When vice had a legal home and jazz was being born—the captivating story of an infamous true-life madam New Orleans, 1900. Mary Deubler makes a meager living as an “alley whore.” That all changes when bible-thumping Alderman Sidney Story forces the creation of a red-light district that’s mockingly dubbed “Storyville.” Mary believes there’s no place for a lowly girl like her in the high-class bordellos of Storyville’s Basin Street, where Champagne flows and beautiful girls turn tricks in luxurious bedrooms. But with gumption, twists of fate, even a touch of Voodoo, Mary rises above her hopeless lot to become the notorious Madame Josie Arlington. Filled with fascinating historical details and cameos by Jelly Roll Morton, Louis Armstrong, and E. J. Bellocq, Madam is a fantastic romp through The Big Easy and the irresistible story of a woman who rose to power long before the era of equal rights.
When vice had a legal home and jazz was being born—the captivating story of an infamous true-life madam New Orleans, 1900. Mary Deubler makes a meager living as an “alley whore.” That all changes when bible-thumping Alderman Sidney Story forces the creation of a red-light district that’s mockingly dubbed “Storyville.” Mary believes there’s no place for a lowly girl like her in the high-class bordellos of Storyville’s Basin Street, where Champagne flows and beautiful girls turn tricks in luxurious bedrooms. But with gumption, twists of fate, even a touch of Voodoo, Mary rises above her hopeless lot to become the notorious Madame Josie Arlington. Filled with fascinating historical details and cameos by Jelly Roll Morton, Louis Armstrong, and E. J. Bellocq, Madam is a fantastic romp through The Big Easy and the irresistible story of a woman who rose to power long before the era of equal rights.
Turning loose a Midwestern species of magical realism on a small, God-haunted town in Kansas, Kellie Wells charms strangeness and wonder from what might be mistaken for ?ordinary? life. Here is Martin LeFavor, convinced his father has been nabbed by a solicitous band of aliens in desperate need of skin; Charlotte McCorkle, a vexed visionary who believes she has helped her husband escape the flesh; Zero Loomis, plagued by sacrificial angels, the memory of his father, and a shadowy sexual identity; his sister Rachel, an amateur masseuse determined to settle accounts with the past, in particular with her lovingly violent father; Ruby Tuesday, Rachel?s daughter, a budding oracle, the embodiment of possibility and prey to history; and, holding this tilted cosmos together, fifteen-year-old Ivy Engel, who carefully measures the borders of Self, advocates for neighborhood bats, and frets about the health of her friend Duncan, his harrowed body mapped and perhaps ravaged by subcutaneous scars. ø What happens when the spirit exceeds the limits of the skin? More troubling yet, what happens if it doesn?t? These are the questions the inhabitants of What Cheer, Kansas, must finally face as their paths cross and recross in an ever more intriguing?and perhaps liberating?puzzle.
THE PHENOMENAL MEMOIR OF A NATIONAL TREASURE After Kellie Harrington won gold at the Tokyo Olympics, the Irish public recognized her as not merely a sporting hero, but a deeply inspirational human being. Now, Kellie tells the story of her unlikely journey to the top, and of the many obstacles and setbacks she overcame along the way. Growing up in Dublin's north inner city, Kellie was in danger of going down the wrong path in life before she discovered boxing. The local boxing club was all-male and initially wouldn't let her join, but she persisted. She was not an overnight success. For years she struggled in international competition. At times she felt unsupported by the national boxing set-up. More than once she considered giving up the sport. But some spark of ambition and love for boxing kept her going, and gradually she made herself world class. Writing with Roddy Doyle, the award-winning author of The Commitments, Kellie tells the story of her unlikely rise to greatness and her continuing dedication to living a normal life - which has involved remaining an amateur boxer and keeping the job she loves, at a Dublin psychiatric hospital. She shares exceptionally vivid and revealing details about being a woman in a historically male sport, and about how she manages her body and her mind. It is a vastly inspiring look inside the life and psychology of a woman who is both brilliantly ordinary and utterly exceptional.
Are you constantly searching for that ever-elusive consistent game of golf? You may know how to hit the shots, but do you know how to play the game of golf? Do you play a round of golf, feeling that you have played pretty well and find that you are continually frustrated that your score has not decreased as you would have hoped? Learning the art of scoring on the golf course is part of the natural progression of learning the game of golf. To this point you have learned "how" and now you have to take accountability for the more important question "how many?". The book includes methods to increase consistency through practice techniques and on course strategies. It gives you the questions you need to ask yourself to make the right decisions on the course. It teaches you how to make your practice time productive and shows you more advanced shot making options that are available to you now as you are a more experienced player. Once you learn each particular skill: putting, chipping, pitching, sand and full swing, you will then need to learn to make them work under the pressure on the course when each shot counts. Apply the techniques you will learn over time and you will see your scores and your handicap drop. Learn what the lower handicapped players are doing and thinking. Learn to choose the highest percentage shot in different situations, along with a short game progression to help you to decide whether to putt, chip or pitch. Most golf instructionals - especially those for women - deal with the absolute beginner. This program is unique in that it helps golfers with the next stage of their game, thereby enhancing their enjoyment on the course.
