A prize-winning memoir, lovingly evoking New Zealand and the coming of age of a much-loved poet. Kevin Ireland leads the reader out the back, through the mangroves, under the bridge and over the moon in this delightful memoir. We meet the characters - for characters they are - who preceded him, give birth to him, laugh with him, fight over him, love and desert him. We explore with him the landscape of his childhood in Takapuna and Cambridge, we are his intrepid companions on fishing expeditions, we share his outrage at the indignities of the education system, and we linger with him over the books that finally become his life. Winner of the history and biography section of the Montana New Zealand Book Awards.
A lyrically written memoir showing the growth of a writer and his unique perceptions of the 1950s, 60s and beyond. Echoing the erratic shape of remembrance, Kevin Ireland's second volume of memoirs is 'derived from impressions, conversations, anecdotes and poems, and its vague focus is a trip to Eastern Europe', which he took by chance in 1959. Leading directly and haphazardly towards and away from this single happening - leaping from London to Bulgaria to New Zealand and back - it explores the process of recollection itself. Outlining Kevin's experiences of friends, love and work - in such diverse places as a 'translation polishing' office in Bulgaria and the 'revisionists' department of The Times - this book shows the growth of a writer and his unique perceptions of the 1950s, 60s and beyond.
Witty, wonderful and wicked, this is a truly entertaining novel. Boris T. Craymore, minimalist poet, enthusiastic drinker and reluctant academic, wakes up in London in the house of a woman who looks strangely familiar. Craymore can't recall how he crossed the world to get there, until his memory returns in a series of bizarre flashbacks that flicker from Sydney and across the Blue Mountains to key scenes from his London past. Craymore jokes and bumbles in his attempts to piece together his life and create an improved version of himself. Back in Auckland, his ambitious colleague Danielle Thornsides insists that the police investigate his disappearance and discover why his nephew and his nephew's weird girlfriend have moved into Craymore's house. Meanwhile, underworld characters from Sydney and Auckland begin to take an interest.
A Vietnam veteran and psychiatric nurse returns to Ireland, his mother's homeland, to discover his family roots and answers to his questions about himself, embarking on a whimsical odyssey around Ireland in a donkey cart on a journey of the soul.
A collection of short stories of rural Ireland in the classic Irish mode: full of love (and sex), melancholy and magic, bedecked in some of the most gorgeous prose being written today—from the author of the wildly acclaimed Night Boat to Tangier. With three novels and two short story collections published, Kevin Barry has steadily established his stature as one of the finest writers not just in Ireland but in the English language. All of his prodigious gifts of language, character, and setting in these eleven exquisite stories transport the reader to an Ireland both timeless and recognizably modern. Shot through with dark humor and the uncanny power of the primal and unchanging Irish landscape, the stories in That Old Country Music represent some of the finest fiction being written today.
Are you a thinker, a doer, or a lover? In Three Irish Saints: A Guide to Finding Your Spiritual Style, Dr. Kevin Vost mines ancient and modern sources to reveal what Saints Kevin of Glendalough, Patrick of Ireland, and Brigid of Kildare can teach us about the joys of contemplation, evangelization, and charitable living. Thinking, doing, and loving! Included is a a simple self-test to find out which spiritual master you are most like. Would you rather: plop down in your easy chair and enjoy a good book? Celebrate life and the company of others? Engage in long conversations with your close friends? Vost examines the lives of these three great saints, unearthing the gifts and virtues that made one a thinker, one a doer, and one a lover. So which one are you? Read the book. Take the test. And find out.
An intimate, lyrical look at the ancient rite of the Irish wake--and the Irish way of overcoming our fear of death Death is a whisper for most of us. Instinctively we feel we should dim the lights, pull the curtains, and speak softly. But on a remote island off the coast of Ireland's County Mayo, death has a louder voice. Each day, along with reports of incoming Atlantic storms, the local radio runs a daily roll call of the recently departed. The islanders go in great numbers, young and old alike, to be with their dead. They keep vigil with the corpse and the bereaved company through the long hours of the night. They dig the grave with their own hands and carry the coffin on their own shoulders. The islanders cherish the dead--and amid the sorrow, they celebrate life, too. In My Father's Wake, acclaimed author and award-winning filmmaker Kevin Toolis unforgettably describes his own father's wake and explores the wider history and significance of this ancient and eternal Irish ritual. Perhaps we, too, can all find a better way to deal with our mortality -- by living and loving as the Irish do.
