This imaginative study of American visual culture reveals how the political predicaments of a few small bureaucracies once fostered pictures of an extraordinary style. U.S. geographical and geological surveys of the late nineteenth century produced photographs and drawings of topography, American Indians, geologic features, botanical specimens, and specialists at work in the field. Some of these pictures have long been celebrated for their anticipation of a modernist aesthetic, but Robin Kelsey, in this abundantly illustrated volume, traces their modernistic qualities to archival ingenuity. The technical and promotional needs of surveys, Kelsey argues, fostered the emergence of a taut, graphic pictorial style that imitated the informational clarity of diagrams and maps. As this book demonstrates, these pictures became sites of struggle as well as innovation when three brilliant survey artists and photographers subtly resisted the programs they were hired to serve. Discovering a politics of style behind the modernist look of survey pictures, Kelsey offers a fresh interpretation of canonical western expedition photographs by Timothy H. O'Sullivan and introduces two exceptional but largely forgotten sets of pictures: views of the U.S.-Mexico boundary from the 1850s by Arthur Schott and photographs of the Charleston earthquake of 1886 by C. C. Jones.
This book provides a timely political insight to show how mythology plays an affective role in our lives. Brexit, bankers, institutional scandals, the far right, and Russell Brand’s “revolution” are just some of the issues tackled through this innovative and interdisciplinary discourse analysis. Through multimedia case studies, Kelsey explores the psychological dimensions of archetypes and mythologies and how they function ideologically in contemporary politics. By synergising approaches to critical discourse studies with the work of Carl Jung, Joseph Campbell and other mythologists, Kelsey’s psychodiscursive approach explores the depths of the human psyche to analyse the affective qualities of storytelling. Kelsey makes a compelling case for our need to understand more about the power of mythology in modern society. Whilst mythology might be part of who we are, societies are responsible for its ideological substance and implications. Media and Affective Mythologies shows how we can begin to engage with this principle.
Abby has her hands full with an anxious German shepherd, Destiny. While Abby helps Destiny learn to trust, Abby has to learn to overcome her old habits. Can Abby use the skills she used on Destiny to overcome her fear of the ocean in time for the family beach trip?
Grace has always rushed headlong into things. Grace tries to be thoughtful and responsible when helping with her elderly neighbor’s prize-winning cat, Chances, but it isn’t easy. Can Grace slow down enough to keep the people (and animals) she cares for safe? Or can taking chances be a good thing?
Natalie has a lot on her plate. She can’t seem to get Second Chance Ranch’s newest rescued horse, Tango, to barrel race. She’s also missing her best friend Sophia, and she isn’t sure if a new girl in town, Darcy, is bestie material or not. Can Natalie help Tango learn a new skill while she learns a few of her own?
“Full of dark mystery and unexpected twists.” —Meg Kassel, author of Keeper of the Bees A sound awakens her. There's darkness all around. And then she's falling... She has no idea who or where she is. Or why she's dead. The only clue to her identity hangs around her neck: a single rusted key. This is how she and the others receive their names—from whatever belongings they had when they fell out of their graves. Under is a place of dirt and secrets, and Key is determined to discover the truth of her past in order to escape it. She needs help, but who can she trust? Ribbon seems content in Under, uninterested in finding answers. Doll’s silence hints at deep sorrow, which could be why she doesn't utter a word. There's Smoke, the boy with a fierceness that rivals even the living. And Journal, who stays apart from everyone else. Key's instincts tell her there is something remarkable about each of them, even if she can't remember why. Then the murders start. Bodies that are burned to a crisp. And after being burned, the dead stay dead. Key is running out of time to discover who she was—and what secret someone is willing to kill to keep hidden—before she loses her life for good...
Discover the world's birds, their homes, and their eggs in this gorgeously illustrated, entertaining, and educational guide. Did you know that the tailorbird "sews" leaves together to make its nest? Or that hummingbird eggs are the size of jellybeans? Birds are some of the world's most beautiful and interesting creatures, and their nests and eggs are no exception, displaying a stunning diversity of shapes, sizes, functions, and materials. In Nests, Eggs, Birds, celebrated artist and author Kelsey Oseid explores the fascinating ins and outs of where and how dozens of avian species--robins, birds of paradise, crows, owls, penguins, and more--make their homes and lay their eggs. Full of striking naturalistic art and fun scientific facts, Nests, Eggs, Birds will delight bird lovers of all ages.
