God’s Word can transform the world through your kids. In this big, chaotic, and confusing world, God has called today’s youth to stand up in faith and join a legacy of difference makers. The Make a Difference Youth Bible is filled with life-changing reflections and get-out-of-the-chair activities to help the younger generations walk with Jesus, impact the world around them, and bring the good news of Jesus to people who need hope. They can uncover their radical, God-given purpose with this Bible’s dynamic features: ● Difference-maker reflections and action steps to encourage them to apply God’s Word to their lives ● Story arc callouts to reveal how God transforms ordinary people for his extraordinary purpose ● Scripture-based questions and prayers to bring them closer to the living God ● Complete text of the New Living Translation in an easy-to-read single-column format ● Wide margins with convenient space for journaling and note-taking ● Story arc index ● One-year reading plan ● Verse finder ● Accounts of parables, miracles, and archaeological discoveries ● Graphics, appendixes, and more Your kids will see God in action as his redemptive plan unfolds throughout history and discover how they can take part in his world-changing mission.
This book is perhaps the most comprehensive ever written about the English Wheats. The author has researched ancient records including manorial rolls, heraldic visitations, the earliest wills and church records to find as many references as possible to the Wheat name. The result is a fascinating story about the evolution of the Wheats from peasants in 14th century England to merchants, lawyers, landowners, baronets, other professionals, as well as to agricultural labourers and industrial workers, through to the end of the 19th century. The links to Shakespeare, the Churchills, the Titanic and royalty amongst others, and the origins of the Wheat name and coat of arms will be of interest to anyone who bears the Wheat name. The comprehensive family charts by town and county, some reaching as far back as the 16th century, will be useful to those who are researching their own English Wheat roots.
Linguistic Turns rewrites the intellectual and cultural history of early twentieth-century Europe. In chapters that study the work of Saussure, Russell, Wittgenstein, Bakhtin, Benjamin, Cassirer, Shklovskii, the Russian Futurists, Ogden and Richards, Sorel, Gramsci, and others, it shows how European intellectuals came to invest 'language' with extraordinary force, at a time when the social and political order of the continent was itself in question. By examining linguistic turns in concert rather than in isolation, the volume changes the way we see them—no longer simply as moves in individual disciplines, but as elements of a larger constellation, held together by common concerns and anxieties. In a series of detailed readings, the volume reveals how each linguistic turn invested 'language as such' with powers that could redeem not just individual disciplines but Europe itself. It shows how, in the hands of different writers, language becomes a model of social and political order, a tool guaranteeing analytical precision, a vehicle of dynamic change, a storehouse of mythical collective energy, a template for civil society, and an image of justice itself. By detailing the force linguistic turns attribute to language, and the way in which they contrast 'language as such' with actual language, the volume dissects the investments made in words and sentences and the visions behind them. The constellation of linguistic turns is explored as an intellectual event in its own right and as the pursuit of social theory by other means.
FEATURING NEW WRITING BY Benjanun Sriduangkaew // Chris Beckett // Julie E. Czerneda // Ken Liu // Tony Ballantyne // Sean Williams // Laura Lam // Aliette de Bodard // Ian Watson // Gareth L. Powell // Nina Allan // Adam Roberts // George Zebrowski // Cat Sparks // Rachel Swirsky // Benjamin Rosenbaum // Alex Dally MacFarlane // Ian R. MacLeod & Martin Sketchley Award-nominated editor Ian Whates showcases the best in contemporary science fiction, celebrating new writing by a roster of diverse and exciting authors. Here you will discover how this ‘literature of ideas’ produces stories of astonishing imagination and incisive speculation. Solaris Rising 3 thrillingly demonstrates why science fiction is the most relevant, daring and progressive of genres.
Traces the history of mapmaking while offering insight into the role of cartography in human civilization and sharing anecdotes about the cultural arenas frequented by map enthusiasts.
