For centuries before its “rebirth” as a spoken language, Hebrew writing was like a magical ship in a bottle that gradually changed design but never voyaged out into the world. Isolated, the ancient Hebrew ship was torpid because the language of the Bible was inadequate to represent modern life in Europe. Early modern speakers of Yiddish and German gave Hebrew the breath of life when they translated dialogues, descriptions, and thought processes from their vernaculars into Hebrew. By narrating tales of pilgrimage and adventure, Jews pulled the ship out of the bottle and sent modern Hebrew into the world. In Travels in Translation, Frieden analyzes this emergence of modern Hebrew literature after 1780, a time when Jews were moving beyond their conventional Torah- and Zion-centered worldview. Enlightened authors diverged from pilgrimage narrative traditions and appropriated travel narratives to America, the Pacific, and the Arctic. The effort to translate sea travel stories from European languages—with their nautical terms, wide horizons, and exotic occurrences—made particular demands on Hebrew writers. They had to overcome their tendency to introduce biblical phrases at every turn in order to develop a new, vivid, descriptive language. As Frieden explains through deft linguistic analysis, by 1818, a radically new travel literature in Hebrew had arisen. Authors such as Moses Mendelsohn-Frankfurt and Mendel Lefin published books that charted a new literary path through the world and in European history. Taking a fresh look at the origins of modern Jewish literature, Frieden launches a new approach to literary studies, one that lies at the intersection of translation studies and travel writing.
Frieden explores methods of dream interpretation in the Bible, the Talmud, and in the writings of Sigmund Freud, and brings to light Freud's troubled relationship to his Judaic forerunners. This book reveals unfamiliar associations in intellectual history and challenges received ideas in biblical, Talmudic, and Freudian scholarship. Freud distanced himself from dream interpreters such as Joseph and Daniel by rejecting their intuitive methods and their claims to predict the future. While biblical and Talmudic dream interpretation generally involve prophecy, Freud sought to limit himself to the determination of prior causes in the dreamer's life. Nevertheless, Frieden demonstrates that Freud's strategies of interpretation, and especially his use of "free association," inevitably guide the dreamer toward a future. This resonance between ancient prophecy and modern psychology is merely one example of the concealed relationship between Judaic and psychoanalytic dream interpretation. Frieden shows the role both of actual influences and influences denied by Freud.
Yiddish literature, despite its remarkable achievements during an era bounded by Russian reforms in the 1860s and the First World War, has never before been surveyed by a scholarly monograph in English. Classic Yiddish Fiction provides an overview and interprets the Yiddish fiction of S. Y. Abramovitsh, Sholem Aleichem, and I. L. Peretz. While analyzing their works, Frieden situates these three authors in their literary world and in relation to their cultural contexts. Two or three generations ago, Yiddish was the primary language of Jews in Europe and America. Today, following the Nazi genocide and half a century of vigorous assimilation, Yiddish is sinking into oblivion. By providing a bridge to the lost continent of Yiddish literature, Frieden returns to those European traditions. This journey back to Ashkenazic origins also encompasses broader horizons, since the development of Yiddish culture in Europe and America parallels the history of other ethnic traditions.
Lone Star Politics delves into the state's rich political tradition by exploring how myth often clashes with the reality of everyday governance. Explaining who gets what and how within the state, this Nacogdoches author team provides an engaging narrative on the evolution of Texas politics, utilizing the comparative method to set Texas in context with other states' constitutions, policymaking, electoral practices, and institutions. Responding to user demand, Ken Collier, Steven Galatas, and Julie Harrelson-Stephens have split or added chapters to provide more in-depth coverage of much-desired topics, including the legislature and legislative process, the governor and bureaucracy, parties and organized interests, as well as fiscal, criminal justice, and social policy. In addition, new chapter objectives and critical thinking questions reinforce learning and encourage analysis. Beyond more depth and breadth, the new third edition now features a full-color design. Lone Star Politics delivers well-crafted and colorful content without breaking the bank.
In this provocative and wide-ranging book, Ken Kollman examines the histories of the US government, the Catholic Church, General Motors, and the European Union as examples of federated systems that centralized power over time. He shows how their institutions became locked-in to intensive power in the executive. The problem with these and other federated systems is that they often cannot decentralize even if it makes sense. The analysis leads Kollman to suggest some surprising changes in institutional design for these four cases and for federated institutions everywhere.