Detroit, MIchigan, has long been recognized as a center of musical innovation and social change. Rebekah Farrugia and Kellie D. Hay draw on seven years of fieldwork to illuminate the important role that women have played in mobilizing a grassroots response to political and social pressures at the heart of Detroit’s ongoing renewal and development project. Focusing on the Foundation, a women-centered hip hop collective, Women Rapping Revolution argues that the hip hop underground is a crucial site where Black women shape subjectivity and claim self-care as a principle of community organizing. Through interviews and sustained critical engagement with artists and activists, this study also articulates the substantial role of cultural production in social, racial, and economic justice efforts.
This book provides an in-depth analysis of language and tourist mobility within an adventure tourism context. It uses a critical and ethnographic approach, contributing to poststructuralist perspectives of social life that are currently undergoing considerable changes on social, political, cultural and linguistic levels. Drawing upon an array of data sources collected over five years on two continents, it examines and compares the way language and communication (e.g. speech, written texts, visual resources) are used within the production of place-making practices in two of the world’s top adventure tourism destinations: Interlaken, Switzerland and Queenstown, New Zealand. It centres on issues such as cross-cultural discourses, transcultural texts, and semiotic landscapes.
Share a personal experience with a 25 year old singer/entertainer documenting her first twelve months with Multiple Sclerosis, the confusion, the disappointments, the failures, the accomplishments, her hope and recovery. You will discover The National Little Britches Rodeo Association (NLBRA) If accidents cause MS? Coping and Depression Exercise and Physical Therapy Tiredness and Confusion Pregnancy The National Multiple Sclerosis Society Alternative Therapies Optic Neuritis “Bonnie Ellison is a patient of mine with Multiple Sclerosis. She has a good knowledge of the disease and an understanding of how it can affect your life. She is a positive person.” Mindy Wiener, M.D. “Unique, interesting, a real life story.” Roger M. Bagg, D.V.M. “Humor. Warmth. Personality. “Take Time” to read this personal informative book.” Kellie S. Fitzsimmons, B.S.N., R.N. www.bonnielynneellison.blogspot.com Please go to www.f-a-b-company.com and click on our pictures.
From its origins in the 1750s, the white-led American abolitionist movement adhered to principles of "moral suasion" and nonviolent resistance as both religious tenet and political strategy. But by the 1850s, the population of enslaved Americans had increased exponentially, and such legislative efforts as the Fugitive Slave Act and the Supreme Court's 1857 ruling in the Dred Scott case effectively voided any rights black Americans held as enslaved or free people. As conditions deteriorated for African Americans, black abolitionist leaders embraced violence as the only means of shocking Northerners out of their apathy and instigating an antislavery war. In Force and Freedom, Kellie Carter Jackson provides the first historical analysis exclusively focused on the tactical use of violence among antebellum black activists. Through rousing public speeches, the bourgeoning black press, and the formation of militia groups, black abolitionist leaders mobilized their communities, compelled national action, and drew international attention. Drawing on the precedent and pathos of the American and Haitian Revolutions, African American abolitionists used violence as a political language and a means of provoking social change. Through tactical violence, argues Carter Jackson, black abolitionist leaders accomplished what white nonviolent abolitionists could not: creating the conditions that necessitated the Civil War. Force and Freedom takes readers beyond the honorable politics of moral suasion and the romanticism of the Underground Railroad and into an exploration of the agonizing decisions, strategies, and actions of the black abolitionists who, though lacking an official political voice, were nevertheless responsible for instigating monumental social and political change.
You have managed to develop a respectable game of golf, but your score just doesn't seem to be getting any lower. We have all experienced the frustration of getting right up to the edge of the green only to throw away numerous shots with a missed chip or one too many putts, and now is the time to take responsibility for your score, and your short game will be the quickest way to do this. The short game is more different for women than any other part of the game. The short game schools are often advertised as '100 yards in', and shots of 100 yards may be a full 7 or 8 iron for many women. But the short game provides a wonderful opportunity for women to even the playing field. A good short game can compensate for a multitude of mistakes and take a lot of pressure off the full swing. By identifying strengths and weaknesses, from the smallest stroke to the largest swing and applying simple methods for quick skill improvement, you will learn to self correct and better manage your own golf game. Beginning with advice on making better decisions about shot selection and practice techniques from fairway and bunker to green, The Women's Guide to Lower Scores will take players through the steps they need to conquer the game and bring on the lower scores.
