This is another book in the field of self-help for women! How could that possibly be worth writing or publishing? The shelves of bookstores and local libraries are full of titles. Amazons lists seem endless. Yet Ericas Blog proudly proclaims that its different and it has a proven track record with individual readers, as a text for group therapy or as an addition to individual therapy. Readers criticize self-help books for reading too much like textbooks with too many pages devoted to analyzing and defining problems. They also complain they feel talked down to by authors who offer simplistic suggestions. Ericas Blog avoids these pitfalls, presenting respected clinical approaches in a unique fictionalized format. Readers get acquainted with Erica through her blog and, as the book progresses, find themselves identifying with her. They can gain validation, comfort, and hopefully, even courage as they observe Erica struggling withand profiting fromthe various tools in her tool kit. The unique fictional package combining honesty and humor with serious and time-honored clinical tools makes this book a page-turner for the reader.
American composer Louise Talma (1906-1996) was the first female winner of two back-to-back Guggenheim Awards (1946, 1947), the first American woman to have an opera premiered in Europe (1962), the first female winner of the Sibelius Award for Composition (1963), and the first woman composer elected to the American Academy and Institute of Arts and Letters (1974). This book analyses Talma’s works in the context of her life, focusing on the effects on her work of two major changes she made during her adult life: her conversion to Catholicism as an adult, under the guidance of Nadia Boulanger, and her adoption of serial compositional techniques. Employing approaches from traditional musical analysis, feminist and queer musicology, and women’s autobiographical theory to examine Talma’s body of works, comprising some eighty pieces, this is the first full-length study of this pioneering composer. Exploring Talma’s compositional language, text-setting practices, and the incorporation of autobiographical elements into her works using her own letters, sketches, and scores, as well as a number of other relevant documents, this book positions Talma’s contributions to serial and atonal music in the United States, considers her role as a woman composer during the twentieth century, and evaluates the legacy of her works and career in American music.
Letha Dawson Scanzoni changed the landscape of American evangelicalism through her groundbreaking work on the gospel-based intersection of gender and LGBTQ justice. She coauthored two of the first books that support women's equality and LGBTQ rights with the Bible: All We're Meant to Be and Is the Homosexual My Neighbor? In all her work Scanzoni applies the liberating message of Jesus to women and to people who have been marginalized by church and society because of sexual orientation. Building Bridges combines an exploration of the life and work of Letha Dawson Scanzoni with stories of people she continues to empower through her writing and the Evangelical & Ecumenical Women's Caucus - Christian Feminism Today, an organization she cofounded. This book illustrates her growing influence as she continues her prophetic collaboration with new generations. In addition, it provides resources for churches as they build bridges for their ministries of liberation, justice, and peace.
The Kecak is one of the most well-known dramatic dance performance practices on Bali. It is based on stories from the Old-Indian epic Ramayana, performed by an ensemble of male and female solo dancers and accompanied by a group consisting of approximately 100 men, who function both as musical accompaniment and living scenery that can be flexibly choreographed. Since its genesis in the 1930s the Kecak has been almost solely performed in a tourist context. This book gives a thorough analysis and description of the Kecak in its present form and explores how the Kecak became and stayed a tourist genre for more than 80 years. The book is divided into two parts. The first part focuses on the Kecak in its present form, including musical, choreographic, and dramatic elements. The connection between cultural tourism on Bali and Kecak performance practice is analyzed in detail, including the dependency between tourism professionals and artists and ways of promoting the kecak. Tourists' perspectives on the Kecak are addressed separately. The second part deals with the genesis and development of the Kecak from the 1930s onward"--
This is another book in the field of self-help for women! How could that possibly be worth writing or publishing? The shelves of bookstores and local libraries are full of titles. Amazons lists seem endless. Yet Ericas Blog proudly proclaims that its different and it has a proven track record with individual readers, as a text for group therapy or as an addition to individual therapy. Readers criticize self-help books for reading too much like textbooks with too many pages devoted to analyzing and defining problems. They also complain they feel talked down to by authors who offer simplistic suggestions. Ericas Blog avoids these pitfalls, presenting respected clinical approaches in a unique fictionalized format. Readers get acquainted with Erica through her blog and, as the book progresses, find themselves identifying with her. They can gain validation, comfort, and hopefully, even courage as they observe Erica struggling withand profiting fromthe various tools in her tool kit. The unique fictional package combining honesty and humor with serious and time-honored clinical tools makes this book a page-turner for the reader.
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