Image understanding is an attempt to extract knowledge about a 3D scene from 20 images. The recent development of computers has made it possible to automate a wide range of systems and operations, not only in the industry, military, and special environments (space, sea, atomic plants, etc.), but also in daily life. As we now try to build ever more intelligent systems, the need for "visual" control has been strongly recognized, and the interest in image under standing has grown rapidly. Already, there exists a vast body of literature-ranging from general philosophical discourses to processing techniques. Compared with other works, however, this book may be unique in that its central focus is on "mathematical" principles-Lie groups and group representation theory, in particular. In the study of the relationship between the 3D scene and the 20 image, "geometry" naturally plays a central role. Today, so many branches are inter woven in geometry that we cannot truly regard it as a single subject. Neverthe less, as Felix Klein declared in his Erlangen Program, the central principle of geometry is group theory, because geometrical concepts are abstractions of properties that are "invariant" with respect to some group of transformations. In this text, we specifically focus on two groups of transformations. One is 20 rotations of the image coordinate system around the image origin. Such coordi nate rotations are indeed irrelevant when we look for intrinsic image properties.
In Texas, myth often clashes with the reality of everyday governance. The Nacogdoches author team (Ken Collier, Steven Galatas, & Julie Harrelson-Stephens) of Lone Star Politics explores the state’s rich political tradition and explains who gets what, and how by setting Texas in context with other states’ constitutions, policymaking, electoral practices, and institutions. Critical thinking questions and unvarnished “Winners and Losers” discussions guide students toward understanding Texas government. This Fifth Edition expands its coverage of civil rights in the state, and includes the contemporary issues that highlight the push and pull between federal, state, and local governments.
If Carl Gustav Jung and Ignatius of Loyola could face each other over a gap of four centuries, what would they have to say to one another? Kenneth Becker demonstrates, in this engaging study, that these two intellectual and spiritual giants bring great insight to each other's work.
Im Fruhjahr 1999 zeigte die Universitatsbibliothek Eichstatt die Ausstellung "Ernst Arnold Bauer sieht James Joyce". Den Festvortrag, der mit dieser Publikation veroffentlicht wird, hielt Ken Monaghan, der Sohn von Joyce's Schwester May. Er erzahlt die Geschichte von Joyce's Dubliner Herkunft und berichtet uber die Lebensumstande, die einen der wohl bedeutendsten Schriftsteller des 20. Jahrhunderts formten. Monaghan entwirft mit allen Sinnen ein unmittelbar durch seine Mutter und seine Verwandten nacherlebtes Gemalde einer bedruckenden Familientragodie, die sowohl fiktiv als auch autobiographisch von James Joyce als Rohmaterial fur sein Werk verwendet wurde.In Verbindung mit den Illustrationen von Ernst Arnold Bauer kann dieses Buch zwei noch nicht so hell ausgeleuchtete Felder in der Wirkungsgeschichte des Werkes von James Joyce starker focussieren: die Lebensgeschichte des grossen Iren aus der Sicht und Erlebniswelt eines weiteren Verwandten einerseits und andererseits die Ausstrahlung seiner bedeutendsten Werke Ulysses und Finnegans Wake in die Bildende Kunst in der Phantasie und durch die Hand von Ernst Arnold Bauer.
In an era when government seems remote and difficult to approach, participatory democracy may seem a hopelessly romantic notion. Yet nothing is more crucial to the future of American democracy than to develop some way of spurring greater citizen participation. In this important book, Jeffrey Berry, Ken Portney, and Ken Thompson examine cities that have created systems of neighborhood government and incorporated citizens in public policymaking. Through careful research and analysis, the authors find that neighborhood based participation is the key to revitalizing American democracy. The Rebirth of Urban Democracy provides a thorough examination of five cities with strong citizen participation programs--Birmingham, Dayton, Portland, St. Paul, and San Antonio. In each city, the authors explore whether neighborhood associations encourage more people to participate; whether these associations are able to promote policy responsiveness on the art of local governments; and whether participation in these associations increases the capacity of people to take part in government. Finally, the authors outline the steps that can be taken to increase political participation in urban America. Berry, Portney, and Thomson show that citizens in participatory programs are able to get their issues on the public agenda and develop a stronger sense of community, greater trust in government officials, and more confidence in the political system. From a rigorous evaluation of surveys and interviews with thousands of citizens and policymakers, the authors also find that central governments in these cities are highly responsive to their neighborhoods and that less conflict exists among citizens and policymakers. The authors assert that these programs can provide a blueprint for major reform in cities across the country. They outline the components for successful participation programs and offer recommendations for those who want to get involved. They demonstrate that participatio
In the summer of 2013, just as a small town in Quebec was decimated due to a train derailment, heavy rainfall prompted thirty Alberta communities to declare a state of emergency. Whereas a SWAT team surrounded train conductor Thomas Harding and brought him to court where he was charged with the deaths of forty-seven in Quebec, Calgary mayor Naheed Nenshi emerged from the Alberta crisis as a folk hero. As the Lac-Mégantic train derailment and the flood in Alberta demonstrate, political, economic, legal, and cultural climates influence the way disasters are received and managed. In Too Critical to Fail, Kevin Quigley, Ben Bisset, and Bryan Mills identify the social context that shapes the Canadian government’s ability to prepare for and respond to emergencies. Using original research on natural disasters, pandemics, industrial failures, cyber-attacks, and terrorist threats, the authors evaluate the risk regulation regimes that monitor, interpret, and respond to failures in Canada’s critical infrastructure to limit their possibilities and consequences. More broadly, this book identifies key vulnerabilities and regulatory challenges for both the government and the private sector in mitigating threats to safety and security. Too Critical to Fail applies an investigative lens to the multiple and competing risks that the government balances to secure assets that enable modern civilization. Raising questions about Canadians’ ability to protect critical infrastructure and respond to threats, this book challenges the biases that determine who is held to account when the system fails.