Drawing together the work of 10 leading playwrights, this National Theatre Connections anthology features work by some of the most exciting and established contemporary playwrights. Gathered together in one volume, the plays collected offer young performers between the ages of 13 and 19 an engaging selection of material to perform, read or study. Each play has been specifically commissioned by the National Theatre's literary department with the young performer in mind. The anthology contains 10 play scripts; notes from the writer and director of each play, addressing the themes and ideas behind the play; and production notes and exercises for the drama groups. This year's anniversary anthology includes plays by Suhayla El-Bushra, Anders Lustgarten, Robin French, Tim Etchells, Patrick Marber, Kellie Smith, Lizzie Nunnery, Harriet Braun and Alistair McDowall.
Set in a multilingual cleaning company that serves Anglophone customers in the upper-(middle) class suburbs of New York City, this book presents an ethnographic study into power, language policy and communication from the perspectives of the Brazilian–American employer as well as the company’s Hispanophone and Lusophone employees. Power asymmetries in internal communication demonstrate the employer’s legitimated domination over her employees and her L1 Portuguese as a form of linguistic capital. Employees’ resourcefulness and multicompetence – rather than quantifiable levels of English-language proficiency – determine the extent to which they rely on language brokering to facilitate communication with their customers, directly impacting their agency. The book contributes to current debates on extra-linguistic modes of communication in multilingual settings and thematic analyses of care work, migration, communication and the role of English.
A radical reframing of the past and present of Black resistance—both nonviolent and violent—to white supremacy Black resistance to white supremacy is often reduced to a simple binary, between Dr. Martin Luther King Jr.’s nonviolence and Malcolm X’s “by any means necessary.” In We Refuse, historian Kellie Carter Jackson urges us to move past this false choice, offering an unflinching examination of the breadth of Black responses to white oppression, particularly those pioneered by Black women. The dismissal of “Black violence” as an illegitimate form of resistance is itself a manifestation of white supremacy, a distraction from the insidious, unrelenting violence of structural racism. Force—from work stoppages and property destruction to armed revolt—has played a pivotal part in securing freedom and justice for Black people since the days of the American and Haitian Revolutions. But violence is only one tool among many. Carter Jackson examines other, no less vital tactics that have shaped the Black struggle, from the restorative power of finding joy in the face of suffering to the quiet strength of simply walking away. Clear-eyed, impassioned, and ultimately hopeful, We Refuse offers a fundamental corrective to the historical record, a love letter to Black resilience, and a path toward liberation.
Mediating Sexual Citizenship considers how the neoliberal imperatives of adaptation, improvement and transformation that inform the shifting artistic and industrial landscape of television are increasingly indexed to performed disruptions in the norms of sexuality and gender. Drawing on examples from a range of television genres (quality drama, reality television, talk shows, sitcoms) and outlets (network, cable, subscription video on demand), the analysis in this book demonstrates how, as one of the most dominant cultural technologies, television plays a critical role in the production, maintenance and potential reconfiguring of the social organisation of embodiment, be it within gender identities, kinship structures or the categorisation of sexual desire. It suggests that, in order to understand television’s role in producing gendered and sexual citizenship, we must pay critical attention to the significant shifts in how television is produced, broadcast and consumed.
Since ancient times, music has demonstrated the incomparable ability to touch and resonate with the human spirit as a tool for communication, emotional expression, and as a medium of cultural identity. During World War II, Nazi leadership recognized the power of music and chose to harness it with malevolence, using its power to push their own agenda and systematically stripping it away from the Jewish people and other populations they sought to disempower. But music also emerged as a counterpoint to this hate, withstanding Nazi attempts to exploit or silence it. Artistic expression triumphed under oppressive regimes elsewhere as well, including the horrific siege of Leningrad and in Japanese internment camps in the Pacific. The oppressed stubbornly clung to music, wherever and however they could, to preserve their culture, to uplift the human spirit and to triumph over oppression, even amid incredible tragedy and suffering. This volume draws together the musical connections and individual stories from this tragic time through scholarly literature, diaries, letters, memoirs, compositions, and art pieces. Collectively, they bear witness to the power of music and offer a reminder to humanity of the imperative each faces to not only remember, but to prevent another such cataclysm.
Named a Best Art Book of 2017 by the New York Times and Artforum In South of Pico Kellie Jones explores how the artists in Los Angeles's black communities during the 1960s and 1970s created a vibrant, productive, and engaged activist arts scene in the face of structural racism. Emphasizing the importance of African American migration, as well as L.A.'s housing and employment politics, Jones shows how the work of black Angeleno artists such as Betye Saar, Charles White, Noah Purifoy, and Senga Nengudi spoke to the dislocation of migration, L.A.'s urban renewal, and restrictions on black mobility. Jones characterizes their works as modern migration narratives that look to the past to consider real and imagined futures. She also attends to these artists' relationships with gallery and museum culture and the establishment of black-owned arts spaces. With South of Pico, Jones expands the understanding of the histories of black arts and creativity in Los Angeles and beyond.
