Insatiable bloodlust, dangerous sexualities, the horror of the undead, uncharted Trannsylvanian wildernesses, and a morbid fascination with the `other': the legend of the vampire continues to haunt popular imagination. Reading the Vampire examines the vampire in all its various manifestations and cultural meanings. Ken Gelder investigates vampire narratives in literature and in film, from early vampire stories like Sheridan Le Fanu's `lesbian vampire' tale Carmilla and Bram Stoker's Dracula, the most famous vampire narrative of all, to contemporary American vampire blockbusters by Stephen King and others, the vampire chronicles of Anne Rice, `post-Ceausescu' vampire narratives, and films such as FW Murnau's Nosferatu and Bram Stoker's Dracula. Reading the Vampire embeds vampires in their cultural contexts, showing vampire narratives feeding off the anxieties and fascinations of their times: from the nineteenth century perils of tourism, issues of colonialism and national identity, and obsessions with sex and death, to the `queer' identity of the vampire or current vampiric metaphors for dangerous exchanges of bodily fluids and AIDS.
New Vampire Cinema lifts the coffin lid on forty contemporary vampire films, from 1992 to the present day, charting the evolution of a genre that is, rather like its subject, at once exhausted and vibrant, inauthentic and 'original', insubstantial and self-sustaining. Ken Gelder's fascinating study begins by looking at Francis Ford Coppola's Bram Stoker's Dracula and Fran Rubel Kuzui's Buffy the Vampire Slayer – films that seemed for a moment to take vampire cinema in completely opposite directions. New Vampire Cinema then examines what happened afterwards, across a remarkable range of reiterations of the vampire that take it far beyond its original Transylvanian setting: the suburbs of Sweden (Let the Right One In), the forests of North America (the Twilight films), New York City (Nadja, The Addiction), Mexico (Cronos, From Dusk Till Dawn), Japan (Blood: The Last Vampire,
Former soldier Ken Wharton witnessed the troubles in Northern Ireland first hand. Bloody Belfast is a fascinating oral history given a chilling insight into the killing grounds of Belfast's streets. Wharton's work is based on first hand accounts from the soldiers. The reader can walk the darkened, dangerous streets of the Lower Falls, the Divis Flats and New Lodge alongside the soldiers who braved the hate-filled mobs on the newer, but no less violent streets of the 'Murph, Turf Lodge and Andersonstown. The author has interviewed UDR soldier Glen Espie who survived being ambushed and shot by the IRA not once, but twice, and Army Dog Handler Dougie Durrant, who, through the incredible ability of his dog, tracked an IRA gunman fresh from the murder of a soldier to where he was sitting in a hot bath in the Turf Lodge, desperately trying to wash away the forensic evidence. Wharton's reputation for honesty established from previous works has encouraged more former soldiers of Britain's forgotten army to come forward to tell their stories of Bloody Belfast. The book continues the story of his previous work, presenting the truth about a conflict which has sometimes been deliberately underplayed by the Establishment.
In this book based on new interviews, some of country music's greatest stars share personal moments of redemption, inspiration, and heartache related to the music that shaped their lives. Brenda Lee explains how her childhood singing gift raised her entire family out of dire poverty, and Pat Boone speaks about the spiritual influence of his father-in-law, Red Foley. Barbara Pittman talks about her childhood friendship with Elvis Presley, while Little Jimmy Dickens divulges how Hank Williams came to write a song for him and why he never recorded it. Mickey Gilley talks about gladly living in, then gladly escaping, the shadow of his cousin Jerry Lee Lewis, and Hank Thompson reveals how his background in electrical engineering helped revolutionize country music. More stories from Glen Campbell, Don Williams, Johnny Legend, Chris Hillman, and many others explain the inspiration and effect of country music in their lives.
On 22 May 1941 the cruiser HMS Gloucester (The Fighting 'G') was sunk by aircraft of the Luftwaffe during the Battle of Crete. Of her crew of 807 men, only 83 survived to come home at the end of the War in 1945. It is unknown how many men went down with the ship and how many died in the sea clinging to rafts and flotsam during the many hours before the survivors were finally rescued by boats searching for German soldiers who were victims of a previous British naval attack. The fact that Allied destroyers were in the proximity and were not sent to the rescue was a result of poor naval communications and indecision by the local fleet commanders. Gloucester had been low on antiaircraft ammunition and her crew exhausted before being dispatched from the main fleet to search for the stricken destroyer HMS Greyhound. With only HMS Fiji as company, she came under attack from German bombers and when Gloucester's ammunition was finally exhausted she suffered several direct hits and was set ablaze from stem to stern and left out of control.This book looks at the ship's history and operational successes from her launching in 1937 to her final demise. It includes many firsthand accounts from the surviving crew and the author's painstaking research has revealed the awful truth about one of the Royal Navy's greatest disasters during World War Two.
