What was the first jazz record? Are jazz solos really improvised? How did jazz lay the groundwork for rock and country music? In Why Jazz?, author and NPR jazz critic Kevin Whitehead provides lively, insightful answers to these and many other fascinating questions, offering an entertaining guide for both novice listeners and long-time fans. Organized chronologically in a convenient question and answer format, this terrific resource makes jazz accessible to a broad audience, and especially to readers who've found the music bewildering or best left to the experts. Yet Why Jazz? is much more than an informative Q&A; it concisely traces the century-old history of this American and global art form, from its beginnings in New Orleans up through the current postmodern period. Whitehead provides brief profiles of the archetypal figures of jazz--from Louis Armstrong and Duke Ellington to Wynton Marsalis and John Zorn--and illuminates their contributions as musicians, performers, and composers. Also highlighted are the building blocks of the jazz sound--call and response, rhythmic contrasts, personalized performance techniques and improvisation--and discussion of how visionary musicians have reinterpreted these elements to continually redefine jazz, ushering in the swing era, bebop, cool jazz, hard bop, and the avant-garde. Along the way, Why Jazz? provides helpful plain-English descriptions of musical terminology and techniques, from "blue notes" to "conducted improvising." And unlike other histories which haphazardly cover the stylistic branches of jazz that emerged after the 1960s, Why Jazz? groups latter-day musical trends by decade, the better to place them in historical context. Whether read in self-contained sections or as a continuous narrative, this compact reference presents a trove of essential information that belongs on the shelf of anyone who's ever been interested in jazz.
This book-both a narrative and a film directory-surveys and analyzes English-language feature films (and a few shorts and TV shows/movies) made between 1927 and 2016 that tell stories about jazz music, its musicians, its history and culture. Play the Way You Feel looks at jazz movies as a narrative tradition with recurring plot points and story tropes, whose roots and development are traced. It also demonstrates how jazz stories cut across diverse genres-biopic, romance, musical, comedy and science fiction, horror, crime and comeback stories, "race movies" and modernized Shakespeare-even as they constitute a genre of their own. The book is also a directory/checklist of such films, 66 of them with extensive credits, plus dozens more shorter/capsule discussions. Where jazz films are based on literary sources, they are examined, and the nature of their adaptation explored: what gets retained, removed, or invented? What do historical films get right and wrong? How does a film's music, and the style of the filmmaking itself, reinforce or undercut the story?--
Durand, not identified, examines the historical, philosophical, and theoretical development of Alfred North Whitehead's ethics; explores his ethical commitments in comparison with the leading views of his day and the contemporary philosophical scene, particularly the Utilitarian thought of Henry Sidgwick; and how his views allow philosophers to overcome some of the persistent problems of philosophy. Annotation copyrighted by Book News, Inc., Portland, OR.
Durand, not identified, examines the historical, philosophical, and theoretical development of Alfred North Whitehead's ethics; explores his ethical commitments in comparison with the leading views of his day and the contemporary philosophical scene, particularly the Utilitarian thought of Henry Sidgwick; and how his views allow philosophers to overcome some of the persistent problems of philosophy. Annotation copyrighted by Book News, Inc., Portland, OR.
Institutional objects. National food control strategy. Compliance policy in food control. Development of compliance policy for food export control. Staffing and personel management. Programme monitoring and evaluation. Community relationship. Data processing in food control. Utilization of codex alimentarius international standards and recommendations.
Through an examination of 1980s America cultural texts and media, Kevin L. Ferguson examines how new types of individuals were created in order to manage otherwise hidden cultural anxieties during the American 1980s. Exploring a variety of strategies for fashioning self-knowledge in the decade, this book illuminates the hidden lives of surrogate mothers, crack babies, persons with AIDS, yuppies, and brat packers. These seemingly simple stereotypes in fact concealed deeper cultural changes in issues relating to race, class, and gender. Through a range of texts, Eighties People shows how the commonplace reading of the 1980s as a superficial period of little importance disguises the decade's real imperative: a struggle for self-definition outside of the limited set of options given by postmodern theorizing.
A new kind of city park has emerged in the early twenty-first century. Postindustrial parks transform the derelict remnants of an urban past into distinctive public spaces that meld repurposed infrastructure, wild-looking green space, and landscape architecture. For their proponents, they present an opportunity to turn disused areas into neighborhood anchors, with a host of environmental and community benefits. Yet there are clear economic motives as well—successful parks have helped generate billions of dollars of city tax revenues and real estate development. Kevin Loughran explores the High Line in New York, the Bloomingdale Trail/606 in Chicago, and Buffalo Bayou Park in Houston to offer a critical perspective on the rise of the postindustrial park. He reveals how elites deploy the popularity and seemingly benign nature of parks to achieve their cultural, political, and economic goals. As urban economies have become restructured around finance, real estate, tourism, and cultural consumption, parks serve as civic shields for elite-oriented investment. Tracing changing ideas about cities and nature and underscoring the centrality of race and class, Loughran argues that postindustrial parks aestheticize past disinvestment while serving as green engines of gentrification. A wide-ranging investigation of the political, cultural, and economic forces shaping park development, Parks for Profit reveals the social inequalities at the heart of today’s new urban landscape.
Celebrates the players who played first-team football during the Layer Road years in Colchester United. This book lists various players and goal statistics listed, along with a career history and photographs.
From William Morris and the roots of the Arts & Crafts movement, through Gustav Stickley, the Prairie School, and including contemporary pieces, this book celebrates the classic furniture--and the master craftsmen who made it. 500 photos.
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