As if running an art museum wasn't enough, Dr. Dulcinea Chambers now finds herself in battle with the new board of directors chair, Vanessa Rich, who is on a ruthless quest to trim the budget in any way she can. Her cost-cutting measures will begin with selling off Dulcie's antique office furniture, much to Dulcie's bewilderment. Detective Nicholas Black is no less perplexed when falconry expert Esmerelda Graves barges into the police station insisting that one of her prized birds has been murdered. Ulterior motives are certainly at play as Dulcie finds that Vanessa stands to profit from the sales, while Nick learns that Esmerelda's raptors are carrying tiny video cameras. When the seemingly disconnected worlds of these two shady women begin to intertwine, and a most certainly murdered person turns up where the dead bird was found, Dulcie and Nick need hawk-like precision to determine why... before someone else falls prey.
Dr. Dulcinea (Dulcie) Chambers has a lot on her mind. She's just opened a new exhibit of Winslow Homer watercolors at the Maine Museum of Art where she's the chief curator. The exhibit will be complete when the museum's director, the urbane Joshua Harriman, buys the final piece at auction. But when Dulcie discovers a body where the painting should have been, she's one of the primary suspects. Portland Police Detective Nicholas Black is on the case but finds he is less than objective when it comes to the attractive Dr. Chambers. As a native, Dulcie is firmly rooted in Maine but has risen to the top of the museum world quickly. She's confident in her work but not in her skills at a cocktail party. She'd rather be at home with a good glass of wine and a book, not to mention a hearty portion of chicken fried rice. Nick grew up in the socialite-filled and privileged world of Boston's elite, groomed for a career in law. He jumped ship, much to his family's horror, and chose the life of a police detective instead. He hasn't looked back and they won't forgive him. Piecing together clues while continuing to run a museum is not easy for Dulcie. When an attempt is made on her life, Nick knows that the situation is dire. Yet he has little experience with the art world, and must rely on Dulcie's knowledge and intuition. The missing painting must be the key, if only Dulcie and Nick could understand how.
While assembling works for a new exhibit featuring the often unusual genre of Outsider Art, Dr. Dulcinea (Dulcie) Chambers encounters an enormously talented and equally troubled young man, Xander Bellamy. An autistic savant, Xander has not communicated with anyone for several months since his father was sent to prison for the murder of Xander's domineering grandfather. When the police had originally thought that Xander was the murderer, Xander's father quickly confessed. Was he simply trying to save his son from being committed to an institution for the criminally insane? Detective Nicholas Black thought the case was closed until Dulcie came to him with compelling evidence that the real killer still could be at large. Xander's battle-axe aunt has come to live with him and, along with long-time family housekeeper Giselle, they see to his needs. But is there more to them than meets the eye? Meanwhile Dulcie seeks to see inside Xander's mind with the help of psychologist Dr. Raymond Armand. However, the ambitious Armand has other ideas about the lovely Dr. Chambers and is about to give Nicholas Black some competition when it comes to her affections.
Dr. Dulcinea (Dulcie) Chambers has a lot on her mind. She's just opened a new exhibit of Winslow Homer watercolors at the Maine Museum of Art where she's the chief curator. The exhibit will be complete when the museum's director, the urbane Joshua Harriman, buys the final piece at auction. But when Dulcie discovers a body where the painting should have been, she's one of the primary suspects. Portland Police Detective Nicholas Black is on the case but finds he is less than objective when it comes to the attractive Dr. Chambers. As a native, Dulcie is firmly rooted in Maine but has risen to the top of the museum world quickly. She's confident in her work but not in her skills at a cocktail party. She'd rather be at home with a good glass of wine and a book, not to mention a hearty portion of chicken fried rice. Nick grew up in the socialite-filled and privileged world of Boston's elite, groomed for a career in law. He jumped ship, much to his family's horror, and chose the life of a police detective instead. He hasn't looked back and they won't forgive him. Piecing together clues while continuing to run a museum is not easy for Dulcie. When an attempt is made on her life, Nick knows that the situation is dire. Yet he has little experience with the art world, and must rely on Dulcie's knowledge and intuition. The missing painting must be the key, if only Dulcie and Nick could understand how.
