Originally published in German in 1988, The Apocalypse in Germany is now available for the first time in English. A fitting subject for the dawn of the new millennium, the apocalypse has intrigued humanity for the last two thousand years, serving as both a fascinating vision of redemption and a profound threat. A cross-disciplinary study, The Apocalypse in Germany analyzes fundamental aspects of the apocalypse as a religious, political, and aesthetic phenomenon. Author Klaus Vondung draws from religious, philosophical, and political texts, as well as works of art and literature. Using classic Jewish and Christian apocalyptic texts as symbolic and historical paradigms, Vondung determines the structural characteristics and the typical images of the apocalyptic worldview. He clarifies the relationship between apocalyptic visions and utopian speculations and explores the question of whether modern apocalypses can be viewed as secularizations of the Judeo-Christian models. Examining sources from the eighteenth century to the present, Vondung considers the origins of German nationalism, World War I, National Socialism, and the apocalyptic tendencies in Marxism as well as German literature--from the fin de siècle to postmodernism. His analysis of the existential dimension of the apocalypse explores the circumstances under which particular individuals become apocalyptic visionaries and explains why the apocalyptic tradition is so prevalent in Germany. The Apocalypse in Germany offers an interdisciplinary perspective that will appeal to a broad audience. This book will also be of value to readers with an interest in German studies, as it clarifies the riddles of Germany's turbulent history and examines the profile of German culture, particularly in the past century.
Focusing on the "Einstein Tower," an architecturally historic observatory built in Potsdam in 1920, this book investigates German scientific life by blending biography, architectural history, scientific theory and research, and scientific politics.
Klaus W. Jonas' zweisprachige Ausgabe behandelt die literarische Laufbahn des Schriftstellers W. Somerset Maugham (1874-1965), eines der erfolgreichsten und meistgelesenen englischen Dramatiker, Essayisten und Romanciers der ersten Halfte des 20. Jahrhunderts. Maugham selbst hat das humorvolle Vorwort in der Form eines Briefes beigesteuert. Eine chronologische Darstellung seines Lebens wird erganzt durch zwei wissenschaftliche Essays des Verfassers zu Maughams umfassendem literarischen Schaffen. Von besonderem Interesse sind die Auszuge aus dem Briefwechsel zwischen Klaus W. Jonas und W. Somerset Maugham, die einen genaueren Einblick in die Personlichkeit des Schriftstellers erlauben und von der engen Vertrautheit der beiden Briefpartner zeugen. Den zweiten Teil der Ausgabe bilden eine ausfuhrliche Bibliographie von Maughams literarischem Schaffen sowie eine Auswahlbibliographie von mehr als 420 kritischen Studien in deutscher, englischer, japanischer, spanischer und franzosischer Sprache. 71 Abbildungen, viele von ihnen bisher unveroffentlicht und aus Privatbesitz, erhohen den dokumentarischen Wert dieses Bandes. In this bilingual edition the author attempts to trace the literary career of William Somerset Maugham (1874-1865), one of the most widely read and performed dramatists, essayists and novelists in English literature in the first half of the twentieth century. Maugham himself has contributed a humorous preface in the form of a letter addressed to the author. The detailed chronology of Maugham's life is being supplemented by two of the author's numerous essays dealing with the stupendous literary oeuvre of this writer. Of special interest are the excerpts from Maugham's letters to his German-born collector and biographer which provide an inside view into his personality and his friendship with Klaus W. Jonas. The second half of this volume contains a bibliographical record of Maugham's life-work and a select bibliography of 420 critical studies in German, English, French, Spanish and Japanese. 71 illustrations, many of which hitherto unpublished and privately owned, enhance the documentary value of this volume.
