Why melancholia is a vital form of social critique and a catalyst for political renewal Melancholia is wrongly condemned as a condition of withdrawal and despair that alienates its sufferer from community. Countering that misconception, A Politics of Melancholia reclaims an understanding of melancholia not as an affliction in need of a remedy but as an affirmative stance toward decay and ruination in political life, and restores the melancholic figure—by turns inventive and destructive, outraged and inspired—to their rightful place as the poet of political thought. George Edmondson and Klaus Mladek identify pivotal moments of political melancholia in ancient and modern texts, offering new perspectives on the death of Socrates in Plato’s dialogues, the fratricide in Hamlet, Woyzeck’s killing of Marie in Georg Büchner’s Woyzeck, the murder of Moses in Freud’s thought, and the betrayal of the revolutionary idea that Hannah Arendt identifies in her critique of eighteenth-century revolutions. Melancholia emerges here as a disposition that is mournful but also jubilant, a mood of unbending disconsolation that remains faithful to a scene of downfall, to events that cannot be forgotten, and to things that cannot be governed. Recovering a tradition of thought that is both affirmative and hopeful, this eloquent book reveals how political melancholia embodies a shared condition of discontent that binds communities together and inspires change.
The original edition of this ambitious reference was published in hardcover in 1998, in two oversize volumes (10x13"). This edition combines the two volumes into one; it's paperbound ("flexi-cover"--the paper has a plastic coating), smaller (8x10", and affordable for art book buyers with shallower pockets--none of whom should pass it by. The scope is encyclopedic: half the work (originally the first volume) is devoted to painting; the other half to sculpture, new media, and photography. Chapters are arranged thematically, and each page displays several examples (in color) of work under discussion. The final section, a lexicon of artists, includes a small bandw photo of each artist, as well as biographical information and details of work, writings, and exhibitions. Ruhrberg and the three other authors are veteran art historians, curators, and writers, as is editor Walther. c. Book News Inc.
This collection focuses on the cultural history of the police as an institution from the sixteenth to the twentieth centuries. Contrary to most studies on the law and the state, Police Forces demonstrates how profoundly modern democracies are enveloped by more informal and less codified modes of social control. In a time when the rule of law appears to be on the retreat, 'police studies' emerges as a field in its own right. This volume helps stake out this new discipline, including the intricate link between police and the law, 'might' and 'right,' state violence, surveillance technologies, politics and resistance. Police Forces considers the question of law and order from below: alleyways, borders, police stations, law offices, bureaucracies, and the minds of administrators, in which the quotidian workings of the law unfold.
Why melancholia is a vital form of social critique and a catalyst for political renewal Melancholia is wrongly condemned as a condition of withdrawal and despair that alienates its sufferer from community. Countering that misconception, A Politics of Melancholia reclaims an understanding of melancholia not as an affliction in need of a remedy but as an affirmative stance toward decay and ruination in political life, and restores the melancholic figure—by turns inventive and destructive, outraged and inspired—to their rightful place as the poet of political thought. George Edmondson and Klaus Mladek identify pivotal moments of political melancholia in ancient and modern texts, offering new perspectives on the death of Socrates in Plato’s dialogues, the fratricide in Hamlet, Woyzeck’s killing of Marie in Georg Büchner’s Woyzeck, the murder of Moses in Freud’s thought, and the betrayal of the revolutionary idea that Hannah Arendt identifies in her critique of eighteenth-century revolutions. Melancholia emerges here as a disposition that is mournful but also jubilant, a mood of unbending disconsolation that remains faithful to a scene of downfall, to events that cannot be forgotten, and to things that cannot be governed. Recovering a tradition of thought that is both affirmative and hopeful, this eloquent book reveals how political melancholia embodies a shared condition of discontent that binds communities together and inspires change.
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