Dr. Dulcinea (Dulcie) Chambers is honored to have the esteemed British artist Logan Dumbarton as a guest at the Maine Museum of Art. The abstract expressionist painter has come all the way from London to teach a master class. His students, a group of talented local artists, are initially in awe. However, the eccentric artist is accompanied by an entourage that is proving less than ideal. His stunningly exotic wife Isabel is a constant distraction with her incessant whining, while Linda, Logan's ever-efficient sister and business manager, does nothing but placate her brother's whims. To make matters worse, Logan seems to vacillate between annoyingly sniveling and irritatingly egocentric at any given moment. Within a week the entire class loathes him. Is he really worth all of this trouble? Somebody doesn't seem to think so, and it's up to Dulcie to find out who. But she'll have to team up with Detective Nicholas Black once again, and at the moment their relationship can only be described as fragile.
Detective Nicholas Black has cause for concern. He's investigating the suspicious death of a young woman whose body has just washed on shore in full scuba gear. Normally it would simply be a case of drowning, yet along with this particular body is a stolen Vincent van Gogh painting in a watertight tube. To further complicate matters, the phone number of Dr. Dulcinea (Dulcie) Chambers is written on the dead woman's hand. As the new director of the Maine Museum of Art, Dulcie is already busy negotiating the sale of one of the museum's pieces with a wealthy collector. When Dulcie learns that she's a chief suspect however, she has no choice but to help with the investigation. Dulcie finds herself diving in to solve this mystery as her relationship with Detective Nicholas Black also reaches new depths.
Dulcie's old boyfriend, the adventurous, fun-loving, and decidedly good-looking Brendan MacArthur, reappears with a unique gift: a very old bottle of wine, one of several that he found in a shipwreck while scuba diving in Maine's cold Atlantic waters. With museum attendance low during a particularly brutal winter, Dulcie knows exactly what to do. The museum will host a wine tasting as a fundraiser featuring this old vintage. But when an icebreaker busts through the pack ice in Portland harbor the day after the festivities, the crew makes a gruesome discovery. Someone from the party didn't make it home, and instead wound up among the bobbing gray-blue sheets of ice floating from one side of the harbor to the other. Dulcie's knowledge of wine is needed by detective Nicholas Black as he sorts through the details of this case, but their budding relationship is also put to the test. Brendan MacArthur's sudden reappearance irritates Nick. Does he ignore his feelings and chalk them up to simple jealousy, or is there something else far more dangerous about this Brendan MacArthur that Dulcie and Nick have yet to discover?
Golf has a history stretching back nearly 600 years. Anything that endures for so long must resonate with human nature itself. A BETTER LIE compares the game to life's common situations. In the rough? Face your demons. A long drive? Be comfortable with calculated risk. Thoughtful and fun, A BETTER LIE is a perfect gift for the golfer in your life.
Police violence is not a new phenomenon. In the late 19th and early 20th centuries, police officers in America assaulted or killed many ordinary citizens, often during improper detainments or arrests where no threat existed or no crime had been committed. Based on hundreds of newspaper accounts from 1869 through 1920, this history provides a chronological listing of interactions between police and unarmed citizens in which the citizens--some of them minors--were assaulted or killed. Police who committed such acts often lied to protect themselves, assisted by fellow officers and encouraging the media to demonize the victims. The author provides information on the prosecution and punishment of officers where available.
During the last 20 years of the 19th century, cigarette smoking was transformed from a lower-class habit to a favored form of tobacco use for men and practically the only form available to women. The trend continued to grow through the 1950s, when smoking was a significant part of America's social fabric for both men and women. This social history traces the evolution of women's smoking in the United States from 1880 to 1950. From 1880 to 1908, women were not allowed to smoke in public places, with strong opposition based on moral concerns. Most smoking was done by upper class women in the home, at private parties, or at socials. By 1908, women smokers went public in greater numbers and challenged the prejudices against smoking that applied to them alone. By 1919, most restaurants allowed women to smoke, though most other public places did not permit it. More and more women smokers went public in the period between 1919 and 1927, with college students leading the way. By 1928, advertisers began to target female smokers, and over the next two decades women smokers gradually gained equality with male smokers.
