This book explores alternatives to realist, triumphalist, and heroic representations of war in British film and television. Focusing on the period between the Suez Crisis of 1956 and the Falkland War but offering connections to the moment of Brexit, it argues that the “lost continent” of existential, satirical, simulated, and abstractly traumatic war stories is as central to understanding Britain’s martial history as the mainstream inheritance. The book features case studies that stress the contribution of exiled or expatriate directors and outsider sensibilities, with particular emphasis on Peter Watkins, Joseph Losey, and Richard Lester. At the same time, it demonstrates concerns and stylistic emphases that continue to the present in television series and films by directors such as Lone Scherfig and Christopher Nolan. Encompassing everything from features to government information films, the book explores related trends in the British film industry, popular culture, and film criticism, while offering a sense of how these contexts contribute to historical memory.
Diseases affecting the skin have tended to provoke a response of particular horror in society. This collection of essays uses case studies to chart the medical history of skin from the eighteenth to the twentieth century.
The Gospel of John (‘the Fourth Gospel’) is presented through the symbol of a diamond. With the motif of light dominant from the opening Prologue culminating in the saying of Jesus, ‘I am the light of the world’, the symbol of diamond draws on this to indicate the constant inter-flow of its method and style. Like light falling on a diamond and flowing from facet to facet the themes of the Gospel of John are highlighted and held together. This creates a dynamic which is circular, drawing those who read and pray the Gospel into a deeper understanding of its spirituality and theology. After an Introduction ten themes are chosen. These are Light, Life, Truth, Home, Joy, Peace, Freedom, Glory, Mission, Love. Together they represent the revelation that the evangelist elucidates, expressing the relationship that God the Father wishes to have with people through His Son in the Holy Spirit. While drawing on the commentaries of scripture scholars and writings of theologians to interpret the import of particular passages and verses, this is a study of the so-called ‘Spiritual Gospel’, an appellation that has been attributed from the time of the Alexandrian school in the third century. Called to believe in Jesus the Word made flesh and come to belong to the Father through the bond of love borne by the Holy Spirit the spirituality of the Gospel of John is an invitation to intimacy with the triune God which issues in (as indicated by words of the Second Vatican Council) bringing ‘forth fruit in charity for the life of the world’. The book concludes with A Prayer to Jesus of John’s Gospel which gathers together the ten themes that have been the focus (facets) of the study.
Did you ever wonder why you see the world around you the way that you do? Ever wondered why you might see everything in your world as a means to an end? Why should you bother following the dictum to ‘live within your means’ when you haven’t even considered ‘living with or within your ends’? You might ask yourself: what is implied here by ends and by means, and why does the latter always seem to come before the former? After all, how do we end anything without a means for doing so? Living With(in) Your Ends provides a crutch for you to lean on while you ponder the means and ends within your life and the world around you. It guides you on how to maintain your true identity without getting ‘sucked into world of means’ where superficiality prospers. Investigating human existence through a lens that values the present moment and which provides for practical consequences, Kevin M. Stevenson, PhD, provides an exploration into the deeper realms of perception and their relationships with time and identity. Living With(in) Your Ends not only provides a conceptual map to follow for leading an authentic life, it also considers some of the historical and philosophical notions that have blessed and plagued human existence. Living With(in) Your Ends will provide you with a framework for healthy reflection and increased awareness of the intersections between yourself and the world.
Deep-water (below wave base) processes, although generallyhidden from view, shape the sedimentary record of more than 65% ofthe Earth’s surface, including large parts of ancientmountain belts. This book aims to inform advanced-levelundergraduate and postgraduate students, and professional Earthscientists with interests in physical oceanography and hydrocarbonexploration and production, about many of the important physicalaspects of deep-water (mainly deep-marine) systems. The authorsconsider transport and deposition in the deep sea, trace-fossilassemblages, and facies stacking patterns as an archive of theunderlying controls on deposit architecture (e.g., seismicity,climate change, autocyclicity). Topics include modern and ancientdeep-water sedimentary environments, tectonic settings, and howbasinal and extra-basinal processes generate the typicalcharacteristics of basin slopes, submarine canyons, contouritemounds and drifts, submarine fans, basin floors and abyssalplains.
This book explores alternatives to realist, triumphalist, and heroic representations of war in British film and television. Focusing on the period between the Suez Crisis of 1956 and the Falkland War but offering connections to the moment of Brexit, it argues that the “lost continent” of existential, satirical, simulated, and abstractly traumatic war stories is as central to understanding Britain’s martial history as the mainstream inheritance. The book features case studies that stress the contribution of exiled or expatriate directors and outsider sensibilities, with particular emphasis on Peter Watkins, Joseph Losey, and Richard Lester. At the same time, it demonstrates concerns and stylistic emphases that continue to the present in television series and films by directors such as Lone Scherfig and Christopher Nolan. Encompassing everything from features to government information films, the book explores related trends in the British film industry, popular culture, and film criticism, while offering a sense of how these contexts contribute to historical memory.
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