In the early 1900s, the Olympic Games track and field throwing events were dominated by a group of Irish-born weight throwers representing the United States. Of immense size and with a larger-than-life presence, these athletes came to be known as the “Irish Whales.” In The Irish Whales: Olympians of Old New York, Kevin Martin shares the untold story of these Irish American athletes who competed with unparalleled distinction for the United States. James Mitchell, John Flanagan, Martin Sheridan, Pat McDonald, Paddy Ryan, and Con Walsh won a total of eighteen medals in the Olympic Games between 1900 and 1924 and completely dominated the world stage in their chosen athletic disciplines. They were lionized in the American and Irish press and became folk heroes among Irish-American immigrant communities. Almost all of these men were further distinguished by their membership in the fabled Irish American Athletic Club of New York and careers with the New York Police Department. The story of the Irish Whales is the very embodiment of the American Dream and exemplifies the triumph of many Irish emigrants in the New World. Featuring a wonderful collection of original photographs, The Irish Whales tells the dramatic stories of these international athletes and their extraordinary sporting successes.
Kevin O'Hara recreates his boyhood with these wonderful stories of growing up in Massachusetts in the 1950s and 60s as one of eight children. His parents, born in Ireland, came to this country for their children's sake. His family struggled against grinding poverty but they never gave up and never lost their faith that God had a plan for them. Kevin learned the lessons of making do and making things last, and what the true riches of the world are: good health and the love of a united family. All these lessons grounded him as he reached adulthood...and was sent off to fight in the wilds of Vietnam as a reluctant solider. This book will tug at your heart and make you cry tears of both sorrow and joy. It is a story about the Irish-American experience but it is much more--it's the story of a generation growing up in the shadow of the Second World War and the start of a new age of hope and promise, a time when people believed that anything was possible as long as you dared to dream and had faith in yourself. And a little Irish luck couldn't hurt either.
Kevin Kilbane is Ireland's third most capped player of all time, with 110 appearances for his country, including an incredible 66 consecutive matches. He played more than 600 matches at professional level, and in Ireland is nothing less than a folk hero. But things could have been very different. Kilbane grew up the hard way, enduring a tough Lancashire childhood with his Irish immigrant family. It was only his prowess on the pitch, and subsequent signing with his childhood club Preston North End, that gave him the opportunity to escape poverty. Kilbane has since built a formidable reputation as an honest, dedicated professional who always gave his very best. he became a firm favourite with fans at the likes of West Bromwich Albion, Everton, Wigan and Hull, as well, of course, as Ireland, before he retired in 2012. Nowadays he is making a name for himself as a thoughtful analyst of the game on television and radio. But football is not the only passion in his life: as the parent of a daughter with Down's syndrome, he gives as much time and support as he can to the Down's Syndrome Association and Down's Syndrome Ireland, to which all the royalties from this book are being donated. Kilbane's autobiography is a genuinely inspiring story of a stalwart of the beautiful game.
Twenty Irish immigrants, suspected of belonging to a secret terrorist organization called the Molly Maguires, were executed in Pennsylvania in the 1870s for the murder of sixteen men. Ever since, there has been enormous disagreement over who the Molly Maguires were, what they did, and why they did it, as virtually everything we now know about the Molly Maguires is based on the hostile descriptions of their contemporaries. Arguing that such sources are inadequate to serve as the basis for a factual narrative, author Kevin Kenny examines the ideology behind contemporary evidence to explain how and why a particular meaning came to be associated with the Molly Maguires in Ireland and Pennsylvania. At the same time, this work examines new archival evidence from Ireland that establishes that the American Molly Maguires were a rare transatlantic strand of the violent protest endemic in the Irish countryside. Combining social and cultural history, Making Sense of the Molly Maguires offers a new explanation of who the Molly Maguires were, as well as why people wrote and believed such curious things about them. In the process, it vividly retells one of the classic stories of American labor and immigration.
