Chinatown Film Culture provides the first comprehensive account of the emergence of film and moviegoing in the transpacific hub of San Francisco in the early twentieth century. Working with materials previously left in the margins of grand narratives of history, Kim K. Fahlstedt uncovers the complexity of a local entertainment culture that offered spaces where marginalized Chinese Americans experienced and participated in local iterations of modernity. At the same time, this space also fostered a powerful Orientalist aesthetic that would eventually be exported to Hollywood by San Francisco showmen such as Sid Grauman. Instead of primarily focusing on the screen-spectator relationship, Fahlstedt suggests that immigrant audiences' role in the proliferation of cinema as public entertainment in the United States saturated the whole moviegoing experience, from outside on the street to inside the movie theater. By highlighting San Francisco and Chinatown as featured participants rather than bit players, Chinatown Film Culture provides an historical account from the margins, alternative to the more dominant narratives of U.S. film history.
Poppy lost her heart--and her reputation--to the dangerously suave Luca Ranieri. Only to be crushed by a whirlwind of scandal when aristocratic Luca chose duty over desire. Now Poppy finds herself stranded in her grandmother's castle by a violent storm--captive with none other than the deliciously disheveled Luca. For three days, the tempest rages, and Poppy loses her heart to Luca all over again. But with reality comes the media frenzy. And this time, the price of scandal means Luca can't just walk away....
Wordsworth and Feeling returns to Wordsworth's personal history in order to locate and contextualize some of the most remarkable poetry in the English language. In this study, G. Kim Blank details how this poetry evolves out of Wordsworth's radical subjectivity, but the most pressing feature of that subjectivity is the cluster of subjects - loss, guilt, suffering, endurance, death - which appears throughout much of his poetry up until 1802-4.
Jerome hates his new school until Sandy gives him ZipZap, starring Zip, the frill-necked lizard. But why can nobody else see or hear the game? Could Zip really be talking to him? Suddenly everything is different - and weird! Kids who love electronic games will love ZipZap, where Zip helps Jerome learn to cope with his world, and himself.
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