The ground-breaking biography of Ralph Vaughan Williams reveals more than any other the man behind the music. The author examines the considerable range of Vaughan Williams's work, from the English pastoral tradition to Modernism, and shows how Vaughan Williams was influenced by the Boer War, the economic depression after the First World War, the deprivations of the Blitz, and the austerity of the Cold War. He also reveals how the greatest influence on Vaughan Williams's music and creative development was his personal life, involving his seemingly secure marriage and an equally enduring love affair. The author shows how these reflected both the stability and cutting-edge aspects of his music. Like a great symphony, this book ranges from doubt to inspiration. It is the most complete biography of one of Britain's greatest composers and will be of interest to historians, students of music and Vaughan Williams enthusiasts.
Available in paperback for the first time, this groundbreaking in-depth history of the involvement of African Americans in the early recording industry examines the first three decades of sound recording in the United States, charting the surprising roles black artists played in the period leading up to the Jazz Age and the remarkably wide range of black music and culture they preserved. Applying more than thirty years of scholarship, Tim Brooks identifies key black artists who recorded commercially and provides illuminating biographies for some forty of these audio pioneers. Brooks assesses the careers and recordings of George W. Johnson, Bert Williams, George Walker, Noble Sissle, Eubie Blake, the Fisk Jubilee Singers, W. C. Handy, James Reese Europe, Wilbur Sweatman, Harry T. Burleigh, Roland Hayes, Booker T. Washington, and boxing champion Jack Johnson, as well as a host of lesser-known voices. Many of these pioneers faced a difficult struggle to be heard in an era of rampant discrimination and "the color line," and their stories illuminate the forces--both black and white--that gradually allowed African Americans greater entree into the mainstream American entertainment industry. The book also discusses how many of these historic recordings are withheld from the public today because of stringent U.S. copyright laws. Lost Sounds includes Brooks's selected discography of CD reissues, and an appendix by Dick Spottswood describing early recordings by black artists in the Caribbean and South America.
Completely revised and expanded, this fourth edition covers the 986 minerals found in Arizona, showcased with breathtaking new color photographs throughout the book. The new edition includes more than 200 new species not reported in the third edition and previously unknown in Arizona. Chapters in this fourth edition of Mineralogy of Arizona cover gemstones and lapidary materials, fluorescent minerals, and an impressive catalog of mineral species. The authors also discuss mineral districts, including information about the geology, mineralogy, and age of mineral occurrences throughout the state. The book includes detailed maps of each county, showing the boundaries and characteristics of the mineral districts present in the state. Arizona’s rich mineral history is well illustrated by the more than 300 color photographs of minerals, gemstones, and fluorescent minerals that help the reader identify and understand the rich and diverse mineralogy of Arizona. Anyone interested in the mineralogy and geology of the state will find this the most up-to-date compilation of the minerals known to occur in Arizona.
During World War I, thousands of rural southern men, black and white, refused to serve in the military. Some failed to register with the draft, while others deserted after being inducted. Jeanette Keith traces southern draft resistance to several sources.
The spectacular revival of serious music in England is a chief feature of the history of British culture from the turn of the twentieth century and after. For some two centuries the art form had stagnated in England, which was referred to, notoriously, by a German commentator as 'the land without music'. But then came a great renaissance. In the three linked essays that make up this book, Keith Alldritt, the most recent biographer of Vaughan Williams, examines the several phases and genres of this revival. A number of composers including Gustav Holst, Arnold Bax and William Walton contributed to the renewal. But this book presents the renaissance as centrally a continuity of enterprise, sometimes of riposte, running from Elgar to Vaughan Williams and then to Benjamin Britten. Their concern was with music at its most serious, though not unceasingly humourless. All three explored music's frontier with philosophy. They also probed the psychological impact of the unprecedently violent and destructive century in which they practised their art. Going beyond musicological comment, England Resounding essays insights into the historical, geopolitical and personal events that elicited the major works of these three great composers.
