Set in Mayfair, West London, Truth Will Find a Way finds a group of friends whose private lives are as unconventional as those of the Bloomsbury Set. The group’s lynchpin, Lady Monica Montford, runs the Gayton Art Gallery, a central meeting place for the friends when they visit the capital. The interweaving of their personal relationships is as complex as a game of chess; will they all remain on good terms?
Brimming with fascinating and fun facts about 100 scientific breakthroughs, this collection presents the real stories behind the history of science, at the same time offering a panoramic overview of the history of science and an introduction to some of the most important scientists in history. Grades 6 and up. Throughout history, science has changed lives and dramatically altered the way in which the universe is perceived. Focusing on the 100 most significant scientific events of all time—from Archimedes' discovery of the two fundamental principles underlying physics and engineering (levers and buoyancy) in 260 B.C.E. to human anatomy, Jupiter's moons, electrons, black holes, the human genome, and more—storyteller Kendall Haven has created a ready reference for those seeking information on science discoveries.
Itineraries in French Renaissance Literature brings together a full score of essays by established and rising American-based scholars of the early modern. Arranged according to five themes or genres: Tales and their Tellers, Poets and Poetry, Religious Controversy, Montaigne, and Knowledge Networks, they offer both fresh perspectives on canonical authors such as Marguerite de Navarre, Rabelais, Montaigne, Marot, Labé, and Hélisenne de Crenne, as well as original interpretations of less familiar works of sixteenth-century moment: confessional polemics, emblems, cartography, geomancy, epigraphy, bibliophilism and even ichthyology. Inspired by and gathered together here to honor the eclectic career of Mary B. McKinley, this anthology integrates many of the most pertinent topics and contemporary approaches of early modern French scholarly inquiry. Contributors are: Pascale Barthe, Leah L. Chang, Edwin M. Duval, Gary Ferguson, George Hoffmann, Robert J. Hudson, Karen Simroth James, Scott D. Juall, Virginia Krause, Kathleen Long, Stephen Murphy, Corinne Noirot, Jeff Persels, Bernd Renner, Nicolas Russell, Nicholas Shangler, Cynthia Skenazi, Kendall Tarte, Cara Welch, and Cathy Yandell.
Provides the background, tools, and models required to understand organic synthesis and plan chemical reactions more efficiently Knowledge of physical chemistry is essential for achieving successful chemical reactions in organic chemistry. Chemists must be competent in a range of areas to understand organic synthesis. Organic Chemistry provides the methods, models, and tools necessary to fully comprehend organic reactions. Written by two internationally recognized experts in the field, this much-needed textbook fills a gap in current literature on physical organic chemistry. Rigorous yet straightforward chapters first examine chemical equilibria, thermodynamics, reaction rates and mechanisms, and molecular orbital theory, providing readers with a strong foundation in physical organic chemistry. Subsequent chapters demonstrate various reactions involving organic, organometallic, and biochemical reactants and catalysts. Throughout the text, numerous questions and exercises, over 800 in total, help readers strengthen their comprehension of the subject and highlight key points of learning. The companion Organic Chemistry Workbook contains complete references and answers to every question in this text. A much-needed resource for students and working chemists alike, this text: -Presents models that establish if a reaction is possible, estimate how long it will take, and determine its properties -Describes reactions with broad practical value in synthesis and biology, such as C-C-coupling reactions, pericyclic reactions, and catalytic reactions -Enables readers to plan chemical reactions more efficiently -Features clear illustrations, figures, and tables -With a Foreword by Nobel Prize Laureate Robert H. Grubbs Organic Chemistry: Theory, Reactivity, and Mechanisms in Modern Synthesis is an ideal textbook for students and instructors of chemistry, and a valuable work of reference for organic chemists, physical chemists, and chemical engineers.
Examines the life and writings of Henry James including detailed synopses of his works, explanations of literary terms, biographies of friends and family, and social and historical influences.
