Normal 0 false false false EN-US JA X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman"; mso-fareast-language:JA;} Something happened to two boys over sixty years ago. The backwoods of Alabama in the 1940’s set the stage for this edge of your seat thriller. Boogie and Trapper are best friends known about town for their wild, annoying, obnoxious, and hysterically funny antics. Roaming the woods, swimming in the creek, playing double dare, smoking, cussing, drinking beer, and always trying to outdo each other. These 2 thirteen year old boys growing up in this time period have freedoms that would be considered absolutely crazy by today’s standards. Riding their bikes on a drizzly April day, goofing off and having fun for hours, looking forward to the boy/girl party they are excitedly anticipating later today, rumors of kissing games and such makes them silly and giddy. Then the day goes terribly wrong. They have found themselves in a desperate “no way out” situation. They are thrown into a horrific event that moves faster than a speeding bullet, a wild, white knuckled roller coaster ride, RUN Boogie, RUN, RUN………… A suspenseful, scary thriller, tragically horrific, it is a story that must be told, a promise that must be kept. Their lives will be changed forever, can they get away, and will they ever live to tell the tale.
This book recalls masking efforts in response to the Spanish flu epidemic. Masking the population as an ineffective response to disease by public health officials and political bureaucrats at various levels of jurisdiction reached its zenith in 2020. However, it began a century earlier during the Spanish flu epidemic of 1918-1919. In both cases, masking was not the first response made by the officials. In both cases, it was introduced as part of the second round of responses after the first round had failed. During 1918 the imposition of masking was done by legal mandate in some areas, by hectoring and whining on the part of officials in other areas, and by gentle and not so gentle public persuasion involving the use of "good" examples. Military members were mainly forced to don masks. Since there were bases, camps, and cantonments all over America as the war was ongoing, it was hoped an example would be set for the general public. Post office clerks who dealt with the public were often forced to wear masks; it was one of the few areas where the federal government had the power to impose masking. Some areas used masking almost not at all, such as the New England states. Other areas, such as the Pacific, forced masking on much of the population. Some public health officials did not subscribe to any of the imposed measures, such as Dr. Royal Copeland, the New York City Health Commissioner, and Dr. Rupert Blue, the United States Surgeon General.
When the need for telephone operators arose in the 1870s, the assumption was that they should all be male. Wages for adult men were too high, so boys were hired. They proved quick to argue with the subscribers, so females replaced them. Women were calmer, had reassuring voices and rarely talked back. Within a few years, telephone operators were all female and would remain so. The pay was low and working conditions harsh. The job often impaired their health, as they suffered abuse from subscribers in silence under pain of dismissal. Discipline was stern--dress codes were mandated, although they were never seen by the public. Most were young, domestic and anything but militant. Yet many joined unions and walked picket lines in response to the severely capitalistic, sexist system they worked under.
The first decade of the auto industry in America featured politicians and bureaucrats at all political levels trying to come to terms with a new form of locomotion. Rules and regulations had to be drafted, implemented, and then enforced. Working against them was a small but wealthy and powerful group that fought against regulations, tried to weaken those they could not block, or sought to write the rules themselves. This book details how the auto industry was imposed on society from the top down, unlike many new innovations that go through society from the bottom up.
Normal 0 false false false EN-US JA X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman"; mso-fareast-language:JA;} Something happened to two boys over sixty years ago. The backwoods of Alabama in the 1940’s set the stage for this edge of your seat thriller. Boogie and Trapper are best friends known about town for their wild, annoying, obnoxious, and hysterically funny antics. Roaming the woods, swimming in the creek, playing double dare, smoking, cussing, drinking beer, and always trying to outdo each other. These 2 thirteen year old boys growing up in this time period have freedoms that would be considered absolutely crazy by today’s standards. Riding their bikes on a drizzly April day, goofing off and having fun for hours, looking forward to the boy/girl party they are excitedly anticipating later today, rumors of kissing games and such makes them silly and giddy. Then the day goes terribly wrong. They have found themselves in a desperate “no way out” situation. They are thrown into a horrific event that moves faster than a speeding bullet, a wild, white knuckled roller coaster ride, RUN Boogie, RUN, RUN………… A suspenseful, scary thriller, tragically horrific, it is a story that must be told, a promise that must be kept. Their lives will be changed forever, can they get away, and will they ever live to tell the tale.
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