From bestselling author Kirsty Manning comes a stunning novel based on a true story of clandestine courage in World War II as prisoners of war risk their lives to secure evidence of Nazi atrocities—and how one man concealed it for decades before passing it on to his family who struggle to understand their inherited legacy of trauma. Austria, 1940s: Yugoslavian Nico Antonov is just one of more than 200,000 people imprisoned in the Mauthausen concentration camp near the Danube River. Malnourished and forced into hard labor in a quarry, he still defies his captors any way he can. When fate brings him into contact with Lena Lang, a young woman living with her family in fear of their Nazi occupiers, he finds an ally. SS officers have charged Spanish POW and photographer Mateo Baca with recording the events and prisoners of Mauthausen and to make five copies of the collected photo book for the Third Reich’s leaders. But Mateo also creates a sixth book to be smuggled out of the camp—where Nico entrusts Lena to hide it and protect their secret. Australia, 1980s to present day: When teenager Hannah Campbell discovers her grandfather Nico’s mysterious photo album, filled with horrific visions of suffering and cruelty, the barbarities of World War II no longer feel like ancient history. Haunted by the images for years, as a university student and a married young mother, she pursues the truth behind her grandfather’s incarceration. As Hannah experiences love and loss in her own life, she comes to understand how the photos not only capture history but reflect a shared humanity that must never be forgotten.
From Kirsty Manning, author of The Song of the Jade Lily, comes a gripping World War II set historical novel about murder, secrets, and survival. A forgotten manuscript that threatens to unravel the past… Fresne Prison, 1940: A former maid at a luxury villa on the Riviera, Margot Bisset finds herself in a prison cell with writer and French Resistance fighter Joséphine Murant. Together, they are transferred to a work camp in Germany for four years, where the secrets they share will bind them for generations to come. Paris, around about now: Evie Black lives in Paris with her teenage son, Hugo, above her botanical bookshop, La Maison Rustique. Life would be so sweet if only Evie were not mourning the great love of her life. When a letter arrives regarding the legacy of her husband’s great-aunt, Joséphine Murant, Evie clutches at an opportunity to spend one last magical summer with her son. They travel together to Joséphine’s house, now theirs, on the Côte d’Azur. Here, Evie unravels the official story of this famous novelist, and the truth of a murder a lifetime ago. Along the way, she will discover the little-known true story of the women who were enslaved by German forces in WWII. Bringing together the present and the past, The French Gift is a tender and heartbreaking story of female friendship, sacrifice and loss, and the promise of new love.
From the author of The Song of the Jade Lily comes a thrilling story of a family secret that leads to a legendary treasure. Why would someone bury a bucket of precious jewels and gemstones and never return? Present Day. When respected American jewelry historian, Kate Kirby, receives a call about the Cheapside jewels, she knows she’s on the brink of the experience of a lifetime. But the trip to London forces Kate to explore secrets that have long been buried by her own family. Back in Boston, Kate has uncovered a series of sketches in her great-grandmother’s papers linking her suffragette great-grandmother Essie to the Cheapside collection. Could these sketches hold the key to Essie’s secret life in Edwardian London? In the summer of 1912, impoverished Irish immigrant Essie Murphy happens to be visiting her brother when a workman’s pickaxe strikes through the floor of an old tenement house in Cheapside, near St. Paul’s Cathedral in London. The workmen uncover a stash of treasure—from Ottoman pendants to Elizabethan and Jacobean gems—and then the finds disappear again! Could these jewels—one in particular—change the fortunes of Essie and her sisters? Together with photographer Marcus Holt, Kate Kirby chases the history of the Cheapside gems and jewels, especially the story of a small diamond champlevé enamel ring. Soon, everything Kate believes about her family, gemology, and herself will be threatened. Based on a fascinating true story, The Lost Jewels is a riveting historical fiction novel that will captivate readers from the beginning to the unforgettable, surprising end.