In Dangerous Guests, Ken Miller reveals how wartime pressures nurtured a budding patriotism in the ethnically diverse revolutionary community of Lancaster, Pennsylvania. During the War for Independence, American revolutionaries held more than thirteen thousand prisoners—both British regulars and their so-called Hessian auxiliaries—in makeshift detention camps far from the fighting. As the Americans’ principal site for incarcerating enemy prisoners of war, Lancaster stood at the nexus of two vastly different revolutionary worlds: one national, the other intensely local. Captives came under the control of local officials loosely supervised by state and national authorities. Concentrating the prisoners in the heart of their communities brought the revolutionaries’ enemies to their doorstep, with residents now facing a daily war at home. Many prisoners openly defied their hosts, fleeing, plotting, and rebelling, often with the clandestine support of local loyalists. By early 1779, General George Washington, furious over the captives’ ongoing attempts to subvert the American war effort, branded them "dangerous guests in the bowels of our Country." The challenge of creating an autonomous national identity in the newly emerging United States was nowhere more evident than in Lancaster, where the establishment of a detention camp served as a flashpoint for new conflict in a community already unsettled by stark ethnic, linguistic, and religious differences. Many Lancaster residents soon sympathized with the Hessians detained in their town while the loyalist population considered the British detainees to be the true patriots of the war. Miller demonstrates that in Lancaster, the notably local character of the war reinforced not only preoccupations with internal security but also novel commitments to cause and country.
VETERANS DAY describes the lives of Rocco Alphonso and 4 other Viet Nam veterans. While on the way back to Viet Nam for a dedication ceremony, their plane is skyjacked by mid-eastern terrorists. This is the story of how five senior citizen patriots must rise to the occasion to thwart a diabolical suicide mission
1914. Mining engineer Tommy Birch goes off to war, leaving his new wife Rita behind in Pontefract. On the front line, Tommy runs afoul of a German mine and is reported as missing, presumed deceased by his fellow soldiers. But Tommy isn't dead. Found behind enemy lines, wearing only a pair of boots stolen from a dead German, Tommy is picked up by the enemy who believe him to be one of their own. He spends weeks recuperating in a German military hospital, where he meets, and quickly falls in love with, a nurse named Anna Kohler who tends him back to health. Meanwhile, back in Pontefract, Rita is living with Tommy's family when she receives notification that Tommy has been killed in action. But his body still hasn't been found, and Rita never gives up hope that Tommy is out there somewhere, so great is her love for him. Will Rita ever be reunited with Tommy, or is she destined to spend a lifetime wondering if her husband is still alive?
Yiddish literature, despite its remarkable achievements during an era bounded by Russian reforms in the 1860s and the First World War, has never before been surveyed by a scholarly monograph in English. Classic Yiddish Fiction provides an overview and interprets the Yiddish fiction of S. Y. Abramovitsh, Sholem Aleichem, and I. L. Peretz. While analyzing their works, Frieden situates these three authors in their literary world and in relation to their cultural contexts. Two or three generations ago, Yiddish was the primary language of Jews in Europe and America. Today, following the Nazi genocide and half a century of vigorous assimilation, Yiddish is sinking into oblivion. By providing a bridge to the lost continent of Yiddish literature, Frieden returns to those European traditions. This journey back to Ashkenazic origins also encompasses broader horizons, since the development of Yiddish culture in Europe and America parallels the history of other ethnic traditions.
