Eight-year-old Jamie Reed closes her eyes in the hospital and reopens them in a forest of birch trees. From behind a tree pops a smiling, two-legged sort of cow in a polka dot dress who introduces herself as Mrs. Tipperwillow. On her first day of afterlife, Jamie meets four new friends and quickly learns that in Summerland everything is created instantly by thought. You can fly, eat anything you want and create, do and be anything you can imagine! While in Mrs. Tipperwillow's care the children explore the spirit world finding fun, laughter, and comfort. They re-visit past lifetimes and discover the magnificent Light Web connecting dimensions. They return to Earth to visit the countries of their ancestors, learning more about themselves and each other along the way. The children ask their teacher the big and often difficult questions about life and death. With clarity and compassion, Mrs. Tipperwillow answers every one.
A pet detective on the hunt for a prominent pooch is found dead, and inn owner Holly Miller has to sort through her guest list for suspects in this all new Paws & Claws mystery in the New York Times bestselling series. The ladies of the Wagtail Animal Guardians, WAG for short, are in town for a pet adoption charity ball, and Holly is making sure to roll out the red carpet for her special guests. She and her furry best friend Trixie are busy keeping the WAG ladies happy and preparing for the ball when they learn that a retired judge has lost his prized pup. The venerable citizen has hired a pet detective who has some personal ties to Holly’s new guests. His presence ruffles some feathers, and when the PI is found DOA not long before the ball, Holly wonders if one of the WAG ladies had a motive for murder. To make matters worse, some pet-loving guests of the ball nearly suffer the same deadly fate. Holly and Trixie will have to sniff out the clues and leash a callous killer before they strike again....
Stream Ecology: Structure and Function of Running Waters is designed to serve as a textbook for advanced undergraduate and graduate students, and as a reference source for specialists in stream ecology and related fields. This Third Edition is thoroughly updated and expanded to incorporate significant advances in our understanding of environmental factors, biological interactions, and ecosystem processes, and how these vary with hydrological, geomorphological, and landscape setting. The broad diversity of running waters – from torrential mountain brooks, to large, lowland rivers, to great river systems whose basins occupy sub-continents – makes river ecosystems appear overwhelming complex. A central theme of this book is that although the settings are often unique, the processes at work in running waters are general and increasingly well understood. Even as our scientific understanding of stream ecosystems rapidly advances, the pressures arising from diverse human activities continue to threaten the health of rivers worldwide. This book presents vital new findings concerning human impacts, and the advances in pollution control, flow management, restoration, and conservation planning that point to practical solutions. Reviews of the first edition: ".. an unusually lucid and judicious reassessment of the state of stream ecology" Science Magazine "..provides an excellent introduction to the area for advanced undergraduates and graduate students..." Limnology & Oceanography "... a valuable reference for all those interested in the ecology of running waters." Transactions of the American Fisheries Society Reviews of the second edition: "Overall, a must for the field centre and a good starter text in stream ecology." (TEN News, October, 2007) "Highly recommended. Upper-division undergraduates through faculty." (P. R. Pinet, CHOICE, Vol. 45 (7), 2008) "... a very good, fluidly readable book which contains the latest key scientific knowledge of the ecology of running waters." (Daniel Graeber, International Review of Hydrobiology, Vol. 94 (2), 2009)
She plunged her blade into his chest, feeling it grind along his ribs... Outcast swordfighter, Kyer Halidan, walked out of a cornfield at age three. Twenty years later, she sets out to discover who left her there. And why. When she kills a man in a duel, she catches the interest of Valrayker, one of her greatest heroes, who invites her to join his company on a mission to save a village. But the man she killed had powerful friends, and when they find out she's working for Valrayker they believe she killed him under Val's orders. Desperate to learn what she knows about their plans, her new enemies pursue her relentlessly. When she is freed from a dire situation by an unknown magic, her friends grow suspicious, and her enemies have an all-new reason to want her dead. Her disregard for orders incites mistrust within the company. But to rescue a village, and the continent, from a despicable evil, she must choose between adhering to duty and breaking the rules. As for her identity, Valrayker has a theory about who she is, but he's not ready to share it with her, yet. Gatekeeper's Key is what happens when you drop Katniss Everdeen into Lord of the Rings. "Gatekeeper's Key is a dark and luscious truffle everyone will want to savor and beg for more when it's done." ~ Diana Pharaoh Francis - USA Today Bestselling Author of the Path trilogy and the Crosspointe Chronicles.