Postmodernity has been dubbed the great transformation in society and culture, yet in this book Keith Tester casts a cautious eye on such grandiose claims. Drawing on a range of themes and stories from European sociology and literature, Tester shows how many of the great statements about postmodernityare misleading. Tester argues that "postmodernity" is not so much the harbinger of new world expression as it is a parasite of modernity, feeding off its predecessor's unresolved paradoxes and possibilities. This book provides a wealth of sources which are usually denigrated or ignored in the debates on postmodernity. As such, it sheds light on old claims, yet never fails to acknowledge the profound insights of sociologists and other authors.The Life and Times of Postmodernityis an elaboration of the themes which Tester raised in his earlier books,The Two SovereignsandCivil Society, both published by Routledge.
The number one anatomy text for medical and allied health students, Clinically Oriented Anatomy features comprehensive coverage of anatomy along with clinical correlations provided by the famous "blue boxes." New features in this edition include: completely new art program; surface anatomy and medical imaging boxes; and new illustrated tables.
From Key Largo to the Dry Tortugas, this true insider’s guide to Florida’s subtropical islands, offers a comprehensive look at famous attractions such as daily sunset celebrations, historic bars, renowned restaurants, and America’s only living coral reef. Supplemented with information about local hidden gems, it offers tips about secret gardens, hip diners, and beachfront bistros. The swashbuckling history of the Keys and some of its most famous inhabitants are brought to life with charming text—from Jimmy Buffett to the ever-present ghosts of Ernest Hemingway and Tennessee Williams.
Clinically Oriented Anatomy provides first-year medical students with the clinically oriented anatomical information as it relates to the practice of medicine, dentistry, and physical therapy. The 7th edition features a fully revised art program to ensure consistency and cohesiveness of imaging style"--Provided by publisher.
The "Second Quintet" -- the Miles Davis Quintet of the mid-1960s -- was one of the most innovative and influential groups in the history of the genre. Each of the musicians who performed with Davis--saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams--went on to a successful career as a top player. The studio recordings released by this group made profound contributions to improvisational strategies, jazz composition, and mediation between mainstream and avant-garde jazz, yet most critical attention has focused instead on live performances or the socio-cultural context of the work. Keith Waters' The Studio Recordings of the Miles Davis Quintet, 1965-68 concentrates instead on the music itself, as written, performed, and recorded. Treating six different studio recordings in depth--ESP, Miles Smiles, Sorcerer, Nefertiti, Miles in the Sky, and Filles de Kilimanjaro--Waters has tracked down a host of references to and explications of Davis' work. His analysis takes into account contemporary reviews of the recordings, interviews with the five musicians, and relevant larger-scale cultural studies of the era, as well as two previously unexplored sources: the studio outtakes and Wayne Shorter's Library of Congress composition deposits. Only recently made available, the outtakes throw the master takes into relief, revealing how the musicians and producer organized and edited the material to craft a unified artistic statement for each of these albums. The author's research into the Shorter archives proves to be of even broader significance and interest, as Waters is able now to demonstrate the composer's original conception of a given piece. Waters also points out errors in the notated versions of the canonical songs as they often appear in the main sources available to musicians and scholars. An indispensible resource, The Miles Davis Quintet Studio Recordings: 1965-1968 is suited for the jazz scholar as well as for jazz musicians and aficionados of all levels.
They ride horses, rope calves, buck broncos, ride and fight bulls, and even wrestle steers. They are Black cowboys, and the legacies of their pursuits intersect with those of America’s struggle for racial equality, human rights, and social justice. Keith Ryan Cartwright brings to life the stories of such pioneers as Cleo Hearn, the first Black cowboy to professionally rope in the Rodeo Cowboy Association; Myrtis Dightman, who became known as the Jackie Robinson of Rodeo after being the first Black cowboy to qualify for the National Finals Rodeo; and Tex Williams, the first Black cowboy to become a state high school rodeo champion in Texas. Black Cowboys of Rodeo is a collection of one hundred years of stories, told by these revolutionary Black pioneers themselves and set against the backdrop of Reconstruction, Jim Crow, segregation, the civil rights movement, and eventually the integration of a racially divided country.