The early 20th century saw the founding of the National Security League, a nationalistic nonprofit organization committed to an expanded military, conscripted service and meritocracy. This book details its history, from its formation in December 1914 through 1922, at which point it was a spent force in decline. Founded by wealthy corporate lawyers based in New York City, it had secret backers in the capitalist class, who had two goals in mind. One was to profit immensely from the newly begun World War I. The other was to control the working classes in times of both war and peace. This agenda was presented to the public under the guise of preparedness, patriotism, and Americanization. Although the league was eventually found by Congress to have violated election spending limits, no sanctions of any kind were ever applied. This history details the secret machinations of an organization dedicated to solidifying the grip of the capitalist class over workers, all under the cover of American pride.
Follies in America examines historicized garden buildings, known as "follies," from the nation's founding through the American centennial celebration in 1876. In a period of increasing nationalism, follies—such as temples, summerhouses, towers, and ruins—brought a range of European architectural styles to the United States. By imprinting the land with symbols of European culture, landscape gardeners brought their idea of civilization to the American wilderness. Kerry Dean Carso's interdisciplinary approach in Follies in America examines both buildings and their counterparts in literature and art, demonstrating that follies provide a window into major themes in nineteenth-century American culture, including tensions between Jeffersonian agrarianism and urban life, the ascendancy of middle-class tourism, and gentility and social class aspirations.
This book examines the history of sexual harassment in America's public places, such as on the streets and on public transit vehicles, in the period 1880 to 1930. Such behavior was referred to then as mashing with the harasser most commonly being called a masher. It began around 1880 as a response to the women's movement as females in America increased their efforts to gain more freedom of movement and greater independence. Women going out and about on their own, or only with other women, threatened male dominance and control of society. One response by men was to turn to the sexual harassment of those women when they were alone in public places. This book looks at the extent of the problem, editorial opinions on the subject, the tendency to blame the victim, and the responses of women in the streets to the harassment. As well, the actions and reactions of the courts and the actions and reactions of the police are studied. Much of the sexual harassment of this period took place in the daytime hours, in busy areas of cities.
Perhaps the single medium in which women have been consistently treated as equal to men is the American judicial system. Although the system has met with enormous public condemnation, equality under the law has justified the legal execution of nearly six hundred American women since 1632. This book profiles the lives and cases of selected women sentenced to capital punishment in America between 1840 and 1899, most of whom were executed by hanging. The book is divided into chapters by decades, chronologically following a summary of the long and heated debate regarding women and capital punishment. Also evident is the influence of the 1870s women's rights movement on the issue. Each chapter concludes with a comprehensive list of all women executed in the United States during the respective decade, specifying age, ethnicity and criminal conviction.
In the UK and elsewhere, restorative justice and policing are core components of a range of university programmes; however, currently no such text exists on the intersection of these two areas of study. This book draws together these diverse theoretical perspectives to provide an innovative, knowledge-rich text that is essential reading for all those engaged with the evolution and practice of restorative policing. Restorative Policing surveys the twenty-five year history of restorative policing practice, during which its use and influence over criminal justice has slowly grown. It then situates this experience within a criminological discussion about neo-liberal responses to crime control. There has been insufficient debate about how the concepts of ‘restorative justice’ and ‘policing’ sit alongside each other and how they may be connected or disconnected in theoretical and conceptual terms. The book seeks to fill this gap through an exploration of concepts, theory, policy and practice. In doing so, the authors make a case for a more transformative vision of restorative policing that can impact positively upon the shape and practice of policing and outline a framework for the implementation of such a strategy. This pathbreaking book will be of interest to undergraduate and postgraduate students taking courses on restorative justice, policing and crime control, as well as professionals interested in the implementation of restorative practices in the police force.
