What did the Edwardians know about Spain, and what was that knowledge worth? The Edwardians and the Making of a Modern Spanish Obsession draws on a vast store of largely unstudied primary source material to investigate Spain’s place in the turn-of-the-century British popular imagination. Set against a background of unprecedented emotional, economic and industrial investment in Spain, the book traces the extraordinary transformation that took place in British knowledge about the country and its diverse regions, languages and cultures between the tercentenary of the Spanish Armada in 1888 and the outbreak of World War I twenty-six years later. This empirically-grounded cultural and material history reveals how, for almost three decades, Anglo-Spanish connections, their history and culture were more visible, more colourfully represented, and more enthusiastically discussed in Britain’s newspapers, concert halls, council meetings and schoolrooms, than ever before. It shows how the expansion of education, travel, and publishing created unprecedented opportunities for ordinary British people not only to visit the country, but to see the work of Spanish and Spanish-inspired artists and performers in British galleries, theatres and exhibitions. It explores the work of novelists, travel writers, journalists, scholars, artists and performers to argue that the Edwardian knowledge of Spain was more extensive, more complex and more diverse than we have imagined.
This book is the first in-depth, ethnographic study of the Dutch punk scene. It questions the artificial boundaries of subcultural research, calling for a critical analysis of the distinctions drawn between subcultural and everyday lives, and between localised and globalised subcultures. The everyday experiences of punk are framed within the mobile and connected global subculture of which they are a part. It traces its emergence in the 1970s and its development through to 2010, with chapters that map Dutch punk historically and spatially. Further chapters explore the meanings and practices attached to punk by its participants before focusing in particular on the political affiliations of punks. This book argues for an approach to social research that recognises the ‘messiness’ and the ‘connectedness’ of punk and of the social world.
Putting Intellectual Property in its Place examines the relationship between creativity and intellectual property law on the premise that, despite concentrated critical attention devoted to IP law from academic, policy and activist quarters, its role as a determinant of creative activity is overstated. The effects of IP rights or law are usually more unpredictable, non-linear, or illusory than is often presumed. Through a series of case studies focusing on nineteenth century journalism, "fake" art, plant hormone research between the wars, online knitting communities, creativity in small cities, and legal practice, the authors discuss the many ways people comprehend the law through information and opinions gathered from friends, strangers, coworkers, and the media. They also show how people choose to share, create, negotiate, and dispute based on what seems fair, just, or necessary, in the context of how their community functions in that moment, while ignoring or reimagining legal mechanisms. In this book authors Murray, Piper, and Robertson define "the everyday life of IP law", constituting an experiment in non-normative legal scholarship, and in building theory from material and located practice.
Between 1803 and 1853, some 80,000 convicts were transported to Van Diemen’s Land. Revising established models of the colonies, which tend to depict convict women as a peculiarly oppressed group, Gender, crime and empire argues that convict men and women in fact shared much in common. Placing men and women, ideas about masculinity, femininity, sexuality and the body, in comparative perspective, this book argues that historians must take fuller account of class to understand the relationships between gender and power. The book explores the ways in which ideas about fatherhood and household order initially informed the state’s model of order, and the reasons why this foundered. It considers the shifting nature of state policies towards courtship, relationships and attempts at family formation which subsequently became matters of class conflict. It goes on to explore the ways in which ideas about gender and family informed liberal and humanitarian critiques of the colonies from the 1830s and 1840s and colonial demands for abolition and self-government.
At Vanity Fair tells the story of Bunyan's powerful metaphor, exploring how Vanity Fair was transformed from an emblem of sin and persecution into a showcase for celebrity, wealth and power. This literary history, focusing on reception, adaptation and influence, traces the fictional representation of Vanity Fair over three centuries from John Bunyan's masterpiece, The Pilgrim's Progress (1678), to William Makepeace Thackeray's own Vanity Fair (1847–8). It explores the influence of anonymous journalists and booksellers alongside well-known authors including Ben Jonson, Samuel Richardson and Thomas Carlyle. Over time, Bunyan's dystopian fantasy has been altered and repurposed to characterise consumer capitalism, channelling memories that inform and unsettle modern hedonism. By tracking the idea of 'Vanity Fair' against this shifting background, the book illuminates the relationship between the individual and the collective imagination, between what is culturally available and what is creatively impelled.
