Reimagining the coming-of-age literary tradition in the U.S. and U.K. within dynamic theological contexts Scholars have traditionally relied upon the assumption that the nineteenth-century bildungsroman in the Goethean tradition is an intrinsically secular genre exclusive to Europe, incompatible with the literature of a democratically based culture. By combining intellectual history with genre criticism, Principle and Propensity provides a critical reassessment of the bildungsroman, beginning with its largely overlooked theological premises: bildung as formation of the self in the image of God. Kelsey L. Bennett examines the dynamic differences, tensions, and possibilities that arise as interest in spiritual growth, or self-formation, collides with the democratic and quasi-democratic culture in the nineteenth-century British and American bildungsroman. Beginning with the idea that interest in an individual's moral and psychological growth, or bildung, originated as a religious exercise in the context of Protestant theological traditions, Bennett shows how these traditions found ways into the bildungsroman, the literary genre most closely concerned with the relationship between individual experience and self-formation. Part 1 of Principle and Propensity examines the attributes of parallel national traditions of spiritual self-formation as they convened under the auspices of the international revival movements: the Evangelical Revival, the Great Awakening, and the renewal of Pietism in Germany, led respectively by John Wesley, Jonathan Edwards, and Count Nikolaus Ludwig Zinzendorf. Further it reveals the ways in which spiritual self-formation and the international revival movements coalesce in the bildungsroman prototype, Johann Wolfgang von Goethe's Wilhelm Meisters Lehrjahre (Wilhelm Meister's Apprenticeship). Part 2 in turn explores the ways these traditions manifest themselves in the nineteenth-century bildungsroman in England and the United States through Jane Eyre, David Copperfield, Pierre, and Portrait of a Lady. Though Wilhelm Meisters Lehrjahre was a library staple for most serious writers in nineteenth-century England and in the United States, Bennett shows how writers such as Charlotte Brontë, Charles Dickens, Herman Melville, and Henry James also drew on their own religious traditions of self-formation, adding richness and distinction to the received genre.
Amagansett is an intimate history of a coastal village whose Dutch and English settlers arrived in 1860 to farm, fish, and participate in "ye whale designe," and which is now a colorful part of the Hamptons resort area. T his striking collection of images, dating from 1853, describes the community's part in the Revolutionary and Civil Wars, and its very personal experience with the Spanish-American War, when 25,000 soldiers landed here to recuperate from tropical diseases. The storied fishing and whaling industry, as well as life-saving crews and the families that awaited them are also featured. Along with economic and military history, civil life is represented in such scenes as historic homes, and local citizens welcoming summer visitors.
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