In Childhood Disorders, Philip C. Kendall provides an up-to-date summary of the current information about the psychological disorders of childhood - their causes, nature and course - together with discussion and evaluation of the major models that guide psychological thinking about the disorders. Drawing on the research literature and case studies from his own clinical work, Kendall describes each of the major childhood disorders. He goes on to give a detailed consideration of the criteria used to make the diagnoses, a presentation of the latest research findings on the nature of the disorder, and an overview of the methods used and evaluations conducted for the treatment of the disorders. Throughout, the range of normal behavioural variations is set as the backdrop against which to make judgements about psychological disorders, and the role of the family in the onset and course of psychological difficulties is explored. Within the coverage of the treatments of childhood disorders, emphasis is placed upon those treatments that have been empirically evaluated and found to be effective in producing beneficial change for the children. In the end, a series of provocative questions are raised and the reader is asked to recognise and think about the personal and social implications of the decisions that we make regarding how we deal with the disorders of childhood. Childhood Disorders will provide an accessible, up-to-date introduction to the field for both students and professionals alike.
This provocative text considers the state of media and cultural studies today after the demolition of the traditional media paradigm, and engages with the new, active consumer culture. Media Studies, particularly within schools, has until recently been concerned with mass media and the effects of ‘the media’ in society and on people. As new media technology has blurred the boundaries between the audience and the media, the status of this area of education is threatened. Whilst some have called for a drastic re-think (Media Studies 2.0), others have called for caution, arguing that the power dynamics of ownership and gatekeeping are left intact. This book uses cultural and technological change as a context for a more forensic exploration of the traditional dependence on the idea of ‘the media’ as one homogenous unit. It suggests that it would be liberating for students, teachers and academics to depart from such a model and shift the focus to people and how they create culture in this contemporary ‘mediascape’.
The Handbook of Research of Catholic Higher Education provides an important and timely overview for scholars and students interested in understanding this important sector of private higher education. More importantly, it is an important resource for those faculty, staff, and administrators interested in shaping the distinctiveness of Catholic colleges and universities. The Handbook provides chapters presenting a thematic overview of a particular element of Catholic higher education and in addition provides an extensive bibliography resource of further reading. While some of the chapters will appeal to those with specialized interests, e.g. legal affairs, finance, and community relations, the chapters on mission and religious identity, history, and the documents on Catholic higher education provide an important perspective on the challenges facing Catholic higher education and should be read by everyone involved in Catholic colleges and universities. The Handbook of Research of Catholic Higher Education is an important resource for understanding and shaping the distinctiveness of Catholic higher education.
The Music of the Spheres in the Western Imagination describes various systematic musical ecologies of the cosmos by examining attempts over time to define Western theoretical musical systems, whether practical, human, nonhuman, or celestial. This book focuses on the theoretical, theological, philosophical, physical, and mathematical concepts of a cosmic musical order and how these concepts have changed in order to fit different worldviews through the imaginations of theologians, theorists, and authors of fiction, as well as the practical performance of music. Special attention is given to music theory treatises between the ninth and sixteenth centuries, English-language hymnody from the eighteenth century to the present, polemical works on music and worship from the last hundred years, the Divine Comedy of Dante, nineteenth- and twentieth-century English-language fiction, the fictional works of C. S. Lewis, and the legendarium of J. R. R. Tolkien.
Every president has had some experience as a parent. Of the 43 men who have served in the nation's highest office, 38 have fathered biological children and the other five adopted children. Each president's parenting style reveals much about his beliefs as well as his psychological make-up. James Garfield enjoyed jumping on the bed with his kids. FDR's children, on the other hand, had to make appointments to talk to him. In a lively narrative, based on research in archives around the country, Kendall shows presidential character in action. Readers will learn which type of parent might be best suited to leading the American people and, finally, how the fathering experiences of our presidents have forever changed the course of American history.
The Second World War is now recognized as a watershed for British poetry. The changes that arose were masked for some time by the enormous power and shock of the conflict itself, and by the restrictions on poetry publishing consequent on paper rationing and the general business of wartime. This anthology seeks to showcase not only the harrowingly beautiful poetry born from the conflict, but also the radical changes to style and form that came from the epoch and altered the face of British poetry. Featuring generous selections of famous poets, including Dylan Thomas, T. S. Eliot, and W. H. Auden, alongside works by civilians and soldiers, the collection offers a symphony of different voices, all connected in their shared experience of the Second World War. Tim Kendall's introduction charts the history of the war poets' reception, explaining their relationship with their First World War predecessors and some of the reasons why they have never managed to reach such a wide audience. The work of each poet is prefaced with a biographical account which allows poems to be read in their historical context, and every poem is annotated with date of composition, publication history, and a gloss of words and allusions.