Intrepid reporter Charlotte "Charlie" James arrives in Paris in 1938 eager to make a fresh start, but little does she know the trouble that awaits her... Charlie James is chasing her first big scoop as correspondent for British-based newspaper The Times, and she needs to prove to her boss that she can do this job as well, if not better, than her male counterparts. The best way to forge the necessary contacts quickly is to make well-connected British expats, Lord and Lady Ashworth, her business. Lady Eleanor knows everyone in Parisian high society, and at her sumptuously extravagant annual party, a Circus Ball, Charlie will meet them all. On the summer solstice eve, the Circus Ball is in full swing, with the Parisian elites entranced by burlesque dancers, tightrope walkers, a jazz band . . . and a horrific murder. A wealthy but unscrupulous investor is dead, and the list of suspects is a veritable who's who of le haut monde. As Charlie tries to determine who the murderer is, she finds herself drawn into the magical parties, couture houses, and bohemian wine bars of the City of Lights. Soon secrets start to unravel, including some Charlie has a personal stake in keeping hidden.
“Kirsty Manning weaves together little-known threads of World War II history, family secrets, the past and the present into a page-turning, beautiful novel."— Heather Morris, #1 New York Times bestselling author of The Tattooist of Auschwitz A gripping historical novel that tells the little-known story of Jewish refugees who fled to Shanghai during WWII. 1939: Two young girls meet in Shanghai, also known as the “Paris of the East”. Beautiful local Li and Jewish refugee Romy form a fierce friendship, but the deepening shadows of World War II fall over the women as they slip between the city's glamorous French Concession district and the teeming streets of the Shanghai Ghetto. Yet soon the realities of war prove to be too much for these close friends as they are torn apart. 2016: Fleeing London with a broken heart, Alexandra returns to Australia to be with her grandparents, Romy and Wilhelm. Her grandfather is dying, and over the coming weeks Romy and Wilhelm begin to reveal the family mysteries they have kept secret for more than half a century. As fragments of her mother's history finally become clear, Alexandra struggles with what she learns while more is also revealed about her grandmother's own past in Shanghai. After Wilhelm dies, Alexandra flies to Shanghai, determined to trace her grandparents' past. Peeling back the layers of their hidden lives, she is forced to question what she knows about her family—and herself. The Song of the Jade Lily is a lush, provocative, and beautiful story of friendship, motherhood, the price of love, and the power of hardship and courage that can shape us all.
We Love Food is a family cookbook interspersed with detailed descriptions and beautiful photography on how to grow your own vegetables and herbs. Peta Heine has been involved with the kitchen garden movement in Australia for many years. Kirsty lives in an old chestnut grove in the Macedon Ranges, Victoria.
A forgotten manuscript that threatens to unravel the past ... Fresnes Prison, 1940. Former maid at a luxury villa on the Riviera, Margot Bisset, finds herself in a prison cell with writer and French Resistance fighter, Josephine Murant. Together, they are transferred to a work camp in Germany for four years, where the secrets they share will bind them for generations to come. Contemporary Paris. Evie Black lives in Paris with her teenage son Hugo above her botanical bookshop, La Maison Rustique. Life would be so sweet if only Evie were not mourning the great love of her life. When a letter arrives regarding the legacy of her husband's great-aunt, Josephine Murant, Evie clutches at an opportunity to spend one last magical summer with her son. They travel together to Josephine's house, now theirs, on the Cote d'Azur. Here, Evie unravels the official story of this famous novelist and the truth of a murder a lifetime ago. The redemptive beauty of nature and the promise of new love offer light at the end of the tunnel in this stirring novel delving into Europe's past.
