Seventeen-year-old Lindsey Allen is an A-student who has her heart set on becoming an astronomer. But first she must break away from her mother, an eccentric failed beauty queen who has set up a phony psychic reading shop in their Oregon garage. Lindsey is biding time until she graduates high school, reading tarot cards for the neighbors in her mother’s shop and recording the phases of the moon in her Moon Sign notebook. Her life changes when her mother, Debbie, makes an announcement: they are moving to California to become Hollywood psychics to the stars. Just as they pull out of the driveway, Lindsey looks up at the silver, morning moon. It's a bright coin moon, which means only one thing: what you leave behind today will rise up tomorrow. When mother and daughter arrive in Los Angeles with new names and hair colors, they move into a leaky, run down building at the foot of a highway and spend their nights stalking restaurants and movie premieres to catch that one celebrity they hope will be their ticket. Just when it seems they will never make any money in LA, Lindsey is assigned a new mentor through her school. Joan is a lonely, wealthy widow who can't get past the death of her husband, Saul. Debbie is convinced they've hit the jackpot and plans for a future séance commence. As Lindsey grows closer to Joan, guilt over the scam consumes her and she must make the ultimate decision. But can she really betray her mother? Sky Pony Press, with our Good Books, Racehorse and Arcade imprints, is proud to publish a broad range of books for young readers—picture books for small children, chapter books, books for middle grade readers, and novels for young adults. Our list includes bestsellers for children who love to play Minecraft; stories told with LEGO bricks; books that teach lessons about tolerance, patience, and the environment, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.
Seventeen-year-old Lindsey Allen is an A-student who has her heart set on becoming an astronomer. But first she must break away from her mother, an eccentric failed beauty queen who has set up a phony psychic reading shop in their Oregon garage. Lindsey is biding time until she graduates high school, reading tarot cards for the neighbors in her mother’s shop and recording the phases of the moon in her Moon Sign notebook. Her life changes when her mother, Debbie, makes an announcement: they are moving to California to become Hollywood psychics to the stars. Just as they pull out of the driveway, Lindsey looks up at the silver, morning moon. It's a bright coin moon, which means only one thing: what you leave behind today will rise up tomorrow. When mother and daughter arrive in Los Angeles with new names and hair colors, they move into a leaky, run down building at the foot of a highway and spend their nights stalking restaurants and movie premieres to catch that one celebrity they hope will be their ticket. Just when it seems they will never make any money in LA, Lindsey is assigned a new mentor through her school. Joan is a lonely, wealthy widow who can't get past the death of her husband, Saul. Debbie is convinced they've hit the jackpot and plans for a future séance commence. As Lindsey grows closer to Joan, guilt over the scam consumes her and she must make the ultimate decision. But can she really betray her mother? Sky Pony Press, with our Good Books, Racehorse and Arcade imprints, is proud to publish a broad range of books for young readers—picture books for small children, chapter books, books for middle grade readers, and novels for young adults. Our list includes bestsellers for children who love to play Minecraft; stories told with LEGO bricks; books that teach lessons about tolerance, patience, and the environment, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.
A timely contribution to the fields of film history, visual cultures, and globalization studies, Cinematic Prophylaxis provides essential historical information about how the representation of biological contagion has affected understandings of the origins and vectors of disease. Kirsten Ostherr tracks visual representations of the contamination of bodies across a range of media, including 1940s public health films; entertainment films such as 1950s alien invasion movies and the 1995 blockbuster Outbreak; television programs in the 1980s, during the early years of the aids epidemic; and the cyber-virus plagued Internet. In so doing, she charts the changes—and the alarming continuities—in popular understandings of the connection between pathologized bodies and the global spread of disease. Ostherr presents the first in-depth analysis of the public health films produced between World War II and the 1960s that popularized the ideals of world health and taught viewers to imagine the presence of invisible contaminants all around them. She considers not only the content of specific films but also their techniques for making invisible contaminants visible. By identifying the central aesthetic strategies in films produced by the World Health Organization, the Centers for Disease Control, and other institutions, she reveals how ideas about racial impurity and sexual degeneracy underlay messages ostensibly about world health. Situating these films in relation to those that preceded and followed them, Ostherr shows how, during the postwar era, ideas about contagion were explicitly connected to the global circulation of bodies. While postwar public health films embraced the ideals of world health, they invoked a distinct and deeply anxious mode of representing the spread of disease across national borders.
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