“They don’t come much tougher than Ken Bruen’s Irish roughneck, Jack Taylor, a man with bad habits who does good despite himself.”―Marilyn Stasio, The New York Times Book Review Ex-cop-turned-PI Jack Taylor has finally escaped the despair of his violent life in Galway in favor of a quiet retirement in the country with his friend, a former Rolling Stones roadie, and a falcon named Maeve. But on a day trip back into the city to sort out his affairs, Jack is hit by a truck in front of Galway’s Famine Memorial, left in a coma but mysteriously without a scratch on him. When he awakens weeks later, he finds Ireland in a frenzy over the so-called “Miracle of Galway.” People have become convinced that the two children spotted tending to him are saintly, and the site of the accident sacred. The Catholic Church isn’t so sure, and Jack is commissioned to help find the children to verify the miracle—or expose the stunt. But Jack isn’t the only one looking for these children, and he’s about to plunge into a case involving an order of nuns, an arsonist, and a girl who may be more manipulative than miraculous. From the multiple Shamus Award winner known as “the Godfather of the modern Irish crime novel” (Irish Independent), this is a hard-edged, ceaselessly suspenseful mystery in the popular long-running series. “A Celtic Dashiell Hammett.”—Philadephia Inquirer
Bestselling historian and author Ken McGoogan delves into dictatorships of the twentieth century to sound this crucial alarm about the possibility of democratic collapse in the United States and its implications for Canada. Twentieth-century novels such as George Orwell’s 1984 and Margaret Atwood’s The Handmaid’s Tale produced visions of future dystopia that rang with echoes of past tyrannies. Always implied was a warning that history’s worst chapters are never truly closed, and that we must not fail—as many of our forebears did—to recognize that the threat of totalitarianism cannot simply be wished away. Awakening to Invasion, an alarming and engrossing work of non-fiction from acclaimed Canadian author Ken McGoogan, draws on this sense of looping history to show how figures like Donald Trump replay many aspects of the authoritarianism that spread in the middle of the last century. Calling not only on Orwell and Atwood, but also on H.G. Wells, Yevgeny Zamyatin, Jack London, and Hannah Arendt, McGoogan traces the ways democracy succumbed to paranoia, polarization, scapegoating and demagoguery less than a hundred years ago. These same forces, he argues, are now driving a far-right movement in the United States that seems devoted to using Trump’s warped charisma as a “wrecking ball” to clear the way for autocracy that closely resembles the dictatorships that stoked the Second World War. With this prospect, McGoogan’s central questions become all the more pressing: How should Canadians respond, officially and individually, to the possibility of democratic collapse in our powerful neighbour to the south? Is talk of manifest destiny from right-wing American firebrands like Tucker Carlson just chatter for the sake of notoriety? Or is it a hint of the expansionist urges that always lie at the heart of authoritarianism, and that may one day point the American military machine in our direction on the pretext of “liberating” us? In the cautionary spirit of earlier visionary works, Awakening to Invasion offers a galvanizing image of a dark possible future, as well as an urgent call to act in the belief that we still have the time and ability to ward it off.
This book tells one of the greatest stories in the history of school mathematics. Two of the names in the title—Samuel Pepys and Isaac Newton—need no introduction, and this book draws attention to their special contributions to the history of school mathematics. According to Ellerton and Clements, during the last quarter of the seventeenth century Pepys and Newton were key players in defining what school mathematics beyond arithmetic and elementary geometry might look like. The scene at which most of the action occurred was Christ’s Hospital, which was a school, ostensibly for the poor, in central London. The Royal Mathematical School (RMS) was established at Christ’s Hospital in 1673. It was the less well-known James Hodgson, a fine mathematician and RMS master between 1709 and 1755, who demonstrated that topics such as logarithms, plane and spherical trigonometry, and the application of these to navigation, might systematically and successfully be taught to 12- to 16-year-old school children. From a wider history-of-school-education perspective, this book tells how the world’s first secondary-school mathematics program was created and how, slowly but surely, what was being achieved at RMS began to influence school mathematics in other parts of Great Britain, Europe, and America. The book has been written from the perspective of the history of school mathematics. Ellerton and Clements’s analyses of pertinent literature and of archival data, and their interpretations of those analyses, have led them to conclude that RMS was the first major school in the world to teach mathematics-beyond-arithmetic, on a systematic basis, to students aged between 12 and 16. Throughout the book, Ellerton and Clements examine issues through the lens of a lag-time theoretical perspective. From a historiographical perspective, this book emphasizes how the history of RMS can be portrayed in very different ways, depending on the vantage point from which the history is written. The authors write from the vantage point of international developments in school mathematics education and, therefore, their history of RMS differs from all other histories of RMS, most of which were written from the perspective of the history of Christ’s Hospital.
A leading exponent of the new moderate Calvinism that brought new life to many Baptists, John Rippon (1751-1836) helped unite Baptists during his lifetime. Reared in the West Country and trained at Bristol Academy, Rippon served for over sixty years at the London church where John Gill had been minister. Through his 'A Selection of Hymns from the Best Authors', Rippon exerted a powerful influence on Baptist worship and devotional life. Through his Baptist Annual Register (1790-1802), the denomination's first periodical, Rippon recorded the denomination's growing maturity, encouraged a strong missionary commitment, and promoted links between Baptists in Britain and America. With a keen sense of English Protestant history, which he helped preserve, and an active leadership in many Baptist organizations, Rippon helped conserve the heritage of Old Dissent and stimulated the evangelicalism of the New Dissent.
