The wonderful picture-poems of Kenneth Patchen, long out of print, are being brought back into one generous volume--cryptic creatures quipping quirky quotes and all.
Now begins the revival of an eccentric virtuoso poet/visual artist whose work was admired by many of the 20th century's most unlikely "bobbysoxers". Like fabrics stitched into a crazy quilt, Patchen's hard-to-find books are gathered in We Meet, introducing a wide range of his work to a whole new generation of readers. It is chock-full of far-out poetry, rhythmic numinous prose, facetious fables, and jazzy drawings. Musician and visual artist Devendra Banhart complements We Meet with a celebratory, quixotic preface. So what are you waiting for? Come meet Kenneth Patchen!"--BOOK JACKET.
Can you imagine why a pornographer would be shy? Are you satisfied with the state of (a) World Society (b) your soul (c) American writing? Are you in the habit of reading books that could have been written by anybody? Do you really want the truth? Do you know how angels learn to fly? What would you feed a green deer? Do you think a profound social message can be conveyed by a book that is comic in character? When Kenneth Patchen's comic masterpiece, The Memoirs of a Shy Pornographer first appeared in 1945, these questions were asked on the dust jacket. They have never seemed more relevant. The hilarious saga of Alfred Budd of Bivalve, New Jersey-a Candide-like innocent and part-time pornographer, written with what Diane DiPrima called Patchen's "tender silliness," should inspire a new generation of readers
A chronicle of violent fury and compassion, written when Surrealism was still vigorous and doing battle with psychotic "reality," The Journal of Albion Moonlight is the American monument to engagement.
The wonderful picture-poems of Kenneth Patchen, long out of print, are being brought back into one generous volume--cryptic creatures quipping quirky quotes and all.
Now begins the revival of an eccentric virtuoso poet/visual artist whose work was admired by many of the 20th century's most unlikely "bobbysoxers". Like fabrics stitched into a crazy quilt, Patchen's hard-to-find books are gathered in We Meet, introducing a wide range of his work to a whole new generation of readers. It is chock-full of far-out poetry, rhythmic numinous prose, facetious fables, and jazzy drawings. Musician and visual artist Devendra Banhart complements We Meet with a celebratory, quixotic preface. So what are you waiting for? Come meet Kenneth Patchen!"--BOOK JACKET.
A chronicle of violent fury and compassion, written when Surrealism was still vigorous and doing battle with psychotic "reality," The Journal of Albion Moonlight is the American monument to engagement.
Can you imagine why a pornographer would be shy? Are you satisfied with the state of (a) World Society (b) your soul (c) American writing? Are you in the habit of reading books that could have been written by anybody? Do you really want the truth? Do you know how angels learn to fly? What would you feed a green deer? Do you think a profound social message can be conveyed by a book that is comic in character? When Kenneth Patchen's comic masterpiece, The Memoirs of a Shy Pornographer first appeared in 1945, these questions were asked on the dust jacket. They have never seemed more relevant. The hilarious saga of Alfred Budd of Bivalve, New Jersey-a Candide-like innocent and part-time pornographer, written with what Diane DiPrima called Patchen's "tender silliness," should inspire a new generation of readers
Kenneth Maurice Tyler identifies and describes the multiple identity components of young African American men using theoretical and empirical literatures from education and the social sciences. Identity and African American Men: Exploring the Content of Our Characterization provides a comprehensive, research-based account of the ideologies and mindsets of many young African American men. The book critically discusses eight identity components that young African American men begin to negotiate during their adolescent years. These identity components include gender, sexual, racial, ethnic, cultural, socioeconomic, athletic, and academic identity. Identity and African American Men makes a unique contribution to the literature by offering a conceptual framework that identifies the multiple identity components possessed by young African American men. Such a framework expands the conversation about African American men and their behaviors by broadening the understanding of who these individuals are, the identities they possess, and how their identity-based attitudes and orientations may influence the behaviors exhibited by them.
Frankly--H. Miller was defended by me only because he spoke against the War, and I think that was the main reason for his fame. Now--I do not believe, what with Palmistry, Chirography, Phrenology, and the Great Cryptogram, he will survive the retooling period. I honestly think he is the most insufferable snob I have ever met--but all reformed pandhandlers are like that.... in a letter from Kenneth Rexroth to James Laughlin
A man of extraordinary and seemingly limitless talents—musician, inventor, composer, poet, and even amateur mycologist—John Cage became a central figure of the avant-garde early in his life and remained at that pinnacle until his death in 1992 at the age of eighty. Award-winning biographer Kenneth Silverman gives us the first comprehensive life of this remarkable artist. Silverman begins with Cage’s childhood in interwar Los Angeles and his stay in Paris from 1930 to 1931, where immersion in the burgeoning new musical and artistic movements triggered an explosion of his creativity. Cage continued his studies in the United States with the seminal modern composer Arnold Schoenberg, and he soon began the experiments with sound and percussion instruments that would develop into his signature work with prepared piano, radio static, random noise, and silence. Cage’s unorthodox methods still influence artists in a wide range of genres and media. Silverman concurrently follows Cage’s rich personal life, from his early marriage to his lifelong personal and professional partnership with choreographer Merce Cunningham, as well as his friendships over the years with other composers, artists, philosophers, and writers. Drawing on interviews with Cage’s contemporaries and friends and on the enormous archive of his letters and writings, and including photographs, facsimiles of musical scores, and Web links to illustrative sections of his compositions, Silverman gives us a biography of major significance: a revelatory portrait of one of the most important cultural figures of the twentieth century. !--?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" /--
This book talks about Kenneth's twenty-seven essays written over a period of time of more than forty years. It remains the sanest guide to the cultural upheaval in American society since World War II.
Sometimes it's necessary to push beyond the usual limits of themediation process to achieve deeper and more lasting change.Mediating Dangerously shows how to reach beyond technical andtraditional intervention to the outer edges and dark places ofdispute resolution, where risk taking is essential and fundamentalchange is the desired result. It means opening wounds and lookingbeneath the surface, challenging comfortable assumptions, andexploring dangerous issues such as dishonesty, denial, apathy,domestic violence, grief, war, and slavery in order to reach adeeper level of transformational change. Mediating Dangerously shows conflict resolution professionals howto advance beyond the traditional steps, procedures, and techniquesof mediation to unveil its invisible heart and soul and to revealthe subtle and sensitive engine that drives the process of personaland organizational transformation. This book is a major newcontribution to the literature of conflict resolution that willinspire and educate professionals in the field for years to come.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.