Modern biographies of William Shakespeare abound; however, close scrutiny of the surviving records clearly show that there is insufficient material for a cradle to grave account of his life, that most of what is written about him cannot be verified from primary sources, and that Shakespearean biography did not attain scholarly or academic respectability until long after Samuel Schoenbaum published William Shakespeare A Documentary Life in 1975. This study begins with a short survey of the history and practice of biography and then surveys the very limited biographical material for Shakespeare. Although Shakespeare gradually attained the status as a national hero during the seventeenth and eighteenth centuries, there were no serious attempts to reconstruct his life. Any attempt at an account of his life or personality amounts, however, merely to "biografiction". Modern biographers differ sharply on Shakespeare’s apparent relationships with Southampton and with Jonson, which merely underlines the fact that the documentary record has to be greatly expanded through contextual description and speculation in order to appear like a Life of Shakespeare.
The year 1943 saw the beginning of an unprecedented bombing campaign against Germany. Over the next twelve months, tens of thousands of aircrews flew across the North Sea to drop bombs on German cities. They were opposed not only by the full force of the Luftwaffe, but by a nightmare of flak, treacherously icy conditions, and constant mechanical malfunction. Most of these courageous crews were either shot down and killed or taken prisoner by an increasingly hostile enemy. This is the story of the everyday heroism of these crews in the days when it was widely believed that the Allies could win the Second World War by air alone. American pilots had a special role in the “Dambusters” campaign in particular. Even before the attacks on Pearl Harbor, scores of eager pilots travelled across the Canadian border to train with other future “Dam-busters,” all eager to take part. Authoritative and gripping, Airborne in 1943 brings these remarkable men and women to vivid life.
A gripping account of the everyday heroism of British bomber crews in 1943 - the year when Bomber Command believed it could win WWII by bombing alone. In 1943 the RAF began a bombing campaign against Germany, the like of which had never before been seen. Over the next twelve months, tens of thousands of aircrews flew across the North Sea to drop their bombs on German cities. They were opposed not only by the full force of the Luftwaffe, but by a nightmare of flak, treacherously icy conditions, and constant mechanical malfunction. Most of these crews never finished their tour of operations but were either shot down and killed, or taken prisoner by an increasingly hostile enemy. This is the story of the everyday heroism of British bomber crews in the days when it was widely believed that the Allies could win the Second World War by bombing alone. Kevin Wilson has interviewed hundreds of former airmen about what their lives were like in 1943: the stomach-churning tension of flying repeatedly over hostile territory, the terror at being shot down or captured, and the peculiar mixture of guilt and pride at unleashing such devastation on Germany.
Modern biographies of William Shakespeare abound; however, close scrutiny of the surviving records clearly show that there is insufficient material for a cradle to grave account of his life, that most of what is written about him cannot be verified from primary sources, and that Shakespearean biography did not attain scholarly or academic respectability until long after Samuel Schoenbaum published William Shakespeare A Documentary Life in 1975. This study begins with a short survey of the history and practice of biography and then surveys the very limited biographical material for Shakespeare. Although Shakespeare gradually attained the status as a national hero during the seventeenth and eighteenth centuries, there were no serious attempts to reconstruct his life. Any attempt at an account of his life or personality amounts, however, merely to "biografiction". Modern biographers differ sharply on Shakespeare’s apparent relationships with Southampton and with Jonson, which merely underlines the fact that the documentary record has to be greatly expanded through contextual description and speculation in order to appear like a Life of Shakespeare.
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