Margot Fonteyn's closest friends don't appear in Daneman's detailed biography. Lita Legarda (a doctor) gets a one line mention. Angie Novello (Margot's Washington Hostess), Theodora Christon (Margot's personal secretary) and Ken Ludden aren't mentioned at all. These were the people she trusted most, who kept her confidences and never spoke to the press. Everyone knew Margot differently. BQ, her mother, knew one Margot. Tito, her husband, knew another. Ludden, her circle's youngest by a large margin, knew yet another side of Margot: hence the title 'My Margot'. Ken shares that Margot--who taught him so much about ballet and life, and with whom he worked to plan ballet's future. Beyond Margot we learn about Ken's delightful relationship with BQ, a close friendship between a teenager and a woman of eighty. Ken also writes with unflinching honesty of the hostile relationship he had with Rudolf Nureyev, which developed over time into a grudging mutual respect and a shared grief when Margot died.
This book presents a history of mathematic between 1607 and 1865 in that part of mainland North America which is north of Mexico but excludes the present-day Canada and Alaska. Unlike most other histories of mathematics now available, the emphasis is on the gradual emergence of "mathematics for all" programs and associated changes in thinking which drove this emergence. The book takes account of changing ideas about intended, implemented and attained mathematics curricula for learners of all ages. It also pays attention to the mathematics itself, and to how it was taught and learned.
A store owner and his son are brutally murdered on a cold January 1982 night in Aiken, S.C. Adonis Lee is selected to serve on the jury trying two black men for the crime. His hatred for blacks spurs him to push for a conviction even though the case for the prosecution is weak. On the first ballot, Adonis finds himself the only juror voting guilty, but he relentlessly pressures the other eleven, hoping to change their votes. A recent look into the lives of jurors reveal events that could influence their life and death decisions. Can one man force a conviction? A story of love, dreams and aspirations leading to a startling climax.
If you read one book this year about the future of Christianity, then choose this book. Five hundred years ago the Protestant Reformation claimed the Bible as the authoritative guide for Christian living (“Sola Scriptura!” Only Scripture!). In this groundbreaking work, Emily Swan and Ken Wilson claim the authority of the church is shifting back to where it should be: in Jesus (Solus Jesus!). As co-founders of Blue Ocean Faith, Swan and Wilson are pioneering what it means to be post-evangelical—post-Protestant, even—in a time when such re-imagining is desperately needed. Solus Jesus not only grapples with the authority question in Christianity, but also provides a massive re-think of traditional atonement theories. Leaning on the work of René Girard, they conclude that the life, death, and resurrection of Jesus together reveal a completely good, non-violent God who is on the side of the oppressed and scapegoated of this world. As a work of queer theology, the book is intersectional in its understanding of justice, and invites readers to reconsider our understanding of what it means to follow Jesus. This book is timely, to say the least. For Christians looking for guidance on how to address distressing issues of injustice; for help understanding how they can faithfully follow Jesus and love their neighbors as themselves; and for practices for how to experience the living Jesus and his Spirit of love—Solus Jesus is the book for you. “Born in a cauldron of faith and pain, Solus Jesus: A Theology of Resistance is a highly original, deeply provocative first stab at a post-evangelical, post-‘gay debate’ pastoral theology,” writes David P. Gushee, author of Changing Our Mind and Director of the Center for Theology and Public Life at Mercer University. “Drawing from personal experience and those who have long carved out theologies far from power, Swan and Wilson show how Solus Jesus can open a portal to the divine communion that is possible between all people,” writes Deborah Jian Lee, author of Rescuing Jesus: How People of Color, Women and Queer Christians are Reclaiming Evangelicalism. “Ken and Emily’s book is loving and courageous, compelling and convicting, scholarly and personal all at once. … This book held up a mirror to my heart, asking me to forsake my anxious need for certainty, to repent of all the rivalries that cripple me, and to rest again like a child, at the breast of a God in whose fierce and fearless love there is home for us all,” writes the Rev. Susan K. Bock of Grace Episcopal Church in Mount Clemens, Michigan. “Solus Jesus challenges us to see the authoritative Jesus in a fresh light, so that his life, message, death, and rising summon us to live in a new way as individuals and congregations,” writes Brian D. McLaren, author of The Great Spiritual Migration. “Around the world, tension and conflict are signaling a shift in our socio-political conditions. To remain relevant, Christianity must have a response to this moment. Grounding themselves in their lived experience, Ken and Emily are leaning into the conversation and offering a powerful response to the travails of our time. A must-read for Christians looking to discern where the Spirit is leading us in the 21st Century,” writes Rev. Mariama White-Hammond, AME Church Planter, Boston.
