Museums are frequently sites of struggle and negotiation. They are key cultural institutions that occupy an oftentimes uncomfortable place at the crossroads of the arts, culture, various levels of government, corporate ventures, and the public. Because of this, museums are targeted by political action but can also provide support for contentious politics. Though protests at museums are understudied, they are far from anomalous. Tear Gas Epiphanies traces the as-yet-untold story of political action at museums in Canada from the early twentieth century to the present. The book looks at how museums do or do not archive protest ephemera, examining a range of responses to actions taking place at their thresholds, from active encouragement to belligerent dismissal. Drawing together extensive primary-source research and analysis, Robertson questions widespread perceptions of museums, strongly arguing for a reconsideration of their role in contemporary society that takes into account political conflict and protest as key ingredients in museum life. The sheer number of protest actions Robertson uncovers is compelling. Ambitious and wide-ranging, Tear Gas Epiphanies provides a thorough and conscientious survey of key points of intersection between museums and protest – a valuable resource for university students and scholars, as well as arts professionals working at and with museums.
An enterprising single mom is about to discover that sometimes the best things start in the strangest ways. . . . On a night out in Edinburgh, single mom Liza-Belle Graham finds herself revealing her hopes and dreams to a green-eyed stranger. Liza always wanted to run an “arty-crafty-booky” business, and she’s seen the perfect empty shop to make her dreams a reality. No harm in telling the stranger. It’s not like she’ll see him again . . . But Scott McCreadie is no mystery man—he’s an interior designer looking for new premises. And who does Liza bump into when she arranges a viewing? None other than Scott trying to steal her perfect shop! Is Liza’s arty-crafty-booky dream in jeopardy, or is a new dream about to begin? Find out in this delightful romantic comedy featuring a very unusual cat named Schubert . . .
Recognized tribes are increasingly prominent players in settler state governance, but in the wide-ranging debates about tribal self-governance, little has been said about tribal self-constitution. Who are the members of tribes, and how are they chosen? Tribes in Canada, Australia, New Zealand and the United States are now obliged to adopt written constitutions as a condition of recognition, and to specify the criteria used to select members. Tribal Constitutionalism presents findings from a comparative study of nearly eight hundred current and historic tribal constitutions, most of which are not in the public domain. Kirsty Gover examines the strategies adopted by tribes and states to deal with the new legal distinction between indigenous people (defined by settler governments) and tribal members (defined by tribal governments). She highlights the important fact that the two categories are imperfectly aligned. Many indigenous persons are not tribal members, and some tribal members are not legally indigenous. Should legal indigenous status be limited to persons enrolled in recognized tribes? What is to be done about the large and growing proportion of indigenous peoples who are not enrolled in a tribe, and do not live near their tribal territories? This book approaches these complex questions head-on. Using tribal membership criteria as a starting point, this book provides a critical analysis of current political and sociolegal theories of tribalism and indigeneity, and draws on legal doctrine, policy, demographic data and tribal practice to provide a comparative evaluation of tribal membership governance in the western settler states.
This book presents a framework for a new kind of thinking about student mobilities and belonging, which foregrounds the everyday and rhythmic dimensions of students' experiences. Using case studies from a variety of UK higher education contexts, this book develops the concepts of everyday mobilities and mobile belongingness. The authors draw on key ideas about the changing characteristics of UK higher education and of student belonging, exploring the central themes of the sensory, affective and emotional aspects of student mobilities; contested and mobile belongings; and the significance of everyday life, to bring a new dimension to the literature on inter and intra-national student mobilities. This is achieved through an examination of the innovative ways in which social science methods have been (re)imagined through mobility, with a specific focus on youth and education. Kirsty Finn and Mark Holton bring together theory and research from the fields of education studies, geography and sociology, and combine this with a discussion of rich empirical data from three UK-based research projects to set out an explicitly mobility-centred approach to 21st-century student experiences. The findings can be recognised globally because they synthesise debates about travel and transport, students' sense of place and feelings of belonging, and the interrelationship between physical, social and virtual mobilities that higher education brings together. In doing so, this text offers a coherent and grounded campaign for theory and research within studies of higher education that foreground multiple mobilities and diverse feelings of belonging.
Constitutional Deference, Courts and Socio-Economic Rights in South Africaby Kirsty McLean2009ISBN: 978-0-9814124-8-1Pages: viii 246Print version: AvailableElectronic version: Free PDF available.
