Since it was first published in 1989, Men of the Battle of Britain has become a standard reference book for academics and researchers interested in the Battle of Britain. Copies are also owned by many with purely an armchair interest in the events of 1940.The book records the service details of the airmen who took part in the Battle of Britain in considerable detail. Where known, postings and their dates are included, as well as promotions, decorations and successes claimed flying against the enemy. There is also much personal detail, often including dates and places of birth, civilian occupations, dates of death and place of burial or, for those with no known grave, place of commemoration. There are many wartime head-and-shoulders photographs. Inevitably the high achievers who survived tend to have the longest entries, but those who were killed very quickly, sometimes even on their first sortie, are given equal status.The 2015 third edition will include new names and corrected spellings, as well as many new photographs. Plenty of the entries have been extended with freshly acquired information. The stated nationalities of some of the airmen have been re-examined and, for example, one man always considered to be Australian is now known to have been Irish.
This book is an historical survey of some important theories of literary criticism, which is designed to introduce more advanced students of English and other European literature to the nature and origin of these theories and ultimately to help them clarify their own attitudes to literature. Professor Ruthven's approach is to bring together and analyse examples of the way in which major writers and critics have dealt with the critical issues raised by different kinds of writing. He emphasizes throughout the variety of critical stances taken at different times in response to the challenge posed by highly original works and he draws on a large number of instances from all the major periods of English literature. The examination of the historical material presented here should encourage students of English, as well as other modern European literatures, to recognise and re-appraise their own critical assumptions.
This comprehensive account of the writing life of Henry James aims at providing a critical overview of all his important writings, firmly set in two contexts: that of James's practical career as a novelist in America, England, and Europe; and that of the literary and intellectual climate of his time. By tracing the complex development of his career under such headings as 'American and Romantic', 'Victorian and Realist', 'Crisis and Experiment' and 'Master and Modernist', it gives a dynamic portrait, both factual and interpretative, of one of the greatest and most prolific novelists in the language, whose many-sided career began in the time of Thackeray and Dickens, and ended by ushering in the writings of Joyce and Woolf.
Poetry. FIDGET is Kenneth Goldsmith's transcription of every movement made by his body in a period of thirteen hours. Originally commissioned by the Whitney Museum of American Art as a collaboration with vocalist Theo Bleckmann, FIDGET attempts to reduce the body to a catalog of mechanical movements by a strict art of observation. The stress of this rigorous exercise creates a condition of shifting reference points and multiple levels of observation that inevitably undermines the author's objective approach, and the trajectory of the work begins to change. Kenneth Goldsmith is also a visual poet and music critic.
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