Lee Kong Chian (1893-1967) is one of Singapore's most outstanding figures in the history of Singapore and Southeast Asia. This book is the first complete account of this great person, following him from childhood to his passing. He leaves behind a great legacy which will continue to impact the lives of countless numbers of people in Singapore and beyond. He came from a poor family, but he became a highly successful businessman and entrepreneur who founded several companies in Southeast Asia. He also co-founded the Oversea-Chinese Banking Corporation. He played a key role in the development of the region's economy, and his contributions helped to create jobs and stimulate growth. He was named the King of Rubber and the Pineapple King, and became one of the richest men in Southeast Asia in the 1950s to 1960s, and yet he lived a simple frugal lifestyle. Lee Kong Chian was a generous philanthropist who donated millions of dollars to charitable causes throughout his life. He used his personal money to start the Lee Foundation, which continues to donate to educational institutions, healthcare, and social welfare.
In this volume distinguished historian Kenneth Maxwell collects some of his most significant writings, following Portugal's imperial journey from the Atlantic to the Indian Ocean and from the coast of Asia to the mouth of the Red Sea. Maxwell takes the reader on a lively journey from Macao to the Amazon forests-each piece in the collection is a reflection of the authors driving passions. Major themes he examines are: the peopling of the Americas, the shaking up of continents, the spirit that took a precocious Portugal into its imperial venture, the play between Portugal's' extensive imperial reach into Africa and Asia and the Americas, and the rise of Brazil and its tumultuous history.
Has the creative period of the New Hong Kong Cinema now come to an end? However we answer this question, there is a need to evaluate the achievements of Hong Kong cinema. This series distinguishes itself from the other books on the subject by focusing in-depth on individual Hong Kong films, which together make the New Hong Kong cinema.
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