In March 2011, a massive earthquake hit Japan and triggered a powerful tsunami. Claiming more than 15,000 lives, destroying thousands of homes, and wiping out infrastructure, the event was one of the worst natural disasters in Japan’s history. Yet even after damage to the Fukushima power plant resulted in one of the most devastating nuclear accidents—one that continues to affect surrounding areas years after the incident—the Japanese people and government showed resilience. This volume examines the events and the national and environmental impact of this tragedy as well as the steps that have been taken to rebuild lives and homes.
Now a Hallmark Original Movie An inherited parking spot. That’s all it took to make Natalie Moran’s food truck dreams come true. But her dream space is attached to a bakery inherited by someone else—drop dead gorgeous Eric Schneider, a financial consultant who wouldn’t know a cupcake from a cannoli. And he wants to buy Nat out, no matter what she has to say about it. Eric’s determined to build his own business, but he needs the super cute klutz with the cupcake truck to help. If Nat will teach him the basics of running a bakery, he’ll give her free kitchen time. Except...neither expects the heat burning between them or the possibility that their arrangement might become permanent. When it all blows up, Nat is convinced his actions mean betrayal. It’s up to Eric to regain her trust and show her he’s a man who is truly, madly in love with her, before she disappears from his life forever. Each book in the Sweet Love series is a standalone, full-length story that can be enjoyed out of order. Series Order: Book #1 Truly, Madly, Sweetly Book #2 Totally, Sweetly, Irrevocably Book #3 Sweetly, Deeply, Absolutely
In Singing Like Germans, Kira Thurman tells the sweeping story of Black musicians in German-speaking Europe over more than a century. Thurman brings to life the incredible musical interactions and transnational collaborations among people of African descent and white Germans and Austrians. Through this compelling history, she explores how people reinforced or challenged racial identities in the concert hall. Throughout the nineteenth and twentieth centuries, audiences assumed the categories of Blackness and Germanness were mutually exclusive. Yet on attending a performance of German music by a Black musician, many listeners were surprised to discover that German identity is not a biological marker but something that could be learned, performed, and mastered. While Germans and Austrians located their national identity in music, championing composers such as Bach, Beethoven, and Brahms as national heroes, the performance of their works by Black musicians complicated the public's understanding of who had the right to play them. Audiences wavered between seeing these musicians as the rightful heirs of Austro-German musical culture and dangerous outsiders to it. Thurman explores the tension between the supposedly transcendental powers of classical music and the global conversations that developed about who could perform it. An interdisciplinary and transatlantic history, Singing Like Germans suggests that listening to music is not a passive experience, but an active process where racial and gendered categories are constantly made and unmade.
The presence of women in Congress is at an all-time high -- approximately one of every five members is female -- and record numbers of women are running for public office for the 2018 midterms. At the same time, Congress is more polarized than ever, and little research exists on how women in Congress view their experiences and contributions to American politics today. Drawing on personal interviews with over three-quarters of the women serving in the 114th Congress (2015-17), the authors analyze how these women navigate today's stark partisan divisions, and whether they feel effective in their jobs. Through first-person perspectives, A Seat at the Table looks at what motivates these women's legislative priorities and behavior, details the ways in which women experience service within a male-dominated institution, and highlights why it matters that women sit in the nation's federal legislative chambers. It describes the strategies women employ to overcome any challenges they confront as well as the opportunities available to them. The book examines how gender interacts with political party, race and ethnicity, seniority, chamber, and district characteristics to shape women's representational influence and behavior, finding that party and race/ethnicity are the two most complicating factors to a singular narrative of women's congressional representation. While congresswomen's perspectives, experiences, and influence are neither uniform nor interchangeable, they strongly believe their presence matters in myriad ways, affecting congressional culture, priorities, processes, debates, and outcomes.