A wedding ceremony in a Web-based virtual world. Online memorials commemorating the dead. A coffee klatch attended by persons thousands of miles apart via webcams. These are just a few of the ritual practices that have developed and are emerging in online settings. Such Web-based rituals depend on the merging of two modes of communication often held distinct by scholars: the use of a device or mechanism to transmit messages between people across space, and a ritual gathering of people in the same place for the performance of activities intended to generate, maintain, repair, and renew social relations. In Online a Lot of the Time, Ken Hillis explores the stakes when rituals that would formerly have required participants to gather in one physical space are reformulated for the Web. In so doing, he develops a theory of how ritual, fetish, and signification translate to online environments and offer new forms of visual and spatial interaction. The online environments Hillis examines reflect the dynamic contradictions at the core of identity and the ways these contradictions get signified. Hillis analyzes forms of ritual and fetishism made possible through second-generation virtual environments such as Second Life and the popular practice of using webcams to “lifecast” one’s life online twenty-four hours a day, seven days a week. Discussing how people create and identify with their electronic avatars, he shows how the customs of virtual-world chat reinforce modern consumer-based subjectivities, allowing individuals to both identify with and distance themselves from their characters. His consideration of web-cam cultures links the ritual of exposing one’s life online to a politics of visibility. Hillis argues that these new “rituals of transmission” are compelling because they provide a seemingly material trace of the actual person on the other side of the interface.
Jewish Communities in Exotic Places examines seventeen Jewish groups that are referred to in Hebrew as edot ha-mizrach, Eastern or Oriental Jewish communities. These groups, situated in remote places on the Asian and African Jewish geographical periphery, became isolated from the major centers of Jewish civilization over the centuries and embraced some interesting practices and aspects of the dominant cultures in which they were situated.
Antebellum culture celebrated the home as the site of nurture, affection, and equality; indeed, the middle-class home became the model of American institutions and values. Narratives from the American Renaissance, however, reveal that this was a conflicted, strained ideal. Stories from the culture represent intense social, political, and literary rivalry. Thus, writers such as Cooper, Douglass, Stowe, Melville, and Southworth projected competing visions of "the American family," visions that challenged the claims of other writers. Building upon theories of Poe, Bakhtin, and Bloom, this study carefully traces the intertextual struggles over the nation's meaning.
“A valuable publication . . . A social historical case study of the conflicts of conscience experienced by countless families during the Civil War” (Civil War Books and Authors). When war broke out in 1861, Christian and Elise Dubach Isely, soon to be married, found themselves in the midst of the conflict. Having witnessed the atrocities of Bleeding Kansas firsthand and fearful of what would come from this war, Christian enlisted with the 2nd Kansas Cavalry to fight alongside Union forces. During the next three years, the couple would write hundreds of letters to each other, as well as to friends and family members. Their writings survive today, providing a unique look at the Civil War—one of both military and civilian perspectives—in a passionate exchange between husband and wife in which the war, faith, and family are discussed openly and frankly. Includes photos
Herb McRay, a real estate developer, goes online to publish his wife's illustrated children's books - incognito. "I thought ahead, all the way to the last chapter. My fantasy did not culminate in a denouement when my brilliant, loving deed could be revealed to Suzanne; when we could laugh about it. An act of love of the purest kind: Suzanne must never know the act had been committed, let alone by whom.