At a moment when the discipline of Canadian art history seems to be in flux and the study of Canadian visual culture is gaining traction outside of art history departments, the authors of Negotiations in a Vacant Lot were asked: is "Canada" - or any other nation - still relevant as a category of inquiry? Is our country simply one of many "vacant lots" where class, gender, race, ethnicity, and sexual orientation interact? What happens to the project of Canadian visual history if we imagine that Canada, as essence, place, nation, or ideal, does not exist? The argument that culture is increasingly used as an economic and socio-political resource resonates strongly with the popular strategies of "urban gurus" such as Richard Florida, and increasingly with government policy. Such strategies both contrast with, but also speak to traditions of Canadian state support for culture that have shaped the national(ist) discipline of Canadian art history. The authors of this collection stand at the multiple points where national culture and globalization collide, however, suggesting that academic investigation of the visual in Canada is contested in ways that cannot be contained by arbitrary borders. Bringing together the work of scholars from diverse backgrounds and illustrated with dozens of works of Canadian art, Negotiations in a Vacant Lot unsettles the way we have used "nation" to examine art and culture and looks ahead to a global future. Contributors include Susan Cahill (Nipissing University), Mark A. Cheetham (University of Toronto), Peter Conlin (Academia Sinica, Taipei), Annie Gérin (Université du Québec à Montréal), Richard William Hill (York University), Kristy A. Holmes (Lakehead University), Heather Igloliorte (Concordia University), Barbara Jenkins (Wilfrid Laurier University), Alice Ming Wai Jim (Concordia University), Lynda Jessup (Queen’s University), Erin Morton (University of New Brunswick), Kirsty Robertson (Western University), Rob Shields (University of Alberta), Sarah E.K. Smith (Queen’s University), Imre Szeman (University of Alberta), and Jennifer VanderBurgh (Saint Mary’s University).
This collection interrogates relationships between court architecture and social justice, from consultation and design to the impact of material (and immaterial) forms on court users, through the lenses of architecture, law, socio-legal studies, criminology, anthropology, and a former senior federal judge. International multidisciplinary collaborations and single-author contributions traverse a range of methodological approaches to present new insights into the relationship between architecture, design, and justice. These include praxis, photography, reflections on process and decolonising practice, postcolonial, feminist, and poststructural analysis, and theory from critical legal scholarship, political science, criminology, literature, sociology, and architecture. While the opening contributions reflect on establishing design principles and architectural methodologies for ethical consultation and collaboration with communities historically marginalised and exploited by law, the central chapters explore the textures and affects of built forms and the spaces between; examining the disjuncture between design intention and use; and investigating the impact of architecture and the design of space. The collection finishes with contemplations of the very real significance of material presence or absence in courtroom spaces and what this might mean for justice. Courthouse Architecture, Design and Social Justice provides tools for those engaged in creating, and reflecting on, ethical design and building use, and deepens the dialogue across disciplinary boundaries towards further collaborative work in the field. It also exists as a new resource for research and teaching, facilitating undergraduate critical thought about the ways in which design enhances and restricts access to justice.
The authors provide undergraduate students with a substantial view of intellectual property law, dealing with principles, academic issues and practical considerations.
To the first Europeans who came to Australia, everything seemed topsy turvy. Christmas was in the summer and trees shed their bark but not their leaves. And the animals were bizarre. There was a bird that laughed like a donkey and a type of greyhound that bound along on its hind legs like a hare. There was an animal in Tasmania whose nocturnal screeches sounded like the devil and a river creature that had a duck's bill at one end and a beaver's tail at the other. The Europeans had never seen anything like these animals before and gave them names similar to those of the European creatures they already knew. They drew and painted odd pictures of them, showing they did not understand the animals' habits. In one illustration, a wombat is standing on its back legs and in another a Tasmanian tiger is wrestling with a platypus of the same size.
Museums are frequently sites of struggle and negotiation. They are key cultural institutions that occupy an oftentimes uncomfortable place at the crossroads of the arts, culture, various levels of government, corporate ventures, and the public. Because of this, museums are targeted by political action but can also provide support for contentious politics. Though protests at museums are understudied, they are far from anomalous. Tear Gas Epiphanies traces the as-yet-untold story of political action at museums in Canada from the early twentieth century to the present. The book looks at how museums do or do not archive protest ephemera, examining a range of responses to actions taking place at their thresholds, from active encouragement to belligerent dismissal. Drawing together extensive primary-source research and analysis, Robertson questions widespread perceptions of museums, strongly arguing for a reconsideration of their role in contemporary society that takes into account political conflict and protest as key ingredients in museum life. The sheer number of protest actions Robertson uncovers is compelling. Ambitious and wide-ranging, Tear Gas Epiphanies provides a thorough and conscientious survey of key points of intersection between museums and protest – a valuable resource for university students and scholars, as well as arts professionals working at and with museums.