Seminar paper from the year 2013 in the subject Didactics for the subject English - Literature, Works, grade: 2,0, University of Cologne, language: English, abstract: In recent years, the concept of Englishness has received a lot of attention, in popular culture as well as in academic circles. Very often music, popular literature, fashion and lifestyles seem to be based on a general idea of a standard Englishness which has become favoured not only in England or Great Britain itself, but all around the world. Few national identities are as thoroughly profiled in popular belief as the English, albeit those beliefs are often based on various wide-spread clichés about a nation, whose history has, in fact, always been marked by change. This has led to an academic interest in what about Englishness is cliché, what is really true and, above all, a definition of what Englishness is or may be; an issue that appears to be difficult, since even in terms of language Englishness is subject to a constant process of development and transformation, which is highly polarising some people, for instance, may welcome Multicultural London English as a new spoken variety, others reject it because to their minds, it replaces the original speech and ruins what they believe to be the ‘real’ or ‘true’ English. The first group may then question the term ‘original’, because a century ago the language that is considered original now may have been new and replacing what was considered original back then. The problem shown in this example roughly illustrates the problem in general: a loss of the original that people are yearning to find and to determine, a quest which seems to never come to an end, causing a state of crisis. This problem of authenticity is a recurrent motif in the work of Julian Barnes, who in his novel "England, England" explores Englishness in particular, the nature of traditions, of history and of (national) identity, and in how far they are invented or constructed. This work will focus on how the process of constructing traditions and identities is depicted in the novel and address the problems and crises linked to identity, authenticity and truth as raised by Julian Barnes.
This study of media and migrant communities in Germany’s capital city is a “model of clarity and rigor in its arguments” (Martin Stokes, University of Chicago). In this innovative and thought-provoking study, Kira Kosnick explores the landscape of Turkish-language broadcasting in Berlin. From twenty-four-hour radio broadcasting in Turkish to programming on Germany’s national public broadcasting and local public access channels, Germany’s largest immigrant minority has made its presence felt in German media. Satellite dishes have appeared in migrant neighborhoods all over the city, giving viewers access to Kurdish channels and broadcasts from Turkey. Kosnick draws on interviews with producers, her own participation in production work, and analysis of programs to elaborate a new approach to “migrant media” in relation to the larger cultural and political spaces through which immigrant life is imagined and created.
Bachelor Thesis from the year 2014 in the subject Didactics for the subject English - Literature, Works, grade: 1,0, University of Cologne, language: English, abstract: The success of his debut novel "Bright Lights, Big City" brought Jay McInerney an astonishing amount of media coverage and an equivalent in book sales, but not much approval, let alone deeper analysis of his work, from critics and scholars. In fact, the hype that surrounded him and his fellow “brat-pack” writers is likely to have prevented any serious scholarly interest in this kind of new urban literature back in the day. “Bright Lights, Big City” was dismissed as a “yuppie bildungsroman- full of tortured self- searching and struggling- writer romance” (Young/Caveney 1992: 47) at first, without any considerable novelty or value. However, the enthusiasm of the large, young readership showed that there was something to McInerney’s novel that other novels did not offer- a setting and a language that were familiar and uncomplicated for them, but, at the same time, an account of relevant, postmodern issues that very well did concern the Bright Young Things of the 80s, but were usually seized in more elitist literature, and thus, eluded an audience that was ready for them to be taken up. This thesis attempts to perform a detailed analysis, starting with a brief description of the historical and cultural features of the setting and then proceeding to the interpretation of all important themes, motifs and symbols of the book in the context of postmodernism but also in general terms. Each chapter investigates the influence of a certain aspect of the protagonist’s life on his crisis, especially in how far one or the other led him to a life on the edge and to the loss of the self. In order to understand why, in the end, the protagonist has to “learn everything all over again” (BLBC 174) to get back on the right track, it is essential to point out the roles that Amanda- his opportunist model wife- his job in the fact checking department and the death of his mother played over time, and how drugs and Ray-Ban sunglasses seem to provide temporary solutions for the most acute of his troubles.