Ken Prouty argues that knowledge of jazz, or more to the point, claims to knowledge of jazz, are the prime movers in forming jazz's identity, its canon, and its community. Every jazz artist, critic, or fan understands jazz differently, based on each individual's unique experiences and insights. Through playing, listening, reading, and talking about jazz, both as a form of musical expression and as a marker of identity, each aficionado develops a personalized relationship to the larger jazz world. Through the increasingly important role of media, listeners also engage in the formation of different communities that not only transcend traditional boundaries of geography, but increasingly exist only in the virtual world. The relationships of "jazz people" within and between these communities is at the center of Knowing Jazz. Some groups, such as those in academia, reflect a clash of sensibilities between historical traditions. Others, particularly online communities, represent new and exciting avenues for everyday fans, whose involvement in jazz has often been ignored. Other communities seek to define themselves as expressions of national or global sensibility, pointing to the ever-changing nature of jazz's identity as an American art form in an international setting. What all these communities share, however, is an intimate, visceral link to the music and the artists who make it, brought to life through the medium of recording. Informed by an interdisciplinary approach and approaching the topic from a number of perspectives, Knowing Jazz charts a philosophical course in which many disparate perspectives and varied opinions on jazz can find common ground.
Measuring the Value of a Postsecondary Education is an insightful collection of essays that respond to current and pressing questions in the field of higher education: What do we mean by "quality" of education? What do courses and programs promise to deliver, and do they succeed? What do we know about improving learning outcomes, and is reform possible? Comprised of papers presented at a conference of experts convened by the Higher Education Quality Council of Ontario in 2011, the book begins by evaluating pioneering initiatives in Europe, and follows this with reports on efforts to measure and evaluate learning outcomes. Drawing on over two decades of work by international agencies, governments, and foundations in identifying and evaluating learning outcomes in higher education, Measuring the Value of a Postsecondary Education encourages educational institutions to draw on this evidence in revising course and program offerings. Bringing together international leaders and innovators in the field, this book is an important analysis of progress in enhancing learning quality and directions for future reform. Contributors include Jeana Abromeit (Alverno College), Roger Benjamin (Council for Aid to Education), Ken Dryden (Canadian politician), Michael Gallagher (Group of Eight), Virginia Hatchette (Postsecondary Education Quality Assessment Board), Jillian Kinzie (Indiana University), Diane Lalancette (Organisation for Economic Co-operation and Development), Holiday Hart McKiernan (Lumina Foundation), Robert Wagenaar (University of Groningen), and Lorne A. Whitehead (University of British Columbia).
Here are two serial killers, each wishing to settle a score. Meet Wilberforce Duggie Hansen, at odds with a mother who is a domineering drunk and has a bias against the gay friends her son wishes to bring home. She arranges never to have to confront the question again. There's Marty Syrzinski, a Navy Seal dropout with a temper, who goes on a murder spree just because he can. There are eight victims, with nothing unique about them except that they were in the wrong place at the wrong time. There are also two bank robbers, freshly released from an Oregon prison, on their way to Reno. A zip gun, a poisonous snake, a firebombing, stolen dynamite, an explosion, and three funerals-all within two weeks. Share the Chief's second mystery. Visit him and his new love; banter with the city's gadfly, Doris Odland; listen to the City's Mayor McCheese; and watch the antics of the Reverend Amos Wilson as he puts on a Northwesterner's version of a New Orleans funeral.