This best-selling undergraduate textbook from leading academics Kirsty Horsey & Erika Rackley gives a comprehensive grounding in tort law and carefully chosen learning features help students to become engaged and critical thinkers.
Examines three celebrated scientific landscapes: Adelaide's Hallett Cove, Lake Callabonna in South Australia, and the World Heritage listed Willandra Lakes Region of NSW. It offers philosophical insights into significant issues of heritage management, and our understanding of place, time, nation and science.
This new addition to the popular Essentials series provides a broad, general introduction to the topic of simulation within clinical education. An ideal tool for both teaching and learning, Essential Simulation in Clinical Education provides a theoretical and practical introduction to the subject of simulation, whilst also offering strategies for successful use of simulators within general clinical education and demonstrating best practice throughout. This timely new title provides: The latest information on developments in the field, all supported by an evidence-base Content written by a global team of experts Discussion of policy and strategy initiatives to ground simulation within the healthcare context Practical examples of cases, including inter-professional learning. A superb companion for those involved in multi-disciplinary healthcare teaching, or interested in health care education practices, Essential Simulation in Clinical Education is the most comprehensive guide to the field currently available.
The essential companion for undergraduate tort law students, providing a comprehensive portable library of leading tort cases. Horsey & Rackley bring together a range of carefully edited extracts, combined with insightful commentary, questions, and annotated cases to help students identify and analyse the key elements of a case.
The Wild Things clothing brand is back with more sewing projects to make for your children. Following on from prolific sewer Kirsty Hartley's WILD THINGS FUNKY LITTLE CLOTHES TO SEW, this second book will offer over 40 more projects for your child. The Wild Things Funky Little Dresses clothing range brings exciting and mythical clothing to your child's wardrobe; now you can make your own everyday play clothes and accessories to bring to life. WILD THINGS TO MAKE will inspire makers of all abilities to create something exciting for their children that they will really want to wear. Drawing on simple shape and whimsical imagery, the step-by-step projects include dresses, hats, jackets and dungarees, as well as some simple accessories and keepsake gifts with a little heart and soul. With themes from enchanted woodland to summer essentials for beginners, and outfits including a robin pinafore, mermaid sundress, shark dungarees and fun accessories like your child's very own puppet theatre or teepee, this book adds a spark of adventure to everyday clothes and playtime fun.
The experience of higher education in the UK has become an increasingly common phenomenon in the 21st century. This book explores the emotional and moral significance of the relationships young women develop at university, such as friends, family and housemates, by using a seven-year qualitative longitudinal study of the transitional period.
The Big Music tells the story of John Sutherland of 'The Grey House', who is dying and creating in the last days of his life a musical composition that will define it. Yet he has little idea of how his tune will echo or play out into the world - and as the book moves inevitably through its themes of death and birth, change and stasis, the sound of his solitary story comes to merge and connect with those around him. In this remarkable work of fiction, Kirsty Gunn has created something as real as music or as magical as a dream. One emerges at the end of it altered and changed. Not so much a novel as a place the reader comes to inhabit and know, The Big Music is a literary work of undeniable originality and power.
This practical book enables those already practicing or joining social work to consider the various ways that people can be supported to live well with dementia. Areas focused on include how the personalisation agenda is changing services through self-directed support, re-enablement and telecare, how risk can be managed while choice and independence are maintained, and how safeguarding of people with dementia can be positively practiced. The authors present information on essential new developments in the field of dementia care including changes in legislation and Government policy as well as providing examples of positive practice from around the country.
All his life, people have told Jamie Cole that he was born bad. Maybe it's true, maybe it's not. But that doesn't matter now. Because after a lifetime of demons, Jamie has finally found an angel. Ellie Pearce learned the hard way that boys can't be trusted. But the night she meets Jamie, something shifts. He's different: brooding, a bit dark, determined to change. The connection they share is intense, compelling. Ellie tries to resist, but with each breathtaking kiss, she can't help falling deeper. Things between Ellie and Jamie are perfect-and perfection can't last. When fate goes horribly wrong, Jamie's only hope of saving his family is to strike a deal with the devil. Most of all, Jamie wants to prove he's the person Ellie believes him to be. But if she learns just how much he's been hiding, Ellie won't be able to believe anything Jamie has ever told her . . .