“An unforgettable reading experience.”―Eric Holder With this powerful and intimate trial diary, Minnesota Attorney General Keith Ellison asks the key question: How do we break the wheel of police violence and finally make it stop? The murder of George Floyd sparked global outrage. At the center of the conflict and the controversy, Keith Ellison grappled with the means of bringing justice for Floyd and his family. Now, in this riveting account of the Derek Chauvin trial, Ellison takes the reader down the path his prosecutors took, offering different breakthroughs and revelations for a defining, generational moment of racial reckoning and social justice understanding. Each chapter of BREAK THE WHEEL goes spoke to spoke along the wheel of the system as Ellison examines the roles of prosecutors, defendants, heads of police unions, judges, activists, legislators, politicians, and media figures, each in his attempt to end this chain of violence and replace it with empathy and shared insight. Ellison’s analysis of George Floyd’s life and the rich trial context he provides demonstrates that, while it may seem like an unattainable goal, lasting change and justice can be achieved.
This work closely analyzes and evaluates the literary achievement and the sociopolitical impact of three eighteenth-century Anglo-African authors -- Ignatius Sancho, Ottobah Cugoano, and Olaudah Equiano -- and their work, which collectively represents the earliest emergence of black self-consciousness in England.
Based on a wide range of primary sources, this book shows the way in which diplomacy, economics, finance and strategy became intertwined during the First World War. The author examines the diplomatic, economic, financial and military relations between Britain and Russia and argues that the key to understanding the alliance is the British determination to win the war and the role Russia played in achieving this aim. British strategy is shown to be more the result of her relations with her allies, especially during the first years of the war, than a quarrel between East and West. This revision of the accepted interpretation of the strategy leads to a reassessment of the views of Lloyd George, Kitchener and Grey. The author concludes that in 1917 the British interest in Russia remained as it was earlier in the war: the maintenance of a powerful ally on the eastern front.
This book provides a detailed review of much of the existing research on visual perception and sports performance. It summarises and integrates the findings of up to five hundred articles from areas as diverse as cognitive and ecological psychology.
Bible & Treaty: Missionaries among the Māori is a complex and colourful adventure of faith, bravery, perseverance and betrayal that seeks to recover lost connections in the story of modern New Zealand. It brings a fresh perspective to the missionary story, from the lead-up to Samuel Marsden's first sermon on New Zealand soil, and the intervening struggle for survival and understanding, to the dramatic events that unfolded around the Treaty of Waitangi and the disillusionment that led to the Land Wars in the 1860s. While some missionaries clearly failed to live up to their high calling, the majority committed their lives to Māori and were instrumental in spreading Christianity, brokering peace between warring tribes, and promoting literacy – resulting in a Māori-language edition of the Bible. This highly readable account, from the author of Ratana Revisited: An Unfinished Legacy (2006) and Ratana: The Prophet (2009), shines a new light on the ever-evolving business of New Zealand's early history.
From 1972 to 1976, Hollywood made an unprecedented number of films targeted at black audiences. But following this era known as “blaxploitation,” the momentum suddenly reversed for black filmmakers, and a large void separates the end of blaxploitation from the black film explosion that followed the arrival of Spike Lee’s She's Gotta Have It in 1986. Illuminating an overlooked era in African American film history, Trying to Get Over is the first in-depth study of black directors working during the decade between 1977 and 1986. Keith Corson provides a fresh definition of blaxploitation, lays out a concrete reason for its end, and explains the major gap in African American representation during the years that followed. He focuses primarily on the work of eight directors—Michael Schultz, Sidney Poitier, Jamaa Fanaka, Fred Williamson, Gilbert Moses, Stan Lathan, Richard Pryor, and Prince—who were the only black directors making commercially distributed films in the decade following the blaxploitation cycle. Using the careers of each director and the twenty-four films they produced during this time to tell a larger story about Hollywood and the shifting dialogue about race, power, and access, Corson shows how these directors are a key part of the continuum of African American cinema and how they have shaped popular culture over the past quarter century.
