A fascinating historical journey . . . Kenneth Macksey's wonderful book reveals how these unsung heroes spent their time in the shadows of the secret intelligence war' - EYE SPY The ability to transmit military information by radio, first made practical at the beginning of the twentieth century, and developed in the First World War, brought immediate advantage over a potential enemy. Radio warfare came to play a key role in the Battle of Britain in 1940, and in the war against the U-boats in the Atlantic. The Searchers reveals how radio technology shaped the course of the Second World War. This is the story, not of the codebreakers, but of the Y Service, the searchers who made their vital work possible: men and women with headphones clamped to their ears who for hours on end searched the radio bands in order to overhear the enemy. Their achievements were made possible by brilliantly clever inventors and technologists, constantly pushing forward the frontiers of knowledge. The intelligence derived from their work influenced, often determined, the course of battle in the global war against the Germans, Italians and Japanese. Kenneth John Macksey (1923 - 2005) was a British author and historian who specialised in military history and biography, particularly WWII. He was commissioned in the Royal Armoured Corps and served during the Second World War, winning a Military Cross. Macksey gained a permanent commission in 1946, was transferred to the Royal Tank Regiment, reached the rank of major in 1957 and retired from the Army in 1968. He wrote over 15 books on various aspects of the war.
Illustrated with maps and a center section of black and white photographs. Kesselring-commander, leader, administrator; the only senior German officer to start and finish the Second World War holding a high command appointment. There was scarcely a major campaign in which he was not at some time deeply involved: he flew in the forefront of the battle over Poland, Holland, Britain, Russia and the Western Desert and was shot down five times; as a field commander he defended Tunisia, Italy and, ultimately, Germany. But it is as much for his role in the formation and development of the Luftwaffe that Kesselring is remembered-his were many of the ideas, plans and insights about the part played by aircraft in the land battle. They were central to the careful, systematic reorganization and building up of the German military machine in the 1920s and 30s. This first complete biography presents the complex, fascinating personality of a man whose qualities of utter determination, charm and good humor, harnessed to outstanding training and experience, enabled him to cope with both victory and defeat and, finally, when placed on trial for his life, to face his judges with dignity, equanimity and a staunch defense.
Commando', the history Commandos and small-scale raids during World War II, is a gripping narrative, tracing the actions of the fearless men who served as Allied commandos for the Combined Operations department during the war. Kenneth Macksey offers the details of St Nazaire, Bruneval, Dieppe as well as the key players, such as Stirling, Lovat and Carlson. Macksey skilfully provides a study of the lesser-known figures, such as Edson, Appleyard and Pickney, bringing to life their courage and determination while celebrating the sailors who enabled the raiders to reach their destinations.
Ten stories of what-if World War II scenarios from military historians: “A thought-provoking study of what might have been.” —British Army Review What would have happened if Hitler invaded England in July 1940, or concentrated on the capture of Moscow in 1941 instead of first diverting to Kiev? Or if Rommel had implemented Plan Orient in 1942, striking across the Middle East to join Japanese forces moving to India? How would the course of World War II have been changed if Churchill had persuaded the Americans to concentrate on attacking the “soft underbelly” of Europe instead of Northern France? In this compelling book, ten acclaimed military historians explore what might have happened if at ten crucial turning points of the war Hitler had taken a different direction, or how he would have reacted if the Allies had changed course. Each scenario is based on real situations and are within the bounds of what could genuinely have occurred. With vivid and realistic descriptions of the ensuing campaigns and battles, The Hitler Options is a gripping, thought-provoking and, at times, disturbing look at what could have been.
The WWII historian’s bracingly accurate analysis of what might have happened if Hitler ordered Operation Sea Lion to breech the shores of England. In June 1940, German troops gathered just across the English Channel, poised for the invasion of Britain. With France defeated and Britain cowed, Hitler seemed ready for his greatest gamble. In this compelling alternative history, the Germans launch the invasion that, in reality, was never more than a plan. Landing between Dover and Hythe, German troops push inland supported by the Luftwaffe and the impregnable panzers, and strike out towards London. The British, desperate to defeat the invaders, rally and prepare for a crucial confrontation at Maidstone. Realistic, carefully researched and superbly written, Invasion is a classic of alternate history and a thought-provoking look at how Britain’s war might have been. “Macksey’s blend of what actually happened and what might have been makes for a piece of writing comparable to Frederick Forsyth at his best.” —Jack Higgins “Convincingly described and excellently illustrated.” —The Daily Telegraph, UK
A fascinating and detailed insight into tank warfare, from introduction during World War I to the war in Vietnam. After its introduction during the First World War, the tank revolutionised warfare, and proved to be a terrifying and efficient machine of war. Kenneth Macksey provides a study of the policy-makers and tank strategists, the technical and tactical development, as well as presenting the story of the tank on the battlefield the split-second decisions, the battle-weary crews and the endless mud in this fascinating and detailed account of tank warfare.