Intrepid reporter Charlotte "Charlie" James arrives in Paris in 1938 eager to make a fresh start, but little does she know the trouble that awaits her... Charlie James is chasing her first big scoop as correspondent for British-based newspaper The Times, and she needs to prove to her boss that she can do this job as well, if not better, than her male counterparts. The best way to forge the necessary contacts quickly is to make well-connected British expats, Lord and Lady Ashworth, her business. Lady Eleanor knows everyone in Parisian high society, and at her sumptuously extravagant annual party, a Circus Ball, Charlie will meet them all. On the summer solstice eve, the Circus Ball is in full swing, with the Parisian elites entranced by burlesque dancers, tightrope walkers, a jazz band . . . and a horrific murder. A wealthy but unscrupulous investor is dead, and the list of suspects is a veritable who's who of le haut monde. As Charlie tries to determine who the murderer is, she finds herself drawn into the magical parties, couture houses, and bohemian wine bars of the City of Lights. Soon secrets start to unravel, including some Charlie has a personal stake in keeping hidden.
At a moment when the discipline of Canadian art history seems to be in flux and the study of Canadian visual culture is gaining traction outside of art history departments, the authors of Negotiations in a Vacant Lot were asked: is "Canada" - or any other nation - still relevant as a category of inquiry? Is our country simply one of many "vacant lots" where class, gender, race, ethnicity, and sexual orientation interact? What happens to the project of Canadian visual history if we imagine that Canada, as essence, place, nation, or ideal, does not exist? The argument that culture is increasingly used as an economic and socio-political resource resonates strongly with the popular strategies of "urban gurus" such as Richard Florida, and increasingly with government policy. Such strategies both contrast with, but also speak to traditions of Canadian state support for culture that have shaped the national(ist) discipline of Canadian art history. The authors of this collection stand at the multiple points where national culture and globalization collide, however, suggesting that academic investigation of the visual in Canada is contested in ways that cannot be contained by arbitrary borders. Bringing together the work of scholars from diverse backgrounds and illustrated with dozens of works of Canadian art, Negotiations in a Vacant Lot unsettles the way we have used "nation" to examine art and culture and looks ahead to a global future. Contributors include Susan Cahill (Nipissing University), Mark A. Cheetham (University of Toronto), Peter Conlin (Academia Sinica, Taipei), Annie Gérin (Université du Québec à Montréal), Richard William Hill (York University), Kristy A. Holmes (Lakehead University), Heather Igloliorte (Concordia University), Barbara Jenkins (Wilfrid Laurier University), Alice Ming Wai Jim (Concordia University), Lynda Jessup (Queen’s University), Erin Morton (University of New Brunswick), Kirsty Robertson (Western University), Rob Shields (University of Alberta), Sarah E.K. Smith (Queen’s University), Imre Szeman (University of Alberta), and Jennifer VanderBurgh (Saint Mary’s University).
Bertolt Brecht's silent Kattrin in Mother Courage, or the disability performance lessons of his Peachum in The Threepenny Opera; Tennessee Williams' limping Laura Wingfield in The Glass Menagerie and hard-of-hearing Bodey in A Lovely Sunday for Creve Coeur; Samuel Beckett's blind Hamm and his physically disabled parents Nagg and Nell in Endgame – these and many further examples attest to disability's critical place in modern drama. This Companion explores how disability performance studies and theatre practice provoke new debate about the place of disability in these works. The book traces the local and international processes and tensions at play in disability theatre, and offers a critical investigation of the challenges its aesthetics pose to mainstream and traditional practice. The book's first part surveys disability theatre's primary principles, critical terms, internal debates and key challenges to theatre practice. Examining specific disability theatre productions of modern drama, it also suggests how disability has been re-envisaged and embodied on stage. In the book's second part, leading disability studies scholars and disability theatre practitioners analyse and creatively re-imagine modern drama, demonstrating how disability aesthetics press practitioners and scholars to rethink these works in generative, valuable and timely ways.
Examines three celebrated scientific landscapes: Adelaide's Hallett Cove, Lake Callabonna in South Australia, and the World Heritage listed Willandra Lakes Region of NSW. It offers philosophical insights into significant issues of heritage management, and our understanding of place, time, nation and science.
