The culmination of a 25-year Essay and Poem Series beginning in 1997, Van Gross, MD of Philadelphia captures the final six years of this four-book journey. Leading off with the revenge packed Van Gross of Monte Cristo that covered 1997-2004, followed by the mega-compilation Five Books of Van Gross’s spanning 2004- 2007 and its acclaimed follow-up Van-Dalismo 2008-2015, Kenneth Bruce Van Gross, M.D. either was to enter the dust bin of history with the ultra-contemporary Van Gross, M.D. of Philadelphia (traversing 2016- mid 2022) or induce an irrevocable stupor in those who actually muddled through this ridiculous collection of so-called literary works. But seriously folks, take the Master Work Quarter Century Series, please. And throw in the now legendary Visiting Other Countries with Coral Brain and “Friends”. Mark Twain, P.J. O’Rourke, Kerouac, Keats, Whitman, Freud, Jung, Camus, Lenny Bruce, Sinclair Lewis, political commentators up the wazoo, you like all these things? You enjoyed the Healthcare, Education, Sports, Race and Philosophy positing in the prior four essay/poetry volumes that turned you into combos of Fauci, Jonas Salk, Paolo Freire, Red Smith, Kierkegaard and Bob Marley? Well, all these characters are embodied in the multi-dimensional Van Gross, M.D. mind climax in this epic final volume, Van Gross, M.D. of Philadelphia.
The fantasy of a sculpture that moves, speaks;or responds, a statue that comes to life as an oracle, lover, avenger, mocker, or monster—few images are more familiar or seductive. The living statue appears in ancient creation narratives, the myths of Pygmalion and Don Juan, lyric poetry from the Greek Anthology to Rilke, and romantic fairy tales; it is a recurrent theme in ballet and opera, in philosophy, psychoanalysis, and film. What does it mean for the statue that stands immobile in gallery or square to step down from its pedestal or speak out of its silence? What is it in this fantasy that animates us? Kenneth Gross explores the implications of fictive statues in biblical and romantic narrative; in the poetry of Ovid, Michelangelo, Blake, Rilke, and Stevens; in the drama of Shakespeare; in the writings of Freud and Wittgenstein. He also considers their place in the poetry of such contemporaries as Richard Howard and the films of Charlie Chaplin, Frarn;ois Truffaut, and Peter Greenaway. In the motif of the moving statue, we can see how the reciprocal ambitions of writing and sculpture play off each other, often producing deeply paradoxical figures of life and voice, Stories of the living statue point to the uncertain ways in which our desires, fantasies, and memories are bound to the realm of unliving objects. Clarifying the sources of our fascination with real and imaginary statues, this book asks us to reconsider some of our most basic assumptions about the uses of fantasy and fiction. Eloquent and evocative, The Dream of the Moving Statue will capture and hold a wide audience.
Gross explores the playright's fascination with dangerous and disorderly forms of utterance -- rumor, slander, insult, vituperation, and curse -- and how this generates an immense verbal energy in the poetry and on the stage. More broadly, it also reflects a cultural obsession with the power of defamation in Renaissance England.
