The Drama of Fallen France examines various dramatic works written and/or produced in Paris during the four years of Nazi occupation and explains what they may have meant to their original audiences. Because of widespread financial support from the new French government at Vichy, the former French capital underwent a renaissance of theatre during this period, and both the public playhouses and the private theatres provided an amazing array of new productions and revivals. Some of the plays considered here are well known: Anouilh's Antigone, Sartre's The Flies, Claudel's The Satin Slipper. Others have remained obscure, such as Cocteau's The Typewriter, Giraudoux's The Apollo of Marsac, and Montherlant's Nobody's Son; and two—André Obey's Eight Hundred Meters and Simone Jollivet's The Princess of Ursins—have remained virtually unread since the early 1940s. In examining French culture under the Vichy regime and the Nazis, Kenneth Krauss links the politics of gender and sexuality with the more traditional political concepts of collaboration and resistance. A final chapter on Truffaut's 1980 film, The Last Métro, demonstrates how the present manages to rewrite and revision the complex and seemingly contradictory reality of the past.
In this volume, Kenneth Krauss maintains that if readers are to comprehend playscripts as plays, they must imagine the theatre audience - so vital to the staging of any script, but conspicuously absent from the text itself. Krauss examines what has been written about reading playscripts (or "playreading") and proposes four possible ways, founded on a reception-oriented approach to theatre communication and spectator response, that playreaders may construct a sense of theatre audiences.
the various essays in this volume by colleagues and former students of Schmitz examine his thought and the subjects of his teaching. In addition to an overall exposition of his own thought, the collection treats themes such as gift, faith and reason, culture and dialogue, modernity and post-modernity
Sea tenure in Japanese coastal fisheries is a complex subject that is little known in the West. It involves time-honoured customary procedures for management and conflict resolution which may have been incorporated into modern legislation. The Introduction reviews selected aspects of the general behavioural context within which the administration of Japanese fisheries and the resolution of conflicts should be viewed. Since the degree of continuity with traditional management practises is an outstanding characteristic, Chapter 1 describes and provides examples of the historical antecedents of the present situation. Present day formal administration is described in Chapter 2. Systems of coastal sea tenure reflect an intimate interplay of formal government regulations and informal customary elements. The latter are commonly of greater day-to-day importance than the former. In Chapters 3 and 4 this is examined through the problems of conflict management and resolution, proceeding from the personal and small-scale level to the impersonal prefectural and national levels.
In order for forensic fibre examiners to fully utilize fibre and textile evidence during their analysis, they require not only specialised forensic knowledge but also in-depth knowledge of fibres, yarns and fabrics themselves. Production, both the chemical and physical structure, and the properties of these materials is required in order to determine the value of fibre evidence. This includes knowing production figures, fashion changes, sudden arrivals of new materials, dye variability, and numerous other factors that may have a bearing on the information obtained. Fully updated with the latest advances, Forensic Examination of Fibres, Third Edition continues in the tradition of the First (1992) and Second Editions (1999) as the premier text on the subject of forensic fibre analysis. The international team of contributing authors detail the recovery of the evidence—through the different stages of laboratory examination—to the evaluation of the meaning of findings. The coverage has been considerably expanded, and all material, has been revised and wholly updated. Topics covered include examining damaged textiles, infrared microspectroscopy and thin layer chomatography, and colour analyses. This edition also highlights the critical role of quality assurance in ensuring the reliability of the technical observations and results, and, in doing so, looks at the implications of supervisory managers and labs in the accurate and responsible analysis of such evidence. Features include: Outlining evidentiary process from collecting and preserving the evidence at the crime scene through the laboratory analysis of fibres Detailing the latest developments and emerging technologies including Kevlar and other such advances in fibre technology Coverage of a broad array of fibres both, natural (cellulose, protein, and mineral) and man-made fibres including synthetic, inorganic and regenerated Forensic Examination of Fibres, Third Edition is a much-needed update to the classic book, serving as an indispensable reference to crime scene technicians, laboratory forensic scientists and microscopists, students in police, forensic, and justice science programs.
Snakes of the World: A Catalogue of Living and Extinct Species—the first catalogue of its kind—covers all living and fossil snakes described between 1758 and 2012, comprising 3,509 living and 274 extinct species allocated to 539 living and 112 extinct genera. Also included are 54 genera and 302 species that are dubious or invalid, resulting in recognition of 705 genera and 4,085 species. Features: Alphabetical listings by genus and species Individual accounts for each genus and species Detailed data on type specimens and type localities All subspecies, synonyms, and proposed snake names Distribution of species by country, province, and elevation Distribution of fossils by country and geological periods Major taxonomic references for each genus and species Appendix with major references for each country Complete bibliography of all references cited in text and appendix Index of 12,500 primary snake names The data on type specimens includes museum and catalog number, length and sex, and collector and date. The listed type localities include restrictions and corrections. The bibliography provides complete citations of all references cited in the text and appendix, and taxonomic comments are given in the remarks sections. This standard reference supplies a scientific, academic, and professional treatment of snakes—appealing to conservationists and herpetologists as well as zoologists, naturalists, hobbyists, researchers, and teachers.
The total world sales of filtration and separation equipmentand spares are estimated at US$29.5 billion in 2003. Good growth is forecast to continue through to 2009, on the back of the expansion in China, and the fresh and wastewatersegment growth rates, with a CAGR of more than 6%." --Profile of the International Filtration and Separation Industry - Market Prospects to 2009, 5th Edition This revised and updated 5th edition includes increased coverage on the strategic direction of the industry, plus it offers forecasts, analysis and comment on the filtration and separation industry to 2009.The study also outlines the structure of the global industry, assesses market and technological trends, offers market figures and forecasts to 2009 and identifies the major players.
