Political, intellectual, and academic discourse in the United States has been awash in political correctness, which has itself been berated and defended -- yet little understood. As a corrective, Nelson and Greene look at a more general process: adopting political positions to enhance one's reputation for trustworthiness both to others and to oneself. Phillip Nelson and Kenneth Greene are Professors of Economics in the Department of Economics at the State University of New York, Binghamton.
The role of capital punishment in America has been criticised by those for and against the death penalty, by the judiciary, academics, the media and by prison personnel. This book demonstrates that it is the inconsistent and often incoherent jurisprudence of the United States Supreme Court which accounts for a system so lacking in public confidence. Using case studies, Kenneth Williams examines issues such as jury selection, ineffective assistance of counsel, the role of race and claims of innocence which affect the Court's decisions and how these decisions are played out in the lower courts, often an inmate's last recourse before execution. Discussing international treaties and their lack of impact on capital punishment in America, this book has international appeal and makes an important contribution to legal scholarship. It also provides a unique understanding of the dynamics of an alarmingly problematic system and will be valuable to those interested in human rights and criminal justice.
This yearbook contains easy to access summaries of all cases handed down by the US Supreme Court in the term to give readers essential coverage of the Court's decisions, activities and impact on American life. It contains capsule summaries of every opinion written during the recent term.
First published in 1947, Poetry and the People presents a survey of English poetry from the earliest times till 1940s, viewed from an unusual angle. It is the author’s thesis that English Poetry is unpopular, in the sense that it is not loved by the people, because the sources of its inspiration, which were originally drawn from the soil, were diverted during the Renaissance into aristocratic and academic channels. Nevertheless, the emerging traditions, though driven underground, survived in the work of such men as Burns, Hogg and Clare and in folk song. This book is a must read for scholars and researchers of English poetry and English literature.
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