From rap to folk to punk, music has often sought to shape its listeners’ political views, uniting them as a global community and inspiring them to take action. Yet the rallying potential of music can also be harnessed for sinister ends. As this groundbreaking new book reveals, white-power music has served as a key recruiting tool for neo-Nazi and racist hate groups worldwide. Reichsrock shines a light on the international white-power music industry, the fandoms it has spawned, and the virulently racist beliefs it perpetuates. Kirsten Dyck not only investigates how white-power bands and their fans have used the internet to spread their message globally, but also considers how distinctly local white-power scenes have emerged in Western Europe, Eastern Europe, Latin America, the United States, and many other sites. While exploring how white-power bands draw from a common well of nationalist, racist, and neo-Nazi ideologies, the book thus also illuminates how white-power musicians adapt their music to different locations, many of which have their own terms for defining whiteness and racial otherness. Closely tracking the online presence of white-power musicians and their fans, Dyck analyzes the virtual forums and media they use to articulate their hateful rhetoric. This book also demonstrates how this fandom has sparked spectacular violence in the real world, from bombings to mass shootings. Reichsrock thus sounds an urgent message about a global menace.
From rap to folk to punk, music has often sought to shape its listeners’ political views, uniting them as a global community and inspiring them to take action. Yet the rallying potential of music can also be harnessed for sinister ends. As this groundbreaking new book reveals, white-power music has served as a key recruiting tool for neo-Nazi and racist hate groups worldwide. Reichsrock shines a light on the international white-power music industry, the fandoms it has spawned, and the virulently racist beliefs it perpetuates. Kirsten Dyck not only investigates how white-power bands and their fans have used the internet to spread their message globally, but also considers how distinctly local white-power scenes have emerged in Western Europe, Eastern Europe, Latin America, the United States, and many other sites. While exploring how white-power bands draw from a common well of nationalist, racist, and neo-Nazi ideologies, the book thus also illuminates how white-power musicians adapt their music to different locations, many of which have their own terms for defining whiteness and racial otherness. Closely tracking the online presence of white-power musicians and their fans, Dyck analyzes the virtual forums and media they use to articulate their hateful rhetoric. This book also demonstrates how this fandom has sparked spectacular violence in the real world, from bombings to mass shootings. Reichsrock thus sounds an urgent message about a global menace.
Stories of Culture and Place makes use of one of anthropology's most enduring elements—storytelling—to introduce students to the excitement of the discipline. The authors invite students to think of anthropology as a series of stories that emerge from cultural encounters in particular times and places. References to classic and contemporary ethnographic examples—from Coming of Age in Samoa to Coming of Age in Second Life—allow students to grasp anthropology's sometimes problematic past, while still capturing the potential of the discipline. This new edition has been significantly reorganized and includes two new chapters—one on health and one on economic change—as well as fresh ethnographic examples. The result is a more streamlined introductory text that offers thorough coverage but is still manageable to teach.
This book is an anthropological study of play-acting. Acting on the stage is seen as an example of social action in general. The focus is on the playing of Shakespeare, and on the players' use of and reflections upon time, space, plot, and acting. In her new book, Kirsten Hastrup aims at a renewed understanding of action and motivation within any social setting. By listening to such experts of action as the players of Shakespeare, we achieve a comprehensive reappraisal of current notions of human agency. In the process, we are offered a set of methodological tools and analytical concepts that may enrich future anthropological analysis of individual actions in their social context. The work is an unprecedented approach to action and acting. For anthropologists and other social or cultural scientists, Hastrup offers a fresh perspective on performance, and on the construction of the analytical object. For theatre historians and dramatists, the combination of detailed (ethnographic) analys
Who gets elected? Who do they represent? What issues do they prioritize? Does diversity in representation make a difference? Race, Gender, and Political Representation thinks differently about identity politics in the United States. It is not about women's representation or minority representation; it is about how race and gender interact to affect the election, behavior, and impact of all individuals - raced women and gendered minorities alike. By putting women of color at the center of the analysis and re-evaluating traditional, one-at-a-time approaches to studying the politics of race or gender, the authors demonstrate what an intersectional approach to identity politics can reveal. With a wealth of original data on the presence, policy leadership, and policy impact of Black women and men, Latinas and Latinos, and white women and men in state legislative office in the late 20th and early 21st centuries, each chapter shows how the politics of race, gender, and representation are far more complex than recurring "Year of the Woman" frameworks suggest. An array of race-gender similarities and differences are evident in the experiences, activities, and accomplishments of these state legislators. Yet one thing is clear: the representation of those marginalized by multiple, intersecting systems of power and inequality is intricately bound to the representation of women of color"--
Rodina - in Russian, "the Motherland" - is about a Russian family and the tumultuous times through which they live. It tells the story of Evgenia, a Russian woman who endures the upheavals of her beleaguered homeland and personifies Rodina's strength. It is also about Evgenia's courageous daughters, the dedicated men they love, and the passions which propel all of their eventful lives. The saga opens in 1861, the year of the Great Emancipation - and Evgenia's birth. Her life unfolds in Derevnia, a village on the Volga, among people whose life is hard but also filled with beauty and joy. Amid the contradictions of her peasant environment, Evgenia grows up within a warm community of strong individuals: Babushka, the wise woman who teaches her the lore of the forest; Ekaterina, the village midwife who trains her as a healer; Mikhail, the chanter whose booming voice inspires her to sing; Ivan, the dedicated village priest whom she marries. When Evgenia's children grow up, they go off to Petersburg. Lisya, the eldest, plays violin in the orchestra of the glittering Maryinsky theatre. Tatiana, the youngest, dances in the elegant Imperial Ballet. Vladimir, their brother, leaves his Orthodox seminary to become a zealous Bolshevik. Against the dramatic and violent backdrop of the Russian Revolution, they experience war and terror, idealism and inspiration. Evgenia herself eventually joins her children in Petersburg - now Leningrad - where her granddaughter, Katya, works at the great Hermitage Art Museum. When the Nazis invade, Katya's husband, Alexei, goes off to fight at Stalingrad. Katya and her children are caught in the 900-day siege of Leningrad, as are Evgenia and Lisya. Together, all four generations join the heroic battle to defend their Motherland.
2020 IACP Cookbook Award Finalist 2019 Foreword INDIES Winner Best-selling fermentation authors Kirsten and Christopher Shockey explore a whole new realm of probiotic superfoods with Miso, Tempeh, Natto & Other Tasty Ferments. This in-depth handbook offers accessible, step-by-step techniques for fermenting beans and grains in the home kitchen. The Shockeys expand beyond the basic components of traditionally Asian protein-rich ferments to include not only soybeans and wheat, but also chickpeas, black-eyed peas, lentils, barley, sorghum, millet, quinoa, and oats. Their ferments feature creative combinations such as ancient grains tempeh, hazelnut–cocoa nib tempeh, millet koji, sea island red pea miso, and heirloom cranberry bean miso. Once the ferments are mastered, there are more than 50 additional recipes for using them in condiments, dishes, and desserts including natto polenta, Thai marinated tempeh, and chocolate miso babka. For enthusiasts enthralled by the flavor possibilities and the health benefits of fermenting, this book opens up a new world of possibilities.
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