In a sustained new reading of John Gower's major English poem, Confessio Amantis (1390-3), Elliot Kendall shows how deeply the great household shaped the way Gower and his contemporaries (including Chaucer, Clanvowe, chroniclers, and parliamentary petitioners) imagined their world.
Revisiting a televised narrative that focused not on the monster, but on the monster hunter. Before Buffy the Vampire Slayer or The X-Files, there was Carl Kolchak, a world-weary Chicago newspaper reporter with a cheap, seersucker suit and a penchant for uncovering monsters lurking in every corner. Kolchak first appeared on American screens in the 1972 ABC television movie The Night Stalker, which was then the most-watched television movie in history. The success of this initial offering led to a sequel, The Night Strangler, and a television series, Kolchak: The Night Stalker, that ran from 1974 until 1975. By carefully focusing on the historical and artistic contexts in which it emerged, Kendall R. Phillips offers insights into the way the series both reflected contemporary horror narratives and changed them. Ultimately, the series proved influential for later television horror shows based not only on what it did right but on the mistakes future creators would learn to avoid. The enduring impact of the series on current television horror continues to draw more and more individuals into its robust fanbase, and these fans continue to consume and create new narratives of their favorite monster-hunting reporter even fifty years after he first appeared.
Modernist literature might well be accused of going to the dogs. From the strays wandering the streets of Dublin in James Joyce’s Ulysses to the highbred canine subject of Virginia Woolf’s Flush, dogs populate a range of modernist texts. In many ways, the dog in the late nineteenth and early twentieth centuries became a potent symbol of the modern condition—facing, like the human species, the problem of adapting to modernizing forces that relentlessly outpaced it. Yet the dog in literary modernism does not function as a stand-in for the human. In this book, Karalyn Kendall-Morwick examines the human-dog relationship in modernist works by Virginia Woolf, Jack London, Albert Payson Terhune, J. R. Ackerley, and Samuel Beckett, among others. Drawing from the evolutionary theories of Charles Darwin and the scientific, literary, and philosophical work of Donna Haraway, Temple Grandin, and Carrie Rohman, she makes a case for the dog as a coevolutionary and coadapting partner of humans. As our coevolutionary partners, dogs destabilize the human: not the autonomous, self-transparent subject of Western humanism, the human is instead contingent, shaped by its material interactions with other species. By demonstrating how modernist representations of dogs ultimately mongrelize the human, this book reveals dogs’ status both as instigators of the crisis of the modern subject and as partners uniquely positioned to help humans adapt to the turbulent forces of modernization. Accessibly written and convincingly argued, this study shows how dogs challenge the autonomy of the human subject and the humanistic underpinnings of traditional literary forms. It will find favor with students and scholars of modernist literature and animal studies.
Since Europeans first settled along Jacksonvilles riverbanks in the 16th century, the area has been a diverse community that thrives not only on commerce, music, and the arts but also on the advantages of a subtropical climate and waterside lifestyle. The city grew up around a crossing point for cattle in the St. Johns River and first became known as Cowford. The Great Fire of 1901 left 10,000 people homeless but not defeated. The ashes gave birth to a new era with strong architecture and a new resolve. Considered a friendly town for African Americans, Jacksonville was home to Harlem Renaissance artists as well as civil rights leaders. A bit laid back, the city has still managed to be on the cutting edgeit was the home of the Navys Blue Angels as well as Southern rock and one of the countrys first skateboard parks.
The adventure begins with a rocky start; Krogstads flight instructor dies in an airplane crash. That realization seems to cast a residual shadow on Krogstads entire flying career. Through twenty years, more than ten thousand hours of flight, and more than a million miles of flying in extraordinary airplanessingle engines to jetson extraordinary missions, Krogstad experienced more close calls, near misses, and potential disastersas well as some calamitiesthan most pilots ever hear about. Krogstad has landed and taken off in every state in the continental US, and his Alaskan adventures are among the most diverse and exciting as any pilot could experience. Every flight project was uniquely challenging and often carried with it the risks borne of unproven techniques and equipment. The technicalities of the work, the equipment, and the flying environment were complex, and Krogstad clearly defines them as they contribute to the bizarre events that defined his flying experiences and career. The gradual loss of hearing clearly loomed as the eventual loss of Krogstads license to fly, but the actual end of his flying career was the devastating result of a personal disaster that haunted his being long after retiring from flying.