When Officer Rick Boyd answers a call about a peeping Tom, he doesn’t expect to find a gorgeous woman holding the binoculars. But Gina Silvano’s no peeping Tom, and she can catch her cupcake truck’s kinky vandals herself, thank you very much. No sexy cops required. No matter how hot their stakeouts, by-the-book Officer Boyd can’t see a future with a dangerous, rule-breaking wild-child who thwarts the law. He’s never felt more alive, though, and expunging her from his heart might be impossible. Each book in the Sweet Love series is a standalone, full-length story that can be enjoyed out of order. Series Order: Book #1 Truly, Madly, Sweetly Book #2 Totally, Sweetly, Irrevocably Book #3 Sweetly, Deeply, Absolutely
This new full-length biography of Meriwether Lewis is presented within the context of the turbulent times of the early AmericanRepublic. The author discusses intrigues to seize the Floridas and Louisiana from Spain with the help of France or Britain, and makes the case for General James Wilkinson assassinating General Anthony Wayne to become the commanding general of the U.S. Army. She proposes that the deadlock in the presidential election of 1800 between Aaron Burr and Thomas Jefferson was caused by a British faction of Federalists who planned to invade Louisiana and Mexico if Burr were elected president. Three parts of the conspiracy are identified: a secret military base on the Ohio, Cantonment Wilkinsonville, where 700 U.S. Army troops were stationed; the Philip Nolan filibuster into Texas; and British naval support. After Jefferson's election, Lewis lived in the White House as his confidential aide. In 1803, he left the White House as the leader of an elite army unit to reinforce America's claim to the Pacific Northwest. When he returned, Jefferson appointed him governor of LouisianaTerritory based in St. Louis with orders to remove followers of Aaron Burr from positions of power and influence. Within two years Meriwether Lewis was dead at the age of 35, killed by an assassin's bullets in 1809. The case is made that General Wilkinson and John Smith T., a wealthy lead mine operator, were the organizers of his assassination. Their motive was to prevent Lewis from stopping another filibuster expedition into Mexico in 1810. This biography of Lewis offers a very different interpretation of his character and achievements, supporting the idea that, if he had lived, Lewis was in line to become president of the United States. It presents a detailed account of his activities as a loyal Jefferson supporter, presidential aide, leader of a continental expedition, and governor of LouisianaTerritory.
Bachelor Thesis from the year 2014 in the subject Didactics for the subject English - Literature, Works, grade: 1,0, University of Cologne, language: English, abstract: The success of his debut novel "Bright Lights, Big City" brought Jay McInerney an astonishing amount of media coverage and an equivalent in book sales, but not much approval, let alone deeper analysis of his work, from critics and scholars. In fact, the hype that surrounded him and his fellow “brat-pack” writers is likely to have prevented any serious scholarly interest in this kind of new urban literature back in the day. “Bright Lights, Big City” was dismissed as a “yuppie bildungsroman- full of tortured self- searching and struggling- writer romance” (Young/Caveney 1992: 47) at first, without any considerable novelty or value. However, the enthusiasm of the large, young readership showed that there was something to McInerney’s novel that other novels did not offer- a setting and a language that were familiar and uncomplicated for them, but, at the same time, an account of relevant, postmodern issues that very well did concern the Bright Young Things of the 80s, but were usually seized in more elitist literature, and thus, eluded an audience that was ready for them to be taken up. This thesis attempts to perform a detailed analysis, starting with a brief description of the historical and cultural features of the setting and then proceeding to the interpretation of all important themes, motifs and symbols of the book in the context of postmodernism but also in general terms. Each chapter investigates the influence of a certain aspect of the protagonist’s life on his crisis, especially in how far one or the other led him to a life on the edge and to the loss of the self. In order to understand why, in the end, the protagonist has to “learn everything all over again” (BLBC 174) to get back on the right track, it is essential to point out the roles that Amanda- his opportunist model wife- his job in the fact checking department and the death of his mother played over time, and how drugs and Ray-Ban sunglasses seem to provide temporary solutions for the most acute of his troubles.