Reawaken, you awoken wokesters and anti-leftist xenophobes, and get your new bible. The Five Books of Van Gross’s focuses hearkens back to the “Middle Aughts” which is the period that included launching weather crusades, being a "birther" or talking nonsense at Townhall Meetings about "healthcare" (which is really medical care plus a gym membership, glasses and teeth cleaning); here was the mid-Decade of the Zeroes or the zeros, or zorro, the fox so cunning and free, that epoch from 2003-2007, in that Aughts Decade, that Would've, Could've, Should've Oughts Decade, or as some have called it, That Aughtistic Period (or at least an ADD case) demanding an explanation, couched in brain/mind disturbances via satirical essays. This five-volume set containing nearly 500 humor essays opens with They Shoot Lesbians Don’t They? covering most of 2004, followed by Deep Tricksters-From the Felt Man to the Veep Man-November 2004 to June 2005, the executive branch hunting related extravaganza Duck, It's Dick.. Not me Dick, the Duck, June 2005- March 2006 and is followed by Van Gross Misconduct February 2006 to August 2006 and finally Van Maniac September 2006- March 2007. The urgency for this historic volume draws from where we were in the lead up to where we are. Has political and cultural satire dwindled over the century’s first two decades plus? Hardly. And supporting works (essays and poetry) by Van Gross, MD dating back to the Bill Clinton Style impeachment period and post- Five Books works in pre-print that include the pre-teens to mid teen years constituting the sacred Obama period of carefully manufactured total boredom followed by the culminating late teen epoch of Donald Trump which featured our polarization insanity half decade 2016-2020 highlighted by Impeachments Gone Wild. If the country is not formally institutionalized in padded rooms by 2021, the roaring or throat clearing Jabiden ‘20’s should offer opportunities for millions to hop, skip and jump over to their local bookstore or online outlet for Five Books to buttress the smirk packed absurdity that has become the rule in the dawn of this third millennium since Christ sashayed over hills, dales and water staying vigilant for some upcoming Van Gross, MD masterpiece called the Jabiden Chronicles- Crash and Burn by ’29 or Bust, Seems Like Old Times
Shylock, the Jewish moneylender in The Merchant of Venice who famously demands a pound of flesh as security for a loan to his antisemitic tormentors, is one of Shakespeare's most complex and idiosyncratic characters. With his unsettling eloquence and his varying voices of protest, play, rage, and refusal, Shylock remains a source of perennial fa...
1997 to 2004 encompassed a very turbulent period for the United States and the world more generally. From the Clinton scandals, the lead up to the Millennium, the Great Loose Chad Presidential Election of 2000 to the planet riveting events of September 2001, there is plenty to pontificate about....and Van Gross, MD certainly does that. But he'll get personal, satirical, educational and wax poetic too. As the U.S. entered overseas wars in the early 2000's, its role in the Mid-East, its incipient reformulation of race relations and increasing attention paid to the Americas, only climate change and/or Al Gore would seem to be in the way of planetary chaos. Acknowledging a supporting cast of celebrities from politicians such as Bush and Fidel to performing artists that include Pete Rose and Mother Theresa, Van Gross, MD propels forward from the spectacular insights of Oliver Sacks. This neurologist/commentator wows in the brain/mind/body arenas as well. Short essays and poems pack this volume and even take us back in history to how we got there. Lock in your W's everyone. It's the Van Gross, MD "Who, What and Where Game" and as Sly Stone reminded us way back when "Everybody is a star.
Reawaken, you awoken wokesters and anti-leftist xenophobes, and get your new bible. The Five Books of Van Gross's focuses hearkens back to the "Middle Aughts" which is the period that included launching weather crusades, being a "birther" or talking nonsense at Townhall Meetings about "healthcare" (which is really medical care plus a gym membership, glasses and teeth cleaning); here was the mid-Decade of the Zeroes or the zeros, or zorro, the fox so cunning and free, that epoch from 2003-2007, in that Aughts Decade, that Would've, Could've, Should've Oughts Decade, or as some have called it, That Aughtistic Period (or at least an ADD case) demanding an explanation, couched in brain/mind disturbances via satirical essays. This five-volume set containing nearly 500 humor essays opens with They Shoot Lesbians Don't They? covering most of 2004, followed by Deep Tricksters-From the Felt Man to the Veep Man-November 2004 to June 2005, the executive branch hunting related extravaganza Duck, It's Dick.. Not me Dick, the Duck, June 2005- March 2006 and is followed by Van Gross Misconduct February 2006 to August 2006 and finally Van Maniac September 2006- March 2007. The urgency for this historic volume draws from where we were in the lead up to where we are. Has political and cultural satire dwindled over the century's first two decades plus? Hardly. And supporting works (essays and poetry) by Van Gross, MD dating back to the Bill Clinton Style impeachment period and post- Five Books works in pre-print that include the pre-teens to mid teen years constituting the sacred Obama period of carefully manufactured total boredom followed by the culminating late teen epoch of Donald Trump which featured our polarization insanity half decade 2016-2020 highlighted by Impeachments Gone Wild. If the country is not formally institutionalized in padded rooms by 2021, the roaring or throat clearing Jabiden '20's should offer opportunities for millions to hop, skip and jump over to their local bookstore or online outlet for Five Books to buttress the smirk packed absurdity that has become the rule in the dawn of this third millennium since Christ sashayed over hills, dales and water staying vigilant for some upcoming Van Gross, MD masterpiece called the Jabiden Chronicles- Crash and Burn by '29 or Bust, Seems Like Old Times
