Kenneth Clark's sweeping narrative looks at how Western Europe evolved in the wake of the collapse of the Roman Empire, to produce the ideas, books, buildings, works of art and great individuals that make up our civilisation. The author takes us from Iona in the ninth century to France in the twelfth, from Florence to Urbino, from Germany to Rome, England, Holland and America. Against these historical backgrounds he sketches an extraordinary cast of characters -- the men and women who gave new energy to civilisation and expanded our understanding of the world and of ourselves. He also highlights the works of genius they produced -- in architecture, sculpture and painting, in philosophy, poetry and music, and in science and engineering, from Raphael's School of Athens to the bridges of Brunel.
Analyzes racial prejudice and its impact on white as well as black children, and provides wise counsel and a plan for action that is as fresh—and as necessary—as when the book was first written.
This book presents a series of insightful discussions centered around the concept of identity as the key to understanding how racial minorities define reality, experience changes in racial consciousness, and perceive themselves and the world around them. This volume brings together many influential thinkers, writers, scholars, and researchers who tell a story that is deeply embedded in American society and still unfolding. The chapters are concise, well written, and presented in a sequence that captures the power and vision of Clark's testimony, rationale, methodology, and subsequent discoveries, which have altered the landscape of psychology. This volume is a must read for laypeople, students and professionals from a range of disciplines including psychology, social work, law, theology, ethics, sociology, and American history who will be impressed by the power and scope of the deeply probing analyses. This volume examines the continuing reality of racism but takes us beyond conceptions of "damage" to illuminate the strengths and resilience of African American culture. In a fitting tribute to Kenneth B. Clark, the contributors treat the cultural and historical context of racial identity as essential for a psychological analysis"--Jacket. (PsycINFO Database Record (c) 2005 APA, all rights reserved)
Kenneth Clark's sweeping narrative looks at how Western Europe evolved in the wake of the collapse of the Roman Empire, to produce the ideas, books, buildings, works of art and great individuals that make up our civilisation. The author takes us from Iona in the ninth century to France in the twelfth, from Florence to Urbino, from Germany to Rome, England, Holland and America. Against these historical backgrounds he sketches an extraordinary cast of characters -- the men and women who gave new energy to civilisation and expanded our understanding of the world and of ourselves. He also highlights the works of genius they produced -- in architecture, sculpture and painting, in philosophy, poetry and music, and in science and engineering, from Raphael's School of Athens to the bridges of Brunel.
From the art of the Greeks to that of Renoir and Moore, this work surveys the ever-changing fashions in what has constituted the ideal nude as a basis of humanist form.
In this comprehensive guide to pottery Kenneth Clark explains with the help of practical and informative text together with step-by-step illustrations and examples of finished work the various aspects of pottery. These include techniques of wedge making, pinching, coiling, slab building, throwing, joining, moulding and turning. In addition Clark gives full details on techniques of decoration, tools and equipment, kilns and firing, glazes, pigments and stains finishing with a full glossary. He also suggests ways in which potters can extend their techniques of production to meet the needs of changing markets and conditions, whilst trying to keep a balance between the work of the artist innovator and the production potter or ceramicist.
Sir Kenneth Clark made his name as a scholar of Leonardo da Vinci by a Critical Catalogue of Leonardo’s drawings at Windsor Castle, published in 1935, which was recognized as establishing the subject on a firmer chronological basis. Four years later he produced this short book on Leonardo as an artist, which has been generally regarded as the clearest and sanest introduction to this great and controversial subject. This is the first book on Leonardo written after critics had reached general agreement as to which works were really by his own hand. It is also the first study of Leonardo to take advantage of our wider range of aesthetic experience and our fuller knowledge of psychology. Sir Kenneth writes ‘that all great art should be reinterpreted for each generation’, but although his interpretation of Leonardo is twenty years old, it remains valid today. He has written a fresh introduction which goes rather deeper than his previous conclusions, and for this edition has made extensive revisions to the text. “Your true critic must be doubly armed, with knowledge and intuition. Sir Kenneth Clark, armed with both to a remarkable degree, has written a book on Leonardo’s development as an artist which (I do not exaggerate) will set a new standard in art criticism in England.”—Sunday Times “It is so intelligent, so modest, so beautifully written and so wise.”—Harold Nicolson
100 Details offers Kenneth Clark's personal choice of details of paintings in the National Gallery, London, and his responses to them. Clark chooses the pictures he likes best, hoping that we will come to like them too. The result is like taking a stroll through a glorious art collection with a critic of astounding eye and intellect at our side. First published in 1938, the book is arranged in a series of facing page spreads, now reproduced in full color, enabling us to discern analogies and contrasts between painting that are rarely seen together--a faun from Piero di Cosimo, a satyr from Rubens. The running commentaries are Kenneth Clark at his best. They range from a few lines to an entire history of still life between Giotto and Picasso, all conveyed in easy style. Clark insists that there are countless ways of enjoying paintings, provided we stop, look, and think. He has picked the ones to stop at: the detail makes us look. And his comments, wide in scope and catholic in approach, suggest lines of thought so diverse that it is inconceivable that none will strike a chord with the reader.
Forgotten in the aftermath of war are those who serve in less high profile combat support positions. No less important nor less in harm's way, these civilian warriors served directly alongside their military brothers and sisters. This book, based on the author's actual mission logs, gives a face and a voice to these "other sons and daughters.
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