The richness of Detroit’s music history has by now been well established. We know all about Motown, the MC5, and Iggy and the Stooges. We also know about the important part the Motor City has played in the history of jazz. But there are stories about the music of Detroit that remain untold. One of the lesser known but nonetheless fascinating histories is contained within Detroit’s country music roots. At last, Craig Maki and Keith Cady bring to light Detroit’s most important country and western and bluegrass stars, such as Chief Redbird, the York Brothers, and Roy Hall. Beyond the individuals, Maki and Cady also map out the labels, radio programs, and performance venues that sustained Detroit’s vibrant country and bluegrass music scene. In the process, Detroit Country Music examines how and why the city’s growth in the early twentieth century, particularly the southern migration tied to the auto industry, led to this vibrant roots music scene. This is the first book—the first resource of any kind—to tell the story of Detroit’s contributions to country music. Craig Maki and Keith Cady have spent two decades collecting music and images, and visiting veteran musicians to amass more than seventy interviews about country music in Detroit. Just as astounding as the book’s revelations are the photographs, most of which have never been published before. Detroit Country Music will be essential reading for music historians, record collectors, roots music fans, and Detroit music aficionados.
A defense of the New Testament view that all things are to be united in Christ, which entails that the ultimate destiny of the universe, and of all that is in it, is to be united in God. Keith Ward argues that this conflicts with classical ideas of God as simple, impassible, and changeless--ideas that many modern theologians espouse, and which Ward subjects to careful and critical scrutiny. He defends the claim that the cosmos contributes something substantial to--and in that way changes--the divine nature, and the cosmos is destined to manifest and express the essential creativity and relationality of a God of beatific, agapic, redemptive, and unitive love.
English and American Baptists of the seventeenth and eighteenth centuries lived in two worlds. In one world, established churches were the norm and persecution was the means by which such churches and the civil governments dealt with religious dissenters. Yet these Baptists also lived in another world in which God's kingdom ruled and the sword of the Spirit (the Bible), not the sword of Caesar, settled religious disputes. When their two worlds collided, and they often did, many Baptists chose to go to prison rather than to violate their consciences by worshipping in churches that they abhorred, by listening to ministers whom they did not choose, and by submitting their spiritual lives to earthly magistrates. Early Baptists knew that they could avoid prison and other hardships if they yielded to the pressures of political and ecclesiastical authorities to conform. Many Baptists considered such yielding as a retreat from their cause and their God, believing that retreat would have been spiritually fatal. They chose instead to move forward in their faith, although it might cost them dearly. Thus, rather than retreat, these courageous Baptists advanced, some to prison and then back to freedom, others to jail and then to the grave. All, however, did so because, like Thomas Hardcastle, they knew that "There is no armor for the back." Baptists who graced numerous prisons and jails in England and in the American colonies did not remain silent, however, for they continued to preach and to write letters, poems, and books. These Baptists stated their cases without any self-pity and interpreted their persecutions as the natural consequences of professing their faith in Christ.
A beautiful island lying in the northern part of the Irish Sea between England, Scotland, Ireland and Wales, the Isle of Man was once a popular holiday destination. It is perhaps better known today for the TT motorcycle races held there, its tailless cats and Manx kippers. However, it also has its darker side. Manx Murders is a collection of gripping and mysterious murder cases committed on the Island over the last 150 years, from the brutal slaying of a spinster one dark night on a lonely track near Ramsey to the infamous 'Golden Egg Murder' in central Douglas. The cases that have caused shock and sensation throughout two centuries of the Island's history are recorded here as the author reveals the events behind the last hanging on the Island, a deathbead confession, the harrowing story of a murderous father and the cases that remain unsolved to this day. The Island's political importance as a wartime holding area for prisoners of war is also explored through the account of a bizarre, seemingly motiveless killing in 1916 and the stabbing of a Finnish prisoner during the Second World War. Using information obtained from newspapers, inquest records and trial transcripts whenever these were available, each murder is described against the backdrop of contemporary events to give the reader a distinct flavour of life at the time of the crime. While each case is unique, all share an overwhelming sadness and tragedy that will never be forgotten.