The murder of Harvey and Jeannette Crewe in their Pukekawa farmhouse in 1970 remains New Zealand' s most infamous cold case. It spawned two trials, two appeals, several books, a film, and eventually a royal commission finding of police corruption.It also resulted in a free pardon, the only time the New Zealand government has bypassed the courts to set a convicted murderer free. And still, the Crewes' killer has not been found.Combining gripping narrative, detailed research and striking new testimony from those who were there, this book tells the complete story of the case for the first time.
Gaia Gill is the last person in the world anyone would expect to go missing. Beautiful, athletic, and recently accepted to a prestigious college, she has everything to look forward to—but the night of her going-away party at the Moon Mountain ski resort, she disappears. Gaia's younger sister Esme is supposed to be flying back to England with her family after the party, but she can't leave with Gaia missing—especially because nobody remembers Gaia leaving the party. Or if they do, they're not saying. Everyone at the lodge has their own secrets: the little rich girl, the ex-boyfriend, the ski instructor, the failed reality star. Esme's out of her depth searching the dark, dangerous forests and icy slopes of Moon Mountain, until she teams up with a local boy who promises to help her. The clock is ticking, and it's down to Esme to piece the clues together and work out who—if anybody—is telling the truth.
All the leading cases, illuminated by Horsey & Rackley's trademark clear and lively commentary.The essential companion for undergraduate tort law students, providing a comprehensive portable library of leading tort cases. Horsey & Rackley bring together a range of carefully edited extracts, combined with insightful commentary and annotated cases to help students identify and analyse the key elements.Key features:- The only text of its kind to provide a comprehensive collection of the leading tort law cases for undergraduates- Simple to navigate, pulling all key case law together into one easy-to-use volume which students can work through systematically or use to reference specific cases- Cases are accompanied by succinct author commentary highlighting the key elements of each case- Annotated cases help students understand and analyse materialNew to this edition:The seventeenth edition has been thoroughly revised to reflect recent developments in the law, including Fearn and others v The Board of Trustees of the Tate Gallery [2023] UKSC 4 on private nuisance, Riley v Murray Court of Appeal [2022] EWCA Civ 1146 on defamation, and Paul v Royal Wolverhampton NHS Trust; Polmear v Royal Cornwall Hospital NHS Trust; Purchase v Ahmed [2022] EWCA Civ 12 on psychiatric harm.
Between 1803 and 1853, some 80,000 convicts were transported to Van Diemen’s Land. Revising established models of the colonies, which tend to depict convict women as a peculiarly oppressed group, Gender, crime and empire argues that convict men and women in fact shared much in common. Placing men and women, ideas about masculinity, femininity, sexuality and the body, in comparative perspective, this book argues that historians must take fuller account of class to understand the relationships between gender and power. The book explores the ways in which ideas about fatherhood and household order initially informed the state’s model of order, and the reasons why this foundered. It considers the shifting nature of state policies towards courtship, relationships and attempts at family formation which subsequently became matters of class conflict. It goes on to explore the ways in which ideas about gender and family informed liberal and humanitarian critiques of the colonies from the 1830s and 1840s and colonial demands for abolition and self-government.
Thoroughly updated and significantly expanded in this new fourth edition, Bradt’s Cornwall & The Isles of Scilly (Slow Travel) is the most well-established guide to a perennially popular British county. Offering in-depth exploration of both frequently visited and less-well-known destinations that will interest locals as much as newcomers, it is written in a friendly, engaging style and includes up-to-date listings of the best (and sometimes least obvious) places to eat, drink and sleep, appealing to all budgets. Long popular with discerning travellers and foodies, the boom in staycations and coverage in TV dramas such as Poldark mean that Cornwall enjoys ever-increasing acclaim as a healthy, wholesome destination. Few places offer such geographical diversity: rugged, storm-lashed north coast and wide, sandy beaches favoured by surfers lie barely a few miles from the south’s sheltered creeks, coves and exotic gardens. Wild moorland is dotted with Neolithic standing stones and mining heritage. And, just 28 miles from Land’s End, the Isles of Scilly offer an exhilarating blend of tropical exoticism and wild isolation. Cornwall thus possesses an enduring appeal as a year-round destination for visitors of all ages and interests. But such popularity makes it all too easy to overlook the diverse character of the county and its less obvious destinations – which is why taking a Slow approach is so rewarding. As local residents have discovered, treasures of all kinds are revealed when you ditch the car and start investigating what lies immediately beyond the doorstep. Explore the ‘Cornish Alps’, the lonely Rame peninsula, secret beaches or stone circles lost amid remote-feeling uplands. Glimpse the future of sustainable technologies at the Eden Project. Listen to world-class musicians playing in tiny rural churches. Celebrate the comeback of the chough, Cornwall’s emblematic bird. Wander around Bodmin Moor’s Kerdroya, a classical labyrinth built of Cornish stone hedging. Discover where oysters are still harvested in the traditional way and where the best Cornish ice creams, pasties and cider are made. The ideal companion for a visit, Bradt’s Cornwall & The Isles of Scilly (Slow Travel) is an invitation to imbibe the region’s rich, diverse delights.
