An “engaging narrative history” of the medieval church, with new attention to women, ordinary parishioners, attitudes toward Jews and Muslims, and more (Publishers Weekly, starred review). For many, the medieval world seems dark and foreign—an often brutal and seemingly irrational time of superstition, miracles, and strange relics. The aggressive pursuit of heretics and attempts to control the “Holy Land” might come to mind. Yet the medieval world produced much that is part of our world today, including universities, the passion for Roman architecture and the development of the gothic style, pilgrimage, the emergence of capitalism, and female saints. This new narrative history of medieval Christianity, spanning the period 500 to 1500 CE, attempts to integrate the familiar with new themes and narratives. Elements of novelty in the book include a steady focus on the role of women in Christianity; the relationships among Christians, Jews, and Muslims; the experience of ordinary parishioners; the adventure of asceticism, devotion, and worship; and instruction through drama, architecture, and art. Kevin Madigan expertly integrates these areas of focus with more traditional themes, such as the evolution and decline of papal power; the nature and repression of heresy; sanctity and pilgrimage; the conciliar movement; and the break between the old Western church and its reformers. Illustrated with more than forty photographs of physical remains, this book promises to become an essential guide to a historical era of profound influence. “Compelling . . . a picture of medieval Christianity that is no less lively for being well-informed and carefully balanced.” —Commonweal
An account of the alliance between the Catholic Church and the Italian Fascist regime in their campaign against Protestants Based on previously undisclosed archival materials, this book tells the fascinating, untold, and troubling story of an anti-Protestant campaign in Italy that lasted longer, consumed more clerical energy and cultural space, and generated far more literature than the war against Italy’s Jewish population. Because clerical leaders in Rome were seeking to build a new Catholic world in the aftermath of the Great War, Protestants embodied a special menace, and were seen as carriers of dangers like heresy, secularism, modernity, and Americanism—as potent threats to the Catholic precepts that were the true foundations of Italian civilization, values, and culture. The pope and cardinals framed the threat of evangelical Christianity as a peril not only to the Catholic Church but to the fascist government as well, recruiting some very powerful fascist officials to their cause. This important book is the first full account of this dangerous alliance.
Since the earliest days of the Church, theologians have struggled to understand how humanity and divinity coexisted in the person of Christ. Proponents of the Arian heresy, which held that Jesus could not have been fully divine, found significant scriptural evidence of their position: Jesus wondered, questioned, feared, suffered, and prayed. The defenders of orthodoxy, such as Hilary of Poitiers, Ambrose of Milan, Jerome, and Augustine, showed considerable ingenuity in explaining how these biblical passages could be reconciled with Christ's divinity. Medieval theologians such as Peter Lombard, Thomas Aquinas, and Bonaventure, also grappled with these texts when confronting the rising threat of Arian heresy. Like their predecessors, they too faced the need to preserve Jesus' authentic humanity and to describe a mode of experiencing the passions that cast no doubt upon the perfect divinity of the Incarnate Word. As Kevin Madigan demonstrates, however, they also confronted an additional obstacle. The medieval theologians had inherited from the Greek and Latin fathers a body of opinion on the passages in question, which by this time had achieved normative cultural status in the Christian tradition. However, the Greek and Latin fathers wrote in a polemical situation, responding to the threat to orthodoxy posed by the Arians. As a consequence, they sometimes found themselves driven to extreme and sometimes contradictory statements. These statements seemed to their medieval successors either to compromise the true divinity of Christ, his true humanity, or the possibility that the divine and human were in communication with or metaphysically linked to one another. As a result, medieval theologians also needed to demonstrate how two equally authoritative but apparently contradictory statements could be reconciled-to protect their patristic forebears from any doubt about their unanimity or the soundness of their orthodoxy. Examining the arguments that resulted from these dual pressures, Madigan finds that, under the guise of unchanging assimilation and transmission of a unanimous tradition, there were in fact many fissures and discontinuities between the two bodies of thought, ancient and medieval. Rather than organic change or development, he finds radical change, trial, novelty, and even heterodoxy.
This book, written for religious and nonreligious people alike in clear and accessible language, Although this expectation, known as the resurrection of the dead, is widely understood to have been a part of Christianity from its beginnings nearly two thousand years ago, many people are surprised to learn that the Jews believed in resurrection long before the emergence of Christianity. In this sensitively written and historically accurate book, religious scholars Kevin J. Madigan and Jon D. Levenson aim to clarify confusion and dispel misconceptions about Judaism, Jesus, and Christian origins. Madigan and Levenson tell the fascinating but little-known story of the origins of the belief in resurrection, investigating why some Christians and some Jews opposed the idea in ancient times while others believed it was essential to their faith. The authors also discuss how the two religious traditions relate their respective practices in the here and now to the new life they believe will follow resurrection. Making the rich insights of contemporary scholars of antiquity available to a wide readership, Madigan and Levenson offer a new understanding of Jewish-Christian relations and of the profound connections that tie the faiths together.