In the early 1970s, empowered by the civil rights and women's movements, a new group of women writers began speaking to the American public. Their topic, broadly defined, was the postmodern American West. By the mid-1980s, their combined works made for a bona fide literary groundswell in both critical and commercial terms. However, as Krista Comer notes, despite the attentions of publishers, the media, and millions of readers, literary scholars have rarely addressed this movement or its writers. Too many critics, Comer argues, still enamored of western images that are both masculine and antimodern, have been slow to reckon with the emergence of a new, far more "feminine," postmodern, multiracial, and urban west. Here, she calls for a redesign of the field of western cultural studies, one that engages issues of gender and race and is more self-conscious about space itself_especially that cherished symbol of western "authenticity," open landscape. Surveying works by Joan Didion, Wanda Coleman, Maxine Hong Kingston, Leslie Marmon Silko, Barbara Kingsolver, Pam Houston, Louise Erdrich, Sandra Cisneros, and Mary Clearman Blew, Comer shows how these and other contemporary women writers have mapped new geographical imaginations upon the cultural and social spaces of today's American West.
Uses techniques from psychological science and legal theory to explore police interrogation in the United States Understanding Police Interrogation provides a single comprehensive source for understanding issues relating to police interrogation and confession. It sheds light on the range of factors that may influence the outcome of the interrogation of a suspect, which ones make it more likely that a person will confess, and which may also inadvertently lead to false confessions. There is a significant psychological component to police interrogations, as interrogators may try to build rapport with the suspect, or trick them into thinking there is evidence against them that does not exist. Also important is the extent to which the interrogator is convinced of the suspect’s guilt, a factor that has clear ramifications for today’s debates over treatment of black suspects and other people of color in the criminal justice system. The volume employs a totality of the circumstances approach, arguing that a number of integrated factors, such as the characteristics of the suspect, the characteristics of the interrogators, interrogation techniques and location, community perceptions of law enforcement, and expectations for jurors and judges, all contribute to the nature of interrogations and the outcomes and perceptions of the criminal justice system. The authors argue that by drawing on this approach we can better explain the likelihood of interrogation outcomes, including true and false confessions, and provide both scholars and practitioners with a greater understanding of best practices going forward.
Get swept away from your everyday troubles with these ten vacation romances. A change of scenery and a sexy stranger leads to sparks flying for these charming couples. But when their holidays are over, can they figure out how to turn their flings into forever love? What a Texas Girl Wants: The last thing Jackson Taylor wants in his life is a down-to-earth girl like Kathleen Witte, so why did he just wake up next to her on a Mexican beach with a ring on his finger? Once they're back in Texas, though, this all-business marriage might just turn into an all-consuming love. Summer Promises: Drama queen Carly Foster is stuck performing in a touristy ghost town with charming Asher Day. Is he flirting with her because he's bored or is there room for passionate play off stage, too? Jade's Treasure: Jade Sawyer simply wants to be left alone to manage her family's mountain resort and design her jewelry. Then world-famous author Matthew Riley McLaughlin books a room as a hideout, and their shared need for privacy becomes personal. But can she overlook a shocking betrayal? The Spanish Acquisition: When multibillionaire business mogul Carlos meets struggling art student Lily on vacation in the Dominican Republic, passion ignites. But they must overcome their differences as well as a mix-up of mistaken identity. California Wine: Italian Marcos Gamari has one goal in life: to create the finest wine from the best vineyards in the world. Then he meets single mother Elizabeth Ladina, who shows him that his real dream just may reside here in the mountains of Santa Cruz. Between the Sheets: An annual retreat is the perfect setting for music teacher Maggie Schafer to turn over a new leaf in her love life, but then a pretend romance with handsome Randy Devers gets surprisingly real. All About Charming Alice: Quirky Alice Treemont gives up hope of finding love in rural Blake's Folly, Nevada, until dashing and well-to-do author Jace Constant comes to town to research his new book. Opposites indeed attract, and soon the whole town is determined to make a love match. Just for the Weekend: Multimillionaire Sam Mason is sick of gold diggers. When he meets a role-playing kindergarten teacher at a sci-fi convention in Vegas, she seems like the real thing. Then—surprise!—he wakes up married to this sexy stranger...only to find his new bride has vanished. Is he looking for a swindler or the love of his life? Christmas Dinner: Amanda dreads returning home single for Christmas, but the only available man to play escort is her rival for the TV anchor spot. When he agrees, much to her surprise, they both see a different side of each other under the mistletoe. Trapped in Tourist Town: Cady Eaton dreams of the bright lights of New York City, but she's stuck playing tour guide to travel writer Burke Sanders in tiny Scallop Shores. When deeper feelings develop, can he convince her that everything they need is right in front of them?