On this romantic Halloween romp through the scariest places in Scotland, a young woman discovers that true love can weave a spell all its own. Young and pretty Nessa hates her full name—Agnes—which she inherited from her great-great grandmother. It makes her feel even more awkward than she already is. But she’s starting to think she’s inherited something much more interesting from her namesake. Family rumor has long said that Great-Great Granny Agnes was a real-life witch. And with the peculiar things happening around Agnes lately, she wonders if she’s got a knack for witchery, too. First, there’s the strange book she picks up in her local coffee shop as if she were meant to find it. Then, out of nowhere, her hunky next-door neighbor Ewan asks her to accompany him on a supernatural research trip through Scotland. It’s a spooky, spirited journey—accompanied by a big black cat called Schubert—that will bring out the magic between Agnes and Ewan in a way neither would have expected . . .
What did the Edwardians know about Spain and what was that knowledge worth? This book explores a vast store of largely unstudied primary source material to trace Spain's transformation in the British popular and economic imagination during the decades either side of the turn of the twentieth century.
A woman working over the holidays finds the gift of romance under the tree in this “truly magical tale perfect for the festive season” (LittleMissNoSleep Daysdreams of Books). As a wedding planner at Carrick Park Hotel, Ailsa McCormack is devoted to giving couples their perfect day. And in this case, that means organizing a Christmas Day wedding at the expense of her own holiday plans. Not that Ailsa minds. There’s something special about Carrick Park during the festive season. And she’s fascinated by its rich history and past occupants; particularly the beautiful and tragic Ella Carrick, whose striking portrait still hangs at the top of the stairs. Then an encounter with a tall, handsome, and strangely familiar man on Christmas Eve transforms Ailsa’s lonely Christmas into a far more magical occasion than she could have ever imagined . . .
Putting Intellectual Property in its Place examines the relationship between creativity and intellectual property law on the premise that, despite concentrated critical attention devoted to IP law from academic, policy and activist quarters, its role as a determinant of creative activity is overstated. The effects of IP rights or law are usually more unpredictable, non-linear, or illusory than is often presumed. Through a series of case studies focusing on nineteenth century journalism, "fake" art, plant hormone research between the wars, online knitting communities, creativity in small cities, and legal practice, the authors discuss the many ways people comprehend the law through information and opinions gathered from friends, strangers, coworkers, and the media. They also show how people choose to share, create, negotiate, and dispute based on what seems fair, just, or necessary, in the context of how their community functions in that moment, while ignoring or reimagining legal mechanisms. In this book authors Murray, Piper, and Robertson define "the everyday life of IP law", constituting an experiment in non-normative legal scholarship, and in building theory from material and located practice.
At Vanity Fair tells the story of Bunyan's powerful metaphor, exploring how Vanity Fair was transformed from an emblem of sin and persecution into a showcase for celebrity, wealth and power. This literary history, focusing on reception, adaptation and influence, traces the fictional representation of Vanity Fair over three centuries from John Bunyan's masterpiece, The Pilgrim's Progress (1678), to William Makepeace Thackeray's own Vanity Fair (1847–8). It explores the influence of anonymous journalists and booksellers alongside well-known authors including Ben Jonson, Samuel Richardson and Thomas Carlyle. Over time, Bunyan's dystopian fantasy has been altered and repurposed to characterise consumer capitalism, channelling memories that inform and unsettle modern hedonism. By tracking the idea of 'Vanity Fair' against this shifting background, the book illuminates the relationship between the individual and the collective imagination, between what is culturally available and what is creatively impelled.
The essential companion for undergraduate tort law students, providing a comprehensive portable library of leading tort cases. Horsey & Rackley bring together a range of carefully edited extracts, combined with insightful commentary, questions, and annotated cases to help students identify and analyse the key elements of a case.
A heartbroken woman retreats to the Yorkshire coast to explore turn-of-the-century art—and uncovers a ghostly secret—in this time-slip romantic mystery. Staying alone in the shadow of an abandoned manor house along the desolate coast of Yorkshire would be madness to some, but art enthusiast Lissy de Luca can’t wait. After separating from her Italian photographer boyfriend, Stefano, Lissy could use a little isolation. Plus, she wants to study the Staithes Group—an artists’ commune active at the turn of the twentieth century. Lissy is fascinated by Sea Scarr Hall, but her research is interrupted by strange events and peculiar sightings. A lonely figure patrols the cove at night, while the discovery of a hidden painting leads Lissy to a chilling realization about the home’s former occupants. And then there’s the photograph of a girl; so beautiful . . . and so familiar. The occupants of Sea Scarr Hall may be gone, but they still have an important message for Lissy—and they’ll do whatever it takes to make sure she gets it.