Audiences are not what they used to be. Munching crisps or snapping selfies, chatting loudly or charging phones onstage – bad behaviour in theatre is apparently on the rise. And lately some spectators have begun to fight back... The Reasonable Audience explores the recent trend of ‘theatre etiquette’: an audience-led crusade to bring ‘manners and respect’ back to the auditorium. This comes at a time when, around the world, arts institutions are working to balance the traditional pleasures of receptive quietness with the need to foster more inclusive experiences. Through investigating the rhetorics of morality underpinning both sides of the argument, this book examines how models of 'good' and 'bad' spectatorship are constructed and legitimised. Is theatre etiquette actually snobbish? Are audiences really more selfish? Who gets to decide what counts as ‘reasonable’ within public space?Using theatre etiquette to explore wider issues of social participation, cultural exclusion, and the politics of identity, Kirsty Sedgman asks what it means to police the behaviour of others.
How do we feel for others? Must we try to understand other minds? Do we have to respect others' autonomy, or even their individuality? Or might sympathy be fundamentally more intuitive, bodily and troubling? Taking as her focus the work of Virginia Woolf, D.H. Lawrence, and Vernon Lee (the first novelist to use the word 'empathy'), Kirsty Martin explores how modernist writers thought about questions of sympathetic response. Attending closely to literary depictions of gesture, movement and rhythm; and to literary explorations of the bodily and of transcendence; this book argues that central to modernism was an ideal of sympathy that was morally complex, but that was driven by a determination to be true to what it is to feel. Offering new readings of major literary texts, and original research into their historical contexts, Modernism and the Rhythms of Sympathy sets modernist texts alongside recent discussions of emotion and cognition. It offers a fresh reading of literary modernism, and suggests how modernism might continue to unsettle our thinking about feeling today.
Writing Galicia explores a part of Europe’s cultural and social landscape that has until now remained largely unmapped—the exciting body of creative work that, since the 1970s, has emerged as a result of contact between the small Atlantic nation of Galicia and the Anglophone world. Paying particular attention to the community of London Galicians and their descendants, this book traces representations of Galician cultural history through art and close, critical readings of literary works by, among others, Carlos Durán, Manuel Rivas, Xesús Fraga, and Ramiro Fonte. Too often neglected in literary studies, Galician culture is strongly evident throughout Europe’s cultural landscape, and this book allows us to reframe this small Atlantic culture.
Many of Cornwall's wildest or most curious corners as well as the exciting new range of places to eat, sleep or drink are often overlooked in the headlong race to get to the beach or the well-known tourist spots. Taking the Slow approach, using local knowledge and the author's endless curiosity, this guide offers both visitors and seasoned residents alike the chance to discover what lies behind the immediate and obvious attractions of Britain's favourite holiday destination.
All the leading cases, illuminated by Horsey & Rackley's trademark clear and lively commentary.The essential companion for undergraduate tort law students, providing a comprehensive portable library of leading tort cases. Horsey & Rackley bring together a range of carefully edited extracts, combined with insightful commentary and annotated cases to help students identify and analyse the key elements.Key features:- The only text of its kind to provide a comprehensive collection of the leading tort law cases for undergraduates- Simple to navigate, pulling all key case law together into one easy-to-use volume which students can work through systematically or use to reference specific cases- Cases are accompanied by succinct author commentary highlighting the key elements of each case- Annotated cases help students understand and analyse materialNew to this edition:The seventeenth edition has been thoroughly revised to reflect recent developments in the law, including Fearn and others v The Board of Trustees of the Tate Gallery [2023] UKSC 4 on private nuisance, Riley v Murray Court of Appeal [2022] EWCA Civ 1146 on defamation, and Paul v Royal Wolverhampton NHS Trust; Polmear v Royal Cornwall Hospital NHS Trust; Purchase v Ahmed [2022] EWCA Civ 12 on psychiatric harm.
