The first biography of David Garnett goes beyond stereotype and myth and presents a clear sighted account of this often contradictory figure at the centre of literary London in the era of the Bloomsbury Group. Shortlisted for the James Tait Black Prize for best biography 2016 Book of the Year 2015 Sunday Times Book of the Year 2015 Times Literary Supplement Book of the Year 2015 Evening Standard Book of the Year 2015 New Zealand Listener Shortlisted for the Slightly Foxed Best First Biography Prize 2015 Literary Sensation, Lover, Libertine, Family Man Award-winning novelist and towering figure of the 20th century British literary landscape, David Garnett was a Bloomsbury insider ultimately pushed to the margins. In this, the first biography of Garnett, (known as Bunny), author Sarah Knights – who has had unprecedented access to Garnett's papers – goes beyond stereotype and myth to present a clear sighted account of this often contradictory figure. Trained as a scientist, Garnett worked as a novelist and wrote exquisite prose. Lady into Fox was made into a Rambert ballet and Aspects of Love into an Andrew Lloyd Webber musical. In the First World War, he was a conscientious objector whereas in the Second he worked for British intelligence. A free love enthusiast, he nevertheless married. He loathed literary criticism but became a leading literary critic. Born into the Victorian period, Garnett's life spanned two World Wars, the Swinging Sixties and beyond. From pre-Revolutionary Russia, by way of Indian Nationalists in London and carefree Neo-Paganism, Garnett's early life was packed with adventure. Propelled by a desire to be constantly in love, he dazzled men and women, believing the person mattered, irrespective of gender. An overnight literary sensation in the 1920s he was at the centre of literary London. Confidante and mentor of many writers, T. E. Lawrence, Rupert Brooke, D. H. Lawrence, Joseph Conrad and H. G. Wells, were among his friends. Garnett felt most at home with the Bloomsbury Group, in particular with Vanessa Bell and Duncan Grant, his lover, with whom he lived during the First World War. Their long friendship was threatened, however, when Garnett's cradle-side prophecy to marry their daughter Angelica came true. David 'Bunny' Garnett is brought to life by Ben Lloyd-Hughes and Jack Davenport in the BBC series 'Life in Squares'.
This book has a clear concern to offer a distinctive way of studying leadership so that it might be practiced differently. It is distinctive in focusing on contemporary concerns about gender and ethics. More precisely, it examines the masculinity of leadership and how, through an embodied form of reasoning, it might be challenged or disrupted. A central argument of the book is that masculine leadership elevates rationality in ways that marginalize the body and feelings and often has the effect of sanctioning unethical behavior. In exploring this thesis, Leadership, Gender and Ethics: Embodied Reason in Challenging Masculinities provides an analysis of the comparatively neglected issues of identity/anxiety, power/resistance, diversity/gender, and the body/masculinities surrounding the concept and practice of leadership. It also illustrates the arguments of the book by examining leadership through an empirical examination of academic life, organization change and innovation, and the global financial crisis of 2008. In a postscript, it analyses some examples of masculine leadership in the global pandemic of 2020. This book will be of interest generally to researchers, academics and students in the field of leadership and management and will be of special interest to those who seek to understand the intersections between leadership and gender, ethics and embodied approaches. It will also appeal to those who seek to develop new ways of thinking and theorizing about leadership in terms of identities and insecurities, power and masculinity, ethics and the body. Its insights might not only change studies but also practices of leadership.
The life of pioneering photographer Barbara Ker-Seymer 'Thoroughly entertaining... Knights expertly evokes this hedonistic period' The Times 'A picturesque portrayal of a world that sounds as thoroughly maniacal as it was modern' Daily Telegraph 'I just called myself Ker-Seymer Photographs,' Barbara said. 'I didn't think it was necessary to have your sex displayed on the photographs.' Vivacious, sassy, out to have fun, Ker-Seymer was committed to independence. One of a handful of outstanding British photographers of her generation, Ker-Seymer's work defined a talented, forward-looking network of artists, dancers, writers, actors and musicians, all of whom flocked to her Bond Street studio. Among her sitters were Evelyn Waugh, Margot Fonteyn, Cyril Connolly, Jean Cocteau and Vita Sackville-West. Barbara Ker-Seymer (1905-1993) disdained lucrative 'society' portraits in favour of unfussy 'modern' images. Her work was widely admired by her peers, among them, Man Ray and Jean Cocteau. Her images as a gossip-column photojournalist for Harper's Bazaar were the go-to representations of the aristocracy and Bright Young Things at play. Yet as both a studio portraitist and a photojournalist, she broke with convention. Equally unconventional in her personal life, Ker-Seymer was prefigurative in the way she lived her life as a bisexual woman and in her contempt for racism, misogyny and homophobia. Fiercely independent, for much of her life she rejected the idea of family, preferring her wide set of creative friends, with the artist Edward Burra, ballet dancer William 'Billy' Chappell and choreographer Frederick Ashton at its core. Today, Ker-Seymer's photographs are known for whom they represent, rather than the face behind the camera, an irony underpinned by the misattribution of some of her most daring images to Cecil Beaton. Yet her intelligence, sparkle, wit and genius enabled her to link arms with the surrealists, the Bloomsbury Group, the Bright Young Things and, most gloriously, the worlds of theatre, cabaret and jazz. With unprecedented access to private archives and hitherto unseen material, Sarah Knights brings Barbara Ker-Seymer and her brilliant bohemian friends vividly to life.
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