SOON TO BE A MAJOR MOTION PICTURE STREAMING ON HULU • A warmhearted, "complex, believable, and always intriguing story” (The New York Journal of Books) that celebrates female friendship and second chances This diner in Plainview, Indiana is home away from home for Odette, Clarice, and Barbara Jean. Dubbed "The Supremes" by high school pals in the tumultuous 1960s, they’ve weathered life’s storms for over four decades and counseled one another through marriage and children, happiness and the blues Now, however, they’re about to face their most challenging year yet. Proud, talented Clarice is struggling to keep up appearances as she deals with her husband’s humiliating infidelities; beautiful Barbara Jean is rocked by the tragic reverberations of a youthful love affair; and fearless Odette is about to embark on the most terrifying battle of her life. With wit, style and sublime talent, Edward Kelsey Moore brings together three devoted allies in a warmhearted novel that celebrates female friendship and second chances.
From an examination of medieval London's Husting wills, Daughters of London offers a new framework for considering urban women’s experiences as daughters. The wills reveal daughters equipped with economic opportunities through bequests of real estate and movable property.
One of the most forward-looking artists of the eighteenth century, Jean Honoré Fragonard (1732–1806) was a virtuoso draftsman whose works on paper count among the great achievements of his time. This book showcases Fragonard's mastery and experimentation in a range of media, from vivid red chalk to luminous brown wash, as well as etching, watercolor, and gouache. With essays that focus on the role of drawing in his creative process and provide a modern reevaluation of his graphic work, the book offers fresh perspectives on this innovative and independent artist, who began his career in the Rococo era but lived through and adapted to changing times in France, and who chose to leave the more defined path of official patronage in order to work for private clients. Unlike many earlier painters who used drawings primarily as preparatory tools, Fragonard explored their potential as works of art in their own right, ones that permitted him to work with great freedom and allowed his genius to shine. The 100 featured works come from New York collections, public and private, balancing a mix of well-loved masterpieces, new discoveries, and works that have long been out of the public eye. Fragonard: Drawing Triumphant illuminates the approach of a ceaselessly inventive artist whose draftsmanship was at the core of his remarkable body of work.
This beautifully illustrated multidisciplinary study addresses interpretations of the Genesis creation story in Paradise Lost and other seventeenth-century English poems and in the visual arts from the Middle Ages through the Reformation. It considers poems, visual images, and music concerned with divine and human creativity and interprets these works as salutary examples for the creation of the arts and the preservation of the earth. The central topic is the daily work of body or mind of Adam and Eve in Paradise Lost as primal artists and caretakers of nature before the Fall, developing the arts of language, music, liturgy, and government, discovering the rudiments of a technology harmless to the biosphere, and dressing and keeping a garden that is an epitome of the whole earth. These unfallen arts promote awareness of the complex harmonies of creation and potentially of civilization: an awareness that is not only linear or binary but radiant and multiple; not only monodic but also choral. McColley argues that northern European visual artists and seventeenth-century English poets reimagined Eden in order to re-Edenize the imagination as a source of ethical and ecological healing. The best-known depictions of Adam and Eve in the visual arts, which focus on the drama of the all, depart from a widespread but undervalued tradition that more celebratory and regenerative and less susceptible to misogynous interpretation. This tradition includes the neglected topos of original righteousness and contributes to what we would now call ecological awareness. Poets allied to this view foster Edenic consciousness by creating a Paradisal language that weaves form, sound, image, metaphor, concept, and experience as closely as nature weaves life, and so exercises our sense of connections
Although historians have begun to recognize the accomplishments of Disney Studio’s female animators, the women who contributed to the early success of Disneyland remain, for the most part, unacknowledged. Indeed, in celebrating the park’s ten-year anniversary in 1965, Walt Disney thanked “all the boys . . . who’ve been a part of this thing,” even though hundreds of women had also been instrumental in designing, building and operating Disneyland since before its grand opening in July 1955. Seeking to reclaim women’s place in the early history of Disneyland, The Women Who Made Early Disneyland highlights the female Disney employees and contract workers who helped make the park one of the most popular U.S. destinations during its first ten years. Some, like artist Mary Blair, Imagineers Harriet Burns and Alice Davis, “Slue Foot Sue” Betty Taylor, and Disneyland’s first “ambassador,” Julie Reihm, eventually became Disney “legends.” Others remain less well known, including landscape architect Ruth Shellhorn, parade choreographer Miriam Nelson, Aunt Jemima’s Kitchen hostess Alyene Lewis, and Tiny Kline, who at age seventy-one became the first Tinker Bell to fly over Disneyland. This one-of-a-kind book examines the lives and achievements of the women who made early Disneyland.