Movie audiences seem drawn, almost compelled, toward tales of the horrific and the repulsive. Partly because horror continues to evolve radically—every time the genre is deemed dead, it seems to come up with another twist—it has been one of the most often-dissected genres. Here, author Kendall Phillips selects ten of the most popular and influential horror films—including Dracula, Night of the Living Dead, Halloween, The Silence of the Lambs, and Scream, each of which has become a film landmark and spawned countless imitators, and all having implications that transcend their cinematic influence and achievement. By tracing the production history, contemporary audience response, and lasting cultural influence of each picture, Phillips offers a unique new approach to thinking about the popular attraction to horror films, and the ways in which they reflect both cultural and individual fears. Though stylistically and thematically very different, all of these movies have scared millions of eager moviegoers. This book tries to figure out why.
The author explores the role of journalism in Egypt in effecting and promoting the development of modern Arabic literature from its inception in the mid-nineteenth century to the present day. Remapping the literary scene in Egypt over recent decades, Kendall focuses on the independent, frequently dissident, journals that were the real hotbed of innovative literary activity and which made a lasting impact by propelling Arabic literature into the post-modern era.
Representations—in visual arts and in fiction—play an important part in our lives and culture. Kendall Walton presents here a theory of the nature of representation, which illuminates its many varieties and goes a long way toward explaining its importance. Drawing analogies to children’s make believe activities, Walton constructs a theory that addresses a broad range of issues: the distinction between fiction and nonfiction, how depiction differs from description, the notion of points of view in the arts, and what it means for one work to be more “realistic” than another. He explores the relation between appreciation and criticism, the character of emotional reactions to literary and visual representations, and what it means to be caught up emotionally in imaginary events. Walton’s theory also provides solutions to the thorny philosophical problems of the existence—or ontological standing—of fictitious beings, and the meaning of statements referring to them. And it leads to striking insights concerning imagination, dreams, nonliteral uses of language, and the status of legends and myths. Throughout Walton applies his theoretical perspective to particular cases; his analysis is illustrated by a rich array of examples drawn from literature, painting, sculpture, theater, and film. Mimesis as Make-Believe is important reading for everyone interested in the workings of representational art.
At the heart of any history of controversial films is a strange paradox: while films, especially popular and mainstream films, are often portrayed as meaningless products of popular culture, those popular films involved in public controversies become the focal point of enormous cultural energy, political attention, and profoundly conflicting sets of principles. The ongoing culture wars continue to shape the American political landscape, and controversial films continue to be a major point of conflict. Controversial Cinema: The Films that Outraged America traces the history of controversial films and offers insights into why it is that certain films spark controversies, and how Americans typically react to controversial moviemaking. Since the widespread banning of DW Griffith's The Birth of a Nation, the American film industry has found itself embroiled in one political controversy after another. These controversies have centered on everything from the portrayal of the past, as in Griffith's film, to depictions of sex and sexuality, to the use of graphic violence, and issues of race, religion, and politics. In turn, segments of the American public have been driven to boycott, picket, and even censor those films they felt challenged their sense of decency. At the heart of this history of controversial films is a strange paradox: while films, especially popular and mainstream films, are often portrayed as meaningless products of popular culture, popular films involved in public controversies become the focal point of enormous cultural energy and political attention. The ongoing culture wars thus continue to shape the American political landscape, and controversial films continue to be a major point of conflict. In the course of this wide-ranging work, Kendall Phillips offers insights into the kinds of films that spark controversies, and the ways that Americans typically react to them. Organized around broad controversial themes and with particular attention to mainstream films since the dissolution of the Motion Picture Production Code in the mid-1960s, Controversial Cinema explores why films spark broad cultural controversies, how these controversies play out, and the long-term results. The four broad areas of controversy examined in the work are: Sex and Sexuality, Violence, Race, and Religion. Each chapter offers a broad overview of the history of these topics in controversial American films as well as more in-depth examinations of recent examples, including The Silence of the Lambs, Natural Born Killers, Do the Right Thing, and The Passion of the Christ. A final section of the book considers the broader issues of cultural politics in light of the long history of controversial cinema.