Crossing the River with Dogs: Problem Solving for College Students, 3rd Edition promotes the philosophy that students learn best by working in groups and the skills required for real workplace problem solving are those skills of collaboration. The text aims to improve students’ writing, oral communication, and collaboration skills while teaching mathematical problem-solving strategies. Focusing entirely on problem solving and using issues relevant to college students for examples, the authors continue their approach of explaining classic as well as non-traditional strategies through dialogs among fictitious students. This text is appropriate for a problem solving, quantitative reasoning, liberal arts mathematics, mathematics for elementary teachers, or developmental mathematics course.
Prior to the outbreak of the Great War in 1914, the Castle Point District was made up of four very quaint, peaceful little parishes: Canvey Island, South Benfleet, Hadleigh and Thundersley. The initial enthusiasm shown by the young men of this area, who were enthusiastic to be part of an adventure that was to be ïover by ChristmasÍ, was mirrored by thousands of other courageous young men around Britain. Most understood that it was their sworn duty to stand up for their king and country. They didnÍt stop to think or even fully appreciate the hardship and fear they would leave behind on the home front. This book tells of the memories and recollections of some of these brave men who were fortunate enough to return home to their friends and families. For the ones who werenÍt so lucky, we hear from the people who endured the pain of a love lost forever more. Included throughout are a collection of invaluable wartime newspaper reports that recount daily life, telling of the sacrifices that those left behind had to endure whilst reading about the war dead, their numbers increasing on an almost daily basis. From the extraordinary role of women during the war, the conscientious objectors and those exempt from the fighting, to the aftermath of war when the district celebrated victory while dealing with the painful loss of 189 men, all aspects of wartime Castle Point are covered in this remarkable account, interspersed with a number of wartime poems that further explain in verse what life was like during these dark days.
The author of Bloody Belfast delivers “a vivid and unforgettable record” of the Northern Irish conflict that captures the “true horrors of war” (Best of British). There are stories from some of the most seminal moments during the troubles in Northern Ireland—the Crossmaglen firefights, the 1988 corporals killings, the Ballygawley bus bombing, and more—told from the perspective of the British soldiers who served there between 1969 and 1998. This was a war against terrorists who knew no mercy or compassion; a war involving sectarian hatred and violent death. Over 1,000 British lives were lost in a place just thirty minutes flying time away from the mainland. The British Army was sent into Northern Ireland on August 14, 1969, by the Wilson government as law and order had broken down and the population (mainly Catholics) and property were at grave risk. Between then and 1998, some 300,000 British troops served in Northern Ireland. This is their story—in their own words—from first to last. Receiving a remarkable amount of cooperation from Northern Ireland veterans eager to tell their story, the author has compiled a vivid and unforgettable record. Their experiences—sad and poignant, fearful and violent, courageous in the face of adversity, even downright hilarious—make for compelling reading. Their voices need to be heard. “One of the first and only books to offer the perspective of regular British soldiers serving in the Northern Irish conflict . . . a valuable addition to the extensive literature about the Irish Troubles.” —Choice
The British Army veteran and oral historian presents vivid firsthand accounts of soldiers on the frontlines of the Troubles in the early 1970s. This volume in Ken Wharton’s series of oral histories chronicling the conflict in Northern Ireland looks at the bloody period of 1973/4. As with all of Wharton’s books, it combines painstaking research with numerous contributions from British soldiers who were. The title refers to an IRA tactic of warning fellow Republicans when one of their gunmen was about to cause havoc. When British soldiers hear the words “Sir, they're taking the kids indoors”, they understood that violence was imminent. On the streets of Belfast or Londonberry, British soldiers had to be ready to face a deadly threat at any moment. By focusing exclusively on the 1973–74 period, This volume provides greater detail than hitherto possible about the British Army and their experience during this bloody and important period of the Troubles.
