Paranormal gets a Stephen King makeover: An oracle in a small-town Florida uses her troubling gift to stop a murderer—before he comes for her. Aria Morse is an Oracle, blessed—or cursed—with the gift of prophecy. Ask her anything, and the truth spills out immediately. But Aria’s answers sound like nonsense, even to herself . . . just as they did to those at Delphi 2,500 years ago. To cope, Aria has perfected the art of hiding in plain sight—until Jade Price, the closest person she has to a friend, disappears. All of a sudden, everyone around her has questions. The “nonsense” Aria spouts becomes a matter of life and death. Aria may be the only one who can find out what happened to Jade. But the closer she gets to the truth, the closer she comes to being the next target of someone else who hides in plain sight. Someone with a very dark plan.
Paranormal gets a Stephen King makeover: An oracle in a small-town Florida uses her troubling gift to stop a murderer—before he comes for her. Aria Morse is an Oracle, blessed—or cursed—with the gift of prophecy. Ask her anything, and the truth spills out immediately. But Aria’s answers sound like nonsense, even to herself . . . just as they did to those at Delphi 2,500 years ago. To cope, Aria has perfected the art of hiding in plain sight—until Jade Price, the closest person she has to a friend, disappears. All of a sudden, everyone around her has questions. The “nonsense” Aria spouts becomes a matter of life and death. Aria may be the only one who can find out what happened to Jade. But the closer she gets to the truth, the closer she comes to being the next target of someone else who hides in plain sight. Someone with a very dark plan.
A raucously funny middle grade adventure for fans of Terry Pratchett and Neil Gaiman... Twig is the last surviving apprentice of the great wizard Ripplemintz, which, as a job, is just as terrifying as it sounds. Oh Ripplemintz always means well, but for a wizard of such high regard he really does make an awful lot of mistakes. And who's always left to clear them up? That's right - Twig. So when Ripplemitz's most powerful spell is let loose on the world, off Twig goes to catch it. And catch it he does, except... not quite in the way that he intended. Because, instead of catching it in an enchanted jar, Twig sort of... well... catches it in... HIMSELF. Brilliantly funny, with bags and bags of heart, The Accidental Wizard is destined to leave you completely spellbound.
Mina Hamilton's parents want her dead. (Or undead to be precise.) They're vampires, and like it or not, Mina must decide whether to become a vampire herself. But Mina's more interested in hanging out with best friend Serena and trying to catch the eye of the too-hot-for-high-school Nathan Able than in the vampire training classes she's being forced to take. How's a girl supposed to find the perfect prom date and pass third-year French when her mom and dad are breathing down her neck--literally?
Through the lens of TV news anchors, this book examines the impact that television news has had on traditional journalistic standards and practices. It provides a historical overview of the impact they have had on American journalism, uncovering the changing values, codes of behavior, and boundaries of the journalistic community.--[book cover].
For thousands of years, American Indian cultures have recorded their truths in the narratives and metaphors of oral tradition. Stories, languages, and artifacts, such as glyphs and drawings, all carry Indigenous knowledge, directly contributing to American Indian rhetorical structures that have proven resistant—and sometimes antithetical—to Western academic discourse. It is this tradition that Kimberly G. Wieser seeks to restore in Back to the Blanket, as she explores the rich possibilities that Native notions of relatedness offer for understanding American Indian knowledge, arguments, and perspectives. Back to the Blanket analyzes a wide array of American Indian rhetorical traditions, then applies them in close readings of writings, speeches, and other forms of communication by historical and present-day figures. Wieser turns this pathbreaking approach to modes of thinking found in the oratory of eighteenth-century Mohegan and Presbyterian cleric Samson Occom, visual communication in Laguna Pueblo author Leslie Marmon Silko’s Almanac of the Dead, patterns of honesty and manipulation in the speeches of former president George W. Bush, and rhetorics and relationships in the communication of Indigenous leaders such as Ada-gal’kala, Tsi’yugûnsi’ni, and Inoli. Exploring the multimodal rhetorics—oral, written, material, visual, embodied, kinesthetic—that create meaning in historical discourse, Wieser argues for the rediscovery and practice of traditional Native modes of communication—a modern-day “going back to the blanket,” or returning to Native practices. Her work shows how these Indigenous insights might be applied in models of education for Native American students, in Native American communities more broadly, and in transcultural communication, negotiation, debate, and decision making.
“You must be from the North,” was a common, derogatory reaction to the activities of white women throughout the South, well-meaning wives and mothers who joined together to improve schools or local sanitation but found their efforts decried as more troublesome civil rights agitation. You Must Be from the North: Southern White Women in the Memphis Civil Rights Movement focuses on a generation of white women in Memphis, Tennessee, born between the two World Wars and typically omitted from the history of the civil rights movement. The women for the most part did not jeopardize their lives by participating alongside black activists in sit-ins and freedom rides. Instead, they began their journey into civil rights activism as a result of their commitment to traditional female roles through such organizations as the Junior League. What originated as a way to do charitable work, however, evolved into more substantive political action. While involvement with groups devoted to feeding school-children and expanding Bible study sessions seemed benign, these white women's growing awareness of racial disparities in Memphis and elsewhere caused them to question the South's hierarchies in ways many of their peers did not. Ultimately, they found themselves challenging segregation more directly, found themselves ostracized as a result, and discovered they were often distrusted by a justifiably suspicious black community. Their newly discovered commitment to civil rights contributed to the success of the city's sanitation workers' strike of 1968. Dr. Martin Luther King, Jr.'s death during the strike resonated so deeply that for many of these women it became a defining moment. In the long term, these women proved to be a persistent and progressive influence upon the attitudes of the white population of Memphis, and particularly on the city's elite.
The enchanting story of the real life Hannah Montana and her stunning success as a film, television, and music superstar. This biography tells the story of the real-life Hannah Montana, the daughter of country music superstar Billy Ray Cyrus, who has become an international phenomenon in her own right. Miley Cyrus details the star's life from her Franklin, Tennessee, childhood to snagging the role of Hannah Montana from over 1,000 other hopefuls. The book also follows Cyrus' transition from a wholesome Disney icon to a more mature actress and musician, covering both her efforts to be a positive teen influence, and controversies such as Cyrus' photo shoot for Vanity Fair with her father. As an added bonus, the book offers a complete Hannah Montana episode guide as well as a complete discography of Cyrus' recordings as both Hannah and Miley.
Mina Hamilton's parents want her dead. (Or undead to be precise.) They're vampires, and like it or not, Mina must decide whether to become a vampire herself. But Mina's more interested in hanging out with best friend Serena and trying to catch the eye of the too-hot-for-high-school Nathan Able than in the vampire training classes she's being forced to take. How's a girl supposed to find the perfect prom date and pass third-year French when her mom and dad are breathing down her neck--literally?
With vampire boyfriend George and best friend Serena by her side, Mina thought she had her whole life—or rather afterlife—ahead of her. But then Mina’s parents drop a bomb. They’re moving. To Louisiana. And not somewhere cool like New Orleans, but some teeny, tiny town where cheerleaders and jocks rule the school. Mina has to fake her death, change her name, and leave everything behind, including George and Serena. Not even the Vampire Council’s shape-shifting classes can cheer her up. Then Serena shows up on Mina’s doorstep with some news that sends Mina reeling. Mina may look a lot better with fangs, but her afterlife isn’t any less complicated! In this eagerly awaited sequel to the popular Sucks to Be Me, Kimberly Pauley addresses many of her fans’ most pressing questions (Will Serena become a vampire? What happened to Raven? What’s next for Mina and George?) with signature humor and breezy bloodsucking style. From the Hardcover edition.
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