This book analyzes the lifelong impact of Beethoven's music on Wagner and its importance for his conception of music drama. Kropfinger charts and scrutinizes Wagner's early responses to the composer and considers his experience as a conductor of Beethoven's music. A discussion of the Romantic "Beethoven image" leads to a careful study of Wagner's aesthetic writings, including his "programmatic explanations," the text "Concerning Franz Liszt's symphonic poems," and his Beethoven centenary essay. The penultimate chapter addresses Wagner's theory and practice of music drama, which he came to regard as the preordained successor to the Beethoven symphony. By analyzing special terms--such as "Leitmotiv"--Wagner's structural view of musical drama comes to the fore; it is a view that deepens not only our understanding of musical drama as a "hybrid" genre of art but also of purely musical structure and forms that Wagner sought to outdo.
The first history of the new deal in global context The New Deal: A Global History provides a radically new interpretation of a pivotal period in US history. The first comprehensive study of the New Deal in a global context, the book compares American responses to the international crisis of capitalism and democracy during the 1930s to responses by other countries around the globe—not just in Europe but also in Latin America, Asia, and other parts of the world. Work creation, agricultural intervention, state planning, immigration policy, the role of mass media, forms of political leadership, and new ways of ruling America's colonies—all had parallels elsewhere and unfolded against a backdrop of intense global debates. By avoiding the distortions of American exceptionalism, Kiran Klaus Patel shows how America's reaction to the Great Depression connected it to the wider world. Among much else, the book explains why the New Deal had enormous repercussions on China; why Franklin D. Roosevelt studied the welfare schemes of Nazi Germany; and why the New Dealers were fascinated by cooperatives in Sweden—but ignored similar schemes in Japan. Ultimately, Patel argues, the New Deal provided the institutional scaffolding for the construction of American global hegemony in the postwar era, making this history essential for understanding both the New Deal and America's rise to global leadership.
Since the appearance of its first edition in Germany in 1979, A History of German Literature has established itself as a classic work used by students and anyone interested in German literature. The volume chronologically traces the development of German literature from the Middle Ages to the present day. Throughout this chronology, literary developments are set in a social and political context. This includes a final chapter, written for this latest edition, on the consequences of the reunification of Germany in 1990. Thoroughly interdiscipinary in method, the work also reflects recent developments in literary criticism and history. Highly readable and stimulating, A History of German Literature succeeds in making the literature of the past as immediate and engaging as the works of the present. It is both a scholary study and an invaluable reference work for students.
Whom do we choose when we fall in love? How do we make the love-object into what we want? These are questions which only became important at the end of the nineteenth century, as Freud began to formulate a new discipline which would be called psycholanalysis. Freud argues Klaus Theweleit, was the first theoretician of the new situation: boy versus girl in the world series of love. Theweleit looks at a number of relationships: Alfred Hitchcock and Alma Reville; the triangle of Hannah Arendt, Martin Heidegger and Elfriede Heidegger; Jung and Sabina Spierlrein. But the key figure is Freud himself. Who would, who could Freud choose? As it happened, Freud proposed to Martha Bernays. The 1,500 letters of Freud’s courtship became something like the first psychoanalysis; without knowing it, Martha Bernays became an analytic-instance. But Object-Choice is not only a study of the founder of psychoanalysis, it is also an illuminating lexicon of love in the twentieth century. Freud is accompanied here by Jimi Hendrix, the Kinks and the Velvet Underground. Like Theweleits’s Male Fantasies, this is a collage book, mixing auto-biography, theory and pop culture, and always haunted by history, above all the history of Nazism. As an epilogue, Theweleit brings Freud back to the scene of his courtship, and the Beatles back to Hamburg, in an exploration of that city’s Wandsbek district, once home to an important Jewish community. His comments on the transformations and destruction that Wandsbek has endured form an elegiac tribute to German Jewry, and a powerful conclusion to this remarkable book.
With more than fifty period photos and documents, countless letters and a foreword by E. D. Blodgett, F. P. Grove in Europe and Canada represents the definitive biography of the writer Northrop Frye called a "Canadian Dreiser." This work will prove an invaluable resource for scholars in Canadian and German literature, comparative literature, modernism, publishing history and translation studies."--BOOK JACKET.