Since Toy Story, its first feature in 1995, Pixar Animation Studios has produced a string of commercial and critical successes including Monsters, Inc.; WALL-E; Finding Nemo; The Incredibles; Cars; and Up. In nearly all of these films, male characters are prominently featured, usually as protagonists. Despite obvious surface differences, these figures often follow similar narratives toward domestic fulfillment and civic engagement. However, these characters are also hypermasculine types whose paths lead to postmodern social roles more revelatory of the current “crisis” that sociologists and others have noted in boy culture. In Pixar’s Boy Stories: Masculinity in a Postmodern Age, Shannon R. Wooden and Ken Gillam examine how boys become men and how men measure up in films produced by the animation giant. Offering counterintuitive readings of boy culture, this book describes how the films quietly but forcefully reiterate traditional masculine norms in terms of what they praise and what they condemn. Whether toys or ants, monsters or cars, Pixar’s males succeed or fail according to the “boy code,” the relentlessly policed gender standards rampant in American boyhood. Structured thematically around major issues in contemporary boy culture, the book discusses conformity, hypermasculinity, socialhierarchies, disability, bullying, and an implicit critique of postmodern parenting. Unprecedented in its focus on Pixar and boys in its films, this book offers a valuable perspective to current conversations about gender and cinema. Providing a critical discourse about masculine roles in animated features, Pixar’s Boy Stories will be of interest to scholars of film, media, and gender studies and to parents.
This is a story of teenage dreams, which, as any Peel fan knows, are hard to beat. Between 1967 and 2004 John Peel picked over 2000 bands to come and record over 4000 sessions to be played on his radio show. Many were young and had never been in a recording studio before, for some it was the start of an illustrious career, for others it was the only recognition their musical talent ever got. For over 35 years the cream of British musical talent made the journey to the BBC's studio in Maida Vale, from Pink Floyd to Pulp, the Small Faces to the Smiths. And because John Peel was so respected his sessions took on a legendary status - they were a rite of passage that every new band wanted to go through. Unfettered by commerical pressure the Peel Sessions were a unique British institution - an archive of music that reflects one man's passion for finding and encouraging new music. Includes a full sessionography listing songs, band members and broadcast dates. Jarvis Cocker writing about his first Peel Session aged 18 (Wayne the drummer was 15): 'We travelled down to Maida Vale in a van driven by a very strange man we'd contacted via a card pinned to the Virgin record shop noticeboard. We'd had to borrow lots of equipment from a band called The Naughtiest Girl Was a Monitor 'cause we didn't have enough stuff of our own. The session was to be produced by Dale Griffin, who used to be the drummer in Mott the Hoople; I seem to remember that he was wearing cowboy boots. I think the crisis point came when Wayne was attempting to get a home-made synth-drum to work that a friend of his at school had made out of a rubber burglar-alarm mat and an old electronic calculator - Dale Griffin looked at this 15-year-old kid crouching on the floor bashing what looked like a doormat with some wires coming out of it and just put his head in his hands. But to his credit, the session did get finished and after it, everything else started for me...
BradyGames Bloody Roar: Primal Fury Official Strategy Guide features advanced strategies for all characters, including the two unlockable fighters, and each alternate hyper-beast. Comprehensive lists of attack moves and combos for each character are also provided. Single player and multiplayer coverage for all modes of play, including hidden modes. Game secrets revealed!