On 19 January 1947 Ireland was invaded by a freakish anticyclonic weather phenomenon unleashed from the depths of Siberia. Its prolonged two-month grip entombed the country in snow and ice. This arctic siege brought freezing temperatures of 7° Fahrenheit -14°C, a piercing east wind reaching 60-70 m.p.h., five major blizzards, and snowdrifts of 12 to 20 feet-some topping 50. Cars, buses, houses and entire villages were buried, leaving scores of passengers and inhabitants marooned. Roads were blocked, telephone and electricity lines felled and towns and farms isolated as food and fuel dwindled. Tragically this happened amidst the worst fuel crisis in Ireland's history. People were forced to strip wood from their homes, and nearly half of all Dubliners were burning furniture to survive. Severe food shortages and a virulent influenza epidemic weakened people. By 19 February 1947 Dublin's death rate had more than doubled as the poor and elderly succumbed to hunger, cold and illness. Kevin C. Kearns presents a graphic account of what was regarded as a near-biblical calamity of blizzards, freezing, hunger, floods, and threatened famine-so imperilling, wrote one newspaper, that it seemed almost as if the wrath of God was directed against Ireland. It is a vivid tale of suffering and courage, death and survival, of human resilience and real heroism, poignantly authenticated by the oral testimony of those who lived through the arctic siege.
In Irish Celtic lore, "thin places" are those locales where the veil between this world and the otherworld is porous, where there is mystery in the landscape. The earth takes on the hue of the sacred among peoples whose connection to place has remained unbroken through the ages. What happens, then, when a Celtic view of nature is brought home to a North American landscape in which many inhabitants' ancestral connections to place are surface-thin? In a quest to find a deeper spiritual landscape in his own home, Kevin Koch applies eight principles of a Celtic spiritual view of nature to places in Ireland and to the American Midwest's rugged Driftless Area, an unglaciated region of river bluffs, rock outcrops, and steeply wooded hills. The Thin Places brings onsite mountaineering guides, spiritual leaders, geologists, and archaeologists alongside scholars in the fields of Celtic studies, religion, and conservation. But the text never strays far from story, from a trek through the Wicklow Mountains and the bogs of Western Ireland or among ancient Native American burial mounds and abandoned nineteenth-century lead mines in the bluffs above the Mississippi River.
For over 30 years, renowned author and historian Kevin C. Kearns has been recording and publishing the valuable memories and recollections of Dubliners. In his latest book, he revisits the extraordinary year of 1963, bringing to life the voices of the ordinary people who lived through it in a way no conventional history could match. It was a year like no other. Not for any one monumental event, but for an astonishing sequence of occurrences - triumphs and tragedies, joys and sorrows - that spanned all twelve months. Ireland 1963 deftly records the unrelenting roller coaster ride of dramas, traumas and mysteries of that year: a biblical-like flash flood, tenement collapses and victims, the liberating Bingo Craze, and a frightening 'mystery caller' posing as a priest. And, of course, it was the year of President Kennedy's rapturous four-day visit to Ireland. The year reached its climax with fear for thirty Irish passengers aboard the liner Lakonia, "ablaze and sinking" at sea during Christmas week. Yet, a series of happy and frolicsome events throughout the year balanced people's emotions and brought great joy to their lives. Such a bewildering and fascinating year demands a grass-roots type of social history, one that is biographical in nature. Kevin C. Kearns humanises these events by relying on oral history from participants and observers who were on the scene over fifty years ago. Their words and emotions bring a riveting authenticity and immediacy to this wondrous biography of the extraordinary year of 1963. Praise for Kevin Kearns' other unique oral histories of Dublin The Legendary "Lugs" Branigan: Ireland's Most Famed Garda 'A revealing portrait not just of a passionate and dedicated public figure, but also of a society undergoing great and constant change.' The Irish Independent Ireland's Arctic Siege: The Big Freeze of 1947 This story might have come from some Polar Expedition. It is almost unbelievable that such conditions could exist in Ireland.' The