Exam board: Pearson Edexcel Level: International GCSE (9-1) Subject: History First teaching: September 2017 First exams: Summer 2019 Endorsed for Pearson Edexcel qualifications Follow the tried-and-tested methods of bestselling author Ben Walsh. This book builds the skills required for exam success, helps students to remember all the content and makes History really interesting. The authors have listened to feedback from teachers and students about the challenging aspects of the specification, to ensure that they deliver the support you need. You can rely on this textbook to: b” Ensure that History is accessible to all. /bStraightforward language, manageable chunks of text and plenty of bullet points guide you through the content, which is covered in the amount of depth that students needbrbrb” Bring historical events, people and developments to life.b” Focus on what really matters. /bThe features in the book are designed to consolidate students' knowledge of the key points - from 'Focus' boxes and regular 'Knowledge check' questions to end-of-chapter summariesbrbrb” Break down exam skills into small steps. /bActivities throughout the chapters and larger 'Focus tasks' teach students how to select, organise and use their knowledge to explain, analyse, evaluate and make judgementsbrbrb” Provide easy-to-follow exam advice. /bClear explanations of the exam requirements, analysis of what a good answer might look like and handy tips help students to feel confident and preparedbrbrThis book covers the following units:brbrbHistorical investigations/bbr” Russia and the Soviet Union, 1905-24br” The USA, 1918-41
What did the Edwardians know about Spain, and what was that knowledge worth? The Edwardians and the Making of a Modern Spanish Obsession draws on a vast store of largely unstudied primary source material to investigate Spain’s place in the turn-of-the-century British popular imagination. Set against a background of unprecedented emotional, economic and industrial investment in Spain, the book traces the extraordinary transformation that took place in British knowledge about the country and its diverse regions, languages and cultures between the tercentenary of the Spanish Armada in 1888 and the outbreak of World War I twenty-six years later. This empirically-grounded cultural and material history reveals how, for almost three decades, Anglo-Spanish connections, their history and culture were more visible, more colourfully represented, and more enthusiastically discussed in Britain’s newspapers, concert halls, council meetings and schoolrooms, than ever before. It shows how the expansion of education, travel, and publishing created unprecedented opportunities for ordinary British people not only to visit the country, but to see the work of Spanish and Spanish-inspired artists and performers in British galleries, theatres and exhibitions. It explores the work of novelists, travel writers, journalists, scholars, artists and performers to argue that the Edwardian knowledge of Spain was more extensive, more complex and more diverse than we have imagined.
A summer wedding, fifty cupcakes, and a man she thought she would never see again . . . When Joel Leicester walks into the hotel where Rosa Tempest works, she can hardly believe her bad luck. Out of all the hotels in North Yorkshire, the man who broke her heart would walk into Carrick Park! The last time Rosa saw Joel, it was after a whirlwind holiday when they’d been greeted at his flat by a woman claiming to be his fiancée. Rosa never stuck around to hear Joel’s side of the story—but now, six years later, fate has another trick up its sleeve as a potentially disastrous summer wedding at Carrick Park can only be saved by Joel and Rosa working together . . . This contemporary romance set in England is part of Kirsty Ferry’s delightful Tempest Sisters series, which can be enjoyed in any order.
Over the past three decades, disability theatre artists have claimed greater space on Canadian and world stages. While disabled figures and themes are theatre mainstays, productions tend to employ disability figuratively rather than engage with actual disability experience. In reaction, disability theatre pursues an activist perspective that dismantles stereotypes, challenges stigma, and re-imagines disability as a valued human condition. Stage Turns documents the development and innovations of disability theatre in Canada, the aesthetic choices and challenges of the movement, and the multiple spatial scales at which disability theatre operates, from the local to the increasingly global. Kirsty Johnston provides histories of Canada's leading disability theatre companies, emphasizing the early importance of local efforts in the absence of national coordination. Close readings of individual productions demonstrate how aesthetic choices matter and can be a source of solidarity or debate between different companies and artists. This comparative approach allows for a nuanced consideration of disability theatre's breadth and internal differences. Stage Turns highlights the diversity of disability theatre, underlining how this is critical to understanding the challenge it poses to mainstream aesthetics and to fulfilling its own artistic goals.