Master's Thesis from the year 2018 in the subject English Language and Literature Studies - Other, grade: 1,0, University of Cologne (Anglistik), language: English, abstract: This thesis will be an exploration of the images of young women that Clueless, The Virgin Suicides, Lost in Translation and Marie Antoinette provide, to shine a light on what makes them stand out against other films of this type, and why they continue to appeal so intensely to female audiences. To provide the context in which their films were created and to explore their impact, the first part shall give a brief introduction to the backgrounds and styles of both directors. In extension, attention will be paid to the cultural, postfeminist context of the four films as part of a discussion in how far a postfeminist mindset provides new possibilities for female characters, while simultaneously upholding old patriarchal patterns and rules that prevent a true liberation of girls and women, and how Heckerling and Coppola treat this ambiguity in their works. Since the focus lies on female subjectivity and agency of the girlish young woman and how it is portrayed in cinema, most of this thesis is dedicated to an examination of the films’ storytelling and visuals – investigating and comparing the points of view in the films, how they are set up and how the camera work supports that; the use of voiceover narrators, dialogue and silences as means to interrogate the position of the girls within the framework of power dynamics in their respective stories; intertextual references, as well as instances of parody or pastiche and how they create subtext that sometimes amplifies straightforward messages of a film, and sometimes questions it; and, ultimately, costumes, and the role of fashion and clothes in feminine expression, as well as the recovery of female agency against the backdrop of the specularisation of women in cinema. Finally, the last part will pay attention to where the four films by Coppola and Heckerling fit within current discourses of what constitutes feminine aesthetics and feminine cinema, as well as feminist film studies per se, with a special focus on Luce Irigaray as an innovator of the ways how women in cultural texts are read and constructed. Hopefully, by the end it will be shown that Clueless, The Virgin Suicides, Lost in Translation and Marie Antoinette are all coined by a longing for transformation of current cultural conditions, illuminating the figure of the contemporary girl, her pains and pleasures, and allowing her to take shape on screen as a rounded, active character with own desires, powers and ambiguities within.
Seminar paper from the year 2013 in the subject Didactics for the subject English - Literature, Works, grade: 2,0, University of Cologne, language: English, abstract: In recent years, the concept of Englishness has received a lot of attention, in popular culture as well as in academic circles. Very often music, popular literature, fashion and lifestyles seem to be based on a general idea of a standard Englishness which has become favoured not only in England or Great Britain itself, but all around the world. Few national identities are as thoroughly profiled in popular belief as the English, albeit those beliefs are often based on various wide-spread clichés about a nation, whose history has, in fact, always been marked by change. This has led to an academic interest in what about Englishness is cliché, what is really true and, above all, a definition of what Englishness is or may be; an issue that appears to be difficult, since even in terms of language Englishness is subject to a constant process of development and transformation, which is highly polarising some people, for instance, may welcome Multicultural London English as a new spoken variety, others reject it because to their minds, it replaces the original speech and ruins what they believe to be the ‘real’ or ‘true’ English. The first group may then question the term ‘original’, because a century ago the language that is considered original now may have been new and replacing what was considered original back then. The problem shown in this example roughly illustrates the problem in general: a loss of the original that people are yearning to find and to determine, a quest which seems to never come to an end, causing a state of crisis. This problem of authenticity is a recurrent motif in the work of Julian Barnes, who in his novel "England, England" explores Englishness in particular, the nature of traditions, of history and of (national) identity, and in how far they are invented or constructed. This work will focus on how the process of constructing traditions and identities is depicted in the novel and address the problems and crises linked to identity, authenticity and truth as raised by Julian Barnes.
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