Written by experienced authors, this book presents numerous natural everyday products with a high range of structural diversity. Twenty natural products have been arranged in five sections, describing three alkaloids, five colored compounds, three carbohydrates and glycosides, seven terpenoids, and two aromatic compounds. Adopting a highly didactical approach, each chapter features a uniform structure: Background, in-depth information about isolation processes and structural characterization as well as a Q&A section at the end. Alongside the theoretical information many practical hints for the laboratory work are also included. A comprehensive overview of UV-, IR- and NMR-spectroscopy as well as mass-spectrometry for every exemplified compound is provided and the understanding of these methods is supported by concluding questions and exercises. Educating and entertaining, this full-color textbook turns the learning process into a real pleasure, not only for students in natural products chemistry but also experienced professionals.
Professor Scholder's book is a major contribution to our understanding of Christianity under the Nazi regime, in some ways going beyond his definitive history of the German churches under the Third Reich. The volume paints a vivid picture of the problems of living under any kind of totalitarian regime, with a wealth of detailed evidence and insightful judgments. A few illustrations from the book:- After the news of Adolf Hitler's death, Cardinal Bertram of Breslau, the senior German prelate, drafted an order for a requiem mass to be said for Hitler throughout his churches. - Under the Hitler regime any resistance in both Protestant and Catholic churches came largely from individuals; officially the churches were interested above all in maintaining their status quo. - When Germany entered the Spanish Civil War, Hitler offered the churches support if they would join his battle against Bolshevism. Students, historians, and the general reader will be captivated by Scholder's perceptive and challenging interpretations of the churches in Western Europe prior to and during the Second World War, which still have relevance for us today.
Der Nationalsozialismus steht für den Geschichts- und Sozialwissenschaftler nach mehr als 60 Jahren nach dessen Ende immer noch im Fokus des Interesses. Die Arbeit setzt sich präzise und übersichtlich mit dieser Geschichtsepoche auseinander und vermittelt dem zeit- und kulturgeschichtlich interessierten Leser in übersichtlicher Form wichtige Daten und Fakten. Kompakte Hintergrundinformationen (Biographien, Beiträge von Zeitzeugen, Glossar) sowie ein Dokumententeil, ein umfassendes bibliographisches Verzeichnis sowie ein ausführliches Sach- und Personenregister vervollständigen diese Wissensbasis.
The original edition of this ambitious reference was published in hardcover in 1998, in two oversize volumes (10x13"). This edition combines the two volumes into one; it's paperbound ("flexi-cover"--the paper has a plastic coating), smaller (8x10", and affordable for art book buyers with shallower pockets--none of whom should pass it by. The scope is encyclopedic: half the work (originally the first volume) is devoted to painting; the other half to sculpture, new media, and photography. Chapters are arranged thematically, and each page displays several examples (in color) of work under discussion. The final section, a lexicon of artists, includes a small bandw photo of each artist, as well as biographical information and details of work, writings, and exhibitions. Ruhrberg and the three other authors are veteran art historians, curators, and writers, as is editor Walther. c. Book News Inc.
‘A magisterial contribution to the understanding of the cultural position of Romani people in Europe. ... nothing short of astounding’ Literary Review This remarkable book describes a dark side of European history: the rejection of the Roma from their initial arrival in the late Middle Ages to the present day. To Europeans, the Roma appeared to be in complete contradiction with their own culture, because of their mysterious origins, unknown language and way of life. As representatives of an oral culture, for centuries the Roma have left virtually no written records of their own. Their history has been conveyed to us almost exclusively through the distorted images that European cultures project. Persecuted and shunned, the Roma nonetheless spread out across the continent and became an important, indeed indispensable element in the European imagination. It is impossible to conceive of the culture of Spain, southern France and much of Central Europe without this pervasive Romani influence. Europe and the Roma brilliantly describes the 'fascination and fear' which have marked Europeans' response to the Romani presence. Countless composers, artists and writers have responded to Romani culture and to fantasies thereof. Their projections onto a group whose illiteracy and marginalization gave it so little direct voice of its own have always been a very uneasy mixture of the inspired, the patronizing and the frighteningly ignorant. The book also shows the link between cultural violence, social discrimination and racist policies that paved the way for the genocide of the Roma.
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