In American literature, domestic fictions--that is, novels focused on the home and homemaking--are linked with white, middle-class women's fiction and culture. Employing a spatial lens, Neodomestic American Fiction joins and extends other studies in redefining domestic fiction's literary history and definition. Unlike previous redefinitions and reevaluations, Neodomestic American Fiction reads domestic novels alongside feminist geography and architectural history to map the links and disjunctions among a range of authors writing during the same period as well as across centuries and cultures. Kristin Jacobson's attention to domestic geographies reveals a new space and subgenre emerge in the 1980s: neodomestic fiction. In this innovative study, Kristin Jacobson identifies over thirty novels that renovate traditional forms, therefore challenging model domesticity's conservative gender, racial, and sexual politics. Rather than produce stable single-family homes, neodomestic fictions advance a politics of instability characterized by mobility, renovation and redesign, and relational space. These "alternative" domesticities--when read in the context of neodomestic fiction--are not marginal but rather central to domesticity's configurations. Such resistance, as Iris Marion Young argues, "is integral to modern political theory and is not an alternative to it." Thus, this spatial analysis of post-1980 domestic novels does not indicate a post-feminist or post-gender world. Rather, neodomestic fiction's heterogeneous, unstable spaces offer opportunities to examine contemporary hierarchies and experiment with more egalitarian homemaking. These fictions include Toni Morrison's Paradise, Barbara Kingsolver's The Poisonwood Bible, Leslie Marmon Silko's Gardens in the Dunes, and Chang-rae Lee's A Gesture Life.
The American Adrenaline Narrative considers the nature of perilous outdoor adventure tales, their gendered biases, and how they simultaneously promote and hinder ecological sustainability. To explore these themes, Kristin J. Jacobson defines and compares adrenaline narratives by a range of American authors published after the first Earth Day in 1970, a time frame selected as a watershed moment for the contemporary American environmental movement. The forty-plus years since that day also mark the rise in the popularity and marketing of many things as “extreme,” including sports, jobs, travel, beverages, gum, makeovers, laundry detergent, and even the environmental movement itself. Jacobson maps the American eco-imagination via adrenaline narratives, grounding them in the traditional literary practice of close reading analysis and in ecofeminism. She surveys a range of popular and lesser-known primary texts by American authors, including best-selling books, such as Jon Krakauer’s Into Thin Air and Aron Ralston’s Between a Rock and a Hard Place, and lesser-known texts, such as Patricia C. McCairen’s Canyon Solitude, Eddy L. Harris’s Mississippi Solo, and Stacy Allison’s Beyond the Limits. She also discusses such narratives as they appear in print and online articles and magazines, feature-length and short films, television shows, amateur videos, social networking site posts, fiction, advertising, and blogs. Jacobson contends that these stories constitute a distinctive genre because—unlike traditional nature, travel, and sports writing— adrenaline narratives sustain heightened risk or the element of the “extreme” within a natural setting. Additionally, these narratives provide important insight into the American environmental imagination’s connection to masculinity and adventure—knowledge that helps us grasp the current climate crisis and how narrative understanding provides a needed intervention.
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