A new novel based on the hit TV series Leverage... The rich and powerful take what they want. We steal it back for you. THE ZOO JOB Marney Brillinger is in trouble. The zoo that has been in her family for generations is failing, and when she makes a deal with a Malanian priest to loan her two exotic black rhinos for a special exhibit, they never arrive. Now, she’s on the hook for hundreds of thousands of dollars to the priest, who was planning to use the money for sick children. Desperate, she turns to Nate Ford and his team for assistance. But finding two very large lost animals is no easy feat when the search involves duplicity—both international and close–to–home—and the unwelcome arrival of Nate’s nemesis, Interpol agent James Sterling. With Sterling around, if the team isn’t careful, they just might end up in cages of their own . . .
Detailing life in tiny, artsy, anything-goes Key West—where Broadway composers and bestselling authors live on the same funky blocks as housekeepers, bartenders, and tour guides—this updated collection of essays and columns about island life features pieces that first appeared in the Miami Herald. Profiles of colorful characters such as an Italian heiress who waits tables, a dishwasher with a PhD, and a taxi-driving opera singer provide a kaleidoscopic portrait of residents living, working, and playing in a caste-free, rowdy paradise.
The Historical Dictionary of American Cinema provides broad coverage of the people, films, companies, techniques, themes, and genres that have made American cinema such a vital part of world cinema. This is done through a chronology, an introductory essay, a bibliography, and over 500 cross-referenced dictionary entries. This book is an excellent access point for students, researchers, and anyone wanting to know more about the history of American Cinema.
From poetry to fiction to essays, American Lit 101 leaves no page unturned! Edgar Allan Poe. Willa Cather. Henry David Thoreau. Mark Twain. The list of important American writers goes on and on. These voices played a vital role in shaping the scope of American literature, and the United States itself. But too often, textbooks reduce this storied history to dry text that would put even a tenured professor to sleep. American Lit 101 is an engaging and comprehensive guide through the major players in American literature. From colonialism to postmodernism and every literary movement in between, this primer is packed with hundreds of entertaining tidbits and concepts, along with easy-to-understand explanations on why each author's work was important then and still relevant now. So whether you're looking for a refresher course on key American literature or want to learn about it for the first time, American Lit 101 has all the answers--even the ones you didn't know you were looking for.
This unique book tells the story of two stars. One is Sir Elton John and his career up to the breakthrough gigs at the LA Troubadour in 1970. The other is Tin Pan Alley itself.
Though physiological ecology has been a discipline since the 1950s, McNab redresses a perceived absence of a theoretical framework with a comparative, inductive approach to studying vertebrate evolution and ecology. He discusses the patterns and limits of adaptation to the environment, acclimation to temperature variation and material exchange with the environment, and the energetics of locomotion and growth. The final section treats the significance of energetics for population ecology and distribution. Includes a taxonomic as well as subject index. Suitable for advanced students and researchers in the biological and ecological sciences. The Gainesville, FL-based author is referred to by the foreword writer as a keen naturalist, but his credentials are not stated. Annotation copyrighted by Book News Inc., Portland, OR.
An upbeat and unruly ferret is ready for an adventure! With his new companion Birzy, Ferald embarks on a journey into the unknown. Along the way, they meet many interesting characters, such as Mr. Wiggly, who offers them a scrumptious tea and toast. Join Ferald and Birzy on their journey as they learn the true meaning of adventure and appreciate the beauty of nature.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.