Led by a team of experts, Building Better Students: Preparation for the Workforce discusses a variety of issues surrounding workforce readiness in the 21st century by presenting the latest research, practice, and policy on what is continually emerging as a febrile field. By featuring such topics as how to define and measure workforce readiness; how to prepare students for the workforce; and bridging the gap between college and workforce readiness, this volume is a necessary contribution to today's "skills gap" literature as society works to not only secure our own economic futures, but our children's futures, as well. In this volume, world-class contributors from a variety of backgrounds (including industrial/organizational psychology, personality psychology, and educational assessment) all come together to share their unique perspective on the larger issues at hand. In addition to showcasing cutting-edge research, Building Better Students offers insightful commentary and provides readers with the opportunity to not only reflect on these issues, but how to move the needle further for this generation and beyond.
This book is a witty and intriguing look into the world of foster care through the eyes of a foster parent. It breaks down the expectations and regulations that parents in foster care are faced with, and it touches on the problems in government policy that affect foster children. It does all this while thoroughly entertaining the reader. It is an indispensable resource for anyone considering adoption or foster care and a great read for just about anyone else.
This volume looks at Canadian women’s experiences of, and contributions to, the world wars through objects, images, and archival documents. The book tells the stories of women who worked as civilians, served in the military, volunteered their time, and grieved lost loved ones, through thematically organized vignettes. The authors place these personal narratives of individual woman, and their related material culture, in the wider context of the world wars while demonstrating that the experience of living through global conflict was as individual as a woman’s particular circumstances. Drawing from the collections of the Canadian War Museum, the Canadian Museum of History, and other public and private collections in Canada, Material Traces of War brings largely unknown material culture collections to public view and draws attention to the untold stories of women and war.
From the 1860s through the early twentieth century, Great Britain saw the rise of the department store and the institutionalization of a gendered sphere of consumption. Come Buy, Come Buy considers representations of the female shopper in British women’s writing and demonstrates how women’s shopping practices are materialized as forms of narrative, poetic, and cultural inscription, showing how women writers emphasize consumerism as productive of pleasure rather than the condition of seduction or loss. Krista Lysack examines works by Christina Rossetti, Mary Elizabeth Braddon, George Eliot, and Michael Field, as well as the suffragette newspaper Votes for Women, in order to challenge the dominant construction of Victorian femininity as characterized by self-renunciation and the regulation of appetite. Come Buy, Come Buy considers not only literary works, but also a variety of archival sources (shopping guides, women’s fashion magazines, household management guides, newspapers, and advertisements) and cultural practices (department store shopping, shoplifting and kleptomania, domestic economy, and suffragette shopkeeping). With this wealth of sources, Lysack traces a genealogy of the woman shopper from dissident domestic spender to aesthetic connoisseur, from curious shop-gazer to political radical.
We know shame can be a morally valuable emotion that helps us to realize when we fail to be the kinds of people we aspire to be. We feel shame when we fail to live up to the norms, standards, and ideals that we value as part of a virtuous life. But the lived reality of shame is far more complex and far darker than this -- the gut-level experience of shame that has little to do with failing to reach our ideals. We feel shame viscerally about nudity, sex, our bodies, and weaknesses or flaws that we can't control. Shame can cause self-destructive and violent behavior, and chronic shame can cause painful psychological damage. Is shame a valuable moral emotion, or would we be better off without it? In Naked, Krista K. Thomason takes a hard look at the reality of shame. The experience of it, she argues, involves a tension between identity and self-conception: namely, what causes me shame both overshadows me (my self-conception) and yet is me (my identity). We are liable to feelings of shame because we are not always who we take ourselves to be. Thomason extends her thought-provoking analysis to our current social and political landscape: shaming has increased dramatically because of the proliferation of social media platforms. And although these online shaming practices can be used in harmful ways, they can also root out those who express racist and sexist views, and enable marginalized groups to confront oppression. Is more and continued shaming therefore better, and is there moral promise in using shame in this way? Thomason grapples with these and numerous other questions. Her account of shame makes sense of its good and bad features, its numerous gradations and complexity, and ultimately of its essential place in our moral lives.