The first decade of the auto industry in America featured politicians and bureaucrats at all political levels trying to come to terms with a new form of locomotion. Rules and regulations had to be drafted, implemented, and then enforced. Working against them was a small but wealthy and powerful group that fought against regulations, tried to weaken those they could not block, or sought to write the rules themselves. This book details how the auto industry was imposed on society from the top down, unlike many new innovations that go through society from the bottom up.
In 1969, nineteen-year-old Robert Hunt was found dead in the Cairo, Illinois, police station. The white authorities ruled the death a suicide, but many members of the African American community believed that Hunt had been murdered—a sentiment that sparked rebellions and protests across the city. Cairo suddenly emerged as an important battleground for black survival in America and became a focus for many civil rights groups, including the NAACP. The United Front, a black power organization founded and led by Reverend Charles Koen, also mobilized—thanks in large part to the support of local Christian congregations. In this vital reassessment of the impact of religion on the black power movement, Kerry Pimblott presents a nuanced discussion of the ways in which black churches supported and shaped the United Front. She deftly challenges conventional narratives of the de-Christianization of the movement, revealing that Cairoites embraced both old-time religion and revolutionary thought. Not only did the faithful fund the mass direct-action strategies of the United Front, but activists also engaged the literature on black theology, invited theologians to speak at their rallies, and sent potential leaders to train at seminaries. Pimblott also investigates the impact of female leaders on the organization and their influence on young activists, offering new perspectives on the hypermasculine image of black power. Based on extensive primary research, this groundbreaking book contributes to and complicates the history of the black freedom struggle in America. It not only adds a new element to the study of African American religion but also illuminates the relationship between black churches and black politics during this tumultuous era.
Trusted by nursing fraternity for more than 50 years, Brunner and Suddarth's Textbook of Medical-Surgical Nursing layers essential patient care information, engaging critical thinking exercises and diverse features to help students learn critical content. The South Asian edition is comprehensively updated to customize and keep pace with South Asia's health care environment by including Indian/Asian epidemiologic data of common diseases and disorders, flowcharts of pathophysiologic processes of various diseases and disorders and psychosocial concepts, which is contemporary to South Asian scenario. Furthermore, essential medical-surgical nursing content and diseases/disorders, which are specific to South Asia, are added to make this textbook most suitable to South Asian learners.
Pike's Portage/Death Wins in the Arctic/Arctic Naturalist/Arctic Obsession/Arctic Twilight/Arctic Front/Canoeing North Into the Unknown/Arctic Revolution/In the Shadow of the Pole/Voices From the Odeyak
Pike's Portage/Death Wins in the Arctic/Arctic Naturalist/Arctic Obsession/Arctic Twilight/Arctic Front/Canoeing North Into the Unknown/Arctic Revolution/In the Shadow of the Pole/Voices From the Odeyak
This special bundle is your essential guide to all things concerning Canada’s polar regions, which make up the majority of Canada’s territory but are places most of us will never visit. The Arctic has played a key role in Canada’s history and in the history of the indigenous peoples of this land, and the area will only become more strategically and economically important in the future. This bundle provides an in-depth crash course, including titles on Arctic exploration (Arctic Obsession), Native issues (Arctic Twilight), sovereignty (In the Shadow of the Pole), adventure and survival (Death Wins in the Arctic), and military issues (Arctic Front). Let this collection be your guide to the far reaches of this country. Arctic Front Arctic Naturalist Arctic Obsession Arctic Revolution Arctic Twilight Death Wins in the Arctic In the Shadow of the Pole Pike’s Portage Voices From the Odeyak
This book, first published in 1988, provides an overview of the diverse work that was being done in applied and theoretical environmental and resource economics. Some essays reflect upon the background of the work of John Krutilla, one of the founders of Resources for the Future and a leading scholar of environmental economics, and the development of the field to date. Other essays examine and convey findings on particular resource problems and theoretical issues and resource policies and the practice of applied welfare economics. This title will be of interest to students of economics and environmental studies.
