This book provides an in-depth examination of Scottish Romantic literary ideas on memory and their influence among various cultures in the British Atlantic.
Scotland, Britain, Empire takes on a cliché that permeates writing from and about the literature of the Scottish Highlands. Popular and influential in its time, this literature fell into disrepute for circulating a distorted and deforming myth that aided in Scotland's marginalization by consigning Scottish culture into the past while drawing a mist over harsher realities. Kenneth McNeil invokes recent work in postcolonial studies to show how British writers of the Romantic period were actually shaping a more complex national and imperial consciousness. He discusses canonical works--the works of James Macpherson and Sir Walter Scott--and noncanonical and nonliterary works--particularly in the fields of historiography, anthropology, and sociology. This book calls for a rethinking of the "romanticization" of the Highlands and shows that Scottish writing on the Highlands reflects the unique circumstances of a culture simultaneously feeling the weight of imperial "anglobalization" while playing a vital role in its inception. While writers from both sides of the Highland line looked to the traditions, language, and landscape of the Highlands to define their national character, the Highlands were deemed the space of the primitive--like other spaces around the globe brought under imperial sway. But this concern with the value and fate of indigenousness was in fact a turn to the modern.
Presents a series of studies of representative mystics, theologians, philosophers, and poets and explores the three mainstreams of metaphysics which have deve-loped since the 'catastrophe' of Nominalism."--
In an early letter, Galbraith mentions his "ambition to be the most reticent adviser in modern political history." But as a respected intellectual and author of the celebrated The Affluent Society, he was not to be positioned so lightly, and his letters are replete with valuable advice about economics, public policy, and the federal bureaucracy.
In the waning days of World War I, William K. Dean was brutally murdered, his body hog-tied and dumped in a rainwater cistern on his farm in the quiet town of Jaffrey, New Hampshire. Suspicion quickly fell on Dean's wife, an invalid in the early stages of dementia. Her friends, outraged at the accusations, pointed instead to a former tenant of Dean’s, whom many suspected of being a German spy. Others believed that Dean's best friend, a politically powerful banker and judge, was involved. Deep Water is based on extensive research into the Dean murder, including thousands of pages of FBI documents, Grand Jury testimonies, newspaper accounts, private correspondence, and the archives of the Jaffrey Historical Society.
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