Yiddish literature, despite its remarkable achievements during an era bounded by Russian reforms in the 1860s and the First World War, has never before been surveyed by a scholarly monograph in English. Classic Yiddish Fiction provides an overview and interprets the Yiddish fiction of S. Y. Abramovitsh, Sholem Aleichem, and I. L. Peretz. While analyzing their works, Frieden situates these three authors in their literary world and in relation to their cultural contexts. Two or three generations ago, Yiddish was the primary language of Jews in Europe and America. Today, following the Nazi genocide and half a century of vigorous assimilation, Yiddish is sinking into oblivion. By providing a bridge to the lost continent of Yiddish literature, Frieden returns to those European traditions. This journey back to Ashkenazic origins also encompasses broader horizons, since the development of Yiddish culture in Europe and America parallels the history of other ethnic traditions.
For centuries before its “rebirth” as a spoken language, Hebrew writing was like a magical ship in a bottle that gradually changed design but never voyaged out into the world. Isolated, the ancient Hebrew ship was torpid because the language of the Bible was inadequate to represent modern life in Europe. Early modern speakers of Yiddish and German gave Hebrew the breath of life when they translated dialogues, descriptions, and thought processes from their vernaculars into Hebrew. By narrating tales of pilgrimage and adventure, Jews pulled the ship out of the bottle and sent modern Hebrew into the world. In Travels in Translation, Frieden analyzes this emergence of modern Hebrew literature after 1780, a time when Jews were moving beyond their conventional Torah- and Zion-centered worldview. Enlightened authors diverged from pilgrimage narrative traditions and appropriated travel narratives to America, the Pacific, and the Arctic. The effort to translate sea travel stories from European languages—with their nautical terms, wide horizons, and exotic occurrences—made particular demands on Hebrew writers. They had to overcome their tendency to introduce biblical phrases at every turn in order to develop a new, vivid, descriptive language. As Frieden explains through deft linguistic analysis, by 1818, a radically new travel literature in Hebrew had arisen. Authors such as Moses Mendelsohn-Frankfurt and Mendel Lefin published books that charted a new literary path through the world and in European history. Taking a fresh look at the origins of modern Jewish literature, Frieden launches a new approach to literary studies, one that lies at the intersection of translation studies and travel writing.
Frieden explores methods of dream interpretation in the Bible, the Talmud, and in the writings of Sigmund Freud, and brings to light Freud's troubled relationship to his Judaic forerunners. This book reveals unfamiliar associations in intellectual history and challenges received ideas in biblical, Talmudic, and Freudian scholarship. Freud distanced himself from dream interpreters such as Joseph and Daniel by rejecting their intuitive methods and their claims to predict the future. While biblical and Talmudic dream interpretation generally involve prophecy, Freud sought to limit himself to the determination of prior causes in the dreamer's life. Nevertheless, Frieden demonstrates that Freud's strategies of interpretation, and especially his use of "free association," inevitably guide the dreamer toward a future. This resonance between ancient prophecy and modern psychology is merely one example of the concealed relationship between Judaic and psychoanalytic dream interpretation. Frieden shows the role both of actual influences and influences denied by Freud.
Meir, the narrator of the story, is the personal servant of Nathan, a rich tycoon consumed with bizarre obsessions. The deep connection between Meir and Nathan takes its toll on the relationships each man has with the women in his life: Rina, Nathan's first wife; Rachel, Meir's wife; and Dana, Meir's lover. Wealth makes Nathan powerful, shameless, able to satisfy his every whim—buying up priceless art and antiques, collecting women, founding a political party, purchasing an entire village in Galilee, or assembling his own team of "experts" from all over the world, among them a chess master. Why? Because he can. Wealth fuels Nathan's control over those around him, particularly the faithful Meir. While exploring the complicated personalities of his characters, Izakson neatly combines surreal and real elements to deal with questions of Jewish culture and beliefs. Nathan's obsession with collecting is driven by his desire to obtain a fourteenth-century manuscript written by the King of France when he was in exile in England. This record sheds light on issues about royalty and regime, exile and national identity. Meir's assistance in this pursuit is at first innocent and touching, but soon turns morbid and ironic. The power struggles in this book speak to issues of human weakness and reveal connections between attraction and rejection, dependency and exploitation. Izakson explores the intricacies of human relationships and the instability of moral and geographic boundaries in contemporary society.
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