Kenneth Macksey’s highly regarded biography of Generaloberst Heinz Guderian gives clear insight into the mind and motives of the father of modern tank warfare. Panzer General shows Guderian as a man of ideas equipped with the ability to turn inspiration into reality. A master of strategy and tactics, he was the officer most responsible for creating blitzkrieg in World War II. Guderian built the Panzerwaffe in the face of opposition from the German General Staff and personally led the lightning campaigns by tanks and aircraft that put a large part of Europe under domination by the Third Reich. Kenneth Macksey, a tank man himself for more than twenty years, reveals the man as a brilliant rebel in search of ideals and a general whose personality, genius, and achievements far transcended those of Rommel. As well as throwing light on the crucial campaigns in Poland, France, and Russia, this biography illuminates the struggles within the German hierarchy, both in the military and in the Nazi Party, for control of the Panzer forces. Based on information from the extensive family archives, Panzer General demonstrates why Guderian was so admired by some while denigrated by others.
Illustrated with maps and a center section of black and white photographs. Kesselring-commander, leader, administrator; the only senior German officer to start and finish the Second World War holding a high command appointment. There was scarcely a major campaign in which he was not at some time deeply involved: he flew in the forefront of the battle over Poland, Holland, Britain, Russia and the Western Desert and was shot down five times; as a field commander he defended Tunisia, Italy and, ultimately, Germany. But it is as much for his role in the formation and development of the Luftwaffe that Kesselring is remembered-his were many of the ideas, plans and insights about the part played by aircraft in the land battle. They were central to the careful, systematic reorganization and building up of the German military machine in the 1920s and 30s. This first complete biography presents the complex, fascinating personality of a man whose qualities of utter determination, charm and good humor, harnessed to outstanding training and experience, enabled him to cope with both victory and defeat and, finally, when placed on trial for his life, to face his judges with dignity, equanimity and a staunch defense.
Kenneth Macksey’s highly regarded biography of Generaloberst Heinz Guderian gives clear insight into the mind and motives of the father of modern tank warfare. Panzer General shows Guderian as a man of ideas equipped with the ability to turn inspiration into reality. A master of strategy and tactics, he was the officer most responsible for creating blitzkrieg in World War II. Guderian built the Panzerwaffe in the face of opposition from the German General Staff and personally led the lightning campaigns by tanks and aircraft that put a large part of Europe under domination by the Third Reich. Kenneth Macksey, a tank man himself for more than twenty years, reveals the man as a brilliant rebel in search of ideals and a general whose personality, genius, and achievements far transcended those of Rommel. As well as throwing light on the crucial campaigns in Poland, France, and Russia, this biography illuminates the struggles within the German hierarchy, both in the military and in the Nazi Party, for control of the Panzer forces. Based on information from the extensive family archives, Panzer General demonstrates why Guderian was so admired by some while denigrated by others.
One of the most profound problems that theologians are called on to address is the presence of evil and suffering in the world, and how this can be reconciled with the assertion of an omnipotent and morally perfect God. This book begins by showing how the problem of evil has been inextricably bound up with the problematic deity created by the philosophical theism of the Enlightenment and perpetuated ever since, demonstrating how contemporary theodicists have failed to perceive the historical and cultural determinants which affect their theorizing. Dr. Surin argues that thinking on the problem of evil consists of two fundamental perspectives. He labels these the theoretical and the practical approaches and examines the work of a number of theologians who typify each. Alvin Plantinga, Richard Swinburne, the process theologians, and John Hick exemplify the theoretical approach; Dorothee Soelle, Jurgen Moltmann, and P. T. Forsyth the practical. He uses the views of Dostoevsky's character Ivan Karamazov and the protagonists in Elie Wiesel's writing as a paradigm for evaluating the two approaches, and concludes that only the practical approach has the merit of both rooting itself in the realities of human suffering, and grounding itself in the fundamental rule of what he calls an adequate grammar of salvation, namely that God justifies himself by justifying sinners on the cross. Finally, Dr. Surin explores this grammar of the notion of an incarnate salvation with particular reference to the need for a messianic and practical solidarity with those who are afflicted. This thought-provoking book will serve both as an introduction to those new to the ideas of theodicy, and as a stimulating essay for those dissatisfied with conventional studies of theology and the problem of evil.
