Alexandra Tate can see personified emotions, and her best friend is Revenge. Every night, he waits with Alex outside Nate Foster’s house as she builds up the courage to exact her justice on Nate for the drunk driving accident that killed her family. But when Forgiveness suddenly appears, Alex is faced with an impossible choice.
The stress of her father's job loss causes Fain to feel invisible at home and in her new school, but she escapes with the monsters of her imagination until a family crisis and a human friend cause her to reconsider.
Elizabeth Caldwell doesn’t feel emotions, she sees them. Longing and Shame materialize at school. Fury and Resentment appear in her home. They’ve all given up on Elizabeth, but when it matters most, will Fear save her?
“Full of dark mystery and unexpected twists.” —Meg Kassel, author of Keeper of the Bees A sound awakens her. There's darkness all around. And then she's falling... She has no idea who or where she is. Or why she's dead. The only clue to her identity hangs around her neck: a single rusted key. This is how she and the others receive their names—from whatever belongings they had when they fell out of their graves. Under is a place of dirt and secrets, and Key is determined to discover the truth of her past in order to escape it. She needs help, but who can she trust? Ribbon seems content in Under, uninterested in finding answers. Doll’s silence hints at deep sorrow, which could be why she doesn't utter a word. There's Smoke, the boy with a fierceness that rivals even the living. And Journal, who stays apart from everyone else. Key's instincts tell her there is something remarkable about each of them, even if she can't remember why. Then the murders start. Bodies that are burned to a crisp. And after being burned, the dead stay dead. Key is running out of time to discover who she was—and what secret someone is willing to kill to keep hidden—before she loses her life for good...
In this haunting young adult suspense from an award-winning author, seventeen-year-old Ivy Erickson knows the exact moment when she will die, but what she does with her remaining days could end up saving more than just her own life. "Beautifully written and fast-paced, Gardenia had me staying up past my bedtime several nights in a row!" —Pintip Dunn, New York Times bestselling author of Forget Tomorrow Ever since she was a child, Ivy has been able to see countdown clocks over everyone's heads indicating how long before they will die. She can't do anything about anyone else’s, nor can she do anything about her own, which will hit the zero hour before she even graduates high school. A life cut short is tragic, but Ivy does her best to make the most of it. She struggles emotionally with her deep love for on-again, off-again boyfriend Myers Patripski. She struggles financially, working outside of school to help her mom and her sister. And she struggles to cope with the murder of her best friend, another life she couldn't save. Vanessa Donovan was murdered in the woods, and everyone in town believes Ivy had something to do with it. Then more girls start disappearing. Ivy tries to put her own life in order as she pieces together the truth of who ended Vanessa's. To save lives, and for her own sanity. The clock is always ticking. And Ivy's only hope is to expose the truth before it runs out completely.
She’s determined to play Cupid, but will her arrow go astray? Nat Keller has worked at upstate New York’s Hazel Oaks Resort her entire adult life, dedicating herself to the lakeside lodge she considers home. After moving constantly as a child, planting roots and showcasing her organizational skills as the resort’s Head Concierge is her dream job. When she’s tasked with helping a married couple rekindle their romance, she’s excited to prove herself until she learns she'll be working with a partner. Lead Adventure Coordinator Hudson Dougal has never stayed in one place for long. He’s worked at Hazel Oaks for nearly a year and is contemplating his next big move when he’s asked to work with the only woman who seems to be immune to his charm. Always up for a challenge, Hudson accepts. Soon, Nat and Hudson are igniting more than just a stale marriage. But just as Hudson wonders if roots have a purpose, he receives another opportunity. Will love be enough of an adventure to convince him to stay?
Kelsey Chasen has taken a lifestyle often imagined to be dark and secret and shared the beauty of love in the dungeon. Her characters love totally and completely, defending their chosen family from dangers and the outside world with determination, vitality, and honor. Something that surprised me was the humor in the many situations in the novel - actually making me laugh out loud in places! Kyra is bold and fearless, submissive and strong. And very much loved! Scott is tough and tender, dominant and expansively loving. Each member of their chosen family lends their own remarkable personality to the chosen family and their deep well of love and caring.
My entire life has revolved around one goal: get into medical school. When it happens I should celebrate with champagne and streamers and a bouncy castle-right?Instead, my heart feels like it's being ripped in two-follow my dreams or follow my heart? I can thank Chase Westbrook for that.He's my brother's best friend. He also happens to be what wet dreams are made of. He's absolutely perfect and he's in love with me-he's also incredibly persistent. He's busy chasing me while I'm focused on chasing my dreams.I'm trying to have my cake and eat it too. I won't ask him to wait for me, but I hope he does anyway. I can't let anything distract me or get in the way of my goals-and his blond hair, blue eyes, and washboard abs would be a major distraction.He tells me he loves me, so I push him away in grandiose fashion. But Chase Westbrook isn't a quitter, and if he keeps chasing me I'm going to get caught.
