This book seeks to engage Chinese philosophy to reframe existing Western scholarship in the fields of gender, body, and aesthetics. The assembled essays cover traditional and current global issues related to Chinese female bodies by addressing the following questions: Does Confucianism rule out the capacity of women as moral subjects, and hence, as aesthetic subjects? Do forms of Chinese philosophy in some ways contribute or correspond to the patriarchal Confucian culture? In what ways can Chinese philosophy provide alternative perspectives sought by Western feminist scholars? Professor Man uses an interdisciplinary approach to explore feminist philosophy through the issues of the body, aesthetical representation and gender politics, which are simultaneously historical and contextual. The first section of the book, "Body Discourses in Chinese Philosophy", brings in theoretical and philosophical discussions of Western traditions such as those of Plato, Descartes, and Kant, to examine their views on body and mind and how the Chinese philosophical ideas offered by Confucians and Daoists provide alternative body ontologies for critical feminist practices. The second section, "Chinese Bodies, Aesthetics and Art", reviews female aesthetical representations in classical traditional Chinese works ranging from The Books of Songs, women's embroidery, sexuality and suggested ways of kissing, and the contemporary body art represented by the controversial body artist He Chengyao. These chapters demonstrate the intertwining relationship among body, sexuality, aesthetics and the ascribed gendered roles in social environments. The third section, "Chinese Bodies and Gender Matters", aims to unfold the changing perceptions of femininity from imperial China to contemporary China. Case studies touch on female body ideals in the literary fantasies in late Ming, in the iron girls in Communist China, and in the Olympics Hoopla at the 2008 Beijing Olympics. This section also discusses Hong Kong women's fashion in the 1960s and how their bodies were shaped by colonial politics. Finally, the subject of sex and emotion in the development of ethical discourse of Chinese female sex workers from late Qing to contemporary society is discussed alongside the impact of the global economy on female beauty today. Overall, this book discusses new conceptual models that feminist scholars are using to displace dualism and emancipate notions of the body from Cartesian mechanistic models and metaphors. The different chapters review traditional and contemporary alternatives to understanding female bodies in Chinese society. Eva Man is professor of humanities and creative writing at Hong Kong Baptist University. She publishes widely in comparative aesthetics, feminist philosophy, cultural studies, art, and cultural criticism.
Baseball cards are America's hottest collectible. Yet, thousands of cards go down, not up, in price while others make only modest gains that fail to meet their owner's expectations. Follow the expert ratings of Paul Green and Kit Kiefer and find insights into the 100 best cards to own.
Christian readers of the Hebrew Bible are often faced with a troubling tension. On the one hand, they are convinced that this ancient text is relevant today, yet on the other, they remain perplexed at how this can be so, particularly when parts of it appear to condone violence. Barker’s volume seeks to address this tension in two parts: (1) by defending a particular form of theological interpretation and (2) by applying this interpretive method to the imprecatory psalms. Barker suggests that the goal of theological interpretation is to discover God’s voice in the text. While he recognizes that this goal could encourage a subjective methodology, Barker offers a hermeneutic that clearly locates God’s voice in the text of Scripture. Utilizing the resources of speech act theory, Barker notes that texts convey meaning at a number of literary levels and that God’s appropriation of speech acts at these levels is not necessarily uniform for each genre. He also discusses how the Christian canon alters the context of these ancient speech acts, both reshaping and enabling their continued function as divine discourse. In order to demonstrate the usefulness of this hermeneutic, Barker offers theological interpretations of Psalms 69 and 137. He demonstrates how christological fulfilment and the call to forgive one’s enemies are determinative for a theological interpretation of these troubling psalms, concluding that they continue to form an essential part of God’s voice that must not be ignored.
The World's Greatest Comic Magazine - for more than five hundred issues, nearly every cover of Fantastic Four has boasted this bold proclamation. Forty years ago, writer Stan Lee and artist Jack Kirby created a team of adventurers like no other that had come before. Now, Marvel Comics is proud to present the definitive guide to this groundbreaking title. Never before has the Fantastic Four's complete history been collected in such a comprehensive volume. This book covers it all, from their first days to the team's landmark 500th issue and beyond!
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