The short film is a unique narrative art form that, while lending itself to experimentation, requires tremendous discipline in following traditional filmic considerations. This book takes the student and novice screenwriter through the storytelling process- from conception, to visualization, to dramatization, to characterization and dialogue- and teaches them how to create a dramatic narrative that is at once short (approximately half an hour in length) and complete. Exercises, new examples of short screenplays, and an examination of various genres round out the discussion. NEW TO THE THIRD EDITION: new screenplays, a chapter on rewriting your script, and a chapter on the future of short films
In January 2003, Ken Jones, an adventurer and former British Special Forces soldier, was caught in a devastating avalanche as he climbed deep in the frozen wilderness of Romania's Carpathian Mountains. Swept over the edge of a 75-foot cliff, he plummeted to the rocks below. Against all odds, he survived the fall--regaining consciousness shrouded in darkness and sub-zero temperatures, separated from his supplies, and in excruciating pain from a broken leg and shattered pelvis. With frostbite and internal bleeding beginning to take their toll, Jones summoned his deepest will to live and began three agonizing days dragging himself over frozen terrain to safety--only to discover that his true ordeal was yet to begin. The doctors who initially treated him were astonished that any person could sustain such massive trauma and exposure and still be alive. Then, after an initial round of extensive surgeries and recoveries that equaled if not exceeded the pain of the injuries themselves, Jones was told he would almost certainly never walk again. Over the next two years he endured constant physical therapy and additional surgery, with latent effects from the fall still threatening his life. At one point, he slipped into unconsciousness under anesthesia just as he heard a doctor telling his mother he was going to die. But with a soldier's heart he made his way to recovery, regained full mobility, and has made his story known in this remarkable book. In the bestselling tradition of Into Thin Air and Touching the Void, Darkness Descending is a classic tale of triumph over adversity and what it means to never give up. Jones's remarkable feat has already been featured on Animal Planet's hit series I Shouldn't Be Alive, and stands tall as an unforgettable testament to the strength of the human spirit.
In this book the author takes a fresh look at horror film series as series and presents an understanding of how the genre thrived in this format for a large portion of its history. It sheds light on older films such as the Universal and the Hammer series films on Dracula, Frankenstein and the Mummy as well as putting more recent series into perspective, such as The Nightmare on Elm Street films. A well rounded review of these films and investigation into their success as a format, this useful volume, originally published in 1991, offers an attempt to understand the marriage of horror and the series film, with its pluses as well as minuses.
1972 was the bloodiest year of an already bloody conflict played out on the streets of Northern Ireland. Over twelve months the country was rocked by the atrocities of Bloody Friday and the Claudy bombing, civilian casualties mounted, and the soldiers of the British Army were caught between the factions. 169 servicemen died that year, their deaths unnoticed at home except by their loved ones, fighting a forgotten war on British soil. In The Bloodiest Year, Ken Wharton, a former soldier who did two tours of Northern Ireland, tells the story of the worst year of the Troubles through the accounts of the men who patrolled the streets of Belfast and Londonderry, who saw their comrades die and walked with death themselves. He examines almost every single death during that year, and names the men behind the violence, many of whom now hold high office in the country they tried so hard to break apart.
This encyclopedia lists, describes and cross-references everything to do with American opera: works (both operas and operettas), composers, librettists, singers, and source authors, along with relevant recordings. The approximately 1,750 entries range from ballad operas and composers of the 18th century to modern minimalists and video opera artists. Each opera entry consists of plot, history, premiere and cast, followed by a chronological listing of recordings, movies and videos.
In an era when government seems remote and difficult to approach, participatory democracy may seem a hopelessly romantic notion. Yet nothing is more crucial to the future of American democracy than to develop some way of spurring greater citizen participation. In this important book, Jeffrey Berry, Ken Portney, and Ken Thompson examine cities that have created systems of neighborhood government and incorporated citizens in public policymaking. Through careful research and analysis, the authors find that neighborhood based participation is the key to revitalizing American democracy. The Rebirth of Urban Democracy provides a thorough examination of five cities with strong citizen participation programs--Birmingham, Dayton, Portland, St. Paul, and San Antonio. In each city, the authors explore whether neighborhood associations encourage more people to participate; whether these associations are able to promote policy responsiveness on the art of local governments; and whether participation in these associations increases the capacity of people to take part in government. Finally, the authors outline the steps that can be taken to increase political participation in urban America. Berry, Portney, and Thomson show that citizens in participatory programs are able to get their issues on the public agenda and develop a stronger sense of community, greater trust in government officials, and more confidence in the political system. From a rigorous evaluation of surveys and interviews with thousands of citizens and policymakers, the authors also find that central governments in these cities are highly responsive to their neighborhoods and that less conflict exists among citizens and policymakers. The authors assert that these programs can provide a blueprint for major reform in cities across the country. They outline the components for successful participation programs and offer recommendations for those who want to get involved. They demonstrate that participation systems can influence citizens to become more knowledgeable, more productive, and more confident in government; and can provide more governments with a mechanism for being more responsive in setting priorities and formulating polices that closely approximate the true preferences of the people.
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