There are certain things Brenda expects to find while hacking: money, secrets, occasional pictures of cats. She is NOT expecting to find a cryogenically frozen master thief from the 60s. Mia is everything Brenda is not—cool, confident, beautiful. And utterly unprepared for the digital age. Despite their differences, the two will need to team up to find out what happened to Mia—and how to pull off the heist of the century. Kiwi Smith and Kurt Lustgarten (Misfit City) team with breakout artist Leisha-Marie Riddel (Goldie Vance) in a story about felonies and friendship.
Brenda and Mia, having pulled off the ultimate heist but lost the prize, are pulled back in for one more round in the fight for the Net of Indra! It’s all or nothing as they take on Mia’s arch-nemesis from the 1960s: the nefarious, notorious, ignominious Hatch Leonard.
It’s time to get down to heisting, as the big score gets closer and closer...and on their tail, a female FBI agent who might or might not have ties to one of the girls’ pasts!
Now that Mia’s old enemy is hot on their trail, Mia and Brenda go into hiding. There’s only one problem...Mia’s mom has escaped from prison, and she’s determined to find her daughter!
With their heist all planned out and the clock counting down, Mia and Brenda are ready to case the place and make their move. Sneaking into the exhibit hall should be cake, but going unnoticed? To pull that off, they’ll both have to shape up and work on playing their part: with Mia trying to pass herself off as a modern 1990s woman, and Brenda as a high-society dame!
When Brenda, hacker extraordinaire, accidently awakens an international jewel thief from the 1969s, she wasn’t expecting to get a new friend. And she might have been right. What she found instead is something better—a partner in crime. And Mia already has a target in mind.
Brenda and Mia are prepping for the heist of the century, but the pressure of getting all of their moving pieces in place is putting a strain on their friendship, and rifts are forming in the team! When someone from Mia’s past shows up unexpectedly, the question becomes, will they help...or hinder?
Brenda and Mia are prepping for the heist of the century, but the pressure of getting all of their moving pieces in place is putting a strain on their friendship, and rifts are forming in the team! When someone from Mia’s past shows up unexpectedly, the question becomes, will they help...or hinder?
Brenda and Mia, having pulled off the ultimate heist but lost the prize, are pulled back in for one more round in the fight for the Net of Indra! It’s all or nothing as they take on Mia’s arch-nemesis from the 1960s: the nefarious, notorious, ignominious Hatch Leonard.
When Brenda, hacker extraordinaire, accidently awakens an international jewel thief from the 1969s, she wasn’t expecting to get a new friend. And she might have been right. What she found instead is something better—a partner in crime. And Mia already has a target in mind.
There are certain things Brenda expects to find while hacking: money, secrets, occasional pictures of cats. She is NOT expecting to find a cryogenically frozen master thief from the 60s. Mia is everything Brenda is not—cool, confident, beautiful. And utterly unprepared for the digital age. Despite their differences, the two will need to team up to find out what happened to Mia—and how to pull off the heist of the century. Kiwi Smith and Kurt Lustgarten (Misfit City) team with breakout artist Leisha-Marie Riddel (Goldie Vance) in a story about felonies and friendship.
With their heist all planned out and the clock counting down, Mia and Brenda are ready to case the place and make their move. Sneaking into the exhibit hall should be cake, but going unnoticed? To pull that off, they’ll both have to shape up and work on playing their part: with Mia trying to pass herself off as a modern 1990s woman, and Brenda as a high-society dame!
It’s time to get down to heisting, as the big score gets closer and closer...and on their tail, a female FBI agent who might or might not have ties to one of the girls’ pasts!
Now that Mia’s old enemy is hot on their trail, Mia and Brenda go into hiding. There’s only one problem...Mia’s mom has escaped from prison, and she’s determined to find her daughter!
Allergy-Friendly Food for Families is the most trustworthy, comprehensive, practical, and kid-friendly collection of recipes that exists for the important and growing audience of allergy-aware families. Unlike other allergy cookbooks, this book covers not one or two allergens, but the five most common allergens in kids: wheat, dairy, eggs, nuts, and soy. Each of the 120 recipes is free of at least three of these allergens; most are free of all five. When parents are desperate for ideas for what to make for dinner (or lunch, or snack time), they want recipes from someone they trust, for food that tastes good, that doesn't require a lot of fancy ingredients, and that the whole family can eat. Allergy-Friendly Food for Families is the ultimate resource. From the three crucial mealtimes (breakfast, lunch, dinner) to the "fun" foods families can't live without (desserts, snacks, parties), parents are completely covered. Perhaps most importantly, all of these recipes are simple for parents to make. Recipes such as Carrot Cake Breakfast Cookies, Pear Yogurt Dunkers, Good-for-you Nachos, Polenta Mini Pizzas, Giant Cookie Cake, Veggie Bite Soup, and Cool Zucchini Noodles will make kids forget they have allergies. Parents will love the additional informational sections on spotting food allergies, stocking an allergy-free pantry, deciphering labels, and other frequently asked questions. Food should be delicious; family time should be fun. This book reflects those values.
Anonymity practices in electronic music culture have long been the object of journalistic and academic discourse. Yet anonymity itself is ephemeral and ontologically precarious. How can scholars research anonymous entities without impairing their anonymity, and what can they learn from their precarity? This study describes two projects of anonymity performance as forms of critical practice (Judith Butler/Michel Foucault) involving performative play with anonymity through the use of fake identities or collaborative persona imaginations. Adopting a reflexive and performative writing style, this performance ethnography calls for a radical performative turn and an ontological reflexivity in the cultural studies of music.
Faster, cheaper and environmentally friendly, these are the criteria for designing new reactions and this is the challenge faced by many chemical engineers today. Based on courses thaught by the authors, this advanced textbook discusses opportunities for carrying out reactions on an industrial level in a technically controllable, sustainable, costeffective and safe manner. Adopting a practical approach, it describes how miniaturized devices (mixers, reactors, heat exchangers, and separators) are used successfully for process intensification, focusing on the engineering aspects of microstrctured devices, such as their design and main chracteristics for homogeneous and multiphase reactions. It adresses the conditions under which microstructured devices are beneficial, how they should be designed, and how such devices can be integrated in an existing chemical process. Case studies show how the knowledge gained can be applied for particular processes. The textbook is essential for master and doctoral students, as well as for professional chemists and chemical engineers working in this area.
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