In this sumptuous exploration of food images in European and American painting from the early Renaissance to the present, Kenneth Bendiner sees food painting as a separate classification of art with its own history.
This is the first comprehensive history devoted to the art of Ford Madox Brown (1821-93), in which his paintings establish him as a major figure in the most important new art movement of Victorian England, Pre-Raphaelitism. The book presents a new explanation of the development and basic aims of Pre-Raphaelite art as a whole and offers a revealing discussion of the power and importance of the humor and negative spirit that run throughout Brown's work. It also ties Brown's realist approach to British decorative taste at midcentury and redefines his place in the Aesthetic Movement, a cultural trend that dominated the latter half of the nineteenth century. In addition, the artist's socialist leanings and nationalistic tendencies, expressed in depictions of workers, children, women, and religious scenes, are set out more fully than in any previous literature on the artist.
In this sumptuous exploration of food images in European and American painting from the early Renaissance to the present, Kenneth Bendiner sees food painting as a separate classification of art with its own history.
This is the first comprehensive history devoted to the art of Ford Madox Brown (1821-93), in which his paintings establish him as a major figure in the most important new art movement of Victorian England, Pre-Raphaelitism. The book presents a new explanation of the development and basic aims of Pre-Raphaelite art as a whole and offers a revealing discussion of the power and importance of the humor and negative spirit that run throughout Brown's work. It also ties Brown's realist approach to British decorative taste at midcentury and redefines his place in the Aesthetic Movement, a cultural trend that dominated the latter half of the nineteenth century. In addition, the artist's socialist leanings and nationalistic tendencies, expressed in depictions of workers, children, women, and religious scenes, are set out more fully than in any previous literature on the artist.
Covering the entire period from the colonial era to the late twentieth century, this book is the first scholarly history of the homeless in America. Drawing on sources that include records of charitable organizations, sociological studies, and numerous memoirs of formerly homeless persons, Kusmer demonstrates that the homeless have been a significant presence on the American scene for over two hundred years. He probes the history of homelessness from a variety of angles, showing why people become homeless; how charities and public authorities dealt with this social problem; and the diverse ways in which different class, ethnic, and racial groups perceived and responded to homelessness. Kusmer demonstrates that, despite the common perception of the homeless as a deviant group, they have always had much in common with the average American. Focusing on the millions who suffered downward mobility, Down and Out, On the Road provides a unique view of the evolution of American society and raises disturbing questions about the repeated failure to face and solve the problem of homelessness.
It is always appropriate to ask whether an expedient foreign policy is morally justifiable, just as it is always appropriate to ask whether a morally defensible policy is consistent with the national interest. The ongoing dialogue between morality and realpolitik gives much of foreign policy debate its characteristic bite. In this collection of essays, a distinguished group of philosophers, political theorists, and lawyers– including Russell Hardin and Marshall Cohen–explore these contrasting themes. In essays that are at once insightful and accessible, noted political thinkers examine the tension of the conflicting demands of morality and national self-interest in the context of the foundations of international order, the possession and use of nuclear weapons, recourse to war, and the prospects for peace. A final postscript addresses the question of the responsibility of intellectuals in the national foreign policy debate. This book will appeal to scholars and students in any discipline dealing with international affairs as well as to lay readers who wish to explore the implications of taking morality and reason seriously in foreign policy.
Acclaimed artist Kenneth Goldsmith’s thousand-page homage to New York City Here is a kaleidoscopic assemblage and poetic history of New York: an unparalleled and original homage to the city, composed entirely of quotations. Drawn from a huge array of sources—histories, memoirs, newspaper articles, novels, government documents, emails—and organized into interpretive categories that reveal the philosophical architecture of the city, Capital is the ne plus ultra of books on the ultimate megalopolis. It is also a book of experimental literature that transposes Walter Benjamin’s unfinished magnum opus of literary montage on the modern city, The Arcades Project, from nineteenth-century Paris to twentieth-century New York, bringing the streets and its inhabitants to life in categories such as “Sex,” “Central Park,” “Commodity,” “Loneliness,” “Gentrification,” “Advertising,” and “Mapplethorpe.” Capital is a book designed to fascinate and to fail—for can a megalopolis truly ever be captured in words? Can a history, no matter how extensive, ever be comprehensive? Each reading of this book, and of New York, is a unique and impossible project.
Written for high school or beginning undergraduate students, this four-volume reference valiantly attempts to provide a historical framework for the perhaps overly broad concept of world trade. Entry topics were selected on trade organizations, influential people, commodities, events that affected trade, trade routes, navigation, religion, communic
Why some Americans built fallout shelters—an exploration America's Cold War experience For the half-century duration of the Cold War, the fallout shelter was a curiously American preoccupation. Triggered in 1961 by a hawkish speech by John F. Kennedy, the fallout shelter controversy—"to dig or not to dig," as Business Week put it at the time—forced many Americans to grapple with deeply disturbing dilemmas that went to the very heart of their self-image about what it meant to be an American, an upstanding citizen, and a moral human being. Given the much-touted nuclear threat throughout the 1960s and the fact that 4 out of 5 Americans expressed a preference for nuclear war over living under communism, what's perhaps most striking is how few American actually built backyard shelters. Tracing the ways in which the fallout shelter became an icon of popular culture, Kenneth D. Rose also investigates the troubling issues the shelters raised: Would a post-war world even be worth living in? Would shelter construction send the Soviets a message of national resolve, or rather encourage political and military leaders to think in terms of a "winnable" war? Investigating the role of schools, television, government bureaucracies, civil defense, and literature, and rich in fascinating detail—including a detailed tour of the vast fallout shelter in Greenbriar, Virginia, built to harbor the entire United States Congress in the event of nuclear armageddon—One Nation, Underground goes to the very heart of America's Cold War experience.
Beer, biers, and more beer . . . the name Forest Park will usually evoke images of taverns or cemeteries. While both have played an important role in the prosperity and growth of the community, there is so much more to this community once known as Harlem. Originally the site of a Potawatomi Indian village and burial ground, the town has also been home to an amusement park, a torpedo factory, a golf course, a racetrack, and a baseball stadium. The blue-collar sibling to neighbors Oak Park and River Forest has weathered many changes. Prohibition during the 1920s saw the closure of 39 taverns. The building of the Congress Expressway in the 1950s forced the relocation of over 3,500 graves, dozens of homes and businesses, destroyed landmarks, and severed the town. Through it all, Forest Park has persevered, though much of its past has disappeared.
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