This revised edition of Introduction to Health Care Delivery: A Primer for Pharmacists, Fourth Edition, offers a current and comprehensive picture of the U.S. healthcare delivery system while emphasizing the perspective of the pharmacy profession. Each thoroughly updated chapter in the new edition of this practical text includes real-world case studies, learning objectives, chapter questions, questions for further discussion, and updated key topics and terms. New to the Fourth Edition is an updated Medicare/Medicaid chapter that reflects current regulations, a comprehensive glossary, and online instructor resources including case response scenarios.
Democracy thrives on vigorous competition between political parties. However, in several established democracies one party manages to dominate national politics for decades at a time, seemingly creating a democratic one-party unnatural democracy. This book examines five such countries - Canada, Ireland, India, Japan, Italy - to understand what kind of party comes to dominate democratic competition, and how and why they do so. In different countries with different political challenges, an analysis of their 'Government Parties' reveals their common relationship with the origins and operations of the states they dominate, and the nation- and/or state-building challenges they face. Democratic dominance cannot last forever; how a government party responds to the seemingly inevitable decline of long-term support defines the prospects for its unnatural democracy. Comparative Politics is a series for researchers, teachers, and students of political science that deals with contemporary government and politics. Global in scope, books in the series are characterized by a stress on comparative analysis and strong methodological rigour. The series is published in association with the European Consortium for Political Research. For more information visit www.ecprnet.eu The series is edited by Susan Scarrow, John and Rebecca Moores Professor of Political Science at the University of Houston, and Jonathan Slapin, Professor of Political Institutions and European Politics, Department of Political Science, University of Zurich.
This book is the definitive text for forensic scientists, police and lawyers who may be involved with the use of textile fibres to provide evidence in criminal cases. While covering the subject in detail from recovery of the evidence, through the different stages of laboratory examination, to evaulating the meaning of findings, it is written in such a way that it should be interesting and understandable to the beginner and to the layman, as well as to the expert.
Destroyed yet paradoxically preserved by the eruption of Mount Vesuvius in A.D. 79, Pompeii and other nearby sites are usually considered places where we can most directly experience the daily lives of ancient Romans. Rather than present these sites as windows to the past, however, the authors of The Last Days of Pompeii: Decadence, Apocalypse, Resurrection explore Pompeii as a modern obsession, in which the Vesuvian sites function as mirrors of the present. Through cultural appropriation and projection, outstanding visual and literary artists of the last three centuries have made the ancient catastrophe their own, expressing contemporary concerns in diverse media--from paintings, prints, and sculpture, to theatrical performances, photography, and film. This lavishly illustrated volume--featuring the works of artists such as Piranesi, Fragonard, Kaufmann, Ingres, Chass�riau, and Alma-Tadema, as well as Duchamp, Dal�, Rothko, Rauschenberg, and Warhol--surveys the legacy of Pompeii in the modern imagination under the three overarching rubrics of decadence, apocalypse, and resurrection. Decadence investigates the perception of Pompeii as a site of impending and well-deserved doom due to the excesses of the ancient Romans, such as paganism, licentiousness, greed, gluttony, and violence. The catastrophic demise of the Vesuvian sites has become inexorably linked with the understanding of antiquity, turning Pompeii into a fundamental allegory for Apocalypse, to which all subsequent disasters (natural or man-made) are related, from the San Francisco earthquake of 1906 to Hiroshima, Nagasaki, 9/11, and Hurricane Katrina. Resurrection examines how Pompeii and the Vesuvian cities have been reincarnated in modern guise through both scientific archaeology and fantasy, as each successive cultural reality superimposed its values and ideas on the distant past. An exhibition of the same name will be on view at the Getty Villa from September 12, 2012, through January 7, 2013; at the Cleveland Museum of Art from February 24 through May 19, 2013; and at the Mus�e national des beaux-arts du Qu�bec from June 13 through November 8, 2013.
First she was a beat cop, then she was unemployed. Now, Kenneth Wishnia’s dynamic Filomena Buscarsela has apprenticed herself to a New York City PI firm to put in the three years necessary to get her own PI license, which she needs to earn enough money to support herself and her daughter. Trouble is, she often agrees to take on sticky neighborhood cases pro bono—like the group of squatters restoring an abandoned building in the neighborhood—rather than handle the big-bucks clients her bosses would prefer. While helping out her more “senior” colleagues with her own superior investigative techniques bred from years on the beat, Fil agrees to look into the disappearance of a young immigrant. Then, witnessing the arrest of a neighbor on marijuana-possession charges that nearly turns into a shoot-out with the police, Fil is roped into finding out what went wrong. Trying to balance charity cases like these with bread-and-butter cases, not to mention single motherhood, Fil is quickly in over her head dodging bullish cops, aggressive businessmen, and corrupt landlords in their working-class Queens neighborhood. After years of policing and backstreet bloodhounding, Filomena Buscarsela is apprenticing to earn her own private investigator’s license. She pours on her Spanish, her clever tricks, and her battle-tested charms to uncover a labyrinth of deceit, racial prejudice, and impenetrable bureaucracy that not only rocks her neighborhood but also threatens the foundation of the big red house that is this PI’s America.
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