Many of Cornwall's wildest or most curious corners as well as the exciting new range of places to eat, sleep or drink are often overlooked in the headlong race to get to the beach or the well-known tourist spots. Taking the Slow approach, using local knowledge and the author's endless curiosity, this guide offers both visitors and seasoned residents alike the chance to discover what lies behind the immediate and obvious attractions of Britain's favourite holiday destination.
Alright' I said, 'I'll try...' This is how Emily Stuart opens her intricate tale of a classic love affair that becomes Caroline's Bikini: a swirling cocktail of infatuation, obsession, and imagination.The moment that Emily's friend Evan Gordonstone - a successful middle-aged financier - meets Caroline Beresford - a glamorous former horsewoman, and now housewife, hostess, and landlady - there is a 'PING!' At least, that's how Evan describes it to Emily when he persuades her to record his story: the story of falling into unrequited love, which is as old as Western literature itself. Thus begins a hypnotic series of conversations set against the beguiling backdrop of West London's bars, fuelled in intensity by endless G&Ts and Q&As. From the depths of mid-winter to July's hot swelter, Emily's narration of Evan's passion for Caroline will take him to the brink of his own destruction.Written in a voice so playful, so charismatic, and so thoughtfully aware of the responsibilities of fiction it can only be by Kirsty Gunn, Caroline's Bikini is a swooning portrait of courtly love - in a modern world not celebrated for its restraint and abstraction. Ready. Steady. Go!
This collection interrogates relationships between court architecture and social justice, from consultation and design to the impact of material (and immaterial) forms on court users, through the lenses of architecture, law, socio-legal studies, criminology, anthropology, and a former senior federal judge. International multidisciplinary collaborations and single-author contributions traverse a range of methodological approaches to present new insights into the relationship between architecture, design, and justice. These include praxis, photography, reflections on process and decolonising practice, postcolonial, feminist, and poststructural analysis, and theory from critical legal scholarship, political science, criminology, literature, sociology, and architecture. While the opening contributions reflect on establishing design principles and architectural methodologies for ethical consultation and collaboration with communities historically marginalised and exploited by law, the central chapters explore the textures and affects of built forms and the spaces between; examining the disjuncture between design intention and use; and investigating the impact of architecture and the design of space. The collection finishes with contemplations of the very real significance of material presence or absence in courtroom spaces and what this might mean for justice. Courthouse Architecture, Design and Social Justice provides tools for those engaged in creating, and reflecting on, ethical design and building use, and deepens the dialogue across disciplinary boundaries towards further collaborative work in the field. It also exists as a new resource for research and teaching, facilitating undergraduate critical thought about the ways in which design enhances and restricts access to justice.
This book provides an overview of approaches to assist researchers and practitioners to explore ways of undertaking research in the information literacy field. The first chapter provides an introductory overview of research by Dr Kirsty Williamson (author of Research Methods for Students, Academics and Professionals: Information Management and Systems) and this sets the scene for the rest of the chapters where each author explores the key aspects of a specific method and explains how it may be applied in practice. The methods covered include those representing qualitative, quantitative and mixed methods. Both a chapter on the topical evidence-based practice approach, and another critiquing it, are also included. The final chapter points the way towards potential new directions for the burgeoning field.Renowned information literacy researcher Dr Christine Bruce affirms the usefulness of the book: New researchers and early career professionals will appreciate the clarity of the introductions provided' to each of the methods covered.