Fantastic feel good book to curl up and get lost in' NETGALLEY REVIEWER All Kenna Sanders has ever wanted is to find a place she can call home. So when her grandmother leaves her failing bait shop business to her, Kenna sees a chance at building a stable life in the Cornish village she was born in but never knew. But her grandmother's will has one stipulation: she has to share the cottage with a total stranger! Kyran has lost everyone he holds dear and now his business is on the verge of collapse. The last thing he wants is for a woman to waltz in, promise to make it all better, and stir up feelings he's long supressed. Especially a woman in such close proximity... Kenna has an idea to save the business: set up a fishing festival to reinspire interest in the bait shop. As they work closely together, attraction quickly sparks between them. But while Kenna is looking for forever, Kyran is too afraid to get hurt again. Can they find a way to make the festival a success and escape with their hearts intact? A warm and uplifting romance, Finding Home in Dolphin's Cove is perfect for fans of Jessica Redland, Tilly Tennant and Donna Ashcroft.
In recent years, household indebtedness in the United States reached its highest levels in history. From mortgages to student loans, from credit card bills to US deficit spending, debt is widespread and increasing. Drawing on scholarship from economics, accounting, and critical rhetoric and social theory, Kellie Sharp-Hoskins critiques debt not as an economic indicator or a tool of finance but as a cultural system. Through case studies of the student-loan crisis, medical debt, and the abuses of municipal bonds, Sharp-Hoskins reveals that debt is a rhetorical construct entangled in broader systems of wealth, rule, and race. Perhaps more than any other social marker or symbol, the concept of “debt” indicates differences between wealthy and poor, productive and lazy, secure and risky, worthy and unworthy. Tracking the emergence and work of debt across temporal and spatial scales reveals how it exacerbates vulnerabilities and inequities under the rhetorical cover of individual, moral, and volitional calculation and equivalency. A new perspective on a serious problem facing our society, Rhetoric in Debt not only reveals how debt organizes our social and cultural relations but also provides a new conceptual framework for a more equitable world.
Selections of writing by the influential art critic and curator Kellie Jones reveal her role in bringing attention to the work of African American, African, Latin American, and women artists.
Get students thinking and learning by getting them talking! Transitioning from home to school can be chaotic—but it doesn’t have to be. When you make Morning Classroom Conversations (MCCs) a regular part of your homeroom or advisory period, you give students a safe space to practice critical and creative thinking, build active listening skills, learn to respectfully disagree with others, and strengthen peer relationships... all while improving overall classroom climate. Written by expert practitioners in the area of SEL, this book provides teachers, school counselors, and other conversation leaders with a wealth of tools to guide successful MCCs from start to finish—in just 10-15 minutes! Features include: Three calendar years’ worth of thought-provoking prompts and themes An overview of the underlying structure and goals of MCCs Sample scripts Vignettes and student and teacher voices Adolescents need to feel heard and understood—by adults and by their peers. MCCs teach them to channel scattered thoughts and strong feelings into dynamic discussions while also strengthening social, emotional, and character development and building the skills they will need to achieve their goals as they transition to adult life.
Nature Speaks recovers the common ground shared between physics—what used to be known as "natural philosophy"—and fiction-writing as ways of representing the natural world. In doing so, it traces how nature gained an authoritative voice in the late medieval period only to lose it at the outset of modernity.
Following high-profile Serious Case Reviews into the tragic deaths of children, including Victoria Climbie, Peter Connelly and Daniel Pelka, information sharing has now become a moral and political imperative for safeguarding the welfare of children. What prompts information sharing and how do we get it right? This accessible book challenges widely held assumptions about information sharing in child welfare that facts about risks to children are clear and that sharing them with other professionals is a straightforward process. End-of-chapter questions prompt reflection and ensure direct practice relevance. This is essential reading for academics and policy makers, students on post-qualifying child protection courses, social workers, managers and all other professionals tasked with safeguarding children.
Production company Moon Studio has launched a new children's series called WILDLIFE JACK AND HIS ANIMAL ADVENTURES on the Disney channel this summer, narrated by Chris Packham. It is a new wildlife TV show aimed at 2-6 year olds. In the show, animated Jack uses his special ability to talk to real animals and discovers their extraordinary world. Jack lives in the middle of a city but loves the countryside. His explorer Grandpa has given him a very special book, full of pictures and cuttings from his adventures. As they read it together, his room transforms around him and his own wildlife adventure begins. WILDLIFE JACK, the book is based on the first episode 'I want to fly', and teaches children about British birds, their habitats, and the wonders of flight.
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