Traditional accounts of the Scottish Enlightenment present the half-century or so before 1750 as, at best, a not-yet fully realised precursor to the era of Hume and Smith, at worst, a period of superstition and religious bigotry. This is the first book-length study to systematically challenge that notion. Instead, it argues that the era between approximately 1680 and 1745 was a 'First' Scottish Enlightenment, part of the continent-wide phenomenon of early Enlightenment and led by the Jacobites, Episcopalians, and Catholics of north-eastern Scotland. It makes this argument through an intensive study of the dramatic changes in historiographical practice which took place in Scotland during this era, showing how the documentary scholarship of Jean Mabillon and the Maurists was eagerly received and rapidly developed in Scottish historical circles, resulting in the wholesale demolition of the older, Humanist myths of Scottish origins and their replacement with the foundations of our modern understanding of early Scottish history. This volume accordingly challenges many of the truisms surrounding seventeenth- and eighteenth-century Scottish history, pushing back against notions of pre-Enlightenment Scotland as backward, insular, and intellectually impoverished and mapping a richly polymathic, erudite, and transnational web of scholars, readers, and polemicists. It highlights the enduring cultural links with France and argues for the central importance of Scotland's two principal religious minorities—Episcopalians and Catholics—in the growth of Enlightenment thinking. As such, it makes a major intervention in the intellectual and cultural histories of Scotland, early modern Europe, and the Enlightenment itself.
Amagansett is an intimate history of a coastal village whose Dutch and English settlers arrived in 1860 to farm, fish, and participate in "ye whale designe," and which is now a colorful part of the Hamptons resort area. T his striking collection of images, dating from 1853, describes the community's part in the Revolutionary and Civil Wars, and its very personal experience with the Spanish-American War, when 25,000 soldiers landed here to recuperate from tropical diseases. The storied fishing and whaling industry, as well as life-saving crews and the families that awaited them are also featured. Along with economic and military history, civil life is represented in such scenes as historic homes, and local citizens welcoming summer visitors.
UNLAWFULLY WEDDED? Clayton Landry would do whatever it took to prove his innocence—and Victoria DeSimone was the key to clearing his name. Her testimony had sent him to jail for a crime he didn’t commit and he could never forget what she had cost him. Clayton had escaped to find justice…but his salvation meant marrying a woman he couldn’t trust. Newly wedded to an escaped con and on the run from the law, Victoria didn’t think things could get much worse—but she was wrong. When their quest to clear Clayton’s name turned deadly, their need to believe in each other was suddenly a matter of life or death.
When a late life love affair blooms between Mr. Forrest Payne, the owner of the Pink Slipper Gentleman's Club, and Miss Beatrice Jordan, famous for stationing herself at the edge of the club's parking lot and yelling warnings of eternal damnation at the departing patrons, their wedding brings a legend to town. Mr. El Walker, the great guitar bluesman, comes home to give a command performance in Plainview, Indiana, a place he'd sworn--and for good reason--he'd never set foot in again. But El is not the only Plainview native with a hurdle to overcome. A wildly philandering husband struggles at last to prove his faithfulness to the wife he's always loved. A young transwoman lights out for show biz and Chicago to escape her father's wrath and live an authentic life. And among those in this tightly knit community who show up every Sunday after church for lunch at Earl's All-You-Can-Eat, are the lifelong friends, known locally as "The Supremes"--Clarice, facing down her longing for, chance at and fear of a great career; Barbara Jean, grappling at last with the loss of a mother whose life humiliated both of them, and Odette, reaching toward her husband through an anger of his that she does not understand."--
This title focuses on John Brown’s raid on Harpers Ferry, guiding readers through its historical context, goals, and legacy. Critical thinking questions and two “Voices from the Past” special features help readers understand and analyze the various views people held at the time.