Kevin Myers was a young, wide-eyed, and naive outsider thrust into the thick of the conflict in Northern Ireland as it teetered on the brink of civil war. Quickly absorbed into the local community and privy to the secrets of both the Protestant and Catholic paramilitaries, Myers gained a unique perspective into both sides of the sectarian violence. Devoid of any political agenda, Myers describes the streets of Belfast at its bloodiest with searing clarity, capturing every inch of the city's disturbing violence. Flirting with death at every turn, Myers comes of age as the world around him falls apart, fueled by the psychotic rage, senseless murder, and unrelenting terror that surround Northern Ireland's loyalist gangs, paratroopers, police force, and, of course, average citizen. Part unofficial history, part personal memoir, Watching the Door is raw, provocative, and darkly funny, offering an unbridled account of sex, death, and violence in Northern Ireland by one of its most dynamic witnesses.
What we now call "the good life" first appeared in California during the 1930s. Motels, home trailers, drive-ins, barbecues, beach life and surfing, sports from polo and tennis and golf to mountain climbing and skiing, "sportswear" (a word coined at the time), and sun suits were all a part of the good life--perhaps California's most distinctive influence of the 1930s. In The Dream Endures, Kevin Starr shows how the good life prospered in California--in pursuits such as film, fiction, leisure, and architecture--and helped to define American culture and society then and for years to come. Starr previously chronicled how Californians absorbed the thousand natural shocks of the Great Depression--unemployment, strikes, Communist agitation, reactionary conspiracies--in Endangered Dreams, the fourth volume of his classic history of California. In The Dream Endures, Starr reveals the other side of the picture, examining the newly important places where the good life flourished, like Los Angeles (where Hollywood lived), Palm Springs (where Hollywood vacationed), San Diego (where the Navy went), the California Institute of Technology in Pasadena (where Einstein went and changed his view of the universe), and college towns like Berkeley. We read about the rich urban life of San Francisco and Los Angeles, and in newly important communities like Carmel and San Simeon, the home of William Randolph Hearst, where, each Thursday afternoon, automobiles packed with Hollywood celebrities would arrive from Southern California for the long weekend at Hearst Castle. The 1930s were the heyday of the Hollywood studios, and Starr brilliantly captures Hollywood films and the society that surrounded the studios. Starr offers an astute discussion of the European refugees who arrived in Hollywood during the period: prominent European film actors and artists and the creative refugees who were drawn to Hollywood and Southern California in these years--Igor Stravinsky, Arnold Schoenberg, Man Ray, Bertolt Brecht, Christopher Isherwood, Aldous Huxley, Thomas Mann, and Franz Werfel. Starr gives a fascinating account of how many of them attempted to recreate their European world in California and how others, like Samuel Goldwyn, provided stories and dreams for their adopted nation. Starr reserves his greatest attention and most memorable writing for San Francisco. For Starr, despite the city's beauty and commercial importance, San Francisco's most important achievement was the sense of well-being it conferred on its citizens. It was a city that "magically belonged to everyone." Whether discussing photographers like Edward Weston and Ansel Adams, "hard-boiled fiction" writers, or the new breed of female star--Marlene Dietrich, Jean Harlow, Bette Davis, Carole Lombard, and the improbable Mae West--The Dream Endures is a brilliant social and cultural history--in many ways the most far-reaching and important of Starr's California books.
The new edition of Playbuilding as Arts-Based Research details how playbuilding (creating an original performative work with a group) as a methodology has developed in qualitative research over the last 15 years. The second edition substantially updates the award-winning first edition by making connections to current research theories, providing complete scripts with URL links to videos, and including a new section with interviews with colleagues. Chapter 1 provides an in-depth discussion of the epistemological, ontological, axiological, aesthetic, and pedagogic stances that playbuilding takes, applying them to research in general. The value of a playful, trusting atmosphere; choices of style, casting, set, and location in representing the data; and pedagogical theories that guide participatory theatre are highlighted. Chapter 2 discusses how Mirror Theatre generates data, structures dramatic scenes, and conducts live and virtual participatory workshops. Chapter 3 is a thematized account of interviews with 23 colleagues who employ variations of playbuilding that show how playbuilding can be applied in a wide range of contemporary contexts and disciplines. Chapters 4 through 9 describe six projects that address topics of drinking choices and mental health issues on campus, person-centred care, homelessness, the transition to university, and co-op placements. They include both a theme and a style analyses and workshop ideas. Chapter 10, new to this edition, concludes with quantitative and qualitative data from audiences attesting to the efficacy of this approach. This is a fascinating resource for qualitative researchers, applied theatre practitioners, drama teachers, and those interested in social justice, who will appreciate how the book adeptly blends theory and practice, providing exemplars for their own projects.