More than Bombs and Bandages exposes the false assumption that military nurses only nursed. Based on author Kirsty Harris’ CEW Bean Prize-winning PhD thesis, this is a book that is far removed from the ‘devotion to duty’ stereotyping offering an intriguing and sometimes gut-wrenching insight into the Australian Army Nursing Service (AANS) during World War I. More than Bombs and Bandages provides rich pickings for all those interested in nursing history, women in the Australian military the application of medical treatments and World War I. What I enjoyed most about is Dr Kirsty Harris’s ability to reflect those nurses voices in a way that was so real – one could be there, the settings were so well understood from her research and the language kind of made a time warp in the reading. Very satisfying. As you know I have that Peter Rees book, but I could not get into it after reading the historical one. It was like comparing a great documentary to Facebook trivia!!! Rev’d Dr Barbara Oudt
A pair of Victorian-era ice skates leads a woman into a mystery, another world, and an unexpected love . . . “The stars are aligning and it’s time again . . .” Working at the Folk Museum in the English village of Hartsford means that Kate Howard is surrounded by all sorts of unusual vintage items. Of course she has her favorites, particularly the Victorian ice skates with a name—‘CAT’—mysteriously painted on the sides. But what Kate doesn’t realize is how much she has in common with Catriona Aphrodite Tredegar, the original owner of the skates, or how their lives will become strangely entwined. All Kate knows is that as soon as she bumps into farrier Theo Kent, things start getting weird: there’s the vivid, disconcerting visions, and then of course the overwhelming sense that she’s met Theo before . . .
Highly Commended in the 2005 BMA Medical Book Competition The Children's National Service Framework sets standards for children's and young people's services, outlining what support should be available to children and their parents in managing and preventing a wide range of conditions and problems. This book is a companion to the Children's (NSF), enabling those that work within the NHS, social care and education to the put the NSF into practice in primary care. Contributions throughout from key professionals who were involved in the evolution of the framework help by providing guidance and expertise from the knowledge and background material gained throughout its development. The authors expand on the vision, themes and goals published within the NSF and make recommendations for the ways that best practice can be implemented, particularly for children's healthcare throughout the UK and anywhere in the Western world. General practitioners, child health specialists, community nurses and anyone with an interest in or responsibility for the care of children in primary care and the interface with social care and education, will find this book invaluable reading.
To the first Europeans who came to Australia, everything seemed topsy turvy. Christmas was in the summer and trees shed their bark but not their leaves. And the animals were bizarre. There was a bird that laughed like a donkey and a type of greyhound that bound along on its hind legs like a hare. There was an animal in Tasmania whose nocturnal screeches sounded like the devil and a river creature that had a duck's bill at one end and a beaver's tail at the other. The Europeans had never seen anything like these animals before and gave them names similar to those of the European creatures they already knew. They drew and painted odd pictures of them, showing they did not understand the animals' habits. In one illustration, a wombat is standing on its back legs and in another a Tasmanian tiger is wrestling with a platypus of the same size.
Museums are frequently sites of struggle and negotiation. They are key cultural institutions that occupy an oftentimes uncomfortable place at the crossroads of the arts, culture, various levels of government, corporate ventures, and the public. Because of this, museums are targeted by political action but can also provide support for contentious politics. Though protests at museums are understudied, they are far from anomalous. Tear Gas Epiphanies traces the as-yet-untold story of political action at museums in Canada from the early twentieth century to the present. The book looks at how museums do or do not archive protest ephemera, examining a range of responses to actions taking place at their thresholds, from active encouragement to belligerent dismissal. Drawing together extensive primary-source research and analysis, Robertson questions widespread perceptions of museums, strongly arguing for a reconsideration of their role in contemporary society that takes into account political conflict and protest as key ingredients in museum life. The sheer number of protest actions Robertson uncovers is compelling. Ambitious and wide-ranging, Tear Gas Epiphanies provides a thorough and conscientious survey of key points of intersection between museums and protest – a valuable resource for university students and scholars, as well as arts professionals working at and with museums.