The Human Fertilisation and Embryology Act 2008 was a major update to the UK’s laws on the use and regulation of reproductive technology and assisted reproduction. Since the enactment of the new law, the sector’s regulatory body, the Human Fertilisation and Embryology Authority (HFEA), has also consulted on various related topics including barriers to egg and sperm donation in the UK, multiple births/single embryo transfer and using IVF technology to prevent mitochondrial disease. This book critically considers recent developments in human fertilisation legislation, asking whether the 2008 Act has achieved its stated aim of being fit for purpose. Bringing together a range of international experts, the book evaluates the fresh risks and challenges emerging from both established and existing technologies and techniques in the field of human fertilisation and embryology, as well as offering valuable insights into the social and regulatory challenges that lie ahead. Key topics include problems with DIY assisted conception; the lack of reform in respect of the regulation of surrogacy arrangements; and mitochondrial DNA transfer. As a review of the status of assisted reproduction legislation, this book will be of great use and interest to students, researchers and practitioners in medical law, bioethics, medicine and child welfare.
Thoroughly updated and significantly expanded in this new fourth edition, Bradt’s Cornwall & The Isles of Scilly (Slow Travel) is the most well-established guide to a perennially popular British county. Offering in-depth exploration of both frequently visited and less-well-known destinations that will interest locals as much as newcomers, it is written in a friendly, engaging style and includes up-to-date listings of the best (and sometimes least obvious) places to eat, drink and sleep, appealing to all budgets. Long popular with discerning travellers and foodies, the boom in staycations and coverage in TV dramas such as Poldark mean that Cornwall enjoys ever-increasing acclaim as a healthy, wholesome destination. Few places offer such geographical diversity: rugged, storm-lashed north coast and wide, sandy beaches favoured by surfers lie barely a few miles from the south’s sheltered creeks, coves and exotic gardens. Wild moorland is dotted with Neolithic standing stones and mining heritage. And, just 28 miles from Land’s End, the Isles of Scilly offer an exhilarating blend of tropical exoticism and wild isolation. Cornwall thus possesses an enduring appeal as a year-round destination for visitors of all ages and interests. But such popularity makes it all too easy to overlook the diverse character of the county and its less obvious destinations – which is why taking a Slow approach is so rewarding. As local residents have discovered, treasures of all kinds are revealed when you ditch the car and start investigating what lies immediately beyond the doorstep. Explore the ‘Cornish Alps’, the lonely Rame peninsula, secret beaches or stone circles lost amid remote-feeling uplands. Glimpse the future of sustainable technologies at the Eden Project. Listen to world-class musicians playing in tiny rural churches. Celebrate the comeback of the chough, Cornwall’s emblematic bird. Wander around Bodmin Moor’s Kerdroya, a classical labyrinth built of Cornish stone hedging. Discover where oysters are still harvested in the traditional way and where the best Cornish ice creams, pasties and cider are made. The ideal companion for a visit, Bradt’s Cornwall & The Isles of Scilly (Slow Travel) is an invitation to imbibe the region’s rich, diverse delights.
With its wild eroding sea, its gentle rolling fields and tall churches, Suffolk is a county of contrasts. It may seem a kindly and civilised place, but in that sea, in the reed beds, the woods and even down dark town streets lurk strange beasts, ghosts and tricksters. These thirty traditional tales retold by storyteller Kirsty Hartsiotis take you into a hidden world of green children and wildmen, of lovers from beyond the grave and tricksy fairy folk. Shaped by generations of Suffolk mardle and wit, in these stories you'll discover the county's last dragon, the secret behind Black Shuck, saintly King Edmund and heroic King Raedwald, haunted airfields, broken-hearted mermaids and the exploits of the county's cunning folk. Embark on this journey around Suffolk and you'll find you're never far from a story.
Constitutional Deference, Courts and Socio-Economic Rights in South Africaby Kirsty McLean2009ISBN: 978-0-9814124-8-1Pages: viii 246Print version: AvailableElectronic version: Free PDF available.
From Kirsty Eagar, Summer Skin is a young adult novel about a modern-day riot grrl and an alpha male jock who explore love, trust, and double standards against the backdrop of today's hookup culture. Jess Gordon is out for revenge. Last year the jocks from Knights College tried to shame her best friend. This year she and a hand-picked college girl gang are going to get even. The lesson: Don't mess with Unity College girls. The target: Blondie, a typical Knights stud, arrogant, cold . . . and smart enough to keep up with Jess. A neo-riot grrl with a penchant for fanning the flames meets a rugby-playing sexist pig—sworn enemies or two people who happen to find each other when they're at their most vulnerable? It's all Girl meets Boy, Girl steals from Boy, seduces Boy, ties Boy to a chair, and burns Boy's stuff. Just your typical love story. Kirsty Eagar expertly handles a searingly honest and achingly funny story about love and sex amid the college hookup culture.