Blocking for the Gipper, Lawrence "Buck" Shaw was one of Knute Rockne's star players at Notre Dame during 1919 through 1921. However, it was his nearly four decades of college and pro coaching that earned him esteem. Viewed as a "player's coach," Shaw was talented at relating to young men and molding them into a winning team. His college teams won two Sugar bowls. Shaw's successful coaching with the San Francisco 49ers and Philadelphia Eagles also played an integral role in helping the NFL grow into a billion-dollar business. A contemporary of Vince Lombardi, Shaw's Eagles won the NFL championship in the pre-Super Bowl era. A member of the College Football Hall of Fame, Shaw never received serious consideration for enshrinement at Canton for his professional career. This complete biography tells the colorful story of Shaw's college and pro years, shedding light on Shaw's over-looked achievements in the professional ranks, which saw him earn a higher winning percentage a half-dozen Hall of Fame coaches.
Kevin Myers was a young, wide-eyed, and naive outsider thrust into the thick of the conflict in Northern Ireland as it teetered on the brink of civil war. Quickly absorbed into the local community and privy to the secrets of both the Protestant and Catholic paramilitaries, Myers gained a unique perspective into both sides of the sectarian violence. Devoid of any political agenda, Myers describes the streets of Belfast at its bloodiest with searing clarity, capturing every inch of the city's disturbing violence. Flirting with death at every turn, Myers comes of age as the world around him falls apart, fueled by the psychotic rage, senseless murder, and unrelenting terror that surround Northern Ireland's loyalist gangs, paratroopers, police force, and, of course, average citizen. Part unofficial history, part personal memoir, Watching the Door is raw, provocative, and darkly funny, offering an unbridled account of sex, death, and violence in Northern Ireland by one of its most dynamic witnesses.
The pub has been at the centre of Irish life for centuries. It has played many roles: funeral home, restaurant, grocery shop, music venue, job centre and meeting place for everyone from poets to revolutionaries. Often plain and unpretentious, it is a neutral ground, a leveller – a home away from home. From the feasts of high kings, through the heady gang-ruled pubs of nineteenth-century New York, right up to the gay bars and superpubs of today, this is an entertaining journey through the evolution of the Irish pub. Our 'locals' have become a global phenomenon: the export of the Irish pub, its significance to emigrants and its portrayal in cinema, television and literature are engagingly explored. The story of the Irish pub is the story of Ireland itself. "Fascinating ... endlessly surprising." – Irish Independent. "Full of brilliant anecdotes, packed with legal, literary, religious and historical bits and pieces that will keep you talking in the pub all night." – Neil Delamere, Today FM. "An enjoyable romp through the ephemera and facts surrounding that most Irish of institutions." – Irish Examiner. "Fascinating ... a great gift." – Mark Cagney, TV3
Compiled from over 10,00 published puzzles, this handy reference offers all the words you need to solve your puzzles and none of the ones you don’t. Finally, a crossword dictionary with all the words solvers need—and none of the ones they don’t! When it comes to puzzle dictionaries, it’s the quality of what’s inside that counts. Who needs a plethora of synonyms that never appear in an actual crossword? So, authors Kevin McCann and Mark Diehl analyzed thousands of crosswords to amass an up-to-date list of words that regularly turn up in today’s top puzzles. To make the dictionary even easier to use, the most popular answers stand out in easy-to-see red, while charts highlight frequently sought-after information such as Oscar winners and Popes’ names. Crossword fans will keep this right next to their favorite puzzles!
Jean Toomer's Cane was advertised as a book about Negroes by a Negro, despite his request not to promote the book along such racial lines. Nella Larsen switched the title of her second novel from Nig to Passing, because an editor felt the original title might be too inflammatory. In order to publish his first novel as a Book-of-the-Month Club main selection Richard Wright deleted a scene in Native Son depicting Bigger Thomas masturbating. Toni Morrison changed the last word of Beloved at her editor's request and switched the title of Paradise from War to allay her publisher's marketing concerns. Although many editors place demands on their authors, these examples invite special scholarly attention given the power imbalance between white editors and publishers and African American authors. Black Writers, White Publishers: Marketplace Politics in Twentieth-Century African American Literature examines the complex negotiations behind the production of African American literature. In chapters on Larsen's Passing, Ishmael Reed's Mumbo Jumbo, Gwendolyn Brooks's Children Coming Home, Morrison's Oprah's Book Club selections, and Ralph Ellison's Juneteenth, John K. Young presents the first book-length application of editorial theory to African American literature. Focusing on the manuscripts, drafts, book covers, colophons, and advertisements that trace book production, Young expands upon the concept of socialized authorship and demonstrates how the study of publishing history and practice and African American literary criticism enrich each other. John K. Young is an associate professor of English at Marshall University. His work has appeared in journals such as College English, African American Review, and Critique.
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