The international legal framework for valuing the carbon stored in forests, known as 'Reducing Emissions from Deforestation and Forest Degradation' (REDD+), will have a major impact on indigenous peoples and forest communities. The REDD+ regime contains many assumptions about the identity, tenure and rights of indigenous and local communities who inhabit, use or claim rights to forested lands. The authors bring together expert analysis of public international law, climate change treaties, property law, human rights and indigenous customary land tenure to provide a systemic account of the laws governing forest carbon sequestration and their interaction. Their work covers recent developments in climate change law, including the Agreement from the Conference of the Parties in Paris that came into force in 2016. The Impact of Climate Change Mitigation on Indigenous and Forest Communities is a rich and much-needed contribution to contemporary understanding of this topic.
Award-winning New Zealand writers Martin Edmond, Maurice Gee, Kirsty Gunn and Owen Marshall explore life and memory in this bundle of BWB Texts. These four works are combined into one easy-to-read e-book, available direct and DRM-free from our website or from international e-book retailers. Martin Edmond’s Barefoot Years is a memoir in which the author attempts to re-inhabit the lost domain of childhood. Widely regarded as one of New Zealand’s greatest fiction writers, Maurice Gee has written virtually no non-fiction. The exceptions are the two exquisite childhood reminiscences combined in a mini-memoir, Creeks and Kitchens. In this exquisitely written ‘notebook’ – ‘My Katherine Mansfield Project’ – Kirsty Gunn explores the meaning of ‘home’ in Thorndon. Owen Marshall reflects at length on his writing career and the forces that have shaped him as a writer, in Tunes for Bears to Dance To. BWB Texts are short books on big subjects by great New Zealand writers. Commissioned as short digital-first works, BWB Texts unlock diverse stories, insights and analysis from the best of our past, present and future New Zealand writing.
More than Bombs and Bandages exposes the false assumption that military nurses only nursed. Based on author Kirsty Harris’ CEW Bean Prize-winning PhD thesis, this is a book that is far removed from the ‘devotion to duty’ stereotyping offering an intriguing and sometimes gut-wrenching insight into the Australian Army Nursing Service (AANS) during World War I. More than Bombs and Bandages provides rich pickings for all those interested in nursing history, women in the Australian military the application of medical treatments and World War I. What I enjoyed most about is Dr Kirsty Harris’s ability to reflect those nurses voices in a way that was so real – one could be there, the settings were so well understood from her research and the language kind of made a time warp in the reading. Very satisfying. As you know I have that Peter Rees book, but I could not get into it after reading the historical one. It was like comparing a great documentary to Facebook trivia!!! Rev’d Dr Barbara Oudt
This volume looks at ideas of sympathy in the early 20th-century novel. It offers a new reading of literary modernism challenging notions of modernism as hostile to emotion and empathy. It also offers a new intervention into the growing field of literature and emotion studies.
In 2009, Kirsty Gunn returned to spend the winter in her hometown of Wellington, New Zealand, also the place where Katherine Mansfield grew up. In this exquisitely written “notebook,” which blends memoir, biography, and essay, Gunn records that winter-long experience and the unparalleled insight it allowed her into Mansfield’s fiction. Gunn explores the idea of home and belonging—and of the profound influence of Mansfield’s work on her own creative journey. She asks whether it is even possible to “come home”—and who are we when we get there?
Over the past three decades, disability theatre artists have claimed greater space on Canadian and world stages. While disabled figures and themes are theatre mainstays, productions tend to employ disability figuratively rather than engage with actual disability experience. In reaction, disability theatre pursues an activist perspective that dismantles stereotypes, challenges stigma, and re-imagines disability as a valued human condition. Stage Turns documents the development and innovations of disability theatre in Canada, the aesthetic choices and challenges of the movement, and the multiple spatial scales at which disability theatre operates, from the local to the increasingly global. Kirsty Johnston provides histories of Canada's leading disability theatre companies, emphasizing the early importance of local efforts in the absence of national coordination. Close readings of individual productions demonstrate how aesthetic choices matter and can be a source of solidarity or debate between different companies and artists. This comparative approach allows for a nuanced consideration of disability theatre's breadth and internal differences. Stage Turns highlights the diversity of disability theatre, underlining how this is critical to understanding the challenge it poses to mainstream aesthetics and to fulfilling its own artistic goals.
