videos! Dysphagia Following Stroke, Third Edition is a practical and easy-to-use resource for clinicians treating swallowing disorders in the stroke population. The authors bridge the gap between academic and clinical practice with up-to-date research and clinical case examples throughout. In addition to a thorough overview of dysphagia diagnosis and management, this text focuses heavily on evaluation and management of stroke. Key topics include neural underpinnings of normal and disordered swallowing, swallowing screening, the clinical swallowing examination including cough reflex testing, the expanding array of instrumental swallowing modalities, and the rehabilitation of swallowing including strength training, non-invasive brain stimulation, and skill training. While geared toward practicing clinicians, Dysphagia Following Stroke is also useful for students in professional training programs. New to the Third Edition: A third author, Kristin Gozdzikowska, bring a fresh perspective as a young clinician and researcher with particular expertise in high resolution manometry and various cutting-edge treatment techniquesNew larger 6" x 9" trim sizeUpdated chapters on assessment to include new and emerging instrumental technologies, including high resolution manometry, impedance, and ultrasoundUpdated chapters on management to include the newly described International Dysphagia Diet Standardization InitiativeNew and expanded framework for rehabilitation, with a shift from peripherally focused rehabilitation to neuromodulation of cortical swallowing controlNew and updated research and trends in clinical practice throughoutIncludes videos This thoroughly updated and enhanced edition of Dysphagia Following Stroke is sure to remain a valued resource for clinicians working with stroke patients in all settings. Disclaimer: Please note that ancillary content (such as documents, audio, and video, etc.) may not be included as published in the original print version of this book.
In the early 20th century, the Soviet architectural press became a forum for an extraordinary group of artists, designers, architects, and theorists to converge in debate over the shape of their present and future built environment. The visually stunning and rhetorically innovative publications include major contributions by many the most brilliant artists and graphic designers of the Russian and Soviet avant-garde: Aleksei Gan, Gustav Klutsis, El Lissitzky, Aleksandr Rodchenko, the Stenberg brothers, Varvara Stepanova, and Solomon Telingater. Moreover, magazines such as Sovremennaia arkhitekura (Contemporary Architecture) and Stroitel'stvo Moskvy (Construction of Moscow) were the primary sites on which many of the most important architects of the period-Moisei Ginzburg, Ivan Leonidov, Konstantin Melnikov, and the Vesnin brothers-developed their ideas and projects. Richard Anderson and Kristin Romberg, both Columbia University doctoral candidates in art history are the co-curators of the exhibition and primary authors of the catalogue. Richard Anderson's essay, "The Journal States its Aims: Partisanship and the Party Line in the Soviet Architectural Press," concerns the material, cultural, and typographic production of three major Soviet architectural periodicals. Kristin Romberg in "From Veshch' to SA: Journal as Object" examines the tensions between autonomous art object and mass medium that are inherent in the evolution of the Soviet avant-garde journal as a form. The catalogue also contains a short introduction by Jean-Louis
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.