Human existence in the last 10 years has featured absurd events. Perhaps that is why this decade will be known as the millennial double zero period as it included such a variety of bizarre happenings that only insanity was safe.The neurologist-writer in charge of understanding the brain in this epoch must extract appropriate evidence for this brainless if not mindless period via essay collections such as this one. In so doing, Neurosatire/NeuroAbsurdia is hatched under the direction of Van Gross, MD. Sometimes understood as post-rationalism, absurd thought can also be linked to the psychotic. In that psychosis is of interest to neurologists as an entity making believe it is part of neurology, it would seem appropriate to welcome post-rationalism, psychosis and the absurd under the neurological roof, while in the spirit of neurology, expound on the phenomenology via satire and a literary theatre of the absurd. Many also insist "The Aughts" bypassed true existence in that those years were so bereft of meaning and purpose. People suffered great trauma from late 2000-late 2010 but under the banner of absurdity, many believe there should be some mitigation of same nightmare since "we're all out of our minds anyway" whether recovering from impeachment madness, examining loose chads to decide presidential elections, murdering innocents to access celestial virgins, starting weather crusades, being a "birther", talking nonsense at Townhall Meetings on healthcare, or quasi-justifying an earthquake as religious retribution, the Decade of the Zeroes or the zeros, or zorro, the fox so cunning and free, that epoch from 2000-2010, that "Aughts" Decade, that Would've, Could've, Should've Oughts Decade, or as some have called it, That Aughtistic Period (or at least an ADD case) demands an explanation, indeed a neuropsychiatric elucidation or some kind of testimonial if not a humor packed roast in print. Hence, the emergence of Van Gross, MD, satirist and local riff raff.
Gross explores our complex fascination with uncanny children in works of fiction. Ranging from Victorian to modern works—Lewis Carroll’s Alice in Wonderland, Carlo Collodi’s Pinocchio, Henry James’s What Maisie Knew, J. M. Barrie’s Peter and Wendy, Franz Kafka’s “The Cares of a Family Man,” Richard Hughes’s A High Wind in Jamaica, Elizabeth Bowen’s The Death of the Heart, and Vladimir Nabokov’s Lolita—Kenneth Gross’s book delves into stories that center around the figure of a strange and dangerous child. Whether written for adults or child readers, or both at once, these stories all show us odd, even frightening visions of innocence. We see these children’s uncanny powers of speech, knowledge, and play, as well as their nonsense and violence. And, in the tales, these child-lives keep changing shape. These are children who are often endangered as much as dangerous, haunted as well as haunting. They speak for lost and unknown childhoods. In looking at these narratives, Gross traces the reader’s thrill of companionship with these unpredictable, often solitary creatures—children curious about the adult world, who while not accommodating its rules, fall into ever more troubling conversations with adult fears and desires. This book asks how such imaginary children, objects of wonder, challenge our ways of seeing the world, our measures of innocence and experience, and our understanding of time and memory.
Whether running into other countries or running for their lives across the spectrum of time, these three characters are subversive and totally unpredictable. Join them on their opening adventure! "Great fun, Kenneth Bruce Van Gross!!" - Al Einstein
The puppet creates delight and fear. It may evoke the innocent play of childhood, or become a tool of ritual magic, able to negotiate with ghosts and gods. Puppets can be creepy things, secretive, inanimate while also full of spirit, alive with gesture and voice. In this eloquent book, Kenneth Gross contemplates the fascination of these unsettling objects—objects that are also actors and images of life. The poetry of the puppet is central here, whether in its blunt grotesquery or symbolic simplicity, and always in its talent for metamorphosis. On a meditative journey to seek the idiosyncratic shapes of puppets on stage, Gross looks at the anarchic Punch and Judy show, the sacred shadow theater of Bali, and experimental theaters in Europe and the United States, where puppets enact everything from Baroque opera and Shakespearean tragedy to Beckettian farce. Throughout, he interweaves accounts of the myriad faces of the puppet in literature—Collodi’s cruel, wooden Pinocchio, puppetlike characters in Kafka and Dickens, Rilke’s puppet-angels, the dark puppeteering of Philip Roth’s Micky Sabbath—as well as in the work of artists Joseph Cornell and Paul Klee. The puppet emerges here as a hungry creature, seducer and destroyer, demon and clown. It is a test of our experience of things, of the human and inhuman. A book about reseeing what we know, or what we think we know, Puppet evokes the startling power of puppets as mirrors of the uncanny in life and art.