Hippocrates, one of history's earliest known physicians, once asserted, "Walking is man's best medicine." Over the last three centuries, people have endorsed walking for a variety of reasons--health among them. Before the 1700s, people walked as an essential part of their lifestyle. With the coming of the transportation revolution--and the advent of such conveyances as horse-drawn coaches, railways and automobiles--walking became something that was done increasingly out of choice rather than necessity. England's fashionable society engaged in afternoon promenades as a stylish fad. While America's vast distances and sparse settlements made this activity impractical, Americans nevertheless took to walking in other ways, including engaging in long distance walking competitions complete with spectators and prize money. Thus, for most of the twentieth century, the activity of walking was much more than a means of transportation. Beginning with the history of walking as a social activity, the book discusses the various issues which have affected walkers, including increased automobile traffic, the attention of the marketing industry and pedestrian regulations. The work examines the contemplative, psychological and observational qualities of walking as well as famous personalities--including Leonardo da Vinci, William Shakespeare, John Keats and John James Audubon--who endorsed these intellectual qualifications. During the 1970s fitness boom, walking was reinvented yet again, becoming an activity of numbers and equations as participants fought to maximize health benefits. The book concludes with a legal analysis of pedestrianism as it relates to sharing space with the automobile.
Presents the works of Ann Yearsley, a laboring-class poet' whose writing forms part of an under-represented area of romanticism. This work includes her play "Earl Goodwin" and novel "The Royal Captives".
Atheism: A Guide for the Perplexed moves beyond the polemics to present an overview of atheism that is rigorous but still accessible to the educated layperson as well as to the undergraduate student in philosophy and theology. After a preliminary investigation of what atheists mean when they use the words 'atheism' and 'God'-a much more complex investigation than one might suspect-the book explores the differences and similarities between 'old' and 'new' atheism; places atheism of either variety in context by examining the naturalistic worldview that grounds it; provides a short historical sketch of atheism; examines a number of arguments against God-belief; investigates whether an atheist worldview is consistent with ethics and a sense of purposefulness; inquires into whether the current militancy against religious belief is pertinent or a red herring; and concludes with a few suggestions for continued dialogue between believers and nonbelievers. The goal throughout is to present a balanced, non-partisan introduction to the worldview, principles, and arguments of atheism that highlights the position's strengths as well as its weaknesses.
Although female lawbreakers in the late 19th and early 20th centuries were rarely considered dangerous criminals, there are many records of women participating in non-violent crimes including shoplifting, prostitution, and fraud. This work studies frauds and swindles perpetrated by women during that era, and offers character studies of several key female swindlers including Ann O'Delia Diss Debar, Mabel Parker, and Sarah Casselman, among others. Frauds covered include spiritually-based crimes (i.e. deceptive seances, "spirit writing") and love crimes (i.e. matrimonial racketeering), as well as "sob story" panhandling, counterfeiting, faking wealth, and pension fraud.
Kerry McSweeney critiques such readings of Romantic, Victorian, and 19th-century American poems. In What's the Import? he proposes and exemplifies an aesthetic or intrinsic critical model rooted in literary-historical contextualization that considers the determination of meanings to be only one of the qualities that full engagement with a poem requires. His wide-ranging study discusses poems by Wordsworth, Keats, Tennyson, Browning, Whitman, Dickinson, Carroll, Dante and Christina Rossetti, Swinburne, Hopkins, Hardy, and the Michael Field poets. What's the Import? contributes to the current debates in North America about the state and direction of English studies and the teaching of literature in general.
Following the 2013 revelations of Edward Snowden, Americans have come to realize that many of us may be under surveillance at any time. It all started 150 years ago on the battlefields of the Civil War, where each side tapped the other's telegraph lines. It continued in 1895, when the New York Police Department began to tap telephone lines. It was 20 years before it was public knowledge, and by then the NYPD was so busy tapping they had a separate room set aside for the purpose. Wiretapping really took off in 1910, when the dictograph--the first ready-to-use bug that anyone could operate--arrived, making it easier still to engage in electronic surveillance. Politicians bugged other politicians, corporations bugged labor unions, stockbrokers bugged other stockbrokers, and the police bugged everybody. And we were well on our way to the future that George Orwell envisioned, the world Edward Snowden revealed: Big Brother had arrived.
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