The book Infinity in Language is a research monograph on the problem of the sublime in language. The authors use methods from cognitive semantics and poetics in order to thoroughly describe how the sublime is used in language. It is a unique attempt to account for one of the most fascinating problems of the human mind: the concept of infinity, and how the experience of infinity and enthusiasm is expressed in language. The book includes new findings in cognitive semantics relating to rhetorical figures such as hyperbole, gradation and accumulation. Cognitive semantics has focused so far on metaphor. This book fills the gap and gives an account of other rhetorical figures. It contains also a historical review of major theories of the sublime by Pseudo-Longinos, Boileau, Burke, Kant, Schiller, Hegel, Schopenhauer, Nietzsche and others, i.e. it spans a period from the first century AD till twentieth century. The authors answer the question how is it possible to present the unpresentable. It is an attempt to outline and develop a model of the rhetoric of the sublime. The model consists of three elements: antimimetic evocation of the unimaginable, a mimesis of emotions and figures of the discourse of the sublime. The books argues in favour of non-cartesian semantics which takes into account not only reason but also emotions, especially very intensive ones. However, the authors also express reservations regarding omnipresent rhetoric of the sublime. They follow those thinkers in the human history who argued against fanaticism and in favour of tolerance and empathy. The book is an original result of an interdisciplinary and international collaboration, lasting many years, between a cognitive scientist and a linguist and literary scholar.
Starting from Hawthorne's statement that his works are attempts to open an intercourse with the world, Kenneth Dauber examines them to see how they serve as acts of communication. Thus his investigation of a major American writer studies Hawthorne as a craftsman, explores the conditions under which various interpretations of literature are possible, and lays the foundation for a new theory of genres. The author begins with a brief history of American criticism from the rediscovery of classic American letters to the present. He traces the development of historicism and formalism as the two major strains of native critical thought and demonstrates their specific limitations in connection with a study of Hawthorne's allegory. By redefining literature according to Hawthorne's work and reexamining the role of the critic in view of the circumstances of American letters, Professor Dauber is able to propose a native poetics. Central to the author's theory is the concept of genre as a pre-existing structure with which Hawthorne battled and through which he sought communion. This ambivalence is analyzed in chapters on the four novels and selected stories. Originally published in 1977. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The Logic of Sentiment is a study of sentimentality, a literary mode that aims to answer the question, "What hold us together?" Against the grain of cultural studies, which understands sentimentality as consolidating communities on the basis of material or historical foundations, Kenneth Dauber takes a philosophical approach. He argues that sentimentality is love conceptualized in denial of a skepticism--understood as the problem of people's otherness to each other--that material associations cannot dispel. Through close readings in the style of "ordinary language" criticism, Dauber analyzes mid-19th-century American novels, where sentimentality achieved its most complete articulation, with a focus on three novels published nearly simultaneously–Uncle Tom's Cabin, The House of the Seven Gables, and Pierre. Referencing a wide range of philosophical and literary texts, Dauber examines the response of sentimental writers to their growing awareness of love's lack of foundation, the waywardness with which individuals dispose themselves as they succeed and fail in achieving a viable "we." The Logic of Sentiment traces the movement from sentimentality to realism, the relation between epistemology and ethics, and the kind of investments that writers attempt to solicit from their readers.
In this gem of a book, scholar and wit Kenneth Lasson takes on all manner of excesses in the Ivory Tower which, from his insider's viewpoint, constitute little less than a full-scale assault on American values and mores. The ideological warfare is being waged by a slew of vociferous academicians whose predominance is manifested by stifling academic bureaucracies, radical feminist and deconstructionist faculties, and overbearing speech and conduct codesall in invidious pursuit of narrow but pervasive political agendas. Lasson uses his sharply pointed pen to skewer both the powerful and the petty, from perpetually outraged law professors and would-be literati to ethnic hatemongers with tenure. Colleges and universities, Lasson reminds us, are not intellectual playgrounds, but training places for future social, political, and artistic leadersso what's said and not said on those campuses have a far-reaching effect on every one of us. We depend on academic institutions to take our best and brightest and nurture them to think creatively and independently.What's happening, however, is often just the opposite: the purposeful establishment of anti-establishment bias, a closely-guarded breeding ground in which students and professors are too intimidated to challenge extremist ideas. Lasson argues that there is nothing wrong with liberal and multi-cultural approaches to education, so long as they are presented fairly and in a broadly inclusive context. In what is the only truly funny scholarly book to hit the shelves. Trembling in the Ivory Tower ponders the questions many of us should be asking, and supplies the answers we should be demanding: Why have universities apparently abandoned the concept of vigorous debate in an open marketplace of ideas? Why has no university speech or conduct code yet survived a constitutional challenge? Why are senior professors increasingly being charged with creating hostile environments despite emerging victorious whenever they challenge their arbitrary punishments in court? In an age of easy catch phrases, media hype, and watered down scholarship, Trembling in the Ivory Tower is a welcome breath of fresh air that pays homage to original, not merely popular, thought.
The writings of six choreographers are assembled in this book and the leap they have taken to go from the medium of choreography into written text constitutes a form of translation. Some of the texts investigate the possibilities of written language as invention, others use it as a means to illustrate specific tenets or describe choreographic projects. All yield insight into the process of coaxing language from the body.
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