Negative emotions like anger, spite, contempt, and envy are widely seen as obstacles to a good life. They are like the weeds in a garden that need to be pulled up before they choke out the nice plants. This book argues that bad feelings aren't the weeds; they are the worms. Many people are squeamish about them and would prefer to pretend they aren't there, but the presence of worms mean the garden it thriving. I draw on insights from the history of philosophy to show what we've gotten wrong about bad feelings and to see how we can live better with them. The first half of the book argues that there is nothing wrong with negative emotions and that their bad reputation is undeserved. Philosophers have long argued that our emotions are part of how we value things and bad feelings are not different. Negative emotions are expressions of self-love-not egoism or selfishness, but the felt attachment to ourselves and our lives. We feel negative emotions because our lives matter to us. The second half of the book takes a detailed look at individual bad feelings: anger, envy and jealousy, spite and Schadenfreude, and contempt. I show how all our negative emotions are valuable parts of our attachment to our lives. We don't have to battle negative emotions or "channel" them into something productive. Bad feelings aren't obstacles to a good life; they are part of what makes life meaningful"--
Expectations are high for the new guy in town, and these five heroes don't disappoint. You'll be glad you opened your door to the passionate possibilities! Trapped in Tourist Town: Cady dreams of leaving tiny Scallop Shores for the bright lights of New York City, but she's stuck playing tour guide when travel writer Burke blows into town for the summer. When deeper feelings develop, can he convince her that everything they need is right in front of them? Naturally Enchanted: As a struggling journalist, Owen Cooper has to make a name for himself, and a tip that a real-life witch is living on Mango Cove may just lead to the big story he needs. Undercover as a shipwrecked tourist, he worms his way into Ezra's family and their secrets, but can he get her out of his heart? Hiding from Hollywood: When movie producer Ethan Walker breezes into Abby's diner, she's terrified. The last thing she wants is her name connected with his when her life is now about hiding from the tabloids. But when she's left without a safe place to stay, Ethan offers her sanctuary in his home, and Abby must decide whether she can finally stop running and trust Ethan with her secret. Southern Comfort: Natalie Coleman has her hands full with her family responsibilities; she certainly doesn't have time to humor a Chicago journalist who lands on her porch, seeking spooks in her house. But it turns out there's more to Newland Tran's story than Confederate ghosts. Can the unlikely pair discover the truth behind the eerie goings-on before Newland succumbs to Natalie's brand of southern comfort? Jade's Treasure: Jade Sawyer simply wants to be left alone to manage her family's mountain resort and design her jewelry. Then world-famous author Matthew Riley McLaughlin arrives to claim the room he booked as a hideout, and their shared need for privacy becomes personal. But can she overlook a shocking betrayal? Sensuality Level: Sensual
The Advanced Placement test preparation guide that delivers 75 years of proven Kaplan experience and features exclusive strategies, practice, and review to help students ace the AP U.S. History exam! Students spend the school year preparing for the AP U.S. History test. Now it’s time to reap the rewards: money-saving college credit, advanced placement, or an admissions edge. However, achieving a top score on the AP U.S. History exam requires more than knowing the material—students need to get comfortable with the test format itself, prepare for pitfalls, and arm themselves with foolproof strategies. That’s where the Kaplan plan has the clear advantage. Kaplan's AP U.S. History 2016 contains many essential and unique features to help improve test scores, including: * Four full-length practice tests and a diagnostic test to target areas for score improvement * Detailed answer explanations * Expert video tutorials * A study sheet packed with key dates, terms, and facts * Tips and strategies for scoring higher from expert AP U.S. History teachers and students who got a perfect 5 on the exam * Targeted review of the most up-to-date content, including any information about test changes and key information that is specific to the AP U.S. History exam * A comprehensive index and glossary of key terms and concepts Kaplan's AP U.S. History 2016 authors Krista Dornbush, Steve Mercado, and Diane Vecchio have a combined total of over 40 years of experience teaching U.S. history as well as world and European history. Their expertise has helped make this and other books the best that Kaplan has to offer in AP test prep. Kaplan's AP U.S. History 2016 provides students with everything they need to improve their scores—guaranteed. Kaplan’s Higher Score guarantee provides security that no other test preparation guide on the market can match. Kaplan has helped more than three million students to prepare for standardized tests. We invest more than $4.5 million annually in research and support for our products. We know that our test-taking techniques and strategies work and our materials are completely up-to-date. Kaplan's AP U.S. History 2016 is the must-have preparation tool for every student looking to do better on the AP U.S. History test!