Irish Times The Bombing of Dublin's North Strand, 1941: The Untold Story 'What shines through is the courage and goodness of ordinary people, untrained for such catastrophe, in their attempts to save and help their fellow Dubliners.' The Irish Times Dublin Tenement Life: An Oral History 'Among the finest books ever written about Dublin.' The Sunday Tribune 'This is truly an admirable book, capturing echoes of a vanished world. It is only by reading this book that I was enabled to re-imagine the society which the respondents recalled to Kevin Kearns during what must have been many hundreds of hours of patient interviewing.' The Irish Times 'This book will long stand as the definitive social history of Ireland's gulags, where the poor were herded together in conditions worse than animals and will hopefully serve as further inspiration to those who still campaign for decent housing for all our citizens.' Joe Duffy 'Those of us who know and love Dublin owe Kearns a huge debt.' Roddy Doyle Dublin Voices: An Oral Folk History 'This book is a goldmine of tiny details. The narrative voices that speak from every page of this book do so in an unfiltered language entirely their own.' The Sunday Times
Garda and guardian. Protector and punisher. This is 'Lugs' Branigan: the man, the legend. The story of 'Lugs' Branigan is a tale that is long overdue. It is a story of extraordinary courage and compassion, a story of heroism and altruism, a story of crime, punishment and redemption. The legend of 'Lugs''s career as Ireland's most famous garda (police officer), founded on his physical strength and the manner in which he faced up to the criminal gangs of Dublin over the course of fifty years, is part of Dublin's folk history. In The Legendary 'Lugs' Branigan, bestselling historian Kevin C. Kearns presents a revealing and unvarnished portrait of the man and his life, authenticated by the oral testimony of family members, friends and Garda mates who stood with him through the most harrowing and poignant experiences. Born in the Liberties of Dublin in 1910, Jim Branigan was, by his own admission, a shy, scrawny 'sissy' as a lad. Cruelly beaten by bullies in the railway yard where he worked during his teens, he refused to fight back. Yet he went on to become a heavyweight boxing champion and to earn the 'undisputed reputation as the country's toughest and bravest garda'. Chief Superintendent Edmund Doherty proclaimed him 'one of those people who become a legend in his own time'. As a garda he refused to carry a baton, relying upon his fists. He took on the vicious 'animal gangs' of the 1930s and 40s and in the 'Battle of Baldoyle' broke their reign of terror. In the 1950s he quelled the wild 'rock-and-roll riots' and tamed the ruffian Teddy boys with their flick-knives. All the while, he was dealing with Dublin's full array of gurriers and criminals. As a devotee of American Western films and books, Branigan emulated the sheriffs by doling out his unique 'showdown' brand of summary justice to hooligans and thugs on the street. In the 1960s his riot squad with its Garda 'posse' patrolled Dublin's roughest districts in their 'black Maria'. They contended with the most dangerous rows and riots in the streets, dancehalls and pubs. The cry 'Lugs is here!' could instantly scatter a disorderly crowd. Ironically, for all his fame as a tough, fearless garda, he was most beloved for his humanity and compassion. His role as guardian of the battered women of the tenements and as protector and father figure of the city's piteous prostitutes—or 'pavement hostesses', as he called them—was unrecorded in the press and hushed up by the Garda brass. Yet, Garda John Collins vouches, 'Women ... oh, he was God to them!' Upon retirement he entered his 'old gunfighter' years; ageing and vulnerable, he became a target for old foes bent on revenge and for 'young guns' seeking a quick reputation. A man with a reputation powerful enough to echo through generations of Dubliners, the legendary 'Lugs' Branigan finally has a book worthy of his story.
Airports and other wasted days, Kevin Ireland's follow-up collection of poems to 2003's Walking the Land, provides enthuiasts of his work with a real treat. The book contains all the usual hallmarks of his writing - relaxed without for a moment lapsing into flatness; beautifully controlled without a hint of stiffness. It exhibits all the sureness of touch and dry humour readers have come to expect over the years: the wit is sharp, but never cruel. Airports and other wasted days is yet another triumph for one of our most valued poets.