A Cornwall mansion filled with artworks is the setting for this tale of romance, chilling mystery, and a journey into the past . . . “Wherever you go, I will follow . . .” Merryn Burton is excited about her first big job for the London art dealers she works for—which requires traveling to rugged seaside Cornwall. But as soon as she arrives at Pencradoc, a beautiful old mansion, she realizes this will be no ordinary commission. Pencradoc is filled with fascinating, and possibly valuable, artwork, and is owned by the Penhaligon brothers. And Merryn’s instant connection with Kit Penhaligon could be another reason why her trip suddenly becomes a whole lot more interesting. But the longer Merryn stays at Pencradoc, the more obvious it is that the house has a secret, and a long-forgotten Rose might just hold the key . . .
Many of Cornwall's wildest or most curious corners as well as the exciting new range of places to eat, sleep or drink are often overlooked in the headlong race to get to the beach or the well-known tourist spots. Taking the Slow approach, using local knowledge and the author's endless curiosity, this guide offers both visitors and seasoned residents alike the chance to discover what lies behind the immediate and obvious attractions of Britain's favourite holiday destination.
A story about the friendship between 12 year old Pauline ('PJ'), and a daring, unpredictable new girl, Marie-Claire, whose instinct for adventure leads them both into trouble
The authors provide undergraduate students with a substantial view of intellectual property law, dealing with principles, academic issues and practical considerations.
The Human Fertilisation and Embryology Act 2008 was a major update to the UK’s laws on the use and regulation of reproductive technology and assisted reproduction. Since the enactment of the new law, the sector’s regulatory body, the Human Fertilisation and Embryology Authority (HFEA), has also consulted on various related topics including barriers to egg and sperm donation in the UK, multiple births/single embryo transfer and using IVF technology to prevent mitochondrial disease. This book critically considers recent developments in human fertilisation legislation, asking whether the 2008 Act has achieved its stated aim of being fit for purpose. Bringing together a range of international experts, the book evaluates the fresh risks and challenges emerging from both established and existing technologies and techniques in the field of human fertilisation and embryology, as well as offering valuable insights into the social and regulatory challenges that lie ahead. Key topics include problems with DIY assisted conception; the lack of reform in respect of the regulation of surrogacy arrangements; and mitochondrial DNA transfer. As a review of the status of assisted reproduction legislation, this book will be of great use and interest to students, researchers and practitioners in medical law, bioethics, medicine and child welfare.
Examines three celebrated scientific landscapes: Adelaide's Hallett Cove, Lake Callabonna in South Australia, and the World Heritage listed Willandra Lakes Region of NSW. It offers philosophical insights into significant issues of heritage management, and our understanding of place, time, nation and science.
At a moment when the discipline of Canadian art history seems to be in flux and the study of Canadian visual culture is gaining traction outside of art history departments, the authors of Negotiations in a Vacant Lot were asked: is "Canada" - or any other nation - still relevant as a category of inquiry? Is our country simply one of many "vacant lots" where class, gender, race, ethnicity, and sexual orientation interact? What happens to the project of Canadian visual history if we imagine that Canada, as essence, place, nation, or ideal, does not exist? The argument that culture is increasingly used as an economic and socio-political resource resonates strongly with the popular strategies of "urban gurus" such as Richard Florida, and increasingly with government policy. Such strategies both contrast with, but also speak to traditions of Canadian state support for culture that have shaped the national(ist) discipline of Canadian art history. The authors of this collection stand at the multiple points where national culture and globalization collide, however, suggesting that academic investigation of the visual in Canada is contested in ways that cannot be contained by arbitrary borders. Bringing together the work of scholars from diverse backgrounds and illustrated with dozens of works of Canadian art, Negotiations in a Vacant Lot unsettles the way we have used "nation" to examine art and culture and looks ahead to a global future. Contributors include Susan Cahill (Nipissing University), Mark A. Cheetham (University of Toronto), Peter Conlin (Academia Sinica, Taipei), Annie Gérin (Université du Québec à Montréal), Richard William Hill (York University), Kristy A. Holmes (Lakehead University), Heather Igloliorte (Concordia University), Barbara Jenkins (Wilfrid Laurier University), Alice Ming Wai Jim (Concordia University), Lynda Jessup (Queen’s University), Erin Morton (University of New Brunswick), Kirsty Robertson (Western University), Rob Shields (University of Alberta), Sarah E.K. Smith (Queen’s University), Imre Szeman (University of Alberta), and Jennifer VanderBurgh (Saint Mary’s University).
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