You see them on the video shelves, with titles such as Shadow Tracker, Psycho Girls, and The Blair Witch Project. Skeptically, perhaps, you rent one and slip it into the VCR. Hey, you think, this isn't so bad--sometimes actually quite good. Suddenly, you discover that there is a whole range of movies from filmmakers operating outside the studio system that have their own attractions that the big budget fare can't match. You have, of course, discovered the world of independent filmmaking. A fascinating group of independent film directors and producers, in interviews with the author, discuss their work and the state of the independent film industry at the end of the 20th century. Joe Bagnardi, Dennis Devine, Andrew Harrison, Jeff Leroy, Andrew Parkinson, Brett Piper, and 23 others cover such topics as the increased interest in independent films and how they are changing thanks to high-tech advances. These filmmakers vary widely in age, experience, formats and budgets--and choice of subject matter--but they all have a great passion for their work.
You see them on the video shelves, with titles such as Domestic Strangers, The Bride of Frank, The Blood Between Us, Strawberry Estates and Sandman. Skeptically, perhaps, you rent one and slip it into the VCR. Hey, you think, this isn't so bad--sometimes actually quite good. Suddenly, you discover that there is a whole range of movies from filmmakers operating outside the studio system that have their own attractions that the big budget fare can't match. You have, of course, discovered the world of independent filmmaking. Intrigued, you begin thinking that maybe you could do this, maybe you could make an independent feature film. In this work, J.R. Bookwalter, Ronnie Cramer, Mike Gingold, Eric Stanze, Steve Ballot, and 20 others tell what it is really like to make an independent feature. Covering such topics as the script, equipment, actors, publicity, distribution, all facets of production, and budgeting, these indie filmmakers give a virtual how-to for those interested in joining them or just learning more about how those interesting titles end up on video store shelves.
The success of low-budget independent films like The Blair Witch Project and Paranormal Activity have clearly demonstrated that successful movies can be made with very small budgets. Still, working on a tight budget requires both skill and ingenuity, and is an inevitable and continuous learning experience for the filmmaker. Join two dozen truly independent filmmakers--those used to working, and delivering, within extreme limitations--as they bluntly chronicle their experiences creating features "from the trenches." They cover the major stages of the filmmaking process, from financing, technical decisions, and handling actors and crew to music, production, and distribution. With loads of practical advice, actual case studies, and many behind-the-scenes photographs, this collection of war stories from the micro-budget front lines will benefit aspiring and experienced independent filmmakers alike.
More filmmakers are employed in making documentary films than any other genre. Thanks to the user-friendly equipment available today, it is no longer an area that requires a film-school background to get started. This book shows how you can begin making your first documentary movies - from researching and defining your theme, style, and the treatment that will drive your film, to organising the production and, ultimately, getting it seen by a wider audience. Following the simple practical advice, tips and easy steps in this book will get you started today. - Learn how to choose your subject and decide on your storytelling style - Create an outline/structure for your documentary and research and plan your material - Find out the essential equipment you will need to buy or rent in order to shoot and edit - Discover cinematic and editing skills to pull all your material together. - Understand how to budget and finance your project - Find out the logistics of shooting interviews, footage and other source materials - Create a trailer and get your work seen through festivals and publicity - Learn about the wider world of distribution
You see them on the video shelves, with titles such as Domestic Strangers, The Bride of Frank, The Blood Between Us, Strawberry Estates and Sandman. Skeptically, perhaps, you rent one and slip it into the VCR. Hey, you think, this isn't so bad--sometimes actually quite good. Suddenly, you discover that there is a whole range of movies from filmmakers operating outside the studio system that have their own attractions that the big budget fare can't match. You have, of course, discovered the world of independent filmmaking. Intrigued, you begin thinking that maybe you could do this, maybe you could make an independent feature film. In this work, J.R. Bookwalter, Ronnie Cramer, Mike Gingold, Eric Stanze, Steve Ballot, and 20 others tell what it is really like to make an independent feature. Covering such topics as the script, equipment, actors, publicity, distribution, all facets of production, and budgeting, these indie filmmakers give a virtual how-to for those interested in joining them or just learning more about how those interesting titles end up on video store shelves.
You see them on the video shelves, with titles such as Shadow Tracker, Psycho Girls, and The Blair Witch Project. Skeptically, perhaps, you rent one and slip it into the VCR. Hey, you think, this isn't so bad--sometimes actually quite good. Suddenly, you discover that there is a whole range of movies from filmmakers operating outside the studio system that have their own attractions that the big budget fare can't match. You have, of course, discovered the world of independent filmmaking. A fascinating group of independent film directors and producers, in interviews with the author, discuss their work and the state of the independent film industry at the end of the 20th century. Joe Bagnardi, Dennis Devine, Andrew Harrison, Jeff Leroy, Andrew Parkinson, Brett Piper, and 23 others cover such topics as the increased interest in independent films and how they are changing thanks to high-tech advances. These filmmakers vary widely in age, experience, formats and budgets--and choice of subject matter--but they all have a great passion for their work.
The success of low-budget independent films like The Blair Witch Project and Paranormal Activity have clearly demonstrated that successful movies can be made with very small budgets. Still, working on a tight budget requires both skill and ingenuity, and is an inevitable and continuous learning experience for the filmmaker. Join two dozen truly independent filmmakers--those used to working, and delivering, within extreme limitations--as they bluntly chronicle their experiences creating features "from the trenches." They cover the major stages of the filmmaking process, from financing, technical decisions, and handling actors and crew to music, production, and distribution. With loads of practical advice, actual case studies, and many behind-the-scenes photographs, this collection of war stories from the micro-budget front lines will benefit aspiring and experienced independent filmmakers alike.
For as long as I can remember, I had one excuse for all conscious sin. If I felt guilty about anything I had done I'd justify myself saying, "Well, if I knew for certain that God really existed, I wouldn't do that." I wanted to be sure God existed before getting my act together because it would be really tragic otherwise. Imagine holding back from all the pleasures of life because you had your eyes fixed on some "grand reward" only to later find out God was a hoax. So I told God, "Prove to me that You exist and I won't do any of that ever again." Then, one day, God showed up. He took me by the hand, led me out of the wilderness, and opened my heart and mind to the spectacular. This book captures the lessons God taught me along the way. Life is a mirage. We only see and feel what we want to. But we owe it to ourselves to at least once in our lifetime see things as they really are and explore what lies beyond the physical realm. This book will help you do just that.
There are many conspiracies over the years that exist regarding the kidnapping and death of the Lindbergh baby in 1932 - the 'crime of the century, ' one of which that Hauptmann was tried, convicted, and executed. Some of the most damning evidence was a piece of lumber from a broken ladder and him spending several of the gold money certificates from the ransom money. Yet, my father lived an extraordinary life, married, and had children, always believing that he was the Lindbergh baby up until his death. How can this possibly be true?This book is my father's story collected from his journals, letters, and memoirs and he is Charles A. Lindbergh Jr., who he believes is the son of Charles A. Lindbergh, Sr., and Anne Morrow Lindbergh. He passed before he could publish this book, so to honor him, I share with you his truth. That is all he ever wanted
Insight Text Guides are written by highly qualified specialists in the relevant area of literature or film. All writers are experienced teachers at secondary or tertiary level, and present clear, comprehensive and accessible analyses for students. This guide to Megan Stacka s account of conflict in Afghanistan and the Middle East covers the texta s context and background, genre, narrative structure and style, characters and themes.
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