Documents of Life was originally published in 1983 and became a classic text, providing both a persuasive argument for a particular approach and a manifesto for social research. As a critique of anti-humanist methodology in the social sciences, it championed the use of life stories and other personal documents in research which are now widely used today. This book is a substantially revised and expanded version which takes on recent developments. Providing numerous illustrations from a range of life documents, the book traces the history of the method, examines ways of 'doing life story' research, and discusses the many political and ethical issues raised by such research. The whole book has been substantially re-written and
Develop more productive habits in dealing with your manager. As a professional in the business world, you care about doing your job the right way. The quality of your work matters to you, both as a professional and as a person. The company you work for cares about making money and your boss is evaluated on that basis. Sometimes those goals overlap, but the different priorities mean conflict is inevitable. Take concrete steps to build a relationship with your manager that helps both sides succeed. Guide your manager to treat you as a vital member of the team who should be kept as happy and productive as possible. When your manager insists on a course of action you don't like, most employees feel they have only two options: you can swallow your objections, or you can leave. Neither option gets you what you want, which is for your manager to consider your interests when making decisions. Challenging your boss directly is risky, but if you understand what really matters to your manager, you can build a balanced relationship that works for both sides. Provide timely "good enough" answers that satisfy the immediate need of the boss to move forward. Use a productive solution to the Iterated Prisoner's Dilemma to structure your interactions with management, going along when necessary and pushing back where appropriate, without threatening the loyalty relationship. Send the two most important messages to your boss: "I got this" and "I got your back," to prove your value to the boss and the organization. Analyze your manager's communication preferences so you can express your arguments in a way most likely to be heard and understood. Avoid key traps, like thinking of the boss as your friend or violating the chain of command unnecessarily.
A genre-breaking insight into one of the greatest thinkers of the 20th century' Stylist's Emerald Street 'Incredible' Deborah Levy A hero of political thought, the largely unsung and often misunderstood Hannah Arendt is perhaps best known for her landmark book, The Origins of Totalitarianism. Arendt led an extraordinary life. Having endured Nazi persecution firsthand, she fled across Europe, coming to live in a world inhabited by such luminaries as Marc Chagall, Marlene Dietrich, Albert Einstein and Sigmund Freud. She ultimately sacrificed her unique genius for philosophy and her love of a much-compromised man – the philosopher and Nazi-sympathiser Martin Heidegger – for what she called 'love of the world'. Strikingly illustrated, this compassionate and timely biography illuminates the life of a complex, controversial, deeply flawed yet irrefutably courageous woman whose experiences and writings shine a light on how to live as an individual and a public citizen in troubled times.
This book recounts the amazing life story of a 16-year-old American Revolutionary-era soldier, including his captivity, adoption, and eventual flight to freedom from the Iroquois Six-Nation Indian tribes. The story is retold with historical accuracy and an even-handed treatment of the conflicting interests of the loyalists, Iroquois, and Patriots. David Ogden was born into an unusually tumultuous time in America—the colonials were struggling to throw off the yoke of British rule while also battling the Iroquois tribes for control of their ancestral lands. The bibliography of anyone who survived a life in the late 1700s frontier days of New York would be a great tale, but David Ogden's story stands alone, even within historical context of his times. Captive! The Story of David Ogden and the Iroquois is a compelling true adventure story of one young colonial soldier's bravery, choosing a daunting 126-mile race to freedom fraught with the risk of death over being assimilated into an alien society. This story is told with all the factual historical information that was missing from all the original captivity narratives, but accurately retains the flavor of the period and the voice of the 18th-century protagonist.
Brenda Draneys Werk kreist um das komplexe Wesen von Intimität. Ausgehend von ihren eigenen Erinnerungen und Erfahrungen untersucht die kanadische Künstlerin die vielschichtigen Bedeutungsebenen von alltäglichen Motiven und Situationen. Das kumulative Porträt, das dabei entsteht, verweist auf ein kollektives Selbst, das nicht nur ihre eigenen Erfahrungen, sondern auch die vergangener Generationen und Mitglieder ihrer Community einbezieht. Doch statt zu reproduzieren, interessiert sich Draney für Bedeutungsverschiebungen durch individuell gefilterte Interpretationen. Bewusst arbeitet sie mit Leerstellen, die das Publikum einladen, sich intensiv mit den malerischen Fragmenten ihrer Darstellungen auseinanderzusetzen. Der reich bebilderte Katalog, der Draneys Einzelausstellung – organisiert von der Power Plant Art Gallery – in Toronto begleitet, führt breit gefächert in das Werk einer der bemerkenswertesten zeitgenössischen Künstlerinnen Kanadas ein. Eine faszinierende Auswahl von bestehenden und neuen Werken wird durch Beiträge von kanadischen Kulturschaffenden kontextualisiert.
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