“Full of dark mystery and unexpected twists.” —Meg Kassel, author of Keeper of the Bees A sound awakens her. There's darkness all around. And then she's falling... She has no idea who or where she is. Or why she's dead. The only clue to her identity hangs around her neck: a single rusted key. This is how she and the others receive their names—from whatever belongings they had when they fell out of their graves. Under is a place of dirt and secrets, and Key is determined to discover the truth of her past in order to escape it. She needs help, but who can she trust? Ribbon seems content in Under, uninterested in finding answers. Doll’s silence hints at deep sorrow, which could be why she doesn't utter a word. There's Smoke, the boy with a fierceness that rivals even the living. And Journal, who stays apart from everyone else. Key's instincts tell her there is something remarkable about each of them, even if she can't remember why. Then the murders start. Bodies that are burned to a crisp. And after being burned, the dead stay dead. Key is running out of time to discover who she was—and what secret someone is willing to kill to keep hidden—before she loses her life for good...
Based on the diary of Canadian Marion Kelsey (now living in Nova Scotia in her 80s), which she kept while in the 6,000-strong (by 1940) Women's Land Army to harvest crops during World War II. This memoir of wartime Britain conveys a sense of the conditions under which they lived. Yet despite the air raids, bombings, meeting with a possible German spy, and serious wounding of her husband--which cut short her tour of duty--, individual pride and national unity of purpose dominate. Annotation copyrighted by Book News, Inc., Portland, OR
Elizabeth Caldwell doesn’t feel emotions, she sees them. Longing and Shame materialize at school. Fury and Resentment appear in her home. They’ve all given up on Elizabeth, but when it matters most, will Fear save her?
This book presents a unique annotated collection of some 2000 playground games, rhymes, and wordplay of London children. It charts continuity and development in childlore at a time of major social and cultural change and offers a detailed snapshot of changes in the traditions and language of young people. Topics include: starting a game; counting-out rhymes; games (without songs); singing and chanting games; clapping, skipping, and ball bouncing games; school rhymes and parodies; teasing and taunting; traditional belief and practice; traditional wordplay; and a concluding miscellany. Recorded mainly in the 1980s by primary schoolteacher Nigel Kelsey, transcribed verbatim from the children’s own words, and accompanied by extensive commentaries and annotation, the book sets a wealth of new information in the wider historical and contemporary context of existing studies in Britain, Ireland, and other parts of the English-speaking world. This valuable new resource will open new avenues for research and be of particular interest to folklorists and linguists, as well as to those working across the full spectrum of social, cultural, and educational studies.
A county courthouse stands not only as the center of government, but also as the center of civic pride. Some with stately towers and arched doors or windows, some with high brick chimneys and mansard roofs, some in modern concrete and glass, the 254 courthouses of Texas provide an invitation to public life, a testament to the ideal of justice, and an introduction to period architecture. It is no wonder, then, that many tourists each year visit these edifices. This new edition of a classic, indispensable, full-color guide—a true collector’s item for Texas history fans—will help travelers choose which courthouses they want to add to their trips and view them knowledgeably. For each county a color photograph pictures the courthouse and an account sketches the sequence of the seats of government, the location and style of the current building, and tidbits of fascinating lore about county and county seat names and history. Courthouses and the “squares” around many of them offer a bonanza for history buffs, antique collectors, genealogists, architecture enthusiasts, and photographers. Many of them house or are near local history museums, and many display historical markers that introduce the area to visitors. Especially in many smaller county seats, the courthouse square offers a genre scene of a special moment in Texas’ life. Included in this updated edition are the latest views of some of Texas’ most historic and architecturally significant courthouses, including those restored under the Texas Historical Commission’s Historic Courthouse Preservation Program. For all those who plan their travels to see courthouses, and all those who in their travels for other reasons enjoy detours into the heritage and pride of a people, this beautiful and informative book opens the way.
From an examination of medieval London's Husting wills, Daughters of London offers a new framework for considering urban women’s experiences as daughters. The wills reveal daughters equipped with economic opportunities through bequests of real estate and movable property.
In the “post-truth” era, the question of how people perceive things to be real, even when they are not based in fact, preoccupies us. Lessons learned in the theatre – about how emotion and affect produce an experience of realness – are more relevant than ever. Real-ish draws on extensive interviews with audience members about their perceptions of realness in documentary, participatory, historical, and immersive performances. In studying these forms that make up the theatre of the real, Kelsey Jacobson considers how theatrical experiences of realness not only exist as a product of their real-world source material but can also unfurl as real products in their own right. Using the concept of real-ish-ness – which captures the complex feeling that is generated by engaging with elements of reality – the book examines how audiences experience the apparently real within the time and space of a performance, and how it is closely tied to the immediacy and intimacy experienced in relation to others. When feeling – rather than fact –becomes a way of knowing truths about the world, understanding the cultivation and circulation of such feelings of realness is paramount. In exploring this process, Real-ish centres audience voices and, perhaps most importantly, audience feelings during performance.
New Zealand stands at the crossroads: there are crucial choices facing the country's government and its people. This is a book about what we were promised, where we are now, and what might yet be- a book intended to provoke discussion about New Zealand's future.
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