The friendship between Elizabeth Waugh and the influential literary critic and novelist Edmund Wilson developed in the early 1930s and lasted until Waugh's death in 1944. Despite the cultural differences between them - Waugh as a self-educated and emotional visual artist and Wilson an analytical and learned critic with a historical bent - they developed a bond that was close if often troubled." "The present volume contains eighty-eight letters from Waugh to Wilson, plus several from him to her and to her mother after her death. Their correspondence - now at Yale University - is presented here with meticulously detailed annotation of persons and events referred to in the letters, providing a provocative look into the private thoughts of these two representative figures from the artistic and literary worlds of the later 1930s. These letters, read against the portrayal of the fictional Imogen Loomis, offer fascinating insights into the process of artistic creation in the novel; taken with the biographical Introduction and Afterword, they can shed light on many of the problems faced by literary and artistic women of the upper middle class during the depression era."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Originally published in 1994, The Short Lyric Poems of Jean Froissart is a meticulous reading of the important but generally neglected short lyric poems of Jean Froissart. The book situates Froissart within the cultural and literary context of fourteenth-century Europe and examines a representative number of his lyric forms (pastourelles, chansons royales, ballades, virelais, and rondeaux) demonstrating their richness of theme and poetic virtuosity. The book provides a readable and reliable English translation, making it possible for English scholars unfamiliar with the original Middle French forms to understand and appreciate the influence Froissart had on Chaucer and other authors of the age. The book focuses on themes, techniques, meters, and rhythms that Froissart employed in his poetry, on how his poetry fits poetic tradition, and on the place of Froissart in literary history.
The friendship between Elizabeth Waugh and the influential literary critic and novelist Edmund Wilson developed in the early 1930s and lasted until Waugh's death in 1944. Despite the cultural differences between them - Waugh as a self-educated and emotional visual artist and Wilson an analytical and learned critic with a historical bent - they developed a bond that was close if often troubled." "The present volume contains eighty-eight letters from Waugh to Wilson, plus several from him to her and to her mother after her death. Their correspondence - now at Yale University - is presented here with meticulously detailed annotation of persons and events referred to in the letters, providing a provocative look into the private thoughts of these two representative figures from the artistic and literary worlds of the later 1930s. These letters, read against the portrayal of the fictional Imogen Loomis, offer fascinating insights into the process of artistic creation in the novel; taken with the biographical Introduction and Afterword, they can shed light on many of the problems faced by literary and artistic women of the upper middle class during the depression era."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Originally published in 1994, The Short Lyric Poems of Jean Froissart is a meticulous reading of the important but generally neglected short lyric poems of Jean Froissart. The book situates Froissart within the cultural and literary context of fourteenth-century Europe and examines a representative number of his lyric forms (pastourelles, chansons royales, ballades, virelais, and rondeaux) demonstrating their richness of theme and poetic virtuosity. The book provides a readable and reliable English translation, making it possible for English scholars unfamiliar with the original Middle French forms to understand and appreciate the influence Froissart had on Chaucer and other authors of the age. The book focuses on themes, techniques, meters, and rhythms that Froissart employed in his poetry, on how his poetry fits poetic tradition, and on the place of Froissart in literary history.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.