New to the art recovery world, agent Gwen Davies takes on her very first “repo” assignment for Artemis, Inc.: restoring a solid gold, bejeweled Venetian mask to its rightful owner. But she’s mortified to learn that she’s stolen back a carefully engineered fake, and the disappointed client is a man she’d hoped to never see again. Quinn Lawson’s clean-cut corporate image belies his troubled, tattooed, bad-boy past. But when he’s held accountable for the missing mask, he’s forced to return to his shady ways and team up with Gwen in order to find the real one. Unfortunately the mask’s centuries-old curse is alive and well—and so is the stranger who’s prepared to kill for it. As their quest for the original mask takes Quinn and Gwen through the romantic, twisting canals of old Venice, danger forces them closer together than they ever expected to be—again.
From cartoons to boardrooms comes the statement, "It's not personal. It's just business." Just a Job? Communication, Ethics, and Professional Life offers a provocative perspective on ethics at work. The book questions the notions that doing ethics at work has to be work, and that work is somehow a sphere where a different set of rules applies. This problematic line between work and life runs through the ways we commonly talk about ethics, from our personal relationships to the domains of work, including the organization, the profession, and the market. Talk about ethics is far more than "just talk," and this book shows how and why it matters. Drawing from the fields of communication and rhetoric, the authors show how the very framing of ethics--even before we approach specific decisions--limits the potential roles of ethics in our work lives and the pursuit of happiness, and treats it as something that is meaningful only at special moments such as when faced with dilemmas, or as the last chapter in a business book. Separating ethics from life, we put it beyond our daily reach. The authors argue against ethical myopia limited to spectacular scandals or comprehensive professional codes. Instead, they propose a master reframe of ethics based on a new take on virtue ethics, including Aristotle's practical ideal of eudaimonia or flourishing, which tells new stories about the ordinary as well as extraordinary aspects of professional integrity and success. By reframing ethics as not special, they elevate it to its rightful position in work and personal life. Generously illustrated with examples and ideas from scholarly as well as popular sources, this book asks us to reconsider the meaning of and path toward the "good life.
The only introduction to cover the full spectrum of political systems, from democracy to dictatorship and the growing number of systems that fall between, equipping readers to think critically about democracy's future trajectory.
1784 Tax List, Guardians' Accounts 1794-1819 ; And, Caswell County, North Carolina, Will Books 1814-1843 : Guardians' Accounts 1819-1847, 1850 & 1860 Census Mortality Schedules, Powers of Attorney from Deed Books 1777-1880 : Two Volumes in One
1784 Tax List, Guardians' Accounts 1794-1819 ; And, Caswell County, North Carolina, Will Books 1814-1843 : Guardians' Accounts 1819-1847, 1850 & 1860 Census Mortality Schedules, Powers of Attorney from Deed Books 1777-1880 : Two Volumes in One
Following the Glorious Revolution, the supporters of the House of Stuart, known as Jacobites, could be found throughout the British Isles. The Scottish county of Angus, or Forfarshire, made a significant contribution to the Jacobite armies of 1715 and 1745. David Dobson has compiled a list of about 900 persons--including not only soldiers but also civilians who lent crucial support to the rebellion. Arranged alphabetically, the entries always give the full name of the Jacobite, his occupation, his rank, date of service and unit (if military), and, sometimes, the individual's date of birth, the names of his parents, a specific place of origin, and a wide range of destinations to which the Jacobites fled after each of the failed insurrections.
In this book, first published in 1992, the author examines the polemic fought by German Social-Democratic Party leaders and intellectuals Karl Kautsky and Eduard Bernstein against what they perceived to be misunderstandings of Marxism propagated by members of the Social-Democratic Federation (SDF) in England and by the socialist leader Wilhelm Liebknecht in Germany. The debate raised basic questions of socialist theory, including whether the program of Marx and Engels called for scholarly study, parliamentary democracy, and gradual social evolution, or for Utopian speculation, economic collapse, and violent rebellion.
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