1997 to 2004 encompassed a very turbulent period for the United States and the world more generally. From the Clinton scandals, the lead up to the Millennium, the Great Loose Chad Presidential Election of 2000 to the planet riveting events of September 2001, there is plenty to pontificate about....and Van Gross, MD certainly does that. But he'll get personal, satirical, educational and wax poetic too. As the U.S. entered overseas wars in the early 2000's, its role in the Mid-East, its incipient reformulation of race relations and increasing attention paid to the Americas, only climate change and/or Al Gore would seem to be in the way of planetary chaos. Acknowledging a supporting cast of celebrities from politicians such as Bush and Fidel to performing artists that include Pete Rose and Mother Theresa, Van Gross, MD propels forward from the spectacular insights of Oliver Sacks. This neurologist/commentator wows in the brain/mind/body arenas as well. Short essays and poems pack this volume and even take us back in history to how we got there. Lock in your W's everyone. It's the Van Gross, MD "Who, What and Where Game" and as Sly Stone reminded us way back when "Everybody is a star.
Atlas of Clinical Gross Anatomy uses over 500 incredibly well-executed and superb dissection photos and illustrations to guide you through all the key structures you'll need to learn in your gross anatomy course. This medical textbook helps you master essential surface, gross, and radiologic anatomy concepts through high-quality photos, digital enhancements, and concise text introductions throughout. Get a clear understanding of surface, gross, and radiologic anatomy with a resource that's great for use before, during, and after lab work, in preparation for examinations, and later on as a primer for clinical work. Learn as intuitively as possible with large, full-page photos for effortless comprehension. No more confusion and peering at small, closely cropped pictures! Easily distinguish highlighted structures from the background in each dissection with the aid of digitally color-enhanced images. See structures the way they present in the anatomy lab with specially commissioned dissections, all done using freshly dissected cadavers prepared using low-alcohol fixative. Bridge the gap between gross anatomy and clinical practice with clinical correlations throughout. Master anatomy efficiently with one text covering all you need to know, from surface to radiologic anatomy, that's ideal for shortened anatomy courses. Review key structures quickly thanks to detailed dissection headings and unique icon navigation. Access the full text and self assessment questions at studentconsult.com.
This volume represents a collection of essays and other writings from 2008-2015. It formally introduces what must be labeled Van Dalismo, fusing the creative genius of Van Gogh, Los Van Van and Salvador Dali into words (or otherwise just stealing their ideas). Van Gross, MD is the male Sojourner Truth. Whether in Philly, Chile, Cuba or Haiti, whether pondering consciousness, medicine, Jews, Muslims, Blacks, Whites, World Affairs, the Western Hemisphere or some boulevard in Miami, Van Dalismo takes you there and back.
Kanban Made Simple is the first simple "how-to" guide for incorporating the just-in-time ingenuity of the Kanban system into any manufacturing environment. From the Japanese word for "visual record", the technique dictates that suppliers deliver parts to the warehouse only as they are needed, reducing storage in the production area. Using before-and-after case studies, this easy-to-follow guide contains information on establishing project goals, forming a Kanban team, and designing the process.
Since the Primal Neuroanthropology of Sports hypothesis was born some twenty years ago, Neuroanthropology in general has evolved as a critical field in appreciating the human condition. So the 2019 question of sports as a neuroanthropological entity has taken on new dimensions. In what way does it attest to our evolution in this highly complex world of games and sports? I would maintain we "hearken back" in some of the behaviors and automatic movements noted in sports. This indeed may have neuroanthropological signatures in our neuroanatomy, neurophysiology and neurochemistry. However, it has been our supremely developed cerebral cortices that constructed sports' forerunners and sports themselves with the implicit utilization of natural movements, postures, tendencies and habits. At the same time, sports reflects neogenesis and neurodegeneration. It is the task of this volume to introduce some of that ideation which will hopefully allow for a great expansion of this athletic "field of dreams" we have integrated into human society as if it is air or sunlight.
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