In Jamaican dancehalls competition for the video camera's light is stiff, so much so that dancers sometimes bleach their skin to enhance their visibility. In the Bahamas, tuxedoed students roll into prom in tricked-out sedans, staging grand red-carpet entrances that are designed to ensure they are seen being photographed. Throughout the United States and Jamaica friends pose in front of hand-painted backgrounds of Tupac, flashy cars, or brand-name products popularized in hip-hop culture in countless makeshift roadside photography studios. And visual artists such as Kehinde Wiley remix the aesthetic of Western artists with hip-hop culture in their portraiture. In Shine, Krista Thompson examines these and other photographic practices in the Caribbean and United States, arguing that performing for the camera is more important than the final image itself. For the members of these African diasporic communities, seeking out the camera's light—whether from a cell phone, Polaroid, or video camera—provides a means with which to represent themselves in the public sphere. The resulting images, Thompson argues, become their own forms of memory, modernity, value, and social status that allow for cultural formation within and between African diasporic communities.
Moving from travelogue to interviews to critical meditations, Living West as Feminists goes on the road to meet and interview U.S. western feminists, putting them into conversation with one another about some of the most challenging and forward-looking topics in contemporary life.
“I’m eighteen,” Eric the Red lies to the Army recruiter at Hope High one spring day. A record twenty-three students enlist, including one foster-boy. This story documents their experiences in training and in deployment in Afghanistan. Eric predicted he would come home in a casket – and he does – along with twelve other lads from the town. How the soldiers deal with the dangers of life in a hostile country, how the families in the community of Hope rise above their loss, and how the returning soldiers and their loved ones – including one soldier who chose to go AWOL – cope with their challenges, makes for a gripping tale of action that is heartwarming to the end. Inside Hope is a novel that could well have occurred in any town in America. It bonds the families together in time of war as they reach out to survive their grief.
Navigating the Doctorate in Education is an engaging and honest conversation for anyone considering pursuing a doctorate degree in education. This book helps prospective students navigate the journey from choosing the right university to completing the research and achieving the ultimate title of doctor of education. Success in this advanced degree journey depends on understanding where to go; financial, personal, and professional demands; and the educational expectations of a doctorate degree. There are nuances of the process, whether you take classes on campus or online, that every candidate should know before beginning this terminal degree. A timely text, Navigating the Doctorate in Education encapsulates perspectives from professors and former doctoral candidates so you will be informed and prepared for success.
Images of Jamaica and the Bahamas as tropical paradises full of palm trees, white sandy beaches, and inviting warm water seem timeless. Surprisingly, the origins of those images can be traced back to the roots of the islands’ tourism industry in the 1880s. As Krista A. Thompson explains, in the late nineteenth century, tourism promoters, backed by British colonial administrators, began to market Jamaica and the Bahamas as picturesque “tropical” paradises. They hired photographers and artists to create carefully crafted representations, which then circulated internationally via postcards and illustrated guides and lectures. Illustrated with more than one hundred images, including many in color, An Eye for the Tropics is a nuanced evaluation of the aesthetics of the “tropicalizing images” and their effects on Jamaica and the Bahamas. Thompson describes how representations created to project an image to the outside world altered everyday life on the islands. Hoteliers imported tropical plants to make the islands look more like the images. Many prominent tourist-oriented spaces, including hotels and famous beaches, became off-limits to the islands’ black populations, who were encouraged to act like the disciplined, loyal colonial subjects depicted in the pictures. Analyzing the work of specific photographers and artists who created tropical representations of Jamaica and the Bahamas between the 1880s and the 1930s, Thompson shows how their images differ from the English picturesque landscape tradition. Turning to the present, she examines how tropicalizing images are deconstructed in works by contemporary artists—including Christopher Cozier, David Bailey, and Irénée Shaw—at the same time that they remain a staple of postcolonial governments’ vigorous efforts to attract tourists.