A new book of poetry from Kevin Ireland is always an event. This is particularly so of his 18th collection, Table Talk , as it follows the sudden death of his wife in 2007 (see How to Survive the Morning) . His new poems reflect the coming back to ordinary life and the importance of talk between friends. In Ireland 's own words: 'The first group of these 56 new poems takes the form of a conversation between friends. The tone is open and robust - occasionally wry or comic, sometimes sardonic or grumpy. It's as if two people are catching up on observations and opinions while chatting casually at table before eating.' Then the tone changes. In wonder, hesitancy and initial disbelief, the poet writes of new love and new life. As Ireland himself says about this section of Table Talk : 'Then the wine is opened and the main course arrives. The mood changes, and the talk becomes hushed, warm and intimate.' Readers may well say these are great love poems.
The American Irish: A History, is the first concise, general history of its subject in a generation. It provides a long-overdue synthesis of Irish-American history from the beginnings of emigration in the early eighteenth century to the present day. While most previous accounts of the subject have concentrated on the nineteenth century, and especially the period from the famine (1840s) to Irish independence (1920s), The American Irish: A History incorporates the Ulster Protestant emigration of the eighteenth century and is the first book to include extensive coverage of the twentieth century. Drawing on the most innovative scholarship from both sides of the Atlantic in the last generation, the book offers an extended analysis of the conditions in Ireland that led to mass migration and examines the Irish immigrant experience in the United States in terms of arrival and settlement, social mobility and assimilation, labor, race, gender, politics, and nationalism. It is ideal for courses on Irish history, Irish-American history, and the history of American immigration more generally.
I am a British soldier," I told my reflection. "I am a British soldier and I'm saving lives. I'm saving lives. I'm a British soldier and I'm saving lives..."' Kevin Fulton was one of the British Army's most successful intelligence agents. Having been recruited to infiltrate the Provisional IRA at the height of The Troubles, he rose its ranks to an unprecedented level. Living and working undercover, he had no option other than to take part in heinous criminal activities, including the production of bombs which he knew would later kill. So highly was he valued by IRA leaders that he was promoted to serve in its infamous internal police - ironically, his job was now to root out and kill informers. Until one day in 1994, when it all went wrong. . . Fleeing Northern Ireland, Kevin was abandoned by the security services he had served so courageously and left to live as a fugitive. The life of a double agent requires constant vigilance, for danger is always just a heartbeat away. For a double agent within the highest ranks of the IRA, that danger was doubled. In this remarkable account, Kevin Fulton - former intelligence agent, ex-member of the IRA - tells a truth that is as uncomfortable as it is gripping.
Kevin Ireland's seventeenth book of poems cocks an amused, satiric, shrewd and always deadly serious eye at life, love and landscape. There are conversations with the neighbours, thoughts on the weather, birthdays, writers and writing, dreams, milking a cow and the Treaty. Then the book ends abruptly with first reactions to the sudden death of his wife: I reach for a pen. My hand fails. It draws a wavering line under an emptiness.
West Cork. November 1920. The Irish War of Independence rages. The body of a young woman is found brutally murdered on a windswept hillside, a scrapboard sign covering her mutilated body reads 'TRATOR'. Traitor. Acting Sergeant Séan O'Keefe of the Royal Irish Constabulary, a wounded veteran of the Great War, is assigned to investigate the crime, aided by sinister detectives sent from Dublin Castle to ensure he finds the killer, just so long as the killer he finds best serves the purposes of the crown in Ireland. . . The IRA has instigated its own investigation into the young woman's death, assigning young Volunteer Liam Farrell – failed gunman and former law student – to the task of finding a killer it cannot allow to be one of its own. Unknown to each other, the RIC Constable and the IRA Volunteer relentlessly pursue the truth behind the savage killing, their investigations taking them from the bullet-pocked lanes and thriving brothels of a war-torn Cork city to the rugged, deadly hills of West Cork, both seeking a killer, both seeking to stay alive in a time where 'murder's as common as rain and no one knows a thing about it, even when they do.
This book examines how election news reporting has changed over the last half century in Ireland by means of a unique dataset involving 25m words from newspapers as well as radio and television coverage. The authors examine reporting in terms of framing, tone and the distribution of coverage.They also focus on how the economy has affected election coverage as well as media reporting of leaders and personalities, gender and the effect of the commercial basis of media outlets. The findings - drawn from a machine learning computer system involving a huge content analysis study - will interest academics as well as politicians and policymakers internationally.
