Korea’s most prized literary masterpiece: a Buddhist journey questioning the illusions of human life—presented in a vivid new translation by PEN/Hemingway finalist Heinz Insu Fenkl *Named one of the year's most anticipated books by The New York Times, The Millions, and i09* Often considered the highest achievement in Korean fiction, The Nine Cloud Dream poses the question: Will the life we dream of truly make us happy? Written in 17th-century Korea, this classic novel’s wondrous story begins when a young monk living on a sacred Lotus Peak in China succumbs to the temptation of eight fairy maidens. For doubting his master’s Buddhist teachings, the monk is forced to endure a strange punishment: reincarnation as the most ideal of men. On his journey through this new life full of material, martial, and sensual accomplishments beyond his wildest dreams, he encounters the eight fairies in human form, each one furthering his path towards understanding the fleeting value of his good fortune. As his successes grow, he comes closer and closer to finally comprehending the fundamental truths of the Buddha’s teachings. Like Hesse’s Siddhartha, The Nine Cloud Dream is an unforgettable tale that explores the meaning of a good life and the virtue of living simply with mindfulness. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,800 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Kim Man-Choong or Kim Man-jung (1637- 1692) was a famous Doctor of Literature and President of the Confucian College. He wrote his most famous work Kuunmong (The Cloud Dream of the Nine) around 1689 while in exile. The events of the novel take place in China during the Tang dynasty in the ninth century.
Korea’s most prized literary masterpiece: a Buddhist journey questioning the illusions of human life—presented in a vivid new translation by PEN/Hemingway finalist Heinz Insu Fenkl *Named one of the year's most anticipated books by The New York Times, The Millions, and i09* Often considered the highest achievement in Korean fiction, The Nine Cloud Dream poses the question: Will the life we dream of truly make us happy? Written in 17th-century Korea, this classic novel’s wondrous story begins when a young monk living on a sacred Lotus Peak in China succumbs to the temptation of eight fairy maidens. For doubting his master’s Buddhist teachings, the monk is forced to endure a strange punishment: reincarnation as the most ideal of men. On his journey through this new life full of material, martial, and sensual accomplishments beyond his wildest dreams, he encounters the eight fairies in human form, each one furthering his path towards understanding the fleeting value of his good fortune. As his successes grow, he comes closer and closer to finally comprehending the fundamental truths of the Buddha’s teachings. Like Hesse’s Siddhartha, The Nine Cloud Dream is an unforgettable tale that explores the meaning of a good life and the virtue of living simply with mindfulness. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,800 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
This work provides an introduction to some of the most important and representative genres of classical Korean literature. Coverage includes: Samguk sagi and samguk yusa as literature; Kunmong and Unyongchon; the lyricism of Koryo songs; and the literature of Chosen Dynasty Women.
This study examines the development and characteristics of various historical and contemporary genres of Korean literature. It presents explanations on the development of Korean literacy and offers a history of literary criticism, traditional and modern, giving the discussion an historical context.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1954.
The Imjin War (1592–1598) was a grueling conflict that wreaked havoc on the towns and villages of the Korean Peninsula. The involvement of Chinese, Japanese, and Korean forces, not to mention the regional scope of the war, was the largest the world had seen, and the memory dominated East Asian memory until World War II. Despite massive regional realignments, Korea's Chosôn Dynasty endured, but within its polity a new, national discourse began to emerge. Meant to inspire civilians to rise up against the Japanese army, this potent rhetoric conjured a unified Korea and intensified after the Manchu invasions of 1627 and 1636. By documenting this phenomenon, JaHyun Kim Haboush offers a compelling counternarrative to Western historiography, which ties Korea's idea of nation to the imported ideologies of modern colonialism. She instead elevates the formative role of the conflicts that defined the second half of the Chosôn Dynasty, which had transfigured the geopolitics of East Asia and introduced a national narrative key to Korea's survival. Re-creating the cultural and political passions that bound Chosôn society together during this period, Haboush reclaims the root story of solidarity that helped Korea thrive well into the modern era.
This book explores practical and theoretical approaches to translation in Korea from the 16th century onwards, examining a variety of translations done in Korea from a diachronic perspective. Offering a discussion of the methodology for translating the Xiaoxue (Lesser or Elementary Learning), a primary textbook for Confucianism in China and other East Asian countries, the book considers the problems involving Korean Bible translation in general and the Term Question in particular. It examines James Scarth Gale, an early Canadian Protestant missionary to Korea, as one of the language’s remarkable translators. The book additionally compares three English versions of the Korean Declaration of Independence of 1919, arguing that the significant differences between them are due both to the translators’ political vision for an independent Korea as well as to their careers and Weltanschauungen. The book concludes with a detailed analysis of Deborah Smith’s English translation of ‘The Vegetarian’ by Han Kang, which won the 2016 Man Booker International Prize for Fiction.
A history of the divided region, from prehistoric times to present day, examining at political, social, cultural, economic, and diplomatic developments. Contemporary North and South Korea are nations of radical contrasts: one a bellicose totalitarian state with a failing economy; the other a peaceful democracy with a strong economy. Yet their people share a common history that extends back more than three thousand years. In this comprehensive new history of Korea from the prehistoric era to the present day, Jinwung Kim recounts the rich and fascinating story of the political, social, cultural, economic, and diplomatic developments in Korea’s long march to the present. He provides a detailed account of the origins of the Korean people and language and the founding of the first walled-town states, along with the advanced civilization that existed in the ancient land of “Unified Silla.” Clarifying the often complex history of the Three Kingdoms Period, Kim chronicles the five-century long history of the Choson dynasty, which left a deep impression on Korean culture. From the beginning, China has loomed large in the history of Korea, from the earliest times when the tribes that would eventually make up the Korean nation roamed the vast plains of Manchuria and against whom Korea would soon define itself. Japan, too, has played an important role in Korean history, particularly in the 20th century; Kim tells this story as well, including the conflicts that led to the current divided state. The first detailed overview of Korean history in nearly a quarter century, this volume will enlighten a new generation of students eager to understand this contested region of Asia. “Using the latest sources, including recently declassified Communist documents, Jinwung Kim’s book holds promise of becoming the textbook of choice. Benefiting from his direct and intimate knowledge of the country, he writes with great clarity, providing rich and interesting descriptions of political, social, cultural, economic, and diplomatic developments throughout the history of Korea.” —James I. Matray, California State University, Chico “A clearly written, comprehensive, and impressively detailed work.” —Journal of Asian Studies
This book introduces important contributions in the humanities by a select group of traditional and modern Korean women, from the 15th through the 20th centuries. The literary and artistic works of these women are considered Korean classics, and the featured artists and writers range from a queen, to a courtesan, to a Buddhist nun, to unknown women of Korea. Although women's works were generally meant only to circulate among women, these creative expressions have caught the attention of literary and artistic connoisseurs. By bringing them to light, the book seeks to demonstrate how Korean women have tried to give their lives meaning over the ages through their very diverse, yet common artistic responses to the details and drama of everyday life in Confucian Korea. The stories of these women and their work give us glimpses of their personal views on culture, aesthetics, history, society, politics, morality, and more.
The Choson state (1392–1910) is typically portrayed as a rigid society because of its hereditary status system, slavery, and Confucian gender norms. However, The Emotions of Justice reveals a surprisingly complex picture of a judicial system that operated in a contradictory fashion by discriminating against subjects while simultaneously minimizing such discrimination. Jisoo Kim contends that the state’s recognition of won, or the sense of being wronged, permitted subjects of different genders or statuses to interact in the legal realm and in doing so illuminates the intersection of law, emotions, and gender in premodern Korea.
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