Raised on a small Ohio farm just across the river from Kentucky, Jacob remains largely indifferent to the impending struggle between the North and South. His father allows two runaway slaves to be hidden on their land. Jacob finds himself drawn to the beautiful Sarah. When the local militia discovers the slaves, Jacob is forced to watch the militiamen abuse his mother and destroy his home. When Jacob can take the abuse no more, he kills one of the soldiers and flees for his life, crossing to the other side of the river."--Jacket.
Kevin Killeen addresses one of the most enigmatic of seventeenth century writers, Thomas Browne (1605-1682), whose voracious intellectual pursuits provide an unparalleled insight into how early modern scholarly culture understood the relations between its disciplines. Browne's work encompasses biblical commentary, historiography, natural history, classical philology, artistic propriety and an encyclopaedic coverage of natural philosophy. This book traces the intellectual climate in which such disparate interests could cohere, locating Browne within the cultural and political matrices of his time. While Browne is most frequently remembered for the magnificence of his prose and his temperamental poise, qualities that knit well with the picture of a detached, apolitical figure, this work argues that Browne's significance emerges most fully in the context of contemporary battles over interpretative authority, within the intricately linked fields of biblical exegesis, scientific thought, and politics. Killeen's work centres on a reassessment of the scope and importance of Browne's most elaborate text, Pseudodoxia Epidemica, his vast encyclopaedia of error with its mazy series of investigations and through this explores the multivalent nature of early-modern enquiry.
The New England Milton concentrates on the poet's place in the writings of the Unitarians and the Transcendentalists, especially Emerson, Thoreau, William Ellery Channing, Jones Very, Margaret Fuller, and Theodore Parker, and demonstrates that his reception by both groups was a function of their response as members of the New England elite to older and broader sociopolitical tensions in Yankee culture as it underwent the process of modernization. For Milton and his writings (particularly Paradise Lost) were themselves early manifestations of the continuing crisis of authority that later afflicted the dominant class and professions in Boston; and so, the Unitarian Milton, like the Milton of Emerson's lectures or Thoreau's Walden, quite naturally became the vehicle for literary attempts by these authors to resolve the ideological contradictions they had inherited from the Puritan past.
Prowling the rooftops and alleys of Gotham, teen archer Artemis has a choice to make--will she fight on the side of the Justice League, or follow her parents into a life of crime?
Raised on a small Ohio farm just across the river from Kentucky, Jacob remains largely indifferent to the impending struggle between the North and South. His father allows two runaway slaves to be hidden on their land. Jacob finds himself drawn to the beautiful Sarah. When the local militia discovers the slaves, Jacob is forced to watch the militiamen abuse his mother and destroy his home. When Jacob can take the abuse no more, he kills one of the soldiers and flees for his life, crossing to the other side of the river."--Jacket.
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