THE HISTORY OF IRELAND IS LACERATED, TOP TO BOTTOM, BY LAND. It is the barbed wire entanglement that tortures yet frees in the long story of this small island on ‘the dark edge of Europe’. It defined the national struggle for independence far more than any other single issue. The famine between 1845 and 1850 killed a million of the island’s population of 8 million and drove another million into exile. This event chopped Irish history in half, demonstrating as nothing else could that without security of tenure for a normal life span you were at the mercy of landowners. This book is not about the famine, but about the key event that followed it: the extraordinary redistribution of land from mainly aristocratic landed estates to small farmers. This redistribution took over 150 years, from famine’s end to the closure of the Land Commission in 1999, and was achieved with some civility and far less violence than the actual independence struggle itself. Who Owns Ireland is a startling expose of Ireland’s most valuable asset: its land. Kevin Cahill’s investigations reveal the breakdown of ownership of the land itself across all thirty-two counties, and show the startling truth about the people and institutions who own the ground beneath our feet.
The Backward Glance: A Miscellany of Irish History, Politics & Culture is a rare bird. It deals with topics of Irish political and cultural history which have only received sparse and spasmodic attention. It seeks to row out over a vast ocean of material and bring from the depths exotic specimens for rechecking and review. It’s Political themes include: The Bouncing Heart of de Valera; Sean South and the Border War; Northern Ireland and the Snares of History; The First Irish Republicans; Orangeism: Ireland’s Second Tradition; Parnell: The Rebel Prince; Davitt, the Fenians and the Land War; The Third Home Rule Bill and the Ulster Crisis; Gladstone and the Cloud in the West; Sarsfield: Limerick’s Hero; Dan Breen and the IRA; O’Duffy and the Blueshirts; Kickham; An Unrepentant Fenian; Captain Boycott saves his Harvest; Revisiting The Glorious and Immortal Memory; How Keynes got to Kinnegad; What really happened at Soloheadbeg. There are individual articles on: The Manchester Martyrs, Robert Emmet, James Dillon, Sean Lemass and Charles Haughey. Cultural themes include: The Abbey and the Genius of the Irish Theatre; MacLimmoir and the Gate; John Millington Synge: The Man and his Achievement ; Samuel Beckett and The Absurd; Lecky: Historian and Liberal Unionist; John Pentland Mahaffy: Provost and Wit; The Story of London’s Irish Club; The Limerick Pogrom; 1904; Bernard Canavan: Artist; Trinity College: 300 Years On.
Mark Twain had it all wrong: golf is not a good walk spoiled, golf is a journey. And when Ireland provides the map it becomes an 11,000km odyssey for one man in a camper van. Kevin plays every 18-hole golf course in Ireland in all kinds of weather and with all kinds of golfers. He deals with a leaky roof, potholes, born-again Christians and even an Irish mammy. Ireland's beauty shines through but the people encountered along the way, the golf clubs visited and the idiosyncrasies of a twenty-year-old camper van form the fairways on which this story plays. From tee-off to putting the final hole, this is a true Irish golfing adventure.
In a letter to his brother in 1906, James Joyce confessed: 'Sometimes thinking of Ireland it seems to me that I have been unnecessarily harsh. I have not been just to its beauty'. One reason for the composition of The Dead in 1907 was to compensate for this injustice and to add a new and quite different conclusion to his collection of short stories, Dubliners. Why Joyce felt compelled to change his view of Ireland, and how his narrative technique evolved to accommodate this change, becomes one of the focal points for this illuminating study. Furthermore, why John Huston felt compelled to adapt The Dead, and how he did so, provides another enlightening context. Although eighty years separate Huston's film from Joyce's text, the presence of Joyce's story can be found earlier in European cinema, in Roberto Rossellini's Voyage in Italy (1953). Kevin Barry here explores the extraordinary relationships between these three works, and the radically different aesthetics of fidelity and infidelity practiced by these exemplary artists of the twentieth century.
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