Madame de Souza's seven major novels written in the period from 1794 to 1822 show the emergence of the female-authored French novel, and the novel's role as a vehicle for political ideas during the revolutionary period. The novels; Adèle de Sénange, Emilie et Alphonse, Charles et Marie, Eugénie et Mathilde, Eugène de Rothelin, Mademoiselle de Tournon, and La comtesse de Fargy, make an important contribution to early nineteenth-century French literature. Madame de Souza was an acute observer of the intimate workings of Paris society, and of social and political change in the years 1789-1830. Unedited extracts from her novels, Etre et Paraître and other less complete manuscripts appear here in print for the first time. The author was born in 1761, and lived through the political regimes of a Revolution, Empire and Restoration, dying in Paris, in 1836. She had a long life filled with friends, correspondents, and travels in Britain and Europe, and she was admired by literary critics like Sismondi and Marie-Joseph Chénier. Until now, a small amount of research has been focused on her first novel, Adèle de Sénange, but this book shows that this is only one of seven works that should be better known than they are at present.
The international legal framework for valuing the carbon stored in forests, known as 'Reducing Emissions from Deforestation and Forest Degradation' (REDD+), will have a major impact on indigenous peoples and forest communities. The REDD+ regime contains many assumptions about the identity, tenure and rights of indigenous and local communities who inhabit, use or claim rights to forested lands. The authors bring together expert analysis of public international law, climate change treaties, property law, human rights and indigenous customary land tenure to provide a systemic account of the laws governing forest carbon sequestration and their interaction. Their work covers recent developments in climate change law, including the Agreement from the Conference of the Parties in Paris that came into force in 2016. The Impact of Climate Change Mitigation on Indigenous and Forest Communities is a rich and much-needed contribution to contemporary understanding of this topic.
*Don't miss the searing, dazzling and unforgettable new novel from the Women's Prize longlisted author of CARELESS - pre-order now!* 'Every word has the touch of a genius' BENJAMIN ZEPHANIAH 'A pin-sharp, propulsive story' KIRAN MILLWOOD HARGRAVE 'Bold, brilliant, shocking and shattering' CHRIS WHITAKER Everyone has heard of Girls. But what happened to the women they became? At the time of her death, the press wrote many things about Ingrid Olssen: She was a brilliant artist. She was a terrible mother to her girls, Mattie and Nora. And that her legacy would live on forever. Even so, it's unlikely the world will ever see another Ingrid Olssen exhibition - her last request to her daughters was to throw her ashes in the canyon and her paintings in the sea. But as Mattie and Nora reluctantly embark on an all-or-nothing trip to fulfil her wishes, they start to unpick the painful scars of their past. And soon they begin to realise that the ties that bound them, might also break them... Perfect for fans of Sorrow and Bliss by Meg Mason and Daisy Jones and the Six by Taylor Jenkins Reid. GIRLS is as devastating as it is hilarious, as tender and moving as it is shocking - this is a book that will stay with you long after you have turned the final pages. ** EARLY PRAISE FOR GIRLS ** 'I knew I'd love GIRLS and I did, but I'm also utterly devastated by it. What a beautiful, rich, expansive novel. It'll be a while before I stop crying. Thank you a million times over' JENNIE GODFREY 'I can't think when I last encountered a story world of this depth and faultless plausibility. Everything about it was perfect: intricate; warm; uncluttered. Blimey, I wish I'd written it' ANSTEY HARRIS 'An extraordinary writer of lives rarely written about [...] in words that are wise, warm, painful and often witty' DALJIT NAGRA 'Phenomenal. I loved it.' KATE SAWYER 'Surprising, heart-breaking and dryly funny, Kirsty Capes is such an exciting talent.' CAROLINE HULSE 'GIRLS puts a lens to the awful things sisters do to one another and the absolute life-changing necessity of a sister's forgiveness.' ABIGAIL BERGSTROM 'Ambitious in form and scope, it covers childhood trauma, art and celebrity culture, the unfathomable bond between sisters, and much more' ELISSA SOAVE 'Unmissable, bold and moving. This is Capes' best novel yet.' SARA JAFARI 'Thoughtful and deeply human, Girls is a masterful take on family at its most complicated' PHOENICIA ROGERSON 'Phenomenal. GIRLS made me laugh, cry, and gave me all the feels in between. I'll be thinking about these characters for a very long time' LISA HALL 'Wonderful, wonderful storytelling and unforgettable characters' SARA NISHA ADAMS
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