Cataloging for School Librarians presents theories and practices of cataloging and classifying print, non-print, and other materials. The text covers AACR2, RDA, FRBR, Sears, and Dewey Decimal, along with examples of other cataloging techniques. This book guides new and seasoned catalogers in order to meet current national library standards.
This book examines the work of psychological illusionist Derren Brown to understand the significance of storytelling and ancient philosophy in our society. Reflecting on the social disconnection and political polarisation of recent times, Darren Kelsey considers how we can rebuild a sense of collective cohesion and common good, weaving together contemporary psychology with ancient Stoicism to cut through the noise of modern life. Kelsey shows that Brown is more than a stage performer: he’s an enlightened magician who offers us guidance for navigating the challenges life throws at us, using his skills and wisdom to help us better understand ourselves and enable human flourishing. In this rigorous examination of Brown’s work, Kelsey makes a compelling case for paying closer attention to our personal, cultural and political stories and beliefs to help create a better future – for ourselves, our communities, and the planet.
Emily wants to rescue a wild mustang, but settles for helping muck out stalls at a nearby ranch. She earns a reputation as a horse whisperer after calming Midnight, a mustang that others cannot control. But even Emily can’t help when Midnight gets loose during a tornado. Or can she?
When Buddy, the class rabbit, goes missing, Emily is distraught. He was her responsibility to care for over spring break. The only bright spot is her new friend Oliver. But as Emily’s friendship with Oliver blossoms, the possibility of finding Buddy withers away. Can Emily recover from her Buddy blues?
Abby’s retired service dog Amigo isn’t doing well, but she doesn’t want to believe it. When the unthinkable happens, she gives up the thing she loves most: caring for the ranch’s dogs. Can Abby find a way to move past her grief and keep Amigo’s memory alive forever?
When Natalie saves enough money to buy Apocalypse, she’s certain she has found her heart horse. But Natalie finds herself caring for abused Eleven when she should be barrel racing with Apocalypse. Will Natalie become a barrel-racing champion? What happens when Natalie finally finds her heart horse?
Life at Second Chance Ranch becomes hectic after Grace offers to take in animals from a petting zoo, and the llama, Harry, becomes her responsibility. She decides to train Harry as part of her science project. But spitting llamas don’t care if a hypothesis is proven. Can Grace pull off the best science project ever?
Abby’s retired service dog Amigo isn’t doing well, but she doesn’t want to believe it. When the unthinkable happens, she gives up the thing she loves most: caring for the ranch’s dogs. Can Abby find a way to move past her grief and keep Amigo’s memory alive forever?
Emily wants to rescue a wild mustang, but settles for helping muck out stalls at a nearby ranch. She earns a reputation as a horse whisperer after calming Midnight, a mustang that others cannot control. But even Emily can’t help when Midnight gets loose during a tornado. Or can she?
Abby has her hands full with an anxious German shepherd, Destiny. While Abby helps Destiny learn to trust, Abby has to learn to overcome her old habits. Can Abby use the skills she used on Destiny to overcome her fear of the ocean in time for the family beach trip?
Grace has always rushed headlong into things. Grace tries to be thoughtful and responsible when helping with her elderly neighbor’s prize-winning cat, Chances, but it isn’t easy. Can Grace slow down enough to keep the people (and animals) she cares for safe? Or can taking chances be a good thing?
Natalie has a lot on her plate. She can’t seem to get Second Chance Ranch’s newest rescued horse, Tango, to barrel race. She’s also missing her best friend Sophia, and she isn’t sure if a new girl in town, Darcy, is bestie material or not. Can Natalie help Tango learn a new skill while she learns a few of her own?
When Buddy, the class rabbit, goes missing, Emily is distraught. He was her responsibility to care for over spring break. The only bright spot is her new friend Oliver. But as Emily’s friendship with Oliver blossoms, the possibility of finding Buddy withers away. Can Emily recover from her Buddy blues?
When Natalie saves enough money to buy Apocalypse, she’s certain she has found her heart horse. But Natalie finds herself caring for abused Eleven when she should be barrel racing with Apocalypse. Will Natalie become a barrel-racing champion? What happens when Natalie finally finds her heart horse?
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