When a single dad arrives in town, a bookstore owner may have a chance to start a new chapter in her life . . . Jessie Tempest has two main interests: reading books and selling books. Her little bookshop in an English seaside town is a cozy hideaway from the chilly Yorkshire wind, but it’s also Jessie’s sanctuary from the outside world. When writer Miles Fareham and his son Elijah arrive to stay in the rental apartment above the shop, it’s a test for Jessie, who has always felt clueless when it comes to kids. But as she learns the story of the single father and the inquisitive eight-year-old, Jessie realizes that first impressions aren’t always the right ones—and, of course, you can never judge a book by its cover . . .
Professional tour leaders Andy N Robinson and Kirsty McGregor have spent over ten years leading group tours. In It’s NOT a Holiday!, they bring this combined experience together into a ‘must read’ book for all adventure travellers. Fun and informative, It’s NOT a Holiday!, will help you understand what group tours involve – the types of tour available, what happens on tour as well as offering advice to help you make the most of your time away. It introduces twenty stereotypical characters you will inevitably find on your own tour and how they cope with the delays, breakdowns, border closures and other hiccups that commonly occur on overland trips. The book highlights the A-Z of group travel through real stories and humorous anecdotes from their experience as professional tour leaders. It’s NOT a Holiday! should be the first item you pack as you prepare for that organised tour of a lifetime
This new addition to the popular Essentials series provides a broad, general introduction to the topic of simulation within clinical education. An ideal tool for both teaching and learning, Essential Simulation in Clinical Education provides a theoretical and practical introduction to the subject of simulation, whilst also offering strategies for successful use of simulators within general clinical education and demonstrating best practice throughout. This timely new title provides: The latest information on developments in the field, all supported by an evidence-base Content written by a global team of experts Discussion of policy and strategy initiatives to ground simulation within the healthcare context Practical examples of cases, including inter-professional learning. A superb companion for those involved in multi-disciplinary healthcare teaching, or interested in health care education practices, Essential Simulation in Clinical Education is the most comprehensive guide to the field currently available.
The infamous and formidable mythological figure of Medea has deservedly held an enduring appeal throughout the ages. This has perhaps never been more true than in the Silver Age of Latin literature, when the taste for rhetorical excess and the macabre made the heroine, and especially her notorious acts of witchcraft and the slaughter of her own children in revenge for her husband’s infidelity, a particularly suitable and attractive topic for literary treatment. By examining the portrayal of this remarkable figure in the works of Ovid, Seneca and Valerius Flaccus, Virgo to Virago: Medea in the Silver Age offers a comprehensive study of the representation of the heroine, not only in this specific period, but in the entire Roman era, since these three authors provide the only substantial accounts of this figure to have survived in Classical Latin. Through close analysis of the texts, Virgo to Virago explores the characterisation of Medea, whose mythical life was inevitably overshadowed by her legendary behaviour, considering whether these accounts merely accord with the particular traits of the Silver Age, or whether this mighty female character has any claim to sympathy or admiration in these texts. The book simultaneously examines how the Latin authors compare with, and differ from, both one another and their extant Greek and Roman predecessors, concluding with a discussion of the significance of any comparisons to be drawn between these portrayals of the Roman Medea.
As much an entertaining armchair read as a practical guide, this is a personal, slow, tour of Cornwall.Experience crashing waves and glorious beaches, wild moorland and wooded valleys, and the quiet and hitherto unsung byways of the Cornish landscape. Take time to savour the outstanding cuisine and seek out the lively arts scene. Interviews with locals - from blacksmiths and bakers to artists and fishermen - paint an intimate picture of the people of the region. Kirsty Fergusson enriches your stay with her local knowledge on where to stay, eat and drink and what to see and do. Tips on where to paddle with the tide up wooded creeks to village pubs, on where to discover lost varieties of Cornish apples and on riding a bike from standing stones to swimming holes, provide an intimate picture of this popular tourist destination.
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