A three-year-old girl walks out of a cornfield into a tiny farming village... There is no clue to how she got there, and she speaks a language that baffles even the village mages. Is she a witch? The result of a wizard's errant spell? By the time she starts school she is already an outcast, and her temper doesn’t help her make friends. The other children bully her relentlessly. When she buys a sword, a local swordmaster recognises her natural talent and offers to train her in an elite method. He soon sees in her more than just talent: she has a gift. She is driven to master the techniques and be the best swordfighter she can be, to stand up to her tormentors. Ultimately, she is determined to leave the village to find out who put her there.
Two lives for each life." Lord Bartheylen rose to his seven-foot height. "Kyer Halidan owes me four." The party of adventurers is fractured, divided between those who believe Kyer delivered the poison that is killing Lady Alon Maer, and those whose faith in her remains intact. Racing against time and relentless pursuers, the company must align to find the cure and deliver it to Alon Maer. A magical intervention can hasten their journey—it is not only a clue to Kyer's true identity, but further damning proof of her guilt. Against all odds she must clear her name. As the evidence against Kyer stacks up, her nemesis launches his final plan to destroy her life.
Why don't you trust me?" he asked. Hurt and disbelief whirled in her head. "Because you don't trust me." The Lady Alon Maer, wife of duke Kien Bartheylen, is pregnant and seriously ill. Swordfighter Kyer Halidan, along with her company of friends, takes on the mission to find a cure. If they fail, Alon and her baby will die. An alluring stranger who calls himself The Guardian turns up along the way and gives Kyer timely warnings, earning her trust, and hinting at her true identity. But is he helping her, or serving his own ends? An uncanny escape, a gift from a dead warrior, a shocking message for Kyer's ears only, all sow suspicions among her friends that she is not who she claims to be. Even as their faith in her is tainted, her nemesis plots his vengeance: exposing unassailable evidence that it is Kyer who is attempting to murder Alon Maer.
Although women and men have different relationships to language and to each other, traditional theories of rhetoric do not foreground such gender differences. Krista Ratcliffe argues that because feminists generally have not conceptualized their language theories from the perspective of rhetoric and composition studies, rhetoric and composition scholars must construct feminist theories of rhetoric by employing a variety of interwoven strategies: recovering lost or marginalized texts; rereading traditional rhetoric texts; extrapolating rhetorical theories from such nonrhetoric texts as letters, diaries, essays, cookbooks, and other sources; and constructing their own theories of rhetoric. Focusing on the third option, Ratcliffe explores ways in which the rhetorical theories of Virginia Woolf, Mary Daly, and Adrienne Rich may be extrapolated from their Anglo-American feminist texts through examination of the interrelationship between what these authors write and how they write. In other words, she extrapolates feminist theories of rhetoric from interwoven claims and textual strategies. By inviting Woolf, Daly, and Rich into the rhetorical traditions and by modeling the extrapolation strategy/methodology on their writings, Ratcliffe shows how feminist texts about women, language, and culture may be reread from the vantage point of rhetoric to construct feminist theories of rhetoric. She also outlines the pedagogical implications of these three feminist theories of rhetoric, thus contributing to ongoing discussions of feminist pedagogies. Traditional rhetorical theories are gender-blind, ignoring the reality that women and men occupy different cultural spaces and that these spaces are further complicated by race and class, Ratcliffe explains. Arguing that issues such as who can talk, where one can talk, and how one can talk emerge in daily life but are often disregarded in rhetorical theories, Ratcliffe rereads Roland Barthes’ "The Old Rhetoric" to show the limitations of classical rhetorical theories for women and feminists. Discovering spaces for feminist theories of rhetoric in the rhetorical traditions, Ratcliffe invites readers not only to question how women have been located as a part of— and apart from—these traditions but also to explore the implications for rhetorical history, theory, and pedagogy.
Long ignored within rhetoric and composition studies, listening has returned to the disciplinary radar. Rhetorical Listening: Identification, Gender, Whiteness argues that rhetorical listening facilitates conscious identifications needed for cross-cultural communication.
A New York Times bestseller "An exhilirating exploration of the meaning of it all." --Robert Wright, author of The Evolution of God Drawn from Krista Tippett's Peabody Award-winning public radio program, the conversations in this profoundly illuminating book reach for a place too rarely explored in our ongoing exchange of ideas--the nexus of science and spirituality. In fascinating interviews with such luminaries as Freeman Dyson, Janna Levin, Parker Palmer, and John Polkinghorne, Krista Tippett draws out the connections between the two realms, showing how even those most wedded to hard truths find spiritual enlightenment in the life of experiment and, in turn, raise questions that are richly, theologically evocative. Whether she is speaking with celebrated surgeon and author Sherwin Nuland about the biology of the human spirit or questioning Drawin biographer James Moore about his subject's religious beliefs, Tippett offers a rare look at the way our best minds grapple with the questions for which we all seek answers.
The sugar leapt up and twisted itself until it formed a castle with turrets as perky as meerkats... Griffin's rock band is about to have their big break. But when her lead guitarist and soon-to-be-ex-boyfriend throws a drug- and alcohol-induced El Screamo Thrasher Solo Temper Tantrum, he gets the band kicked out of the gig. She is devastated, and minus a lead guitarist. Enter the mysterious Rickenbacker, a restaurant manager with a tempting offer: if Griffin works in his restaurant making desserts, she can play in the house band, the Spurious Correlations, alongside Matteo: a super-talented lead guitarist. What Griffin doesn't know is Rickenbacker is a competitor in an Other Worldly Live Action Role Playing tournament. In order to win the championship, he has just two weeks to push her to the limit with dessert-making mayhem, enough to drive her to perform an unthinkable task, all without letting her suspect she's a pawn in his scheme. Griffin is yanked unwittingly into a frenzied fantastical world of music, magic and baking. She gets to make music with Matteo, the most perfect guy she has ever met, and she has never played with such a terrific band. It seems too good to be true! But making desserts for Rickenbacker is a nightmare. Is Matteo worth it? Well, he is awfully dreamy . . .
The sugar leapt up and twisted itself until it formed a castle with turrets as perky as meerkats... Griffin's rock band is about to have their big break. But when her lead guitarist and soon-to-be-ex-boyfriend throws a drug- and alcohol-induced El Screamo Thrasher Solo Temper Tantrum, he gets the band kicked out of the gig. She is devastated, and minus a lead guitarist. Enter the mysterious Rickenbacker, a restaurant manager with a tempting offer: if Griffin works in his restaurant making desserts, she can play in the house band, the Spurious Correlations, alongside Matteo: a super-talented lead guitarist. What Griffin doesn't know is Rickenbacker is a competitor in an Other Worldly Live Action Role Playing tournament. In order to win the championship, he has just two weeks to push her to the limit with dessert-making mayhem, enough to drive her to perform an unthinkable task, all without letting her suspect she's a pawn in his scheme. Griffin is yanked unwittingly into a frenzied fantastical world of music, magic and baking. She gets to make music with Matteo, the most perfect guy she has ever met, and she has never played with such a terrific band. It seems too good to be true! But making desserts for Rickenbacker is a nightmare. Is Matteo worth it? Well, he is awfully dreamy . . .
Two lives for each life." Lord Bartheylen rose to his seven-foot height. "Kyer Halidan owes me four." The party of adventurers is fractured, divided between those who believe Kyer delivered the poison that is killing Lady Alon Maer, and those whose faith in her remains intact. Racing against time and relentless pursuers, the company must align to find the cure and deliver it to Alon Maer. A magical intervention can hasten their journey—it is not only a clue to Kyer's true identity, but further damning proof of her guilt. Against all odds she must clear her name. As the evidence against Kyer stacks up, her nemesis launches his final plan to destroy her life.
Why don't you trust me?" he asked. Hurt and disbelief whirled in her head. "Because you don't trust me." The Lady Alon Maer, wife of duke Kien Bartheylen, is pregnant and seriously ill. Swordfighter Kyer Halidan, along with her company of friends, takes on the mission to find a cure. If they fail, Alon and her baby will die. An alluring stranger who calls himself The Guardian turns up along the way and gives Kyer timely warnings, earning her trust, and hinting at her true identity. But is he helping her, or serving his own ends? An uncanny escape, a gift from a dead warrior, a shocking message for Kyer's ears only, all sow suspicions among her friends that she is not who she claims to be. Even as their faith in her is tainted, her nemesis plots his vengeance: